Learn Spanish With Prince Royce with these 23 Song Recommendations (Full Translations Included!)

Corazón Sin Cara (Heart Without a Face) is Prince Royce’s ultimate Bachata love letter about looking past physical appearance. The core message is sweet, direct, and wonderfully simple: love lives in the soul, not in the mirror. Royce hears that the girl he likes feels insecure about how she looks ("te acomplejas de tu imagen" [you feel insecure about your image]). He jumps straight in to reassure her that she looks great without makeup ("sin maquillaje"), and whether she is chubby or skinny ("gorda o flaca"), or light-skinned or dark-skinned ("blanquita, morenita"), none of that matters to him at all.

He takes the pressure off by admitting his own flaws too. Royce sings that he is far from perfect, joking that even with a handsome face, he still deals with his own insecurities ("Aunque tenga cara de bonito me acomplejo yo también" [Even though I have a pretty face, I get insecure too]). The phrase "el corazón no tiene cara" [the heart has no face] carries the whole track, reminding her that true love does not care about exterior looks. He even tells her to light a candle and ask for forgiveness ("Prende una vela / Pide perdón") simply for thinking she was ugly in the first place!

Prince Royce brings smooth Bachata rhythms to a classic romantic mess in "Recházame" ("Reject Me"). Instead of bragging about a secret affair, he is practically begging the other person to push him away. He admits they fell hard and shared smiles, but there is a massive problem right in the chorus: "Es que yo tengo mi mujer / Y tú tienes tu novio" ("It's just that I have my woman / And you have your boyfriend"). He knows sneaking around ("Vivimos escondidos" / "We live hidden away") will only lead to trouble, and he directly admits his own lack of willpower: "Yo no, no quiero ser infiel / Me matará la tentación" ("I don't, I don't want to be unfaithful / The temptation will kill me").

What makes the track stick is how blunt the plea is. Royce stops pretending things can work out and insists that calling it quits is the only way to avoid a trainwreck: "Nuestro amor / Tiene que terminar aquí" ("Our love / Has to end here"). To seal the deal, he drops an English spoken interlude addressing all the players out there, reminding everyone that guilt and temptation spare nobody. It is a desperate, catchy plea for someone else to make the hard choice and walk away before both of their actual relationships fall apart.

Prince Royce takes a familiar classic and brings it straight into the world of bachata, mixing English and Spanish throughout the whole track. The message is simple and direct: as long as you stay close, nothing else is scary. He sings about dark nights where the moon is the only light in front of him ("Y la luna es la luz que brilla ante mí" [And the moon is the light that shines before me]), promising that he will not cry ("No lloraré" [I won't cry]) even if mountains collapse or the whole sky falls down ("Y aunque las montañas o el cielo caiga" [And even if the mountains or the sky falls]).

What makes this version fun is how naturally he switches languages mid-thought. He flips between "Miedo no, no tendré" [Fear, no, I won't have it] and "I won't, me asustaré" [I won't be scared], pairing the English phrase "stand by me" directly with its Spanish counterpart, "junto a mí" [next to me / by my side]. Royce even interrupts his own romantic mood to hype himself up, dropping lines like "That's class right there" and shouting out his own name: "What's my name? Royce." It is warm, sweet, and packed with playful confidence.

Prince Royce brings his signature bachata rhythm to a really messy breakup story in "El Amor Que Perdimos". He starts off by waking up from a dream about a failed relationship: "Anoche soñé yo contigo del amor que perdimos" (Last night I dreamed with you about the love that we lost). The core problem? Constant betrayal. He calls out her mixed signals directly, noting that her lips said love while her eyes showed rejection ("Tus labios me decían te amo / Y tus ojos me rechazaban"). It is a classic bachata rollercoaster where the couple spent one night loving and the next night fighting ("Duramos una noche amando y la otra peleando").

Even with all the drama, there is an interesting twist in the story. Despite the lies, he acknowledges a silver lining: their child, which he calls a miracle and the thing he loves most ("Ese fruto de tu vientre que yo más amo" [That fruit of your womb that I love the most]). Still, being grateful for their child does not mean he wants her back. The blunt, repetitive chorus drives that boundary home: "Yo te amé, te adoré / No te quiero ver" (I loved you, I adored you / I don't want to see you). He loved her, he suffered, and now he is completely done.

Prince Royce takes us on a lonely late-night drive in "La Carretera", blending sweet Bachata rhythms with the desperation of trying to win an ex back. The setup is immediate: he is behind the wheel, staring at the headlights shining "como las estrellas en el cielo del dolor" ("like stars in the sky of pain"), while the radio happens to play the exact song the two of them used to dance to. Instead of moving on, he hits the gas pedal, gets stuck in his memories, and leaves a voicemail admitting that he is drowning his sorrows in alcohol ("me ahogo en el alcohol").

Things get dramatic fast when he brings up his competition. He complains about the new guy trying to "secuestrarme tus caricias" ("kidnap your caresses from me"), insisting that nobody can love her better. Between begging to know "¿Todavía piensas en mí?" ("Do you still think of me?") and watching the sun come up over the asphalt, he makes the road trip feel endless. It is a classic tale of late-night regret where driving aimlessly feels like the only cure for a broken heart.

Prince Royce brings his signature Dominican-American bachata rhythm to a confession about having a massive, hopeless crush. Right from the start, he piles on dramatic legal and moral comparisons: loving this person is complicado (complicated), thinking about them is un pecado (a sin), and touching them is un delito (a crime). He is ready to do the absolute most—whether that means learning new languages with falar en portugués, aprender a hablar francés (speaking in Portuguese, learning to speak French) or literally trying to apagar el sol (turn off the sun) just to brighten their morning.

Yet, behind all the wild promises to change his religion or hand over the world, his actual dream is simple: Yo sólo quiero darte un beso (I only want to give you a kiss). The tragedy? The person he loves barely acknowledges he exists. He uses a funny Spanish idiom to call them out: tú no me das ni las noticias (you don't even give me the news), which means they do not even bother giving him updates or checking in. It is playful, sweet, and a little desperate all at once.

Prince Royce opent deze bachataklassieker door een meisje dat hij liefheeft te vertellen dat hij heeft gehoord dat ze onzeker is over haar uiterlijk. Zijn antwoord is recht voor zijn raap en lief tegelijk: kijk in de spiegel en zie hoe mooi je bent zonder make-up. Uiterlijk zegt hem niets, zingt hij: "Y si eres gorda o flaca / Todo eso no me importa a mí" [En of je dik bent of dun / Dat alles maakt mij niets uit]. Het gaat hem om wie je vanbinnen bent.

De titelregel maakt dat af: "Y el corazón / No tiene cara" [En het hart / Het heeft geen gezicht], want de liefde leeft in de ziel. En hij houdt zichzelf niet buiten schot. "Aunque tenga cara de bonito me acomplejo yo también" [Ook al heb ik een knap gezicht, ik voel me ook onzeker], geeft hij toe, en juist dat toegeven maakt het nummer ontwapenend in plaats van belerend.

In diesem Bachata-Klassiker geht es um eine unmögliche Liebe. Prince Royce singt über eine geheime Affäre mit jemandem, den er wirklich mag, aber es gibt ein riesiges Problem: Beide sind bereits in festen Beziehungen. Er bringt es direkt auf den Punkt: „Es que yo tengo mi mujer / Y tú tienes tu novio“ (Ich habe meine Frau / Und du hast deinen Freund). Sie müssen sich verstecken, „Vivimos escondidos“ (Wir leben im Verborgenen), und er weiß, dass es auf lange Sicht nur zu Leid führen wird.

Das Besondere an diesem Song ist, wie er mit der Situation umgeht. Anstatt die Affäre fortzusetzen, bittet er sie, diejenige zu sein, die sie beendet. Er fleht sie an: „Ay, recházame / Es que no puedo aceptar tu amor“ (Oh, weise mich ab / Ich kann deine Liebe nicht annehmen). Er gibt zu, dass er nicht stark genug ist, der Versuchung zu widerstehen, und sieht ihre Ablehnung als einzigen Ausweg. Es ist ein verzweifelter Appell, das Richtige zu tun, auch wenn es beiden das Herz brechen wird.

Zet je schrap voor een heerlijke tweetalige bachata-twist op een klassieker! Prince Royce schakelt in dit nummer moeiteloos tussen het Engels en Spaans. Zodra de nacht valt en alleen het maanlicht overblijft met "Y la luna es la luz que brilla ante mí" (En de maan is het licht dat voor me schijnt), stelt hij één ding voorop: angst bestaat niet zolang zijn geliefde dichtbij blijft. Zelfs als het noodlot toeslaat en de aarde beeft ("Y aunque las montañas o el cielo caiga" / En zelfs als de bergen of de hemel vallen), belooft hij geen traan te laten ("No lloraré" / Ik zal niet huilen).

Wat dit nummer extra leuk maakt, is de zelfverzekerde energie die Royce erin gooit. Tussen de romantische regels door roept hij vol bravoure "That's class right there" en herinnert hij je er met "What's my name? Royce" fijntjes aan wie er achter de microfoon staat. Het draait allemaal om de simpele smeekbede "junto a mí" (naast mij): met de juiste persoon aan je zijde kan de hele wereld instorten zonder dat je bang hoeft te zijn.

Prince Royce brings his smooth bachata style to a song that is all about sticking around when things get messy. Instead of walking away after hard times, he opens with "Sigo aquí, a pesar de lo malo" (I am still here, despite the bad things). He admits he hit rock bottom fighting for the relationship, singing "he tocado fondo tantas veces" (I have hit bottom so many times). In Spanish, tocar fondo is the exact equivalent of the English idiom for reaching your lowest possible point. He even claims he cried more tears than the sky itself ("he llorado tanto más que el cielo"), which is dramatic, but it proves he is completely committed.

The chorus spells out what unconditional love looks like to him. It is "un amor tan real que no juzga, que sueña, que sufre y perdona" (a love so real that it doesn't judge, that dreams, that suffers and forgives). Notice the phrase "no tiene horario" (it doesn't have a schedule). That is a great everyday detail: real devotion does not punch a clock or keep office hours. He gives everything without demanding payback, holding on tight to a feeling that simply refuses to fade.

Ever felt stuck in a bad romantic loop? That is exactly what Prince Royce and Shakira tackle in this smooth bachata track. Royce starts by admitting that an ex ripped open wounds he thought he had already cured with limón, tequila y sal ("lemon, tequila and salt"). Now, the old drama is creeping back, feeling like un déjà-vu que nunca llega a su final ("a déjà vu that never reaches its end"). Instead of getting tricked by the sweet memories again (volverme a engatusar / "sweet-talk me again"), both singers decide it is better to stay solo and dodge the mess altogether.

The chorus hits hard with real skepticism about romance. They ask the room: ¿Quién puede hablar del amor y defenderlo? Que levante la mano por favor ("Who can talk about love and defend it? Raise your hand please"). Royce and Shakira even joke about needing someone to pay bail (pagar la fianza) just to get the heartbreak evicted from their chest. By the end, they make one thing crystal clear: whoever is willing to vouch for love next, esa no voy a ser yo ("that's not gonna be me").

Prince Royce brings pure bachata energy to a classic romantic trap: falling completely for someone who looks harmless but runs the whole show. In "Carita De Inocente" (Innocent Little Face), he admits he is head over heels—or as he puts it, "tu amor me tiene enfermo" (your love has me sick). Even though she pretends to be sweet ("Aunque te vendas como ángel" / Even if you sell yourself as an angel), he knows her real game. She uses Caribbean slang tricks "pa' aficiar"—from asfixiar, meaning to smother or get someone completely hooked and obsessed. Once she knows he loves her, she takes full advantage, but he is definitely not complaining because "hace tiempo yo no duermo solo" (it's been a while since I slept alone).

He calls her "una diabla bien vestida" (a well-dressed devil) and the "cafeína de mi corazón" (caffeine of my heart), perfectly describing that addictive rush of dating someone wild. She gets whatever she demands, drives him crazy on the dance floor ("bailando boca a boca" / dancing mouth to mouth), and he loves that she is "media loca y diferente" (half crazy and different). It is an honest, fun confession about losing all your power to someone whose angelic look hides a dangerously charming streak.

Prince Royce is trapped in a classic romantic loop here, and he knows it. In "Otra Vez", he opens up by admitting he has walked in circles right back to where he started: "Tanto caminar y aquí estoy de nuevo / En el mismo lugar donde no quiero" (So much walking and here I am again / In the same place where I don't want to be). He switches from Spanish to English with an exasperated "Here I go again", treating his love life like a bad sequel where only the actors change ("Otro personaje, el mismo cuento" / Another character, the same story). He even calls himself a "masoquista" (masochist) for running straight back into danger when he still feels the sting of "otra daga clavada de nuevo en mi pecho" (another dagger stuck again in my chest).

Even with all that melodrama, the bachata rhythm keeps it moving because he refuses to give up on romance. He bluntly admits that no matter how many times he ends up crying or getting lost, he will gladly jump right back into the fire ("Otra vez moriré / Volveré a caer / En los brazos del amor" [Once again I will die / I will fall again / Into the arms of love]). He throws in his signature ad-libs like "No inventen" (Don't make things up / Stop playing around) and "Que no me llegan" (They can't touch me / They're not on my level), keeping that smooth swagger alive even while confessing he is totally helpless against love.

Prince Royce začne to bachato s tem, kar so mu povedali: dekle, ki ga ljubi, ima komplekse zaradi svojega videza. Njegov odgovor gre v dva verza, „Y si eres gorda o flaca / Todo eso no me importa a mí" [In če si debela ali suha / Vse to meni ni mar]. Od nje hoče eno samo stvar: naj pogleda v ogledalo in vidi, kako lepa je brez ličil.

Refren pesmi da naslov, „Y el corazón / No tiene cara" [In srce / Nima obraza], ker ljubezen živi v duši. Potem Royce prizna še svoje komplekse, „Aunque tenga cara de bonito me acomplejo yo también" [Čeprav imam lep obraz, imam tudi jaz komplekse], in prav to polovično priznanje pesem reši pred pridigo. Konča se s kratkim seznamom opravil: prižgi svečo, prosi odpuščanja, zahvali se za srce, ki ga imaš.

Jemand hat es Prince Royce gesteckt, und genau damit fängt das Lied an: „Y ya me contaron / Que te acomplejas de tu imagen" (Und man hat mir schon erzählt, dass du dich wegen deines Aussehens unsicher fühlst). Seine Antwort ist keine große Geste, sondern eine Liste. Dick oder dünn, geschminkt oder ungeschminkt, hellhäutig oder dunkelhäutig. „Todo eso no me importa a mí" (Das alles ist mir egal).

Der Titel ist das ganze Argument in drei Wörtern. Ein Herz hat kein Gesicht, also kann man es auch nicht an einem Gesicht messen: „Y el corazón / No tiene cara" (Und das Herz hat kein Gesicht). Am besten ist die Zeile, in der er sich selbst nicht ausnimmt. „Aunque tenga cara de bonito me acomplejo yo también" (Auch wenn ich ein hübsches Gesicht habe, werde auch ich unsicher) ist halb Angeberei, halb Geständnis, und genau das hält das Lied davon ab, ein Ratschlag zu werden.

If you have ever snuck out past curfew, Prince Royce knows your story. In this bachata hit, the Bronx-born Dominican singer plays the ultimate forbidden lover. The problem starts at the front door: "Tus padres no me aceptan en casa" ("Your parents don't accept me in their house"). Instead of backing off, he doubles down. He decides to bypass the front door completely and climb straight through the bedroom window ("por tu ventana yo entraré" ["through your window I will enter"]). The hook hinges on the phrase "Te robaré esta noche" ("I will steal you tonight"). In romance songs, robar (to steal or rob) often means whisking someone away for a secret tryst rather than committing an actual crime. He does not care who is hunting for him or who calls him crazy ("No importa el peligro, yo te quiero ver" ["Danger doesn't matter, I want to see you"]).

Things get shamelessly bold toward the end. Royce drops the gentle daydreaming ("Tú eres quién a mí me hace soñar" ["You are the one who makes me dream"]) and jumps straight to bedroom promises. He sings, "Te comeré de la cabeza a los pies" ("I will eat you from head to toe"), which is a delightfully blunt Spanish way to promise total devotion. It is cheeky, dramatic, and pure Romeo-at-the-balcony energy set to a dance beat.

Prince Royce is shutting out the noise in "Tu Y Yo", setting up an "us against the world" bubble where outside opinions aren't welcome. The whole premise kicks off because the girl's friends are busy badmouthing him, warning her that he is no good and claiming he is out running around: "They tell you that I might be going around cheating / Don't believe them girl they're just hating." Royce shuts down the drama with the Spanish phrase "Te meten cosas en la mente" [They put things in your head / They mess with your mind], which is a classic everyday idiom for someone poisoning your thoughts with gossip. For him, a relationship is strictly business for two: "Lo que sucede es entre tú y yo / Es un problema de dos" [What happens is between you and me / It is a problem of two]. He is telling her to ignore the chatter and remember the baseline fact that they belong together.

To prove his loyalty, Royce pulls out the ultimate sweet nostalgia card: schoolyard romance. He takes her back to day one, reminding her: "En la escuela yo te conocí / Yo te cantaba desde el corazón" [I met you in school / I sang to you from the heart]. He gathered all his courage to confess his feelings back then, and he argues that a bond built on childhood promises shouldn't fall apart over rumors now. He even throws in some dramatic devotion, swearing "por ti soy capaz de morir" [for you I am capable of dying]. It is an intense, protective bilingual plea where he reminds his partner of their history and begs everybody else to simply butt out.

Ever done something completely irrational because you were head over heels in love? That is the exact excuse Prince Royce is serving in "Culpa Al Corazón" (Blame the Heart). Instead of taking responsibility for his obsessive habits, he shifts all the blame straight onto his chest. He stays up all night, loses his mind over the sparkle in her eyes, and calls her in the middle of the night. His defense? "Y por mis llamadas de madrugada / Culpa al corazón" (And for my late-night calls / Blame the heart). He literally argues that his frantic texts and phone calls aren't even his fault: "No pienses que soy yo" (Don't think it's me).

To make his case even more dramatic, he compares himself to "una marioneta sin control de su sentir" (a puppet with no control over its feelings) and "un pasajero con destino a ser feliz" (a passenger on a journey to be happy). He even tries drowning his sorrows, singing "Le he contado mi tristeza / A un par de copas de ron" (I told my sadness to a couple glasses of rum), but admits alcohol only helps a little bit compared to her love. Throughout the track, he repeatedly calls her "mami" (a common Dominican term of endearment for a woman, like "babe" or "honey"). It is a smooth, wonderfully over-the-top bachata confession about being completely helpless in love.

Zit je klaar voor een flinke dosis romantisch drama op een soepele bachata-beat? In Recházame brengt Prince Royce, met zijn Dominicaans-Amerikaanse roots, een wel heel direct verzoek aan zijn geheime vlam. De titel betekent letterlijk 'Wijs me af', en dat is precies wat hij smeekt: "Ay, recházame / Es que no puedo aceptar tu amor" (O, wijs me af / Het is dat ik je liefde niet kan accepteren). De situatie zit muurvast en is heerlijk theatraal. Ze hebben het fantastisch samen en zij tovert een lach op zijn gezicht, maar er is één reusachtig probleem: ze zijn allebei al bezet.

In plaats van stiekem door te gaan, trekt Royce aan de handrem. Hij zingt heel nuchter en eerlijk: "Es que yo tengo mi mujer / Y tú tienes tu novio" (Het punt is dat ik mijn vrouw heb / En jij hebt je vriendje). Hij wil niet vreemdgaan ("Yo no, no quiero ser infiel"), al geeft hij meteen toe dat de verleiding hem bijna kapotmaakt ("Me matará la tentación"). Zijn oplossing is even pijnlijk als simpel: zij moet hem dumpen en vergeten ("Ay, olvídame"), voordat er echt gewonden vallen. Een klassiek verboden-liefde-verhaal vol passie, perfect om Spaanse zinnen over keuzes en relaties te leren!

Prince Royce zaczyna tę bachatę od tego, co mu doniesiono: dziewczyna, którą kocha, ma kompleksy na punkcie swojego wyglądu. Jego odpowiedź mieści się w dwóch wersach, „Y si eres gorda o flaca / Todo eso no me importa a mí" [I czy jesteś gruba, czy chuda / To wszystko nie ma dla mnie znaczenia]. Prosi ją tylko o jedno: żeby spojrzała w lustro i zobaczyła, jaka jest piękna bez makijażu.

Refren daje piosence tytuł, „Y el corazón / No tiene cara" [A serce / Nie ma twarzy], bo miłość mieszka w duszy. Potem Royce przyznaje się do własnych kompleksów, „Aunque tenga cara de bonito me acomplejo yo también" [Choć mam ładną twarz, ja też mam kompleksy], i to półwyznanie ratuje utwór przed kazaniem. Kończy prostą listą rzeczy do zrobienia: zapal świeczkę, poproś o wybaczenie, podziękuj za serce, które masz.

This song feels like a late-night confession where Prince Royce is asking for just one special moment. He is not talking about a long-term relationship here. He is very direct: “Let me hold you tight / If only for one night.” He wants to hold this person close, keep them near, and help their fears disappear. When he switches to Spanish with “Ven y quédate / Por solo una noche” [Come and stay / For just one night], it sounds both romantic and a little secretive, like he is inviting them into a private world only the two of them will know about.

There is also a nervous, human side that makes the song feel honest. He notices that “Tus ojos dicen cosas / Que nunca escuché” [Your eyes say things / That I never heard], so he is reading their eyes more than their words. He admits “Estás nerviosa / Yo también” [You’re nervous / Me too], which is such a simple, sweet moment. At the same time, he pushes forward: “But I'm willin', willin' to go through” and even laughs at himself with “Seré yo loco / En este lugar” [Maybe I’m crazy / In this place]. He knows it might be a bold move, but he says “No me arrepiento de preguntar” [I don’t regret asking]. The whole song is that mix of shyness and courage, a one-night promise of closeness where he insists, softly but clearly, that he will be there: “I'll be there for you.”

Prince Royce kicks off this bachata track with a voicemail tone before sliding into a classic tale of getting completely demoted in someone's life. He describes how his lover used to be his safe haven, but now treats him like a mess of scattered puzzle pieces: "Tomas mi alegría y mi tristeza / Como tu rompecabezas" ("You take my joy and my sadness / Like your jigsaw puzzle"). He piles on the metaphors to show how useless he feels, calling himself an abandoned toy ("tu juguete ya guardado"), a dusty memory ("un recuerdo empolvado"), and a deleted text ("un mensaje borrado").

The biggest gut punch is the title line, where he realizes he went from being their soulmate to an ignored notification on a screen: "Fui el amor de tu vida y ahora soy / Una llamada perdida" ("I was the love of your life and now I am / A missed call"). You will also spot everyday spoken shortcuts like pa' ti, which is short for para ti ("for you"). It is a dramatic, bittersweet track about watching your relationship get treated like an old story with the pages torn out.

Have you ever found it hard to let go of a past love? In "Memorias," Prince Royce takes us on a journey through the sweet and painful world of memory after a breakup. He sings about the shock of a relationship ending, a moment so intense he recalls, "Pensaba que iba a morir" (I thought I was going to die). The song is a heartfelt look at how beautiful memories of a lost love can stay with you forever.

Royce fills the song with specific, tender details of the love he lost. He remembers everything from her "olor a miel" (smell of honey) and "dulce piel" (sweet skin) to the intimate moments of watching her sleep. Even though he repeats that he has lost this love, he also says the memories and the love itself "Sigue en mi" (Continue in me), showing just how difficult it can be to move on.