Por Qué No Se Van Lyrics in English Los Prisioneros

Below, I translated the lyrics of the song Por Qué No Se Van by Los Prisioneros from Spanish to English.
Verse 1
If you dream about New York and Europe
You complain about our people and their clothes
You live loving the Normandie art cinema
If you're an artist and the Indians don't understand you
If your avant-garde doesn't sell here
If you want to be a second-hand Westerner
Why don't you leave?
Chorus 1
Why don't you all leave?
Aren't you leaving the country?
Verse 2
Why don't you all leave?
Chorus 2
Aren't you leaving the country?
If you travel every year to Italy
If the culture is so rich in Germany
Why don't you stay there next year?
If they don't have the means that you demand here
If your genius and talent don't bring you fame here
If your last name isn't González or Tapia
Why don't you leave?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Why don't you all leave?
Aren't you leaving the country?
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © SADAIC LATIN COPYRIGHTS, INC.
Jorge Gonzalez
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SONG MEANING

Por Qué No Se Van is Los Prisioneros’ cheeky anthem against cultural snobbery. With witty sarcasm, the band fires questions at fellow Chileans who idolize New York cafés, European fashion and art-house cinemas while sneering at their own people. Each time the chorus repeats “¿Por qué no se van?” (Why don’t you leave?), it exposes the hypocrisy of those who claim Chile is too small for their vanguardia yet refuse to pack their bags for good.

Beneath the upbeat melody lies a sharp social critique of the 1980s Chilean elite’s inferiority complex. The song mocks globe-trotters who brag about annual trips to Italy and Germany and dismiss local roots unless their surname sounds exotic. Los Prisioneros flip the script, urging listeners to embrace everyday names like González or Tapia, appreciate Chile’s own art and music, and stop measuring worth by foreign standards. It is a call to take pride in homegrown culture—loud, catchy and impossible to ignore.

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