El Silencio Lyrics in English by Lila Downs

Below, I translated the lyrics of the song El Silencio by Lila Downs from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
are the times of silence
Why is there a curfew?
Coyote and moon night
Two pulques and a promise
The sun burned the thought
I went alone, I walk the sidewalk
In the corner there was a notice stuck
With patrols watching each door
and you did not arrive
your steps were lost
By the distant noise of the city
and you did not arrive
There was only at twelve o'clock
ghosts
A loudspeaker was heard, a ranchera
In my mind I found your look
Listening to the radio I knew you were listening
And also thinking about the end
In the distance a dog always barks
I didn't think I'd feel calm
That I live it reminds me of what is great
The miracle is waking up
and you did not arrive
your kisses were lost
By the distant noise of the city
and you did not arrive
There was only at twelve o'clock
ghosts
On the stone of my bed I see a thread
The ants that build in secret
Under the bed of my dreams its caverns
And an engine that seems to breathe
and you did not arrive
your kisses were lost
By the distant noise of the city
and you did not arrive
There was only at twelve o'clock
ghosts
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toque de quedacurfew

Toque de queda translates directly to "curfew." While it might seem like a common phrase, its appearance in a song's lyrics is quite striking and immediately sets a specific, often somber, tone.

In "El Silencio," Lila Downs uses this phrase to evoke a sense of restriction and unease, painting a picture of a world under strict control where silence is enforced. It's a powerful image that grounds the song in a particular reality, making it a memorable and thought-provoking word choice.

Lila Downs's "El Silencio" drops us into a quiet, curfewed night, where "Noche de coyotes y luna" [Night of coyotes and moon] sets a slightly eerie scene. The singer is waiting for someone who never arrives. She remembers the sun burning her thoughts, walking alone, seeing an announcement on a corner, and patrols watching every door. It feels like a time of restriction and longing, where the distant city noise swallows up the awaited footsteps and kisses: "Y no llegaste tú / Se perdieron tus pasos / Por el lejano ruido de la ciudad" [And you didn't arrive / Your steps were lost / By the distant noise of the city].

Even at noon, there are only "Fantasmas" [Ghosts]. She hears a ranchera song on a loudspeaker and finds herself thinking of the person's gaze, knowing they might be listening to the same radio. Despite the sadness, there's a surprising calm, a realization that "El milagro es despertar" [The miracle is to wake up]. The song ends with her noticing small, secret things around her—ants building under her bed, a motor that seems to breathe—while the person still hasn't arrived. It's a beautiful, melancholic look at waiting, absence, and finding a quiet peace amidst it all.

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