Órbita translates to "orbit". It's an intriguing word that immediately brings to mind space and celestial bodies, making it stand out from everyday vocabulary.
In the song, KHEA uses "fuera de la órbita" (out of orbit) to convey a sense of being beyond normal limits, living unconventionally, and experiencing life on a higher, almost cosmic, level. It suggests a feeling of freedom and being unbound by earthly constraints, which is a central theme of the song.
KHEA and YSY A treat fame like escape velocity. The hook keeps repeating "Estamos elevao', mucho más que ayer" (we are elevated, much more than yesterday) and "Manos en el cielo, en la tierra los pies" (Hands in the sky, feet on the ground) — floating above it all while one foot stays planted. Khea opens on someone who's outgrown chasing trends: "Ya no me importa el trending, ya no me siento empty" (I don't care about the trending anymore, I don't feel empty anymore), and by the chorus he's declared himself gone entirely — "Tenemos la cone fuera de la órbita, yeah" (We have the cone out of orbit, yeah).
YSY A's verse is where the cost of that ascent shows. He's living out of a suitcase, "Vivo más en un avión que en mi propia habitación" (I live more on a plane than in my own room), and paying for it in sleep: "Hace tanto que no duermo, vivo en repetición" (It's been so long since I slept, living in repetition). The song never resolves that trade — it just loops back to the same hook, weightless and still wide awake.