Enlatada literally translates to "canned" or "tinned." While it might seem like an ordinary word, its use in this song is quite striking and metaphorical.
Alizzz uses it to describe "música enlatada" (canned music), which refers to music that is artificial, mass-produced, or lacking authenticity and soul. It's a critique of the commercial music industry and a powerful way to express disdain for unoriginal content, making it a memorable and thought-provoking word in this context.
Alizzz's "Superficial" is a super honest look at how fake things can feel these days. He's singing about wanting "algo real, sup-super" [something real, super-super] but then admitting he's also "super-superficial." It's like he's caught between wanting genuine connection and getting sucked into the superficiality of social media and modern life.
He talks about the disconnect of seeing someone's perfect online persona – "Te como el culo en Instagram" [I'll kiss your ass on Instagram] – but then not even being able to look at them "en la calle" [on the street]. It's a funny, blunt take on how we're all "adictos a los cuerpos y a las caras operadas" [addicted to bodies and operated faces] and how even music can feel "enlatada" [canned] and temporary. He's calling out the phoniness, even in himself, and it makes you think about what's truly real.