Learn Spanish With J Balvin with these 23 Song Recommendations (Full Translations Included!)
“LA CANCIÓN” is that irresistible reggaeton confession where J Balvin and Bad Bunny admit what many of us secretly know: one song can shatter the illusion of moving on. The track opens with the pair convinced they have already forgotten an old flame, only for their song to start playing at the club. Instantly, the memories crash back—nights of singing off-key, stumbling dances, and tipsy kisses that felt like the world’s best idea. Over a slow, hypnotic beat, they laugh at themselves for thinking a string of casual hookups, a few English ballads, or swaggering bravado could erase genuine feelings.
As the alcohol flows, each verse dives deeper into nostalgia: back-seat rendezvous, beach adventures, stealthy visits to a strict parent’s house, even the scent of Chanel mixed with sweat. The singers recognize that time has passed and their ex is happy with someone else, yet the moment that old melody surfaces, the past seems vivid and alive. Ultimately, “LA CANCIÓN” captures that bittersweet tug-of-war between pride and vulnerability, proving that music can reopen scars, revive joy, and remind us that some loves never fade completely, no matter how many times we hit “next track.”
Mi Gente translates to My People, and from the very first beat J Balvin and Willy William invite absolutely everyone to join their global dance floor. The lyrics celebrate a rhythm so infectious it “moves your head” before you even realize it, proving that music can leap over language, culture, and borders without missing a step. Balvin proudly declares that his sound “does not discriminate,” turning the song into an open-armed anthem of inclusion where every listener is family.
As the party rolls from Colombia to France and echoes across the world, the duo shouts out DJs, bottles in the air, and a dance-until-dawn energy that refuses to slow down. “Dónde está mi gente?”—“Where are my people?”—is not just a question; it is a joyful roll call that pulls crowds from every corner into one unstoppable celebration. In short, “Mi Gente” is a high-octane reminder that when the beat drops, we are all united on the same dance floor, moving together to the same pulse.
“Si Te Vas” is like an emotional roller-coaster set to a smooth reggaetón beat. J Balvin and Jay Wheeler play the part of a guy who is half-begging, half-daring his lover to leave. One moment he swears he will drown his sorrows in tequila, the next he admits that the thought of her with someone else drives him mad with jealousy. The lyrics paint her as “toda una criminal” because she steals his peace of mind, making him discover that even tough men cry. It is a push-and-pull relationship: he knows their love is not “nada serio,” yet the chemistry is so intense that he keeps saying yes to her return.
Under the catchy chorus lies a bigger message about toxic love. The singer swings between heartbreak and bravado, between wanting her to stay and telling her to leave right now. He thanks her for the lessons, claims he will be happy in the future, then confesses he is still unfocused and doesn’t want to lose her. This clash of pride, desire, and insecurity is what makes the song relatable and addictive. In short, “Si Te Vas” captures the messy truth of modern relationships: sometimes letting go is harder than holding on, even when you sing it with a dance-floor smile.
Sigo Extrañándote is J Balvin’s heartfelt confession of never-ending longing. The Colombian superstar paints the picture of a love that was once “envidiable,” so strong that it seemed destined from the very first encounter. Now, separated from his partner, he spends every waking moment thinking about her, scrolling through her Instagram posts, and craving both her company and her touch. Each line doubles down on the same message: “entiende que yo sigo extrañándote” – understand that I’m still missing you – at every instant, in every moment.
More than a simple breakup song, it is a rhythmic plea for reconnection. Balvin blends tender memories with bold desire, promising to be there whenever she gives the signal and hoping the night hides them from prying eyes. The track balances vulnerability and sensuality, reminding listeners that true passion doesn’t fade just because two people drift apart; instead, it lingers in late-night thoughts, social-media glances, and the unshakeable hope of one more embrace.
“Río” is J Balvin’s sunny love letter to the partner who turned his life around. Over a relaxed reggaetón groove, the Colombian star thanks fate for past mistakes because they led him to someone who “devolvió la fe” (brought his faith back). He swaps late-night whisky runs and club hopping for staying in, spinning classic tunes, and treating home like the real VIP lounge. The repeated line “¿Pa’ qué buscar en la calle lo que abunda en mi casa?” drives the message home: why hunt outside for what you already have in abundance indoors?
Balvin paints his muse as humble yet priceless, innocent yet captivating, and powerful enough to restart his heart “como un paramédico.” Together they find their own “river,” a fresh current that carries them away from past heartbreak and onto the right path. Ultimately, “Río” celebrates loyalty, gratitude, and the sweet contentment of realizing that the best party happens wherever true love is flowing.
Lonely phones, sleepless nights, and a beat you can’t stop moving to – “Otra Noche Sin Ti” pairs Colombian superstar J Balvin with the soulful voice of Khalid for a bilingual confession of heartbreak. From the very first line, Balvin checks his messages like someone searching for oxygen, only to find silence. No amount of cash can fill the empty side of the bed, and pride keeps two ex-lovers oceans apart. Over a smooth reggaeton groove, he admits his mistakes and pictures his former partner dancing with someone else while his own name becomes “prohibited” in the room they once shared.
Khalid then slides in from Los Angeles with verses in English, echoing the same ache: he is ready to jump on a one-way flight if it means ending the loneliness. Both artists circle the same painful truth: “I can’t take another night without you.” The catchy repetition of the chorus turns personal sorrow into a club anthem, reminding listeners that even confident superstars crumble when love is gone. Whether you focus on the Spanish lines or the English ones, the song is a relatable diary entry for anyone who has stared at their phone at 3 a.m. hoping for a second chance.
Forever My Love is a heartfelt bilingual duet where Colombia’s reggaetón superstar J Balvin joins forces with British pop icon Ed Sheeran. Together they paint a dreamy picture of love that glows under a “sky magenta blue,” mixing Spanish warmth with English tenderness. The song feels like a slow-dancing confession: both singers marvel at their partner’s beauty, promise eternal support, and celebrate the magic of being alone together with nothing but the moonlight.
Behind its soothing melody lies a simple yet powerful message: true love is imperfect but unbreakable. The lyrics admit that “habrán momentos de sufrimiento” (there will be moments of suffering), yet the repeated vow “ahí estaré” (I’ll be there) turns uncertainty into reassurance. By the end, the phrase “Hoy y mañana, por siempre mi amor—Forever my love” becomes a mantra of lifelong devotion, reminding learners that love can bridge languages, cultures, and any obstacle life throws their way.
"Qué Pretendes" is a spicy late-night phone call turned lesson in self-respect. Over a hypnotic reggaetón beat, Colombian superstar J Balvin teams up with Puerto Rico’s Bad Bunny to tell an ex exactly what time it is: too late. The track is a playful but decisive clapback to someone who tries to slide back in after being deleted from every social network. Balvin and Bunny expose the ex’s tricks – seductive calls, nostalgia, promises of wild nights – then slam the door with catchy one-liners that drip with swagger and humor.
Behind the club-ready rhythm lies a message any learner can relate to: guard your peace, know your worth, and never let old flames burn you twice. While the chorus repeats the question “¿Qué pretendes tú llamándome a esta hora?”, the answer becomes crystal clear – the caller only wants mischief, and the singers have already moved on. It is a modern break-up anthem packed with social media references, street slang, and bold confidence that turns heartbreak into a dance-floor celebration.
Azul drops us onto a blazing beach where the sea looks endless and the party never stops. J Balvin spots a daring girl in a tiny swimsuit who lives for late-night adventures, strong drinks, and louder beats. The sun burns (“no traje bloqueador”), yet the real heat is their chemistry: she tans in minutes, sashays onto a yacht, and everyone knows her life is “extrema.” Balvin can’t take his eyes off her confidence, convinced his reggaetón “flow” is already running through her veins.
Beneath the playful flirtation, the song is a shout-out to living in the moment. It toasts freedom, sensuality, and the magnetic pull of summer nights: sand on your skin, sweat on your back, a drink in hand, and bass that makes the tide rise. "Azul" is an invitation to shake off the worries, dive into the blue, and let the rhythm turn a fleeting encounter into an unforgettable memory.
“Ginza” is J Balvin’s invitation to dive head-first into a night where rhythm rules and inhibitions disappear. Over a hypnotic reggaetón beat, the Colombian superstar calls everyone onto the dance floor, promising that in this club “todos somos iguales” – everyone is equal once the music starts. The chorus’ catchy mantra, “Si necesitas reggaetón, dale,” is Balvin’s way of saying, “If you crave reggaetón, go for it,” urging listeners to keep moving, get closer, and let the bass guide their bodies like “animales.”
Rather than romantic declarations, the lyrics celebrate raw magnetism, confidence, and the thrill of living in the moment. Balvin paints a scene packed with swagger: hips causing seismic waves, flirtatious glances, and a wild “swing salvaje” that turns the dance floor into a playground. “Ginza” is all about feeling attractive, carefree, and united by a pulsating beat that makes language barriers vanish – a perfect snapshot of modern Latin nightlife.
"ODIO" turns the usual love song on its head. J Balvin from Colombia teams up with Puerto Rico’s Bad Bunny to deliver a reggaeton banger that swaps flowers for fire. The beat is infectious, yet the lyrics drip with amor convertido en odio – love turned into hate. They list lavish trips, steamy videos, and expensive dinners only to spit them back with a grin, letting every punchy rhyme show just how quickly sweet memories can sour.
At its core, the track is a loud, unapologetic tantrum after a toxic breakup. The singers wish their ex the worst, brag about new flings, and admit that any future encounters would be purely physical and fueled by resentment. It is a snapshot of that explosive stage where rencor, coraje, and despecho run the show, proving that in reggaeton, even hatred can make you move your feet.
"Un Peso" blocks the exit door on a past relationship and throws away the key. J Balvin and Bad Bunny trade verses full of wit and swagger, while Argentinian rock legend Marciano Cantero drops in with his unmistakable voice. Together they paint a picture of someone who has finally shaken off an ex’s spell: “¿Pa’ qué me vas a amar?” Why bother loving me now if I have already said goodbye? The track mixes laid-back reggaetón drums with a hint of rock nostalgia, giving the message a cool, almost nonchalant vibe that says, “I’m over it, and I’m dancing about it.”
The lyrics flip between lighthearted teasing and blunt honesty. The narrator admits he once cried under the moon, but now every memory of that ex is worth un peso—just a single coin. Forgiveness comes easy, resentment never took root, yet there is zero room for a reunion. The song is an anthem of self-respect: learning from heartbreak, standing taller, and knowing your worth. By the final chorus, the listener can almost feel the weight lift off the singer’s shoulders—and maybe their own, too—as the beat carries them into a future where old kisses hold no value. 💔🪙💃
“Nivel De Perreo” cranks the volume to maximum and invites you straight onto the dance floor. J Balvin teams up with fellow Colombian star Ryan Castro to brag about their unstoppable charisma, their musical power, and the wild energy they spark the moment they step into a club. The lyrics celebrate money, status, and the duo’s ability to turn any night into a legendary perreo session – a sweaty, fast-paced style of reggaeton dancing where hips do the talking. References to famous names like Daddy Yankee, Snoop, and Ashanti add extra swagger, while playful lines about candy-sweet romance and free-flowing drinks keep the mood cheeky and carefree.
At its core, the song is a hype anthem that measures “levels of perreo” – how hard everyone is willing to dance, party, and let loose. Balvin and Castro paint vivid images of a packed club: heat rising, sweat raining onto the floor, friends calling friends because everything is gratis, and beats so infectious the DJ might as well lock the doors. It’s both a celebration of their musical dominance and an open invitation for listeners to join the revelry, shed inhibitions, and push the nightlife vibe to the next level.
UN DÍA (ONE DAY) is a bilingual tug-of-war between longing and pride. Over Tainy’s smooth reggaeton beat, J Balvin, Dua Lipa, and Bad Bunny trade verses that picture a love stuck in limbo. The singers replay memories of sun-soaked trips, late-night calls, and irresistible chemistry, yet they refuse to relive the heartache. Their message is clear: you let this slip away, now you’ll have to miss me. The hypnotic chorus, “One day you'll love me again,” turns regret into confidence, predicting that the runaway lover will eventually circle back, only to find a stronger, more self-assured partner waiting—or maybe not waiting at all.
Underneath the catchy hook lies a story of empowerment. The song flips the usual breakup script by mixing vulnerability with swagger. Spanish and English lyrics weave together images of Turks and Caicos beaches, London reunions, and star-studded nights in Marbella, showing that love can take you everywhere yet still leave you lonely. By the final chorus, the listener feels both the ache of what was lost and the thrill of moving on, making UN DÍA (ONE DAY) a bittersweet anthem for anyone who knows that sometimes the best revenge is simply living your best life until one day they remember what they’re missing.
“Ay Vamos” is J Balvin’s playful confession that love is rarely picture–perfect, yet it is always worth the push and pull. Over an irresistible reggaetón beat, the Colombian superstar paints the story of a fiery couple who argue, get jealous, and make dramatic scenes, only to end up in each other’s arms again. Every spat is followed by an equally intense make-up session, proving that their passion is the glue that keeps them together.
The chorus—“Peleamos, nos arreglamos, nos mantenemos en esa pero nos amamos”—captures the song’s heartbeat: fight, fix it, repeat, all while never doubting the love in between. Balvin reassures his partner that his late-night hustles are for their future, not for flirting, and tells her to relax because he only has eyes for her. “Ay Vamos” celebrates imperfect relationships with a wink, a dance, and the promise that no matter how many times they clash, they will always find their way back to each other.
“Yo Le Llego” is a high-energy promise to show up wherever the fun is. J Balvin and Bad Bunny jump on the beat repeating “Dime dónde…” (“Tell me where…”) and answering every time with “yo le llego” (“I’ll be there”). Drinks, friends, women, cash — whatever sets the party in motion, they are ready to arrive in a flash. The track is basically a musical RSVP that celebrates spontaneous nights out, nonstop movement and the thrill of living in the fast lane.
At the same time, the song is a shout-out map of Latin America. From Santurce (Puerto Rico) to Medellín (Colombia) and from Mexico to Argentina, the duo name-checks countries to show unity through reggaeton. They brag about platinum chains, Rolex watches and private flights, yet the underlying message is pride in their roots and connection to their people. “Yo Le Llego” turns the simple act of arriving into an anthem of confidence, cultural pride and irresistible party vibes.
Misterio pairs Colombian superstar J Balvin with Puerto Rican salsa icon Gilberto Santa Rosa in a heartfelt detective story about a love that suddenly collapsed. The singers look back at a relationship that once felt like an unbeatable imperio and now lies in ruins, full of unanswered questions. Lines like “¿Cómo se nos cayó el amor?” and “Esto pa’ mí es un misterio” reveal their disbelief: they thought they had discovered something new and everlasting, yet somehow lost it without noticing when or why. Balvin voices raw pain and jealousy, wondering who now enjoys the daily closeness he once had, while Santa Rosa steps in as the wise friend, reminding him that love can lift you up or make you suffer.
Beyond the regret, the song explores shared responsibility. Both artists admit there is “no middle ground” and that both partners failed, turning an empire into an inferno. The blend of modern reggaeton beats with classic salsa brass underscores this clash of perspectives – youthful passion meets seasoned experience. In the end, Misterio is a rhythmic lesson about how fragile even the strongest-looking romance can be, and how important it is to recognize problems before the empire crumbles.
J Balvin paints the night neon yellow, the color of pure energy and optimism. Right after midnight he rallies his friends, turns up a classic Tego Calderón beat, and invites everyone to meet the man behind the stage name: José. The lyrics feel like a city-wide treasure hunt for fun, bouncing from party to party with “los tigres” in modo safari, dodging any worries that try to interrupt the vibe. Even a curious police patrol cannot dim the glow, because everything is legal and the music is louder than doubt.
At its core, Amarillo is an ode to living light. The repeated hook “no me complico” (“I do not complicate things”) is Balvin’s carefree motto: stay present, enjoy good company, and keep dancing until sunrise—unless Mom calls. Bottles arrive unannounced, invitations pour in, and the only rule is simple: if you know how he rolls, why invite him if you do not plan to keep up? The song’s bright color title echoes its message: be bold, be joyful, and let happiness shine like yellow lights cutting through a late-night city sky.
COMO UN BEBÉ turns the dance floor into a playful tug-of-war between love and frustration. J Balvin, Bad Bunny and Mr Eazi sing about a couple that keeps arguing, saying “trato, trato y queda en nada” (I try and it ends up in nothing), yet they cannot resist each other’s magnetism. The hook “como un bebé” hints at feeling vulnerable and wanting to be pampered: they are tired of the drama, so they ask for a break and beg their partner to treat them gently and just dance.
Under the hypnotic reggaeton-meets-Afrobeat beat, the lyrics flip between Spanish, English and Yoruba, mixing Latin swagger with West African smoothness. Instead of long speeches or apologies, the solution is simple: “baila pa’ mí” – move your body for me. The song celebrates shaking off arguments through rhythm, showing that sometimes the best way to reconnect is to leave the fight behind, hit the dance floor and let the music speak for both hearts.
Mi Gente is a high-voltage invitation to the dance floor, where language, nationality, and status disappear beneath an irresistible Reggaeton beat. J Balvin, Willy William, and Beyoncé trade lines in Spanish, French, English, and even a splash of Creole, proving that rhythm speaks louder than any border. The lyrics celebrate a party that lives “in their genes,” urging everyone to loosen up, move their feet, and feel the bass that “starts to raise the level.” It is about unity through music, a celebration that never stops, and a crowd that never wants to leave.
Beyond the pulse-pounding groove, the song is a shout-out to cultural pride and personal confidence. Beyoncé’s verse flips boastful brags into playful empowerment, while J Balvin reminds listeners that his sound “doesn’t discriminate.” Cities and countries fly by—Houston, France, Colombia, Puerto Rico, México—turning the world into one endless club. “Mi Gente” is more than a track; it is a global block party where everyone is welcome, as long as they’re ready to say yeah, yeah, yeah and dance until sunrise.
Splash into summer vibes! “MOJAITA” brings J Balvin and Bad Bunny to an imaginary tropical oasis where the sun is blazing, the speakers are booming and everyone is dripping wet from ocean waves and icy drinks. The lyrics celebrate that carefree moment when friends hit the beach on a Sunday, bikinis get smaller, bodies shimmer like gold chains and the only rule is to have fun. Throughout the song they admire a confident woman who steals every glance as she steps out of the water — her playful energy turns the shoreline into a runway and the party into a non-stop dance.
Beyond the flirty compliments and cheeky wordplay, the track paints a picture of Latin summer culture: loud reggaetón beats, coconut-scented sunscreen, no-strings-attached flirting and the thrill of living in the present. “MOJAITA” literally means “little wet one,” and it doubles as a salute to both the girl emerging from the waves and the refreshing, feel-good mood that soaks the whole scene. Press play, imagine sand beneath your feet and let the rhythm keep you cool.
“Doblexxó” turns the club into a therapy session full of bass and neon lights. J Balvin and Feid invite a heart-bruised girl to ditch her ex’s watch, ignore his calls, and hit the dance floor before the clock even strikes midnight. The song celebrates carefree fun: double shots, rolling with friends, and a temporary reset where nobody has to “meterle el cora” – put their heart on the line.
Behind the playful slang and party imagery lies a simple message of liberation. If love let you down, swap heartbreak for reggaeton rhythms, grab your crew, and lose track of time. “Doblexxó” is the soundtrack to reclaiming your night, your mood, and your confidence, all while moving to a contagious Colombian beat.
“Loco Contigo [Remix]” is a whirlwind confession of irresistible attraction. J Balvin opens the track by admitting that this mysterious girl makes him “sin” and drives him wild, a feeling echoed by every guest who jumps on the mic. Verse after verse, the singers describe how her confidence on the dance floor, her daring outfits, and her teasing attitude have them thinking about her nonstop, calling themselves locos because no matter how hard they try, they simply cannot forget her.
The remix turns that obsession into a global street party. DJ Snake layers Caribbean percussion, reggaeton drums, and electronic drops, while Nicky Jam, Ozuna, Darell, Natti Natasha, and Sech trade playful lines full of slang, flirtation, and cheeky boasts. Together they paint the picture of a night where the music is loud, the lights are low, and everyone is dancing until dawn, completely captivated by the same magnetic woman. In short, the song is a celebration of that crazy-in-love rush that makes you want to dance, shout, and keep the party going all night long.