Learn Spanish With Bad Bunny with these 23 Song Recommendations (Full Translations Included!)

Bad Bunny
LF Content Team | Updated on 2 February 2023
Learning Spanish with Bad Bunny's music is fun, engaging, and includes a cultural aspect that is often missing from other language learning methods. It is also great way to supplement your learning and stay motivated to keep learning Spanish!
Below are 23 song recommendations by Bad Bunny to get you started! Alongside each recommendation, you will find a snippet of the lyric translations with links to the full lyric translations and lessons for each of the songs!
ARTIST BIO

Benito Antonio Martínez Ocasio, known professionally as Bad Bunny, is a Puerto Rican rapper, singer, and songwriter who has significantly shaped Latin trap and reggaeton music. Born in 1994 in Bayamón and raised in Vega Baja, Puerto Rico, Bad Bunny rose to fame with his breakout 2016 single "Diles" and soon became a leading figure in Spanish-language rap globally.

Celebrated for blending diverse musical styles with bold lyrics, he has released multiple chart-topping albums like X 100pre, YHLQMDLG, and El Último Tour Del Mundo. Bad Bunny is not only a musical innovator but also a cultural icon, making history as the first non-English-speaking artist to be Spotify’s most streamed artist for three consecutive years. Beyond music, he has also ventured into professional wrestling, showcasing his multifaceted talents and broad appeal.

CONTENTS SUMMARY
Tití Me Preguntó (Auntie Asked Me)
Que lindo está ese nene de tití
Mira que grande tú estás
¿Tú tienes muchas novias verdad?
¿Cuantas novias tú tienes?
How cute is that little boy of auntie
Look how big you are
You have many girlfriends right?
How many girlfriends do you have?

In "Tití Me Preguntó," Bad Bunny turns a lighthearted family interrogation into a reggaeton confession booth. His mischievous aunt (tití means auntie in Caribbean Spanish) keeps asking how many girlfriends he has, and Benito answers with playful bravado: "Hoy tengo una, mañana otra" – today I have one, tomorrow another. The lyrics leap from a roll-call of names to VIP selfies, painting the portrait of a globetrotting Romeo who always has a new date but never a wedding ring.

Beneath the catchy beat and cheeky humor hides a mix of swagger and vulnerability. Bad Bunny boasts about endless options, yet he admits he can’t trust anyone, not even himself, and fears breaking hearts as easily as he collects them. The push and pull between tití’s old-school advice and his own modern hookup habits mirrors the clash between traditional values and contemporary freedom. By the final verse he half-jokes about wanting to change but not knowing how, leaving listeners dancing while pondering the cost of limitless choice.

BAILE INoLVIDABLE (UNFoRGETTABLE DANCE)
Pensaba que contigo iba a envejecer
En otra vida, en otro mundo podrá ser
En esta sólo queda irme un día
Y solamente verte en el atardecer
I thought that with you I was going to grow old
In another life, in another world it could be
In this life, all that's left is leaving one day
And only seeing you in the sunset

Get your hips ready because Baile Inolvidable turns heartbreak into a sizzling salsa party. Bad Bunny, the Puerto Rican superstar, looks back on a love he thought would last forever. Under blazing horns and tropical percussion, he remembers the partner who taught him how to love and how to dance, picturing the two of them growing old side by side. Instead, the romance fades, leaving him alone at sunset, guilt-ridden yet still moving to the music.

The chorus, pulsing with “No, no te puedo olvidar,” shows how every conga hit drags him back to her memory. Life, he reminds us, is a short-lived fiesta, so we should pour our hearts into every embrace while the song plays. Their once-in-a-lifetime dance becomes a symbol of passion: intense, unforgettable, and impossible to replace. Even surrounded by new faces, he knows only one partner truly matched his rhythm. The result is a bittersweet celebration that urges us to keep dancing, even when love leaves an ache in our chest.

TURiSTA (TOURiST)
En mi vida fuiste turista
Tú sólo viste lo mejor de mí
Y no lo que yo sufría
Te fuiste sin saber el porqué
In my life you were a tourist
You only saw the best of me
And not what I was suffering
You left without knowing why

Imagine a brief Caribbean getaway in someone’s heart. In “TURiSTA,” Bad Bunny compares a short-lived romance to a vacation visit: the other person was only a tourist who snapped pretty memories, danced under glowing sunsets, and enjoyed the best version of him. The catchy bolero groove feels warm and relaxed, yet the lyrics reveal that, behind the souvenirs and smiles, the host’s heart has been hurting for mucho tiempo.

The song’s bittersweet core is about appearance versus reality. While the couple “la pasamos bien,” the narrator hid old wounds that were never the tourist’s job to heal. He accepts the relationship’s temporary nature—“si se da, pues se da, y si no, pues también”—and chooses to savor the night anyway. With this mix of romance, resignation, and self-protection, Bad Bunny reminds listeners that even the most beautiful trips can leave unseen stories behind, and that sometimes enjoying the moment is the best passport we have.

DtMF (Debí Tirar Más Fotos | I Should Have Taken More Photos)
Otro sunset bonito que veo en San Juan
Disfrutando de todas esas cosas que extrañan los que se van
Disfrutando de noches de esas que ya no se dan
Que ya no se dan
Another beautiful sunset that I see in San Juan
Enjoying all those things that those who leave miss
Enjoying nights like those that don't happen anymore
That don't happen anymore

DtMF invites us to roll down the windows and feel the warm Puerto Rican breeze. Over a smooth reggaetón beat, Bad Bunny watches otro sunset bonito in San Juan and lets nostalgia flood in. He misses the everyday details that people only realize are special after they leave: late-night hangouts, spontaneous photos that were never taken, kisses that could have lasted longer. The song flips between sweet memories and the present moment, where he is surrounded by lifelong friends, domino games with his grandpa, and the irresistible pull of perreo, salsa, bomba, and plena.

Under the party lights, Bad Bunny slips honest reflections between jokes and shout-outs. Regret, gratitude, and celebration all blend together. He raises a glass to the crew that keeps him grounded, hopes loved ones never have to move away, and reminds us to capture the magic of right now—before the night, the city, or a relationship becomes just another memory on our phones. The result is a heartfelt anthem that feels like a group selfie at 3 a.m.: messy, joyful, and unforgettable.

NUEVAYoL (Nueva York | New York)
Si te quieres divertir con encanto y con primor
Sólo tienes que vivir un verano en Nueva York
Si te quieres divertir con encanto y con primor
Sólo tienes que vivir un verano en Nueva York
If you want to have fun with charm and with beauty
You just have to live a summer in New York
If you want to have fun with charm and with beauty
You just have to live a summer in New York

Bad Bunny’s “NUEVAYoL” is a sun-soaked postcard from a Puerto Rican superstar spending the summer in New York City. He paints the scene with fireworks on the Fourth of July, late-night cruises through the Bronx and Washington Heights, and the electric hum of reggaeton echoing off the skyscrapers. The chorus promises that anyone looking for charm and excitement only needs “un verano en Nueva York,” capturing the magnetic pull the city has long held for the Latino community. References to salsa legend Willie Colón, painter Frida Kahlo, and big-league baseball teams tie Puerto Rican pride to the cultural melting pot of NYC, showing how the island’s rhythm and the city’s hustle blend into one unstoppable vibe.

The verses double as a victory lap. Bad Bunny compares his record sales to art masterpieces, jokes about being the new “king of pop” while keeping reggaeton at the core, and flexes with witty shout-outs to iconic rappers like Big Pun and sports stars like Juan Soto. Amid the bravado, party invites, and flirtatious lines, the message is clear: Latin music now rules the global stage, and New York is its summertime capital. “NUEVAYoL” is both a celebration and a declaration, urging listeners to dance, explore, and feel the island-to-city connection in every beat.

Efecto (Effect)
No sé si es casualidad
Que yo me sienta así
Siempre que tú estás cerquita de mí
Dime qué me hiciste
I don't know if it's coincidence
That I feel like this
Always when you are close to me
Tell me what you did to me

Bad Bunny’s “Efecto” is a sultry reggaeton anthem about the intoxicating rush of desire. The Puerto Rican superstar compares his lover to a powerful drug: every glance makes him sweat, every touch sends him soaring, and the chaos of life suddenly feels perfect when they are together. He marvels at how quickly her presence changes his reality, turning a “jodido” world into a euphoric escape.

Beyond the catchy beat, the lyrics paint a vivid night of passion and unapologetic confidence. Bad Bunny celebrates the freedom of giving in to temptation, reveling in the sensory overload of music, movement, and chemistry on the dance floor. “Efecto” captures that electric moment when attraction takes over completely, leaving reason at the door and letting pleasure set the rhythm.

Enséñame A Bailar (Teach Me To Dance)
Tú y yo, yo y tú
Nos llevamos bien
Tú y yo, yo y tú
Nos llevamos bien
You and I, I and you
We get along well
You and I, I and you
We get along well

Bad Bunny’s “Enséñame A Bailar” drops you straight onto a Caribbean dancefloor at 3 a.m. The Puerto Rican superstar plays the role of a tipsy admirer who admits he doesn’t know the steps, yet he is completely hypnotized by his partner’s moves. Over a smooth reggaeton beat, he celebrates the instant chemistry between “tú y yo” while promising fun without limits: he will follow her lead, pay for any broken glasses, and keep the party alive until sunrise.

More than a simple request to learn how to dance, the song is a flirtatious anthem about living in the moment. References to Quisqueya (the Dominican Republic) and moonlit beaches paint a tropical backdrop, while repeated lines like “Tú y yo solitos y el sol” picture a private world where only the two of them and the dawn exist. It is carefree, sensual, and irresistibly catchy, inviting listeners to let loose, forget the rules, and move their hips until the first light of day.

EoO (Perreoo, -eoo | Grinding / Dancing Eeo)
Ella viene por ahí y nunca llega sola
Ella nunca llega sola
To' los bandidos se sueltan las pistolas
Esta noche es lo que hay
She comes around and never comes alone
She never comes alone
All the bandits drop their guns
Tonight that's what's going on

EoO is Bad Bunny’s latest invitation to the electric world of Puerto Rican nightlife. The moment ella steps into the club, the track erupts in pounding beats, gun-slinging metaphors, and nonstop tra-tra chants that mirror the thrusting rhythm of perreo (reggaeton’s signature hip-shaking dance). Over booming drums, Bunny boasts about steamy encounters, daring the girl to drop hasta abajo (all the way down) while he showers her with extravagant promises and playful, unfiltered desire.

Beneath the flirtation lies a proud shout-out to the genre’s roots. Bad Bunny name-checks the 1990s, the housing projects, and super-producer Tainy to remind listeners that this raw, sweaty energy was born on the island’s streets long before it ruled global charts. In short, “EoO” is both a celebration of sensual freedom and a love letter to Puerto Rico’s reggaeton culture—a track meant to crank up, dance low, and feel the pulse of the Caribbean in every beat.

LO QUE LE PASÓ A HAWAii (WHAT HAPPENED TO HAWAii)
Esto fue un sueño que yo tuve
Ella se ve bonita
Aunque a veces le vaya mal
En los ojos una sonrisa
This was a dream that I had
She looks pretty
Although sometimes things go wrong for her
In her eyes, a smile

"LO QUE LE PASÓ A HAWAi" opens like a tropical daydream: foamy waves that fizz like champagne, green mountains brushing the clouds, and a smiling girl who hides her tears. Bad Bunny splashes these vibrant images over an infectious reggaeton rhythm, inviting us to dance while he paints Puerto Rico’s natural beauty and everyday joy. It feels fun and carefree on the surface, yet every reference to the sea, the river, and the hillside whispers that they are treasures worth protecting.

Listen closer and the party turns into a protest. The lyrics mourn neighbors forced to leave, condemn corrupt politicians, and warn that outside interests want to snatch the island’s land just as happened in Hawaiʻi. By urging listeners to “hold on to the flag” and never forget the traditional lelolai chant, Bad Bunny rallies Puerto Ricans to defend their culture, their barrios, and their roots. The song is both a celebration of island pride and a heartfelt plea: safeguard your home so its next verse is sung in joy, not nostalgia.

Callaita (Quiet Girl)
Se acostó temprano, mañana hay que estudiar
Pero llamó a la amiga diciendo pa' janguear
Tiene un culito ahí que le acabó de textear
Pero en bajita, ella no es de frontear
She went to bed early, tomorrow she has to study
But she called her friend saying to hang out
She has a girlfriend there who just texted her
But quietly, she doesn't show off

Callaita revolves around a seemingly quiet girl who keeps her wild side under wraps until the sun goes down. By day she is the model student, yet at night she dives head-first into reggaetón culture: dancing, tequila shots, beach parties, and a carefree mix of weed and rum. Bad Bunny paints her as a symbol of duality — someone who looks innocent but confidently owns her sexuality and freedom when the music starts. The chorus repeats that she is calladita (soft-spoken), but when it comes to intimacy she knows exactly what she wants, celebrating pleasure without shame.

At the same time the lyrics hint at a backstory. “She wasn’t like this… I don’t know who damaged her,” Bad Bunny sings, suggesting heartbreak or betrayal pushed her toward this liberated lifestyle. Rather than judging her, he admires how she reclaims joy with friends, dismisses envy with “paz y amor,” and lives by the motto “si hay sol, hay playa… si hay alcohol, hay sexo.” Ultimately the song is an ode to self-expression and living in the moment, wrapped in a hypnotic Tainy beat that invites listeners to drop their inhibitions and dance right beside her.

VOY A LLeVARTE PA PR (I'M GOING TO TaKE YOU TO PUERTO RICO)
Acho, PR es otra cosa
Yo la conocí en Miami, en Brickell
Ella sabe que aquí hay ticket
Quiere que yo se la aplique
Wow, PR is something else
I met her in Miami, in Brickell
She knows that there’s money here
She wants me to make a move on her

Bad Bunny’s “VOY A LLeVARTE PA PR” is a high-energy invitation to experience the wild, carefree nightlife of Puerto Rico, the cradle of reggaeton. The narrator meets a woman in Miami and boldly promises to fly her (and her friend) to the island so she can see cómo es que se perrea—how real reggaeton dancing is done. Throughout the song he brags about being single, flush with cash, and ready to party from dusk till dawn. The message is clear: forget Tinder, forget commitment, just lose yourself in the hypnotic rhythm, neon-lit clubs, hookah smoke, and sunrise exits from the disco.

Beyond the flirtation, the track is a love letter to Puerto Rican culture. Slang like janguear (to hang out) and algarete (going wild) paints a picture of a place where the dance floor is sacred and freedom rules the night. Bad Bunny proudly stakes his claim: “Aquí nací yo y el reggaetón,” reminding listeners that both he and the genre were born on this island. In short, the song is a sonic passport to an unforgettable weekend where the only rule is to dance hard and live in the moment.

Mía (Mine)
Todos están pendiente a ti
Pero tú puesta pa' mí
Haciendo que me odien más
Porque todos te quieren probar
Everyone is watching you
But you're ready for me
Making them hate me more
Because everyone wants to try you

“Mía” pairs Puerto Rico’s Bad Bunny with global superstar Drake for a reggaeton declaration of exclusive love. Across a hypnotic beat, both artists face down rivals and admirers, repeating the irresistible hook “Dile que tú eres mía”—tell them you’re mine. The lyrics blend swagger and sincerity: Bad Bunny offers todo lo mío, hasta mi respirar (everything, even my breath), brags about viral photos and sneaker collections, while Drake smoothly backs him up. Every line draws a boundary around a romance so strong that even death, gossip, or social-media likes can’t break it.

Beneath the bravado lies a universal theme—protecting and celebrating a bond that feels meant to be. “Mía” turns jealousy into fuel for passion, inviting listeners to dance, sing along, and revel in the thrill of proudly claiming someone special.

PIToRRO DE COCO (Coconut Homemade Rum)
Otra Navidad en la que te pedí
Otra Navidad que no estás aquí
Feliz Año Nuevo pero no tan feliz
Te dieron un beso a las doce
Another Christmas in which I asked for you
Another Christmas that you're not here
Happy New Year but not so happy
Someone gave you a kiss at twelve

Bad Bunny turns the most festive time of the Puerto Rican calendar into a heartbreak confessional. The smell of lechón is in the air, parranda rhythms echo through the streets, and everyone is toasting with pitorro de coco – a homemade coconut rum reserved for celebration. Yet our narrator is stuck replaying last year’s memories, when the first hug of the New Year was only for him. Now, at exactly 12:04, he is tipsy, tear-stained, and nursing that same pitorro while the woman he still wants kisses someone else. Christmas wishes to Santa and the Three Kings have failed, domino tiles are stacked against him, and even his friends mock the “trip” he is on.

Under the sparkling lights, the song contrasts Puerto Rican holiday joy with the sting of a vanished love. Bad Bunny fuses a hypnotic reggaeton beat with vivid cultural references to show how breakups can haunt every bell, firework, and carol. “PIToRRO DE COCO” is a bittersweet toast – a reminder that sometimes the loudest parties hide the loneliest hearts.

Ojitos Lindos (Pretty Little Eyes)
Hace mucho tiempo le hago caso al corazón
Y pasan los días, los meses pensando en tu olor
Ha llegado el tiempo para usar la razón
Antes que sea tarde y sin querer me parta en dos
For a long time I listened to my heart
And pass the days, the months thinking about your smell
The time has arrived to use reason
Before it's too late and without wanting I split in two

“Ojitos Lindos” paints the thrill of stumbling into a love so pure that it feels like hitting the accelerator with no brakes. Bad Bunny and Bomba Estéreo weave a tropical daydream where one hypnotic gaze — “esos ojitos lindos” — is enough to reboot the heart. The singer admits he had stopped holding hands and sending sweet messages, yet a chance collision with this special someone resets everything. Time melts away, mistakes stop being sins, and even a chaotic ride feels perfect as long as they are side by side.

Beyond its flirtatious vibe, the song celebrates living in the now. It swaps flashy status symbols for sunflowers, seashell hunts, and dancing through “doscientas canciones.” Each look becomes a tiny sunrise, each kiss a brand-new life. “Ojitos Lindos” is ultimately a reminder that love can be simple, spontaneous, and wonderfully imperfect — all it takes is two hearts, a tropical beat, and those pretty little eyes.

Dákiti (Name Of A Club & A Beach)
Baby, ya yo me enteré, se nota cuando me ves
Ahí donde no has llegado sabes que yo te llevaré
Y dime qué quieres beber, es que tú eres mi bebé
¿Y de nosotros quién va a hablar? Si no nos dejamos ver
Baby, I already found out, you can tell when you see me
There where you haven't reached, you know that I'll take you there
And tell me what you want to drink, because you're my baby
And who's going to talk about us? If we don't let ourselves be seen

In “Dákiti,” Bad Bunny and Jhay Cortez invite us into a secret world where passion, luxury, and late-night adventure mix with the hypnotic pulse of reggaeton. The narrators speak directly to a confident, free-spirited woman, promising to take her wherever she hasn’t gone yet—from elite shopping sprees in Sephora and Louis Vuitton to wild after-parties full of wine and weed. Their chemistry is electric and unapologetic; they keep things private, brushing off any gossip with the swagger of someone who knows the night is theirs.

Beyond the sensual bravado, the song celebrates mutual freedom and modern romance on their own terms. She is independent, studying to be a doctor, yet still loves the thrill of motorcycles and nightlife. He respects that strength, offering partnership rather than possession while pledging constant presence—“veinticuatro horas.” With its catchy hook and shimmering production, “Dákiti” becomes an anthem for living boldly in love, shielding intimate moments from prying eyes, and dancing under Caribbean stars with no regrets.

CAFé CON RON (COFFee WITH RUM)
Por la mañana, café, por la tarde, ron
Ya estamos en la calle, sal de tu balcón
Por la mañana, café, por la tarde, ron
Ya estamos en la calle, sal de tu balcón
Coffee in the morning, rum in the afternoon
We're already on the street, come out to your balcony
Coffee in the morning, rum in the afternoon
We're already on the street, come out to your balcony

Bad Bunny swaps the stadium lights for a lively street corner in “CAFé CON RON,” inviting listeners to taste a whole day in Puerto Rico with just two ingredients: a morning cup of coffee and an afternoon shot of rum. The lyrics paint a moving postcard of island life, calling neighbors down from balconies, shouting out towns from Arecibo to Rincón, and proving that music travels faster than any car on the highway. It is a folk-flavored celebration of community where the sun sets late, the drums keep pulsing, and every voice joins the chorus.

Underneath the party vibe, the song also honors tradition. The cameo by Los Pleneros de la Cresta adds the hand-held drums and call-and-response style of plena, a genre born in working-class barrios. Bad Bunny turns that heritage into a modern road trip: one minute he is lost in smoke-filled memories of last night, the next he is challenging friends to climb the mountain for an all-night jam. The message is simple and irresistible: mornings start with coffee, afternoons slide into rum, and the best stories happen when everyone comes together to dance, sing, and live out loud.

Me Porto Bonito (I Behave Nicely)
En la guagua se quedó el olor de tu perfume
Tú eres una bellaca, yo soy un bellaco, eso es lo que nos une
Ella sabe que está buenota y no la presumen
Si yo fuera tu gato, subiera una foto los viernes y los lunes
In the truck remained the smell of your perfume
You're horny, I'm horny, that's what unites us
She knows that she's hot and they don't show her off
If I were your man, I'd upload a photo on Fridays and Mondays

Me Porto Bonito is a playful pledge of mischief and devotion wrapped in reggaeton’s irresistible rhythm. Bad Bunny and Chencho Corleone trade verses that celebrate a woman’s confidence, beauty, and wild side while admitting their own weakness for her allure. The singers paint vivid scenes of late-night parties, bold selfies, and street swagger, then flip the script by promising, “Si tú me lo pides, yo me porto bonito” — if she asks, they will drop the bravado and behave. The song is both a flirtatious shout-out to female empowerment and a confession that even the freest spirits are willing to soften up for someone who truly captivates them.

Underneath the catchy hook and club-ready beat, the lyrics capture the social media age of romance. The guys want the world to see her shine, so they hype up her posts and show her off in photos. She sets the rules, chooses when to get daring, and even decides if the relationship stays casual. This balance of sensual confidence and real respect makes the track a modern anthem for mutual attraction: bold, cheeky, and impossible not to dance to.

Neverita (Little Fridge)
Yo estoy puesto pa' ti
Y tú te me quitas
Diablo, qué piquete la chamaquita
El corazón lo puso en la neverita
I am ready for you
And you pull away from me
Damn, what swag the young girl
The heart she put in the fridge

“Neverita” feels like a sun-drenched day on a Puerto Rican beach. Over a playful reggaeton rhythm, Bad Bunny paints the scene: a confident guy can’t take his eyes off a dazzling “chamaquita” who claims she is spending the summer solita with her corazón en la neverita—her heart “on ice.” Even though she is flooded with DMs, swatting away admirers like waves, he is ready to stand in line and try his luck.

The lyrics mix flirtation and humor. He offers to rub on her sunblock so she ≠gets burned⬄, scroll TikTok together, and turn her cold heart into something warm. She might call herself an abusadora (heartbreaker), but he is convinced he can thaw that cooler and turn a solo summer into a sizzling romance. The song captures that push-and-pull between freedom and attraction, making “Neverita” a breezy anthem for anyone flirting with the idea of love while trying to stay cool.

Otro Atardecer (Another Sunset)
Aún quedan dos botellas de vino
Por si se juntan nuestros caminos
Y no hay que encontrar el atardecer
Hay mucho de mí que te faltó conocer
There are still two bottles of wine
In case our paths cross
And we don't have to find the sunset
There’s much of me that you didn't get to know

Imagine Bad Bunny and The Marías inviting you to relive otro atardecer, another sunset that once set their hearts on fire. The song is a sensual postcard from the past: two bottles of wine waiting, memories of a kiss right as the sun slipped below the horizon, and a promise that if destiny aligns again, the spark will reignite. Over a smooth reggaeton beat wrapped in dreamy indie-pop vocals, the artists blend Spanish and English to paint the bittersweet thrill of reunion, where every touch feels new yet comfortably familiar.

Beneath the flirtatious lines lies a deeper ache for unfinished stories. The singer wonders what became of the lover who vanished, admits that time has not erased her, and confesses he likes her more than money. Hope glows like twilight: maybe she will write, maybe tonight they will share a room that is not theirs, maybe this time they will learn everything they missed about each other. It is a song for anyone who has ever wanted to press pause on the perfect moment and live it again, slow and gentle, until sleep finally claims two intertwined dreamers.

MONACO (GRAND PRIX)
Dime, dime
¿Esto es lo que tú querías?
Yo soy fino, esto es trap de galería
Tú eres un charro, Rocky 'The Kid', una porquería
Tell me, tell me
Is this what you wanted?
I am classy, this is trap from a gallery
You're a fool, Rocky 'The Kid,' garbage

Bad Bunny parks his yacht in Monaco and hands us a postcard from a life of turbo-charged luxury. In this reggaeton banger he boasts about private flights, Formula 1 racetracks, endless champagne and encounters with celebrities from LeBron to DiCaprio. The message is crystal clear: the Puerto Rican superstar has climbed so high that critics are nothing but background noise. References to Rocky Balboa and billion-dollar bank accounts reinforce his champion mindset, while clever name-drops of Verstappen and Checo place him in the front row of elite speed and status.

Yet beneath the glitter there is a wink of reflection. The song samples the nostalgic French classic “Hier Encore”, reminding listeners that time races forward just like those F1 cars. Success is thrilling, but it is also fleeting, so Bad Bunny pops another bottle and lives unapologetically in the fast lane. “MONACO” is both a victory lap and a warning: keep up, or you will only hear the echo of his engine disappearing down the coast.

NO ME QUIERO CASAR (I DON'T WANT TO GET MARRIED)
Que levante la mano to' el que está haciendo dinero
Que venga el Año Nuevo y yo voy a josearlo entero
Un día de estos llega mi amor verdadero
Pero, quiero hacerme rico primero
Raise your hand everyone who's making money
New Year's is coming, and I'm going to hustle it fully
One of these days, my true love arrives
But I want to get rich first

NO ME QUIERO CASAR is Bad Bunny’s unapologetic anthem for anyone who would rather stack cash and chase adventures than rush to the altar. Over a thumping reggaeton beat, he raises a toast to financial hustle, flashy toys like the Cybertruck, and wild nights that keep his cowboy spirit alive. The Puerto Rican superstar admits he dreams of true love and even fatherhood, yet he puts those hopes on pause while he focuses on making millions, spoiling his crew, and soaking up life’s simple pleasures – red wine, sunsets, and the laughter of friends.

Under the bravado, Bad Bunny sprinkles honest confessions: fleeting sadness, near-misses with commitment, and the pressure of fame. His message is clear: enjoy the present, protect your freedom, and never let negativity slow you down. Marriage can wait; right now he is riding high on ambition and rhythm, determined to live on his own fearless terms.

BOKeTE (Boquete = Hole / Pothole)
6 PM frente al río
Viéndonos los corazones
Las modas cayendo
Preguntas sin contestaciones
6pm in front of the river
Seeing our hearts
The trends falling
Questions without answers

Bad Bunny’s “BOKeTE” is a bittersweet postcard from Puerto Rico, written at sunset by the river. Over a smooth bachata groove, he flips through memories of a love that felt endless summer but suddenly turned to winter. He paints vivid island scenes (the Río, Maya, Arecibo, the playita) then contrasts them with the chill of heartbreak, calling his ex a boquete (a pothole) he now swerves to avoid. The song is playful yet raw: he jokes about having fallen in love 516 times, but he still admits the sting of losing “lo más real” he ever had.

At its core, the track is a lesson in self-worth and moving on. Bad Bunny accepts that both lovers may suffer, yet he hopes she feels the regret, not him. He reminds her that beauty fades and truth matters, while he chooses to keep living, dancing, and—if fate allows—falling in love again. “BOKeTE” turns heartbreak into a catchy mantra: keep it honest, keep it moving, and never forget your own sunshine, even when the Caribbean feels cold.

Moscow Mule (Cocktail)
Si yo no te escribo, tú no me escribes
Si tú quieres, te busco, yo sé dónde tú vives
Quizá hoy está aborrecida
Pero por dentro tú tienes alegría
If I don't write to you, you don't write to me
If you want, I'll pick you up, I know where you live
Maybe today you're annoyed
But inside you have joy

In “Moscow Mule,” Bad Bunny pops the cap on a fizzy mix of passion, nightlife, and no-strings-attached excitement. The title cocktail sets the tone: cold, refreshing, and made for letting go. Throughout the lyrics, the Puerto Rican superstar flirts with a lover who is as unpredictable as the night itself. Their relationship lives in disappearing WhatsApp chats and last-minute meet-ups, where two drinks are all it takes for sparks to fly. He is clear that there are no official labels, yet the chemistry is undeniable, turning every rendezvous into a steamy adventure that could go viral at any moment.

Musically wrapped in reggaeton’s hypnotic beat, the song celebrates living in the present. Bad Bunny references luxury cars, exotic beaches, and late-night dance floors to paint a picture of youthful freedom. “Moscow Mule” reminds listeners that sometimes life’s sweetest moments are spontaneous: a shared cocktail, a secret chat, and a heartbeat that matches the rhythm of perreo.

We have more songs with translations on our website and mobile app. You can find the links to the website and our mobile app below. We hope you enjoy learning Spanish with music!