Learn Spanish With Luis Fonsi with these 23 Song Recommendations (Full Translations Included!)

"Despacito" is all about the art of slow, sensual romance. Luis Fonsi, an artist from Puerto Rico, teams up with Daddy Yankee to tell a story about two people drawn together on the dance floor. The song opens with an undeniable pull: "Tú eres el imán y yo soy el metal" [You are the magnet and I am the metal]. Fonsi makes it clear that while his heart is racing, there is no need to rush. As the title promises, the plan is to take things "despacito" [slowly], trading whispered secrets, gentle kisses, and moving step by step: "Pasito a pasito, suave suavecito / Nos vamos pegando, poquito a poquito" [Step by step, soft and gentle / We get closer, little by little].

Daddy Yankee jumps in to dial up the heat, boasting that he has the missing puzzle piece for this beauty and shifting the mood from tender to wild: "Empecemos lento, después salvaje" [Let's start slow, then go wild]. The lyrics are full of bold, playful lines about getting so carried away that you forget your own last name ("que olvides tu apellido"). Towards the end, they take the fantasy straight to a beach in Puerto Rico, joking that they will make love until the waves themselves yell "¡Ay, bendito!"—a classic Puerto Rican phrase you hear everywhere on the island, used here like an exclamation of "Oh, my goodness!"

Puerto Rican hitmaker Luis Fonsi teams up with Colombian artist Feid for "CAMBIARÉ", a high-energy pop track about being caught in a major mess-up and begging for one more chance. The whole song starts like a desperate message passed through a mutual friend. He begs, "Amigo, si la ves / Dile que tú me viste diferente" ("Friend, if you see her / Tell her you saw me looking different"), admitting that he is pretending to smile while falling apart inside ("Que estoy jugando a ser feliz / Pero por dentro no se siente" ["That I'm playing at being happy / But inside it doesn't feel that way"]). He owns up directly to blowing it: "Que le he fallado completamente" ("That I have failed her completely").

From there, the track turns into an all-out plea for forgiveness. He promises the impossible with lines like "Te bajo el firmamento si es que así vas a creer" ("I'll bring down the sky for you if that's what it takes for you to believe me"), offering endless promises to transform his behavior ("Yo cambiaré" ["I will change"]). You will also hear casual everyday spoken Spanish when he sings "pa' darte to' lo que tú quieras" (short for para darte todo, meaning "to give you everything you want"). It is dramatic, catchy, and totally honest about the panic of losing someone you love.

Luis Fonsi teams up with Aleks Syntek, Noel Schajris, and David Bisbal for a total romantic rescue mission. The singer steps up to someone who has clearly been hurt before, begging for a chance to heal those old wounds. Right from the start with "Aquí estoy yo para hacerte reír una vez más" [Here I am to make you laugh once more], the goal is clear: chase away sadness and replace fear with trust. There are dramatic promises everywhere, from having a kiss "quemándome los labios" [burning my lips] to asking a blue star to fly down and make her fall in love.

My favorite moment is the wild promise to "ayudarte a pintar mariposas en la oscuridad" [help you paint butterflies in the dark]. It is a delightfully poetic way to say he will bring beauty back into her life when everything feels pitch black. By the bridge, he asks for her broken wings ("Dame tus alas, las voy a curar" [Give me your wings, I am going to heal them]) so they can fly together. It is an open-hearted, drama-packed pop ballad about blocking out pain ("cerrándole el paso al dolor" [blocking the path of pain]) and daring to love without holding back.

We have all heard the classic breakup excuse "it's not you, it's me," but Luis Fonsi and Demi Lovato turn that exact cliché into a danceable pop track. Instead of arguing about who ruined the relationship, the singers rush to take the fall. Fonsi admits right away, "Que tú no eres la mala, que el malo soy yo" ("That you are not the bad one, that the bad one is me"), insisting that your only mistake was ever meeting him in the first place.

Demi jumps in tired of the drama, singing "I don't really, really wanna fight anymore" and dropping a clever English music reference: "Play me like The Beatles, baby, just let it be." Here, she plays on the famous Beatles song title Let It Be to say she wants to stop arguing and let things go. They repeat the Spanish title phrase "Échame la culpa" ("Put the blame on me") like a party chant, proving that even a mutual breakup can sound fun when both sides just agree to take the blame.

This is a beautiful song about how one person’s arrival can completely change your world for the better. Luis Fonsi describes his life as being in a dark place, singing about finding this person "Al instante en que se fue la luz" (The moment the light went out). But then, "Llegaste tú" (You arrived), and everything was transformed.

He feels like the "hombre más afortunado" (luckiest man) in the world. This person's presence is a cure and a comfort; he says "Mi cura es tu abrazo" (Your hug is my cure). His love for them is so complete that he feels he carries "el cielo dentro de mí" (heaven inside of me). It's a powerful and sweet declaration of how love can bring light back into your life.

Luis Fonsi’s “Qué Quieres De Mí” is a passionate cry from someone who has already done the impossible for love. The singer paints vivid pictures: pulling down the moon, draining the foam from the sea, even swapping out his own heart so it can beat in sync with his partner’s. Each grand gesture is met with silence, leaving him to ask the gut-wrenching question: “What do you want from me?” In other words, how much more can one person possibly give when they have already handed over everything—time, dignity, and even their very identity?

At its core, the song captures the exhaustion and heartbreak that come from a one-sided relationship. Fonsi’s narrator has sacrificed his pride, fought battles, and lived at his partner’s feet, yet she remains “vacía,” or empty. The chorus repeats the plea for clarity, spotlighting the painful imbalance between endless giving and unreturned affection. With soaring vocals and dramatic lyrics, the track reminds listeners that love should be a two-way street and that even the grandest offerings can feel invisible when emotional needs go unmet.

Luis Fonsi wastes no time playing cool here. Right from the start, he admits that while you might not want another speech about romance, he cannot keep it to himself anymore: "pero es que ya no me aguanto las ganas" (but I just can't hold back the desire). In Spanish, no aguantarse las ganas is a natural everyday idiom for being completely unable to stop yourself from doing something. His pitch is direct, almost breathless: tell me you are single ("dime que estás sola"), and I promise you will wake up to a kiss every single morning ("siempre con un beso vas a despertar"). It is bold and completely over the top, but his charm sells it.

He frames this encounter like an absolute reset on his life. Seeing her literally made the world stop: "dejé de existir, como perdido en el tiempo" (I ceased to exist, like lost in time). He even claims that before her, he had lost his ability to sing ("me volvió la voz para cantar"), and that he never even understood how to fall in love until she walked in ("yo nunca supe enamorarme y me pasó contigo"). It is pure, unapologetic pop romanticism where finding the right person instantly turns night into dawn and solves every missing piece in life.

Luis Fonsi’s “Regálame Un Minuto Más” is a heartfelt plea to savor love in slow motion. The singer asks his partner to gift him small but powerful moments that feel infinite: a hidden smile, a tender kiss, a night painted deep blue. By inviting time to pause “en un abrazo,” he paints love as a safe haven where even the wind does the talking while two souls simply breathe together.

Throughout the lyrics, Fonsi lists the treasures he longs to collect — laughter that hides behind a gaze, eyes that heal morning wounds, sunsets that rest on the edge of skin. Each request is both poetic and intimate, revealing how love can transform ordinary instants into eternity. In short, the song is an ode to making every second count and cherishing the simple gestures that turn fleeting minutes into lifelong memories.

Luis Fonsi delivers pure, unyielding romantic hope in "No Me Doy Por Vencido" ("I Don't Give Up"). The narrator starts off keeping totally quiet around the person he loves, comparing himself to a sleeping child who could wake up at the slightest noise: "Soy como un niño dormido / Que puede despertarse / Con apenas sólo un ruido" ["I am like a sleeping child / Who can wake up / With barely a sound"]. He imagines the chaotic moment he finally blurts out his feelings and gets laughed at like a crazy person: "Y te ríes y me tomas por un loco atrevido" ["And you laugh and take me for a crazy, daring guy"]. Even if she thinks he has lost his mind, he refuses to walk away because she has lived in his dreams for so long.

What makes this Latin pop anthem stick is the sheer, stubborn patience at its core. Fonsi uses the vivid image of carrying a withered pocket flower while searching for love: "Tengo una flor de bolsillo / Marchita de buscar a una mujer que me quiera" ["I have a pocket flower / Withered from searching for a woman to love me"]. He believes true joy is only one step away, and his heart kicks up a raging storm whenever he sees her. So he makes a firm promise to wait for a single sigh or sign from destiny, repeating the ultimate vow: "No me canso, no me rindo / No me doy por vencido" ["I don't get tired, I don't surrender / I don't give up"].

Luis Fonsi, an artist from Puerto Rico, teams up with Daddy Yankee for a track that is entirely about taking your time when the chemistry is wild. Right from the start, he sees someone across the room and says, Tú eres el imán y yo soy el metal (You are the magnet and I am the metal). His heart rate spikes just thinking about getting closer. But instead of rushing into anything, the whole hook argues for slowing down. He sings Esto hay que tomarlo sin ningún apuro (This has to be taken without any hurry), setting up the famous catchphrase Despacito (Slowly).

The imagery stays locked on heat, dancing, and teasing patience. Fonsi wants to move Pasito a pasito, suave suavecito (Step by step, soft and gentle) until two people are pressed together. He brings his home island straight into the fantasy: Vamos a hacerlo en una playa en Puerto Rico (Let's do it on a beach in Puerto Rico). In that same verse, he jokes that they will keep going Hasta que las olas griten 'Ay, bendito' (Until the waves scream 'Ay, bendito'). That phrase, ¡Ay, bendito!, is everyday Puerto Rican slang used for shock, sympathy, or excitement, kind of like crying out 'Oh, heavens!' The ultimate goal here is pure, overwhelming passion: he wants you to lose your mind so completely that you forget your own last name (Y que olvides tu apellido).

Dans ce morceau pop très rythmé, le chanteur portoricain Luis Fonsi s'associe à Feid pour raconter un grand classique : l'appel au secours après une rupture stupide. Le chanteur charge un ami de passer un message à son ex. Il fait semblant d'aller bien en public, comme il le dit sans détour : "Que estoy jugando a ser feliz / Pero por dentro no se siente" ("Que je joue à être heureux / Mais au fond de moi ça ne se ressent pas"). Il admet franchement avoir tout gâché ("Que le he fallado completamente" / "Que j'ai complètement fauté") et supplie pour qu'elle décroche enfin son téléphone.

Tout le morceau tourne autour de promesses désespérées et un peu dramatiques pour obtenir une seconde chance. Il va jusqu'à promettre "Te bajo el firmamento si es que así vas a creer" ("Je te décroche le firmament si c'est ce qu'il faut pour que tu y croies"). Vers la fin, le texte prend une tournure plus directe et parlée : "pa' darte to' lo que tú quieras" utilise les abréviations orales courantes "pa'" (pour para) et "to'" (pour todo). C'est le cri du cœur d'un amoureux prêt à tout modifier dans ses habitudes pour effacer ses erreurs, le tout emporté par un rythme qui donne envie de danser malgré les regrets !

Ever made a late-night phone call you swore you would not make? Puerto Rican star Luis Fonsi teams up with Rauw Alejandro to tell that exact story in "Vacío" (Empty). The song kicks off with someone breaking a strict promise after having a couple of drinks: "Después de par de tragos siempre me arrepiento" (After a couple of drinks I always regret it). He knows his ex is with someone new ("sé que estás con alguien" [I know you are with someone]), but he dials anyway because the silence at night feels freezing without her: "por la noche baby siento frío" (at night baby I feel cold).

Rauw Alejandro jumps in to make things even messier. He boldly claims that whenever her new partner kisses her, she only feels her ex's lips: "Cada beso que él te está dando / Solo los míos estás sintiendo" (Every kiss he is giving you / You are only feeling mine). That is a remarkably bold claim, especially since Rauw admits he has his own new partner too: "aunque estoy con ella / Me estoy muriendo por verte" (even though I am with her / I am dying to see you). Both singers are stuck replaying memories of clothes dropped on the floor ("Tu ropa en el piso" [Your clothes on the floor]), realizing that dating someone new does nothing to fix the lingering hollow feeling inside.

Luis Fonsi teams up with Ozuna to deliver a bold, danceable pop plea to a woman stuck in a passionless relationship. The central message is completely direct: her current partner simply cannot match what they had together. Fonsi opens by pointing out what she misses when she is with him ("Eso que te falta cuando estás con él" [What you lack when you are with him]), bluntly insisting that loyalty is pointless once the spark dies with the line "No hay que serle fiel cuando ya no hay amor" [There is no need to be faithful when love is gone].

Across the chorus, both singers make their ultimate claim: "Es imposible que te quiera como yo" [It is impossible for him to love you like I do] and "Es imposible que te bese como yo" [It is impossible for him to kiss you like I do]. Ozuna leans into the romantic memories, recalling falling for her face while dancing in the middle of the street ("Bailando aquí en el medio de la calle" [Dancing right here in the middle of the street]). He even asks for forgiveness if his desire crosses the line: "Dios mío que me perdone pero si es pecado / Solamente quiero morir a tu lado" [May God forgive me, but if it is a sin, I only want to die by your side]. It is a dramatic, confident song about fighting for an old flame.

Цей трек Луїса Фонсі за участю Дедді Янкі буквально кричить про неквапливу спокусу, де весь сенс криється у слові Despacito («повільненько»). Герой помічає дівчину на танцполі й запевняє, що між ними магнетичний зв'язок: «Tú eres el imán y yo soy el metal» («Ти магніт, а я метал»). Головна ідея тут проста: навіщо поспішати, якщо можна насолоджуватися кожною секундою? Він прямо каже: «Empecemos lento, después salvaje» («Почнімо повільно, потім дико»). Текст сповнений кумедних і пристрасних образів, як-от обіцянка покрити тіло поцілунками так, щоб воно стало рукописом («hacer de tu cuerpo todo un manuscrito»), або змусити її забути власне прізвище («que olvides tu apellido»).

Особливий пуерториканський колорит треку додає згадка рідного острова в рядку «vamos a hacerlo en una playa en Puerto Rico» («зробімо це на пляжі в Пуерто-Рико») та вигук «¡ay, bendito!» («ой, Боже мій!») — це класичний місцевий вираз подиву чи захвату, який тут мають кричати самі морські хвилі. Слова на кшталт «pasito a pasito, suave suavecito» («крок за кроком, тихесенько-тихесенько») перетворюють флірт на плавний танець, де кожен рух зближує героїв усе сильніше.

“Estoy Perdido” plunges us into the heartfelt confusion of someone who just can’t flip the page. Luis Fonsi paints a vivid picture: the puzzle pieces of a past love are still on the table, and every kiss lingers like an echo he thinks he no longer deserves. Even when he bumps into his ex on the street, her now-empty eyes make him want to vanish—but the sight only tightens the knot of memories he’s been dragging around.

The chorus circles like a restless compass: he’s lost in the past, tirelessly chasing the feel of her skin and worn out from loving so hard. The song captures that maddening phase between heartbreak and healing, where you know you should move on yet every part of you keeps turning back. With its soaring vocals and confessional lyrics, “Estoy Perdido” invites listeners to sing along, release their own lingering what-ifs, and maybe find a little comfort in knowing they’re not the only ones stuck replaying what could have been.

Impossible de passer à côté de ce morceau pop signé par le chanteur portoricain Luis Fonsi avec Daddy Yankee ! Le message est très simple et direct : c'est un jeu de séduction magnétique où l'on prend tout son temps. Dès le début, la tension monte avec la métaphore « Tú eres el imán y yo soy el metal » (« Tu es l'aimant et je suis le métal »). Tout le refrain tourne autour de cette envie de ralentir le rythme pour mieux savourer chaque seconde : « Despacito, quiero respirar tu cuello despacito » (« Tout doucement, je veux respirer ton cou tout doucement »). C'est sensuel, explicite et totalement assumé, surtout quand Luis Fonsi propose de transformer le corps de sa partenaire en manuscrit à coups de baisers.

Le tempo s'accélère quand Daddy Yankee entre en scène avec son flow dynamique. Il joue sur la formule entraînante « Pasito a pasito, suave suavecito » (« Pas à pas, tout doucement ») et compare la femme qu'il courtise à un casse-tête dont il détient la pièce manquante : « esa belleza es un rompecabezas / Pero pa montarlo aquí tengo la pieza » (« cette beauté est un puzzle, mais pour le monter j'ai la pièce ici »). Les paroles font aussi un clin d'œil direct aux origines des artistes avec une escapade amoureuse « en una playa en Puerto Rico » (« sur une plage à Porto Rico »), en reprenant même l'expression locale typique « ¡ay, bendito! » pour faire parler les vagues. Une invitation au voyage et à la danse sans aucune prise de tête !

Porto Rikolu sanatçı Luis Fonsi ve Daddy Yankee'nin bir araya geldiği bu pop parçasında bütün olay, adından da anlaşılacağı gibi her şeyi yavaş ve sindire sindire yaşamakta bitiyor. Şarkı, iki kişinin bakışmasıyla başlayan o çekimi bir mıknatıs ve metal benzetmesiyle açıyor: "Tú, tú eres el imán y yo soy el metal" (Sen mıknatıssın, ben de metal). Fonsi acele etmeye hiç niyetli olmadığını hemen belli ediyor ve her adımı adım adım örmek istiyor: "Pasito a pasito, suave suavecito / Nos vamos pegando, poquito a poquito" (Adım adım, yumuşacık / Yavaş yavaş birbirimize yapışıyoruz).

Sözler ilerledikçe romantizm yerini oldukça doğrudan ve tutkulu isteklere bırakıyor. Fonsi, sevdiği kişinin boynuna fısıldamak ("quiero respirar tu cuello despacito" [boynunu yavaşça koklamak/solumak istiyorum]) ve tüm tehlikeli bölgeleri aşmak istiyor. Hatta işi abartıp öyle bir tutku vadediyor ki karşısındakine soyadını bile unutturacağını söylüyor: "Hasta provocar tus gritos / Y que olvides tu apellido" (Çığlık attırana ve soyadını unutturana kadar). Şarkının sonuna doğru memleketi Porto Riko sahillerine selam çakan ikili, dalgaların bile coşkuyla '¡ay, bendito!' (vah zavallı / aman tanrım gibi yaygın bir Porto Riko nidası) diye bağıracağı kadar ateşli bir dans ve yakınlaşma vadediyor.

Luis Fonsi, the romantic voice from Puerto Rico, turns the simple phrase Por Una Mujer into a full-blown adventure of destiny and rebirth. The lyrics paint a scene where the singer is cruising down the road of life, convinced that love is a closed chapter... until fate suddenly reroutes him. A mysterious woman arrives like an “invisible rocket,” landing right in the center of his soul and blasting away old heartbreaks. With every chorus, Fonsi repeats that thanks to one woman all the pain, routine, and negative memories simply vanish, making room for a fresh, exhilarating future.

At its core, the song celebrates love’s power to rewrite your story. Past wounds heal, dull habits disappear, and each day carries the new perfume of possibility. Fonsi’s upbeat melody and heartfelt words remind listeners that however lost they may feel, a single encounter can change everything – and that hope is always just around the next bend in the road, waiting to be rediscovered por una mujer.

Zin in een zomers nummer vol zwoele romantiek? In "Despacito" zingt de Puerto Ricaanse artiest Luis Fonsi, samen met Daddy Yankee, over een onweerstaanbare aantrekkingskracht op de dansvloer. De titel betekent letterlijk "heel langzaam", en dat is precies het hele plan: geen haast hebben bij het versieren. Fonsi zingt: "Tú eres el imán y yo soy el metal" (jij bent de magneet en ik ben het metaal), en wil de tijd nemen om dichterbij te komen. Met regels als "quiero respirar tu cuello despacito" (ik wil heel langzaam in je nek ademen) en "pasito a pasito, suave suavecito" (stapje voor stapje, heel zachtjes) draait alles om rustig opbouwen, van subtiel geflirt naar een stomende ontmoeting.

De tekst zit vol directe, speelse verleiding. Daddy Yankee gooit het tempo wat omhoog en zingt brutaal: "Empecemos lento, después salvaje" (laten we langzaam beginnen, daarna wild). Ze dromen van een strandfeestje op hun eigen eiland: "vamos a hacerlo en una playa en Puerto Rico / Hasta que las olas griten '¡ay, bendito!'" (we gaan het doen op een strand in Puerto Rico / totdat de golven 'hemeltje lief!' roepen). "¡Ay, bendito!" is een typisch Puerto Ricaanse uitroep die verbazing of ontzag uitdrukt. Het is een ongegeneerd vrolijk en sensueel popnummer dat je meteen meeneemt naar zonnige oorden!

Luis Fonsi’s vibrant track Somos Uno is a feel-good celebration of unity and love. From the very first lines, the singer paints a picture of two people whose connection is so strong that words become unnecessary: a simple look and a smile say it all. Nature imagery – endless river drops, air, wind, night and stars – highlights how vast and unstoppable their bond is. Crossing “to the other side of the world” for love, Fonsi reminds us that true companionship makes any distance shrink.

At its heart, the song declares that when two souls meet, they form a perfect whole: “Cada uno completamos la mitad de la felicidad.” Together they become air, water, fire and sky, echoing a universal message that togetherness multiplies joy. With its catchy chorus and uplifting metaphors, Somos Uno urges listeners to cherish their relationships and feel alive in the shared rhythm of life.

Sabe aquele momento em que a atração fala mais alto e ninguém quer ter pressa? É exatamente disso que o porto-riquenho Luis Fonsi e o Daddy Yankee estão falando aqui. A letra gira em torno do jogo da sedução física na pista de dança, onde o narrador se vê como metal atraído por um ímã: "Tú, tú eres el imán y yo soy el metal" [Você é o ímã e eu sou o metal]. Toda a ideia central da música é desacelerar o ritmo para aproveitar cada detalhe, começando devagar para depois esquentar o clima, como diz o verso direto: "Empecemos lento, después salvaje" [Comecemos lento, depois selvagem].

Ao longo da faixa, eles usam metáforas bem visuais para descrever esse desejo, prometendo beijar o pescoço e "firmar las paredes de tu laberinto" [assinar as paredes do seu labirinto]. No meio desse romance caliente, rola até uma declaração com cenário bem definido: levar o romance para o mar da terra natal de Fonsi com "vamos a hacerlo en una playa en Puerto Rico / Hasta que las olas griten '¡ay, bendito!'" [vamos fazer isso numa praia em Porto Rico / Até que as ondas gritem 'ai, bendito!']. O refrão chiclete dita a regra com "Pasito a pasito, suave suavecito" [Passinho a passinho, suave suaveuzinho], mostrando que a melhor conquista é aquela feita sem afobação.

«Despacito» betyr «sakte» eller «forsiktig», og det er hele ideen i sangen. Luis Fonsi, en artist fra Puerto Rico, synger med Daddy Yankee om en sterk gjensidig tiltrekning på dansegulvet. Blikkene er nok til å sette i gang planen: «Tú eres el imán y yo soy el metal» [Du er magneten, og jeg er metallet]. Fortelleren vil komme nærmere uten hastverk, lytte til den andres ønsker og lære kroppen hennes å kjenne. «Esto hay que tomarlo sin ningún apuro» [Dette må vi ta helt uten hastverk] gjør tempoet tydelig: først forsiktig, så mer intenst.

Refrengene bruker dans, kyss og hvisking som bilder på flørt og seksuell nærhet. «Pasito a pasito, suave suavecito» [Steg for steg, mykt og veldig forsiktig] og «Nos vamos pegando, poquito a poquito» [Vi kommer nærmere, litt etter litt] er enkle linjer, men de sitter fast i hodet. Noen bilder er også ganske frekke, som å «desnudarte a besos» [kle av deg med kyss] og «hacer de tu cuerpo todo un manuscrito» [gjøre hele kroppen din til et manuskript]. «Bom-bom» etterligner hjerteslag, men brukes også lekent og kroppslig i teksten. Mot slutten flyttes scenen til en strand i Puerto Rico, der bølgene får rope «¡ay, bendito!» [å, du verden!], et uttrykk som gir linjen lokal farge. Dette er en sensuell invitasjon der poenget er å ta seg god tid, nyte dansen og la spenningen bygge seg opp.

Me Lo Dice El Alma ("My Soul Tells Me") is Luis Fonsi’s passionate confession of unstoppable, head-over-heels love. The Puerto Rican singer paints the picture of a man who keeps knocking on the same closed door, convinced—right down to his soul—that something magical exists between him and the person he adores. Even when he’s met with silence, cold good-byes, and a tentative "quizás" ("maybe"), his heart refuses to back down. Every word he sings is a promise: I will wait, I will fight, because my very soul says we belong together.

Beneath the catchy melody lies a universal message of hope, perseverance, and faith in love. Fonsi reminds us that true feelings are worth every risk and every moment of uncertainty. The song is an anthem for romantics who believe that if your soul speaks loudly enough, one day the other person’s heart will hear it too.