Learn Spanish With Rauw Alejandro with these 23 Song Recommendations (Full Translations Included!)

Rauw Alejandro
LF Content Team | Updated on 2 February 2023
Learning Spanish with Rauw Alejandro's music is fun, engaging, and includes a cultural aspect that is often missing from other language learning methods. It is also great way to supplement your learning and stay motivated to keep learning Spanish!
Below are 23 song recommendations by Rauw Alejandro to get you started! Alongside each recommendation, you will find a snippet of the lyric translations with links to the full lyric translations and lessons for each of the songs!
ARTIST BIO

Raúl Alejandro Ocasio Ruiz, known professionally as Rauw Alejandro, is a dynamic Puerto Rican singer and songwriter born on January 10, 1993, in San Juan, Puerto Rico. With roots in a musically inclined family, his sound blends reggaeton, Latin R&B, urbano, and Latin trap, setting him apart in the Latin music scene. Rising to fame with hits like "Toda" and "Fantasías," Rauw has earned multiple awards including two Latin Grammys and Billboard Latin Music Awards.

His versatile artistry shines through albums like Afrodisíaco and Vice Versa, and he continues to innovate with his latest 2024 release, Cosa Nuestra, which features collaborations with major artists and fuses salsa, reggaeton, and more. Recognized as one of Latin music’s greatest showmen, Rauw Alejandro’s electrifying performances captivate audiences worldwide, making him a true standout in contemporary Latin music.

CONTENTS SUMMARY
Besito En La Frente (Little Kiss On The Forehead)
Qué bendición lo que estoy viendo
Ya está amaneciendo
La luz en tu piel me está pidiendo
Que te lo haga lento
What a blessing, that I'm seeing
It's already dawning
The light on your skin is asking me
To do it with you slowly

Besito En La Frente opens with daylight creeping in and Rauw Alejandro awe-struck by the beauty of his partner. The song is an intimate celebration of right-now: the warmth of morning light on skin, the rush of passion that makes him feel lifted to the sky, and the simple tenderness of a forehead kiss. Every image—dancing until their feet ache, being bound together like leather and wood, feeling the heat of tropical drums—emphasizes how alive love can make you feel in the present moment.

At its heart, the track is Rauw’s promise of forever. He sings that life without this person is unthinkable, and even if this perfect instant never returns, it will never be wasted because they experienced it together. The repeated line “Somos eternos tú y yo” (“We are eternal, you and I”) turns their fleeting night into something timeless, reminding listeners that a single, heartfelt moment can echo far beyond the sunrise.

Tú Con Él (You With Him)
Seguro, mujer, que hoy eres feliz
Que nada de ayer hoy te hace llorar
Tú con él
El tiempo corre, yo te espero pero tú con él
Sure, woman, that today you're happy
That nothing from yesterday today makes you cry
You with him
Time runs, I wait for you but you with him

Feel the brass section blaze and the congas crackle! In “Tú Con Él,” Rauw Alejandro slips into classic salsa storytelling, talking directly to an ex who now smiles arm-in-arm with someone else. Over a hip-swaying groove, he admits he was the “excuse” that helped her realize she could live without her former partner. He cheers her newfound freedom, yet every tumbling piano riff reveals a bittersweet sting—she’s happy, but not with him.

The second verse pulls back the curtain on his heart. He apologizes for jealous outbursts, confesses he fell hard without seeing the game, and owns the pain of losing a love that never fully belonged to him. The song swings between pride and vulnerability, teaching us vocabulary for love’s aftershocks while proving that even heartbreak can make you want to dance. Put simply, it’s a salsa-soaked lesson in acceptance, nostalgia, and moving on—one quick step at a time.

DILUVIO (DOWNPOUR)
Tres de la mañana me llama
Me dice que tiene ganas
De tener sexo y en el expreso
Ya de camino a su cama
Three in the morning she calls me
She tells me that she's in the mood
To have sex and in the expressway
Already on the way to her bed

Rauw Alejandro’s “DILUVIO” is a steamy reggaeton tale that begins with a 3 a.m. phone call and races down the expressway straight into a lover’s bedroom. The title means downpour, and the song paints that storm with vivid, sensual imagery: sheets soaked, bodies colliding, and desire so intense it feels like rain pouring from the ceiling. Over a pulsing beat, Rauw narrates a night of no-limits passion where both partners are “bien bellacos” (super horny) and the heat rivals a midsummer July.

Beneath the explicit lines, the track highlights mutual craving and confidence. Rauw studies every reaction, promising to keep going “hasta que salga el sol”—until sunrise. Phrases like “castígala” (give her what she wants) and playful Puerto Rican slang celebrate consensual exploration in a space where nothing is forbidden. In short, “DILUVIO” is an unapologetic celebration of raw chemistry, urging listeners to surrender to the rhythm, the night, and that irresistible tropical storm of attraction.

Khé? (Wut? [Què = What])
Te escribí lo que sentía y lo borré
Te dije que no te amaba, y, lo arruiné
Sabiendo que
Cuando te ibas, sólo quería besarte
I wrote to you what I felt and deleted it
I told you that I didn't love you, and I ruined it
Knowing that
When you were leaving, I just wanted to kiss you

Khé? pairs Puerto Rican trailblazer Rauw Alejandro with bachata royalty Romeo Santos for a dance-floor confession booth. Wrapped in swaying guitars and Caribbean percussion, the song spotlights two ex-lovers stuck in that maddening space between “no somos nada” and “por qué no vuelves?” — denying feelings with their lips while their hearts shout the truth.

Rauw deletes love texts, Romeo masks his longing, and both try dating others, yet every beat circles back to the same question: Why are we still playing this game? The track turns mixed signals into music, capturing the tug-of-war of pride, doubt, and undeniable chemistry. Whether you have ever hit send, hit delete, or hit repeat on an old flame, Khé? winks and whispers, “We know you’re not over it either.”

NÁUFRAGOS (CASTAWAYS)
No hay que darle mucha vuelta al asunto, yo estoy pa' ti
Me tardé en aceptarlo, pero lo tengo que admitir
Que sí me gusta verte to′ los finde
Pero contigo quiero to' las semanas
No need to overthink it, I'm here for you
It took me a while to accept it, but I have to admit it
I really like seeing you each weekend
But with you I want the whole week

Rauw Alejandro, the Puerto Rican hit-maker, turns a supposed “summer fling” into a cinematic love-adventure in NÁUFRAGOS. The title means “castaways,” and that image drives the whole song: two lovers feel lost to the outside world while time races past them whenever they are together. What starts as casual weekend meet-ups quickly becomes a full-on obsession filled with pool parties, late-night drives blasting old-school reggaetón, and Instagram-worthy moments. Each lyric paints their chemistry as electric—cafeína-level energy—where even the ticking of a luxury watch seems to slow down in her presence.

Beneath the playful references to bikinis, Red Bull, and steamy bedroom escapades lies a deeper confession: this connection is no longer just a “summer love.” They are two castaways happily stranded in one another’s arms, discovering that their passion is impossible to compare or contain. It is a sun-drenched, beat-driven reminder that sometimes the strongest bonds are born when you stop overthinking and simply dive into the waves together.

Cosa Nuestra (Our Thing)
Esto es cosa nuestra, no creo que lo entiendan
Esto es cosa nuestra, no creo que lo entiendan
Esto es cosa nuestra, esto es cosa nuestra
Esto es cosa nuestra, no creo que lo entiendan
This is our thing, I don't think they understand it
This is our thing, I don't think they understand it
This is our thing, this is our thing
This is our thing, I don't think they understand it

Cosa Nuestra feels like being handed a private invitation to Rauw Alejandro’s inner circle. With the mantra “Esto es cosa nuestra, no creo que lo entiendan,” the Puerto Rican star lays down a secret code: outsiders will never get the full story. Over lively salsa horns and percussion, he mourns a love that burned fast and left a long shadow, borrowing Neruda’s idea that “love is short and forgetting is long.” Memories drift in and out “como las hojas y el viento,” and every time he hears her name, the wound reopens.

At the same time, Rauw keeps one eye on the streets. Surrounded by his “bandoleros,” he makes deals, counts money, and watches rivals while hopping from bed to bed in a search that never satisfies. This clash of tenderness and toughness captures the dual heartbeat of Caribbean urban life: romance and danger dancing side by side. Beneath the irresistible groove, the song whispers that some stories stay locked behind closed doors, understood only by those who share the code—la cosa nuestra.

Carita Linda (Pretty Little Face)
Wow, qué linda tú estás
Yo solo te miro a ti
La combinación de tu boca
Con este tequila a las rocas
Wow, how pretty you are
I only look at you
The combination of your mouth
With this tequila on the rocks

“Carita Linda” is a sun-soaked flirtation set to reggaetón and Afro-Caribbean rhythms. From the very first line, Rauw Alejandro cannot take his eyes off a woman whose pretty little face leaves him spellbound. Tequila on the rocks, moonlit beaches, and irresistible dancing swirl together to create a scene that feels half party, half déjà-vu dream. The Puerto Rican singer paints her as both calm in the storm and the spark that sets the night on fire, celebrating the thrill of instant chemistry and the playful danger of falling fast.

Beneath the seductive groove lies a tender wish for something lasting. Amid all the heat, Rauw imagines escaping with her to a small house by the sea, never to leave. He knows love can be fleeting, yet he hopes their connection will carve a permanent mark, just like footprints in sand that refuse to wash away. “Carita Linda” is ultimately a love letter to living in the moment while daring to believe that a single, unforgettable smile can change everything.

Pasaporte (Passport)
Yo sé que todo tiene su final
Nada dura para siempre, no hay eternidad
Sólo nos toca disfrutar hoy
A veces no hay que pensar
I know that everything has its end
Nothing lasts forever, there is no eternity
We just have to enjoy today
Sometimes there's no need to think

Fasten your seatbelt and stamp your passport! In “Pasaporte,” Puerto Rican hit-maker Rauw Alejandro teams up with producer Mr. Naisgai to turn life itself into a nonstop globetrotting party. Over a sleek reggaetón beat, Rauw celebrates the thrill of living in the present: today’s beach view might become tomorrow’s skyline, so why worry about forever? From Madrid’s cobbled streets to Ibiza’s clubs, from Parisian runways to the flavors of his native Puerto Rico, he checks cities off his list the way most of us check notifications—quickly and with a grin.

The lyrics remind us that nothing lasts forever, so the best plan is to dive head-first into new adventures, trust that destiny (and a little divine backing) has our back, and collect memories like stamps in a passport. Whether he’s dancing till dawn or missing a few calls, Rauw’s message is clear: live the moment, forget the past, and let tomorrow sort itself out. One song, countless destinations—time to join the trip!

Todo De Ti (Everything About You)
El viento soba tu cabello
Me matan esos ojos bellos
Me gusta tu olor, de tu piel el color
Y cómo me haces sentir
The wind is on your hair
Those beautiful eyes kill me
I like your scent, the color of your skin
And how you make me feel

Todo De Ti is Rauw Alejandro’s sun-kissed love letter to someone who makes his pulse race from the very first glance. He describes every detail—the breeze in her hair, the taste of her pink-tinted lips, the way her bikini blends with the ocean—and repeats the hook “Me gusta todo de ti” (“I like everything about you”) like an irresistible chant. The verses jump between sensual compliments and vivid snapshots of shared moments, creating a cinematic reel of late-night drives, coconut-scented kisses, and gravity-defying passion.

Powered by a retro, dance-floor-ready reggaeton beat, the song feels like summer bottled into three minutes: carefree, playful, and impossible to resist. Rauw’s message is simple yet infectious—when the chemistry is right, nothing outside that magical bubble matters. It is a celebration of confidence, body positivity, and living in the now, making it perfect for both dancing and practicing Spanish while soaking up tropical vibes.

Desenfocao' (Unfocused)
No siento la cara
Una nota rara
Lleno de base, toda mi ropa cara
No sé a dónde voy, nadie sabe nada
I don't feel my face
A weird buzz
Full of bass, all my clothes expensive
I don't know where I'm going, nobody knows anything

Desenfocao’ feels like a neon-lit roller-coaster through San Juan at 3 a.m. Rauw Alejandro sings from the hazy middle of an endless party, his senses blurred by luxury, speed, and intoxicants. Diamonds flash like platinum records, expensive clothes reek of smoke, and strangers swap names as easily as they swap drinks. On the surface it is pure celebration: racing down the expressway, roulette wheels spinning, bass rattling the walls. Yet every bright light only reminds him of what he is trying to erase.

Beneath the glitter sits a raw confession. Rauw is “desenfocado” (out of focus) because heartbreak still haunts him; no amount of adrenaline or drugs can blur the memory of the one who left. The bed is crowded but he feels empty, the sunrise arrives and he barely notices. He runs faster, parties harder, takes bigger risks, hoping luck—or another lover—will finally set him free. The song captures that bittersweet rush when escape looks glamorous, but the loneliness keeps catching up, making the whole world shimmer and tilt like a club strobe light.

Qué Pasaría... (What Would Happen)
¿Qué pasaría si volvieran
Esas noches dentro de ti?
Qué rico fue cuando te metí
Tú sabes lo que hicimos
What would happen if they returned
Those nights inside of you?
How good it was when I put it in you
You know what we did

“Qué Pasaría…” throws you straight into a neon-lit night where Rauw Alejandro and Bad Bunny reconnect with a past flame and can’t stop wondering, “What would happen if we ended up alone again?” Over a pulsating Puerto Rican reggaeton beat, the duo paints a vivid scene of bumping into an old lover at the club, feeling that instant magnetic pull, and replaying memories of their last wild rendezvous. The lyrics are bold, playful, and unapologetically sensual, celebrating raw chemistry and the thrill of breaking the rules when nobody’s looking.

More than just a steamy hookup anthem, the song captures the push-and-pull of temptation: the dancers, flashing lights, and packed dance floor can’t distract the artists from the idea of slipping away for a private encore. Rauw and Bad Bunny trade confident lines, promising to give their partner exactly what’s been missing, while hinting at fantasies of family and deeper connection hidden beneath the swagger. It’s a flirty confession of “We both know what’s about to go down, so why not give in?”—all wrapped in the irresistible rhythm that makes reggaeton the perfect soundtrack for late-night impulses.

Algo Mágico (Something Magical)
Cuando tú no estás en mi cama
Ma', yo me desespero
Sólo despertar a tu lado
Es lo único que yo deseo
When you're not in my bed
Babe, I get desperate
Just waking up by your side
It's the only thing that I want

In “Algo Mágico,” Puerto Rican hit-maker Rauw Alejandro describes the moment when a casual fling turns into something far more powerful. What began with playful, “erotic moments,” has blossomed into an all-consuming attraction that he struggles to put into words. The singer can’t sleep unless he wakes up beside his lover, feels hypnotized by her gaze, and admits that his heart is now in a “critical” state. It is not just about looks anymore; the connection feels otherworldly—a spark he calls magical.

The song captures that electrifying stage where passion meets genuine emotion. Rauw begs for more time together, promises everlasting moments, and even imagines running away hand in hand if the feeling is mutual. Over a smooth reggaeton beat, he balances vulnerability with sensuality, turning everyday longing into an enchanting love story that listeners can dance to while dreaming of their own algo mágico.

Tattoo (Remix)
Te ves tan rica, esa carita y ese tattoo
Ay, haces que la nota nunca se baje
No hace falta nada si estás tú
Yo no sé ni qué hacer
You look so fine, that face and that tattoo
Oh, you make the high never fade
I don’t need anything if you’re here
I don't even know what to do

Tattoo (Remix) splashes bright Caribbean color onto a modern reggaetón beat. Rauw Alejandro invites fellow heart-throb Camilo to celebrate a crush so powerful it feels edible: “Tú estás pa’ comerte toda.” From the first verse, the singer’s eyes lock on a captivating smile, café-colored eyes, and—of course—the mysterious tattoo. Every detail of this person’s look keeps the “nota” (the high) from dropping, turning an ordinary night into a euphoric loop of flirtation, rhythm, and heat.

Under the playful chorus lies a simple message: when the right person is beside you, nothing else is needed. The tattoo becomes a symbol of devotion—something permanent the singers would gladly wear on their ribs just to shout their love to the world. Between cheeky breakfast-in-bed lines, promises of public affection, and infectious “Ra-Rauw” ad-libs, the song paints love as both sweet and unstoppable, inviting listeners to dance, smile, and maybe even consider getting some ink of their own.

Se Fue (She Left)
Ya no responde ni al teléfono
Pende de un hilo la esperanza mía
Yo no creí jamás poder perder así la cabeza
Por ella
She doesn't anymore even answer the phone
My hope hangs by a thread
I never believed that I could lose my mind like this
For her

Se Fue tells the timeless story of a love that slipped away so suddenly it feels almost unreal. Rauw Alejandro joins forces with the legendary Laura Pausini to paint a picture of someone left staring at a silent phone, wondering why their entire universe vanished with one goodbye. Perfume, smiles, honey-sweet kisses and summer sunshine all disappear at once, leaving only “veneno” and “hielo.” The singer’s world shrinks to a lonely room filled with unanswered questions and late-night prayers that even the heavens seem to ignore.

Behind its catchy pop beat, the song overflows with vivid metaphors: love that melts into ice, dreams shattered in a storm, and a heart chained to nights of madness. Together the Puerto Rican crooner and the Italian powerhouse turn heartbreak into an anthem you can dance to while learning Spanish expressions for longing, loss and fiery devotion. Whether you focus on the imagery or the irresistible melody, “Se Fue” shows how even the sweetest romance can flip into bittersweet memories in the blink of an eye.

Aquel Nap ZzZz (That Nap ZzZz)
Tú dormida encima de mí
La brisa viene del mar
No te dejo de mirar
Eres mi niña de cristal
You asleep on top of me
The breeze comes from the sea
I don't stop looking at you
You're my crystal girl

Picture a lazy seaside nap: your partner drifts to sleep on your chest, the salty breeze rolls in, and time feels like it might actually stand still. In “Aquel Nap ZzZz,” Puerto Rican star Rauw Alejandro bottles that magic moment and turns it into a love letter. He calls his girl “mi niña de cristal,” vows he would “matar por ti,” and swears her kiss sweeps every sadness away. It is a snapshot of pure tenderness that blends sunny beach imagery with the rush of butterflies you get when someone truly special is close.

Beneath the laid-back vibe, the song is a bold promise of devotion. Rauw dreams of whisking her off to Tokyo, writing countless studio tracks for her, and even wrapping up his tour early just to start a family of “mini-you’s.” He insists that if loving her is a mistake, he would gladly make it again; her heart is the only place he wants to live. Even when she slips away for the night, his plea is simple: “No quiero a nadie más.” The result is a feel-good anthem that mixes beach-day serenity with big, forever-type love—perfect for anyone who wants to believe that one perfect afternoon can turn into always.

Déjame Entrar (Let Me In)
Desde hace tiempo yo quería hablarle
Y ahora la tengo al frente mío
Detenme porque no quiero acelerarme, no
Ya voy sabiendo
For a while I've wanted to talk to her
And now I've got her in front of me
Stop me 'cause I don't wanna speed up, no
I'm already finding out

Déjame Entrar is a flirtatious confession set to Rauw Alejandro’s signature reggaetón groove. The Puerto Rican singer finds himself face-to-face with the girl he has been crushing on, and the lyrics capture that electric moment when attraction turns into bold invitation. He admits he cannot read her thoughts, yet her body language speaks volumes, urging him closer while he tries to keep his excitement in check. The repeated plea “solo si ella me deja entrar” (only if she lets me in) turns the song into a playful negotiation of consent, desire, and curiosity.

As the night unfolds, smoke curls in the air, the perreo heats up, and the pair trade teasing questions about how they like it. Rauw paints vivid scenes of private escapades—from the crowded bus ride back home to steamy bathtub moments—celebrating the thrill of shared secrets (“Esto es cosa nuestra”). Behind the sensual imagery lies a lighthearted promise of staying together at least until next summer, capturing the spontaneous, no-strings-attached spirit that fuels modern Latin nightlife. The track blends seductive rhythm, cheeky wordplay, and island slang to create an anthem for anyone daring enough to say, “Let me in.”

HOY AQUÍ (HERE TODAY)
De ti, mal me despedí
La última vez que tú y yo nos vimos
Ojalá estuvieras hoy aquí
Para continuar lo que no pudimos
To you, I said goodbye badly
The last time that you and I saw each other
I wish you were here today
To continue what we couldn't

Hoy Aquí is a late-night confession where Puerto Rican superstar Rauw Alejandro swaps the bright lights of the club for the dim glow of nostalgia. The beat stays sensual and dance-ready, yet the lyrics reveal a heart stuck on rewind: he broke things off the wrong way, the clock has slipped past midnight, alcohol has lost its magic, and every melody on the dance floor drags him back to one name—hers.

Wrapped in silky reggaeton grooves, Rauw admits that fame, flashing cameras, and adoring fans cannot fill the space she left. He is already "bellaco" (turned on, eager) just thinking about her, and he is ready to hunt her down to finish what they never got to finish. Beneath the seductive lines lies a simple truth: even the most celebrated artist can feel incomplete when the right person is missing. It is a steamy, vulnerable plea for a second chance, set to a rhythm that makes you move even as it tugs at your heart.

2:12 AM
Son las 2:12 y yo sé
Ya-ya-ya-ya estoy solito esperándote
Encontré un lugar que nadie nos ve
Mientras la fiesta siga, nos podemos comer
It's 2:12 and I know
Ya-ya-ya-ya I'm all alone waiting for you
I found a place that nobody can see us
While the party keeps going, we can eat each other

Ever found yourself wide-awake in the small hours, replaying a stolen kiss you should probably forget? That is the electric vibe of “2:12 AM”, where Puerto Rican hit-maker Rauw Alejandro teams up with Mexican duo Latin Mafia to paint the picture of a secret rendezvous that refuses to stay in the past. The clock hits 2:12, the party is still thumping, and two people slip away to a hidden corner. They know the fling is risky—she is not exactly single, tongues will wag, and hearts might break—but the chemistry between “my mouth and your skin” is stronger than common sense.

What follows is a tug-of-war between desire and caution. Rauw keeps telling himself to move on, yet memories of that night pop up when he least expects it. Was it the alcohol, the winter cold, or pure destiny? Whatever the excuse, he cannot shake the urge to recreate a “perfect world” where time is short and their lips are exactly where they belong. The song captures that bittersweet thrill of forbidden love: intoxicating in the moment, haunting long after the clock slips past 2:12 AM.

INQUIETO (RESTLESS)
Lo que te dijeron de mí, es cierto
Tuve que confesarle a tu amiga
Que me tienes inquieto
Mami tú me tienes soñando despierto
What they told you about me, it's true
I had to confess to your friend
that you have me restless
Babe you have me day-dreaming

Rauw Alejandro’s “INQUIETO” is a high-energy confession of pure desire. From the very first line, the Puerto Rican hit-maker admits he is restless—losing sleep and day-dreaming about a woman who has him completely hooked. The lyrics paint a playful cat-and-mouse game: rumors are flying on social media, friends are already talking, and Rauw is more than happy for the whole world to see the sparks. Every verse turns up the heat, swapping flirtatious stares for steamy promises of an unforgettable night together.

Beneath the sensual bravado, the song also delivers a carefree summer vibe. Mentions of beach getaways, late-night music, and living in the moment give “INQUIETO” an atmosphere of youthful freedom—where the only plan is to follow the rhythm and each other’s signals. It’s bold, catchy, and undeniably fun, making listeners feel the same restless excitement that Rauw just can’t hide.

SILENCIO (SILENCE)
Ni recuerdo la última vez que tú y yo hicimos el amor
La cama piensa que somos hermanos, y aquellos gemidos en silencio
Ay, era excitante, mami, ver en tu mirada niveles de pasión
Yo tan solo con guiñarte un ojo, un diluvio en tu cuerpo
I don't even remember the last time you and I made love
The bed thinks we’re siblings now, and those moans have gone silent
Oh, it was exciting, babe, to see pure passion in your eyes
Just a wink from me, you’d be a flood

Silencio is Rauw Alejandro’s steamy SOS to a love that has cooled off. Through vividly sensual memories – from whispered moans to playful arguments over who finishes first – he reminds his partner of the electric nights that once made the neighbors jealous. The chorus plea “Silencio, cálmate” is less about quiet and more about shutting out drama so they can speak the only language that ever worked for them: pure, uninhibited passion.

Wrapped in his primera bachata, the Puerto Rican star swaps reggaetón’s thump for a swaying, guitar-led groove, turning the bedroom tension into a dance-floor confession. He owns up to mistakes, begs for one more chance to memorize every curve, and insists that even their fights can end in kisses. In short, the song is a seductive invitation to stop talking, start dancing, and rediscover the fire hiding beneath the silence.

Amar De Nuevo (To Love Again)
Cuando tú estás cerca de mí
Se siente bien, mi pasado no existe
Se me había olvidado
Lo fácil que es reír
When you are close to me
It feels good, my past doesn't exist
I had forgotten
How easy it is to laugh

“Amar De Nuevo” invites us into Rauw Alejandro’s late-night confession booth, where pulsing reggaeton drums meet a heart that’s still licking its wounds. The moment his new flame steps close, the Puerto Rican singer feels time rewind: the past evaporates, laughter comes easy again, and desire sparks like a lighter in the dark. Yet that same spark revives old fears. He admits he’s a "labyrinth without an exit," haunted by past break-ups, and he hesitates on the edge of her "fuego," asking her to teach him how to love all over again.

Behind the seductive beat and sensual imagery—the heartbeat he hears, the dress slipping off, the promise to protect her while she sleeps—lies a tug-of-war between vulnerability and passion. Rauw wrestles with the risk of opening up, but the chemistry is too strong to ignore. The song captures that thrilling, nerve-racking moment when you decide whether to guard your scars or dive back into love, trusting that this time the rhythm might heal instead of hurt.

2/Catorce (2/Fourteen)
Yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah
Yeah-yeah, Ra-Rauw
Qué rico tener que desnudarte
No tengo que hacer mucho para calentarte
Yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah-yeah
Yeah-yeah, Ra-Rauw
So good having to undress you
I don't have to do much to turn you on

“2/Catorce” is Rauw Alejandro’s steamy Valentine’s Day postcard. The title spells out February 14 in Spanish date format, and from the very first beat the Puerto Rican star dives into a night of no-rules romance. Over Mr. Naisgai’s silky reggaetón-R&B production, Rauw paints a scene where two lovers sneak away from the world, unable to resist the electricity that sparks the moment their eyes meet. The lyrics celebrate every detail of that chemistry: playful teasing, daring lingerie, and the thrill of turning any room—kitchen, pool, bedroom—into their private playground.

Beneath the sensual storytelling, there’s a softer layer of devotion. While the encounter is secret, the singer promises unforgettable pleasure and whispers of eternal love, making the track both provocative and unexpectedly tender. “2/Catorce” is the soundtrack for anyone who wants Valentine’s Day to last until sunrise, mixing raw desire with a wink of romantic certainty that these memories—and this song—will be impossible to forget.

Pensándote (Thinking Of You)
Ayer te vi, te ves mejor
Te quería preguntar
Si todavía piensas en nosotros dos
¿O te cansaste de esperar por mí?
Yesterday I saw you, you look better
I wanted to ask you
If you still think about the two of us
Or did you get tired of waiting for me?

“Pensándote” is Rauw Alejandro’s steamy postcard to an old flame he can’t get out of his head. Over Tainy’s hypnotic reggaeton beat, the Puerto Rican star runs into his ex, notices she looks even better than before, and instantly wonders whether she still thinks about them. The lyrics swing between curiosity and confidence: he fears she might have moved on, yet he’s certain no one else can match the chemistry they once shared.

The track is essentially a late-night invitation to relive their wildest memories—motel escapades in Aguadilla, carefree TikTok dance-offs, and bedroom moments that felt like “art.” Rauw paints vivid scenes of passion, jealousy, and irresistible magnetism while promising to pick her up, strip away her doubts (and clothes), and remind her why they were unforgettable together. It’s an ode to desire, nostalgia, and the swagger of believing that second chances can still spark first-time fireworks.

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