Depois Do Começo Lyrics in English by Legião Urbana

Below, I translated the lyrics of the song Depois Do Começo by Legião Urbana from Portuguese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Let's leave the windows open
And let the balance go away
Fall like a saxophone on the sidewalk
Tie a copper wire around the neck
Light the interval through the filter
Use a fire extinguisher as a sheet
Play water polo in bed
Keep sliding across the ceiling
Of our blind and medieval house
Sing songs in strange languages
Shred the unarmed curtains
With the deaf knife that faith stained
Disarm the indecent toys
And the pure indecency of the portraits in the hall
Let's drink books and chew rugs
Pick up cigarette butts on the walls
Open the refrigerator and let the wind out
Spit any day into the future
Of those who have already disappeared
God, God, we are all atheists
Let's cut the prince's hair
And give them to a plebeian god
And after the beginning
Whatever comes will start to be the end
And after the beginning
Whatever comes will start to be the end
And after the beginning
Whatever comes will start to be the end
And after the beginning
Whatever comes will start to be
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Sony/ATV Music Publishing LLC
Renato Junior Manfredini
Did you like this lyrics translation?

retalharto shred / to cut into pieces

Retalhar means 'to shred' or 'to cut into pieces'. It's a strong, evocative verb that suggests a deliberate and somewhat violent act of destruction.

In the context of the song, the lyrics "Retalhar as cortinas desarmadas / Com a faca surda que a fé sujou" (Shred the unarmed curtains / With the dull knife that faith stained) paint a surreal and rebellious picture. It's not a word you hear every day, making it memorable and intriguing, hinting at the song's deeper, more philosophical themes of deconstruction and questioning.

"Depois do Começo" piles up small acts of domestic anarchy — leaving the windows open, tying a wire around the neck, using a fire extinguisher as a bedsheet — as a way of shaking a "blind and medieval house" loose from its own habits. Renato Russo strings the images together less as a story than as a dare: burn through the ordinary rules of a home and see what's left standing.

The chorus turns that chaos into a small statement about faith and time. Right before it, the line "Deus, Deus, somos todos ateus" (God, God, we are all atheists) sets up a swap: "Vamos cortar os cabelos do príncipe / E entregá-los a um deus plebeu" (Let's cut the prince's hair / And give it to a plebeian god) trades a distant God for something rougher and closer to hand. Then the refrain closes the loop: "E depois do começo, o que vier vai começar a ser o fim" (And after the beginning, whatever comes will start to be the end) — every ending here is already another beginning.

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