Líderes Lyrics in English by Ciudad Jara

Below, I translated the lyrics of the song Líderes by Ciudad Jara from Spanish to English.
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I apologize to the leaders
It's them, smoke announces
The speaker begins silent, there is a committee in the frame
Today we have made full, saving yourself with fear
Don't look in the eyes of rebellion
They are them, those who used the springe on the street and on the scene
Who sold censorship as a conciliatory act
Who buy the cast, the jester and the patron
They can't buy your heart
I apologize to the leaders
To draw a door
In the most hostile landscapes
I apologize to the leaders
Because I released the rein
I live in the noria of puppets
They are, the parasites of hatred and hope of others
Who conceives your career with squad and bell
Who passed by but signed up for dinner
Those of the calculator, those who are right
I apologize to the leaders
To draw a door
In the most hostile landscapes
I apologize to the leaders
Because I released the rein
I live in the noria of puppets
I looked at the mirror and found fossils
And the fingerprints in the glass dust
Difficult times are far away
I don't see the cannon to write my end
I apologize to the leaders
To draw a door
In the most hostile landscapes
I apologize to the leaders
Because I released the rein
I live in the noria of puppets
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bastidorframe / loom / backstage

Bastidor is a versatile word that can mean 'frame', 'loom', or even 'backstage' in a theatrical context. It's not an everyday word, making it interesting and memorable.

In "Líderes," the lyric "hay comité en el bastidor" (there's a committee backstage) uses the theatrical sense. It suggests that important, perhaps clandestine, decisions are being made behind the scenes, away from public view, by those in power. This metaphorical use adds depth to the song's critique of leadership.

Ciudad Jara's "Líderes" is a really interesting song, full of sarcasm and a bit of a rebellious spirit! The singer repeatedly asks for forgiveness from the "líderes" [leaders], but it feels like he's actually calling them out. He talks about how "Son ellos, los que usaban la trampilla en la calle y en la escena" [It's them, those who used the trapdoor in the street and on stage] and "Quien vendía la censura como acto conciliador" [Who sold censorship as a conciliatory act]. It's a sharp critique of those in power who manipulate and control.

He also describes himself as living "en la noria de los títeres" [on the Ferris wheel of puppets], which really paints a picture of feeling controlled. But despite this, he's also drawing a door "En los paisajes más hostiles" [In the most hostile landscapes], suggesting a hope for escape or change. The line "No veo yo el cañón que escriba mi final" [I don't see the cannon that will write my end] is a powerful declaration of defiance, showing he's not giving up, even if he feels like he's in a puppet show. It's a song that makes you think about who really holds the power and whether we can break free.

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