Bastidor is a versatile word that can mean 'frame', 'loom', or even 'backstage' in a theatrical context. It's not an everyday word, making it interesting and memorable.
In "Líderes," the lyric "hay comité en el bastidor" (there's a committee backstage) uses the theatrical sense. It suggests that important, perhaps clandestine, decisions are being made behind the scenes, away from public view, by those in power. This metaphorical use adds depth to the song's critique of leadership.
Ciudad Jara's "Líderes" is a really interesting song, full of sarcasm and a bit of a rebellious spirit! The singer repeatedly asks for forgiveness from the "líderes" [leaders], but it feels like he's actually calling them out. He talks about how "Son ellos, los que usaban la trampilla en la calle y en la escena" [It's them, those who used the trapdoor in the street and on stage] and "Quien vendía la censura como acto conciliador" [Who sold censorship as a conciliatory act]. It's a sharp critique of those in power who manipulate and control.
He also describes himself as living "en la noria de los títeres" [on the Ferris wheel of puppets], which really paints a picture of feeling controlled. But despite this, he's also drawing a door "En los paisajes más hostiles" [In the most hostile landscapes], suggesting a hope for escape or change. The line "No veo yo el cañón que escriba mi final" [I don't see the cannon that will write my end] is a powerful declaration of defiance, showing he's not giving up, even if he feels like he's in a puppet show. It's a song that makes you think about who really holds the power and whether we can break free.