Learn Spanish With Becky G with these 23 Song Recommendations (Full Translations Included!)
Sin Pijama is a flirty reggaetón anthem where Becky G and Natti Natasha take full control of late-night plans. Through playful lyrics, they invite a love interest to skip the small talk, ditch the pajamas, and turn a simple sleep-over into an all-night celebration of attraction. Video calls, teasing photos, and promises of no sleep build a digital foreplay that leads straight to a bedroom vibe loaded with confidence, humor, and bold sensuality.
Beneath the catchy beat and cheeky hook, the song champions female agency. The artists set the rules, decide the pace, and own their desires without apology. By blending Spanish and Spanglish slang with irresistible rhythm, “Sin Pijama” becomes more than a party track—it is a modern statement that pleasure can be playful, consensual, and proudly led by women who know exactly what they want.
“Mayores” is a playful reggaeton anthem where Becky G confidently declares her preference for mayores – mature men who open doors, send flowers, and know how to treat her like a lady… until things heat up. Her lyrics mix romance with flirtatious boldness, showing she wants both chivalry and passion. Enter Bad Bunny, the younger suitor who insists he can match – or beat – any older rival, bringing a fun back-and-forth energy to the track.
Beneath the catchy beat, the song celebrates self-assurance, desire, and breaking age expectations. Becky G flips traditional gender roles by openly stating what she likes, while Bad Bunny answers with equal bravado. The result is a light-hearted conversation about attraction, confidence, and owning your preferences, all wrapped in the irresistible rhythm of reggaeton.
“QUE HACES” is a sparkling, flirt-forward anthem where Becky G and Manuel Turizo turn an ordinary Friday plan into a lifetime proposal. The song opens with Becky G pretending she’s not jealous, then quickly flips into full-blown admiration, even blessing the woman who taught her crush how to kiss “like that.” It’s playful, honest, and packed with Latin-pop swagger that mirrors Becky’s Mexican-American roots and Turizo’s Colombian smoothness.
At the heart of the track is the irresistible line “Dime qué haces este viernes y el resto de tu vida” – an over-the-top invitation that leaps from “Want to hang out?” to “Want to get married?” in seconds. The constant options – ¿Nos vemos o qué? ¿Nos casamos o qué? ¿O nos comemos y que el tiempo decida? – capture the rush of a new crush where every possibility feels deliciously real. With its bouncy beat and cheeky lyrics, “QUE HACES” celebrates that thrilling moment when you’re ready to drop all your plans, bet on chemistry, and see where the night (or the rest of your life) takes you.
Por El Contrario is a heartfelt Regional Mexican ballad where Becky G joins forces with siblings Ángela and Leonardo Aguilar to explore the raw aftermath of a breakup. The singers confess that, even though they should have moved on, memories keep sneaking back in. They picture their ex possibly kissing someone new, covering up an old tattoo, and living life unaffected, while they themselves wrestle with loneliness and unanswered questions.
The chorus paints the most dramatic image: the narrators feel as if they nearly lost or even sold their souls just to escape the pain. They try to bargain with karma, only to be reminded that “todo se paga” – everything comes at a price. In other words, you cannot run from emotional consequences. This track blends sorrowful lyrics with the Aguilars’ ranchera flair and Becky G’s contemporary edge, creating a powerful portrait of love’s lingering sting and the futile negotiations we make with destiny when a goodbye still hurts.
MALA SANTA invites you to a neon-lit dance floor where Becky G proudly tears up the rulebook. Singing in playful Spanglish, she tells anyone trying to label her that she is “ni mala ni santa” – not the villain, not the saint, just a confident woman who owns every shade in between. Over a pulsing pop beat she asks for tequila shots, switches from quiet to daring in a heartbeat, and declares zero interest in love clichés. The message is clear: her duality is her power, and she’ll decide when the night starts, how hot it gets, and when it stops.
Under the swagger lies a liberating anthem about self-definition. Becky G blends her Mexican-American roots with modern pop attitude to celebrate freedom, sensuality, and the thrill of dancing like nobody’s filming – in fact, she even tells you to turn the phones off. “MALA SANTA” becomes a rallying cry for anyone who refuses boxes and embraces both their halo and their horns, all while keeping the party vibes blazing until sunrise.
Becky G teams up with KAROL G to deliver a fiery reggaeton breakup anthem that drips with confidence and attitude. Over a contagious beat, the two singers wave goodbye to a toxic ex, making it crystal clear that his lies and drama are no longer welcome. The repeated image of literally throwing away the phone shows just how done they are, while playful digs like the fake hotline number “1-800-jódete” add humor to their fierce self-respect.
The song is all about reclaiming power: the ex’s “false love” is sent on vacation, and the women head straight to the party, bottles raised, ready to move on with new admirers already lined up. In short, MAMIII celebrates cutting ties with anyone who drags you down, choosing fun, freedom, and self-love instead. Get ready to dance while you practice telling negativity to hit the road!
“QUE LE MUERDA” is Becky G’s fiery victory lap after heartbreak. Over a bouncing urbano beat, she tells the story of someone who has ditched a toxic past, lit up a celebratory Phillie, and stepped into a new era of self-love. The ex might be gnawing with jealousy—that’s the bite the title talks about—but our heroine is too busy spraying on luxury perfume, paying her own bills, and turning heads on social media to care.
The lyrics celebrate freedom in every line: she drinks what she wants, dances without judgment, and even cleanses her energy with a santero ritual for good measure. It’s an anthem for anyone who’s ever decided, “Enough suffering—time to glow up.” By the final chorus, Becky G leaves listeners pumped to shake off their own baggage and let the haters “muerdan” while they rise higher, happier, and completely unbothered.
La Respuesta is a fiery reggaeton duet where Becky G flips traditional gender roles on their head with a confident “No, gracias.” She makes it crystal clear that she is financially, emotionally and socially independent; she will not wash dishes, iron clothes or stay cooped up at home just to satisfy outdated expectations. Her repeated “La respuesta a tu pregunta es no” turns into a catchy rallying cry for anyone who refuses to trade freedom for romance.
When Maluma jumps in, he claims he is on board with a strong, self-sufficient woman, yet his playful persistence shows that old habits die hard. Their back-and-forth highlights the clash between modern empowerment and lingering machismo, all over an irresistible beat that makes the message easy to dance to. In short, the song is a fun, upbeat reminder that true love should complement independence, not compromise it.
Chanel pairs Becky G’s border-blending vocals with Peso Pluma’s raw sincerity to paint a bittersweet picture of a breakup that still shimmers with luxury. Over a Regional Mexican groove, the duo remembers a love story lined with Chanel bags and Cartier jewels, yet no amount of high-end sparkle can cover the cracks. Each singer admits, almost playfully, that they once died to see each other, but a cycle of mistakes left the relationship beyond repair.
Instead of wallowing, the track leans into acceptance: tú por aquí, yo por allá—you go your way, I’ll go mine. The upbeat instrumentation contrasts with the resigned lyrics, making the song feel like dancing through heartbreak. It’s a catchy reminder that even golden memories and designer gifts can’t rewrite the past, and sometimes the most glamorous goodbye is simply letting go.
“COMO DIABLOS” finds Becky G caught in the raw aftermath of a breakup, feeling a never-ending heartache that not even alcohol or medicine can numb. She questions her ex—“Baby, ¿qué fue?”—and vents her disbelief that someone she loved so fiercely could leave so easily. The song swings between vulnerability (admitting she misses his kisses like medicine) and fiery self-confidence (reminding herself she’s “un fuckin’ cien”).
This emotional tug-of-war creates a relatable anthem: it’s about mourning lost love while refusing to stay broken. Becky G’s lyrics blend heartbreak, humor, and empowerment, showing listeners that it’s okay to hurt, okay to curse the pain, and absolutely necessary to remember your worth as you dance your way back to happiness.
“MAMIII” is Becky G and KAROL G’s fiery breakup anthem that turns a messy split into an all-out celebration of freedom. Over a pulsating reggaeton beat, the two G’s roast a toxic ex, proudly announcing that his poor choices scored him an autogol while they upgrade their lives. From tossing the phone in the trash to sharing an unforgettable hotline number ("1-800-jódete"), every line oozes humor, sass, and unmistakable self-confidence. The song blends Spanglish punchlines with Latin-pop swagger, reminding listeners that self-love always wins and deadweight belongs on permanent vacation.
Beyond the savage comebacks, “MAMIII” doubles as a rallying cry for anyone who’s ever walked away from harmful love. Becky G’s Mexican-American flair and KAROL G’s Colombian power unite in a sisterhood of resilience, proving that heartbreak can birth a dance-floor-ready victory lap. Crank it up, let the bass shake loose those last bits of regret, and toast to a brand-new chapter where the only call you answer is to your own happiness.
Becky G teams up with Tito Double P to deliver a passionate confession of unfinished love. In CRISIS, both singers admit that no amount of tequila, time, or tough talk can erase the ache of missing each other. Every call tempts them to reunite, and every memory sends them spiraling into an emotional "crisis" where tears flow and pride disappears. The song captures that magnetic pull of an ex you still care about, when saying goodbye feels impossible because you are "tal para cual"—a perfect match.
Wrapped in the warm guitars and heartfelt melodies of Regional Mexican music, the lyrics paint a vivid picture of lovers who promised not to speak again but secretly hope the phone will ring. Their honesty is disarming: "Te lo pongo easy, nadie ha podido ocupar tu lugar" reminds us that true connections are hard to replace. CRISIS is a sing-along anthem for anyone caught between moving on and holding on, blending Becky G’s bicultural flair with Tito Double P’s raw sincerity to turn heartbreak into a catchy, relatable celebration of love’s lingering power.
“OTRO CAPÍTULO” feels like flipping to a fresh page in a familiar love story. Becky G runs into an old flame and instantly realizes the attraction never really left. As she notices how “time has treated you well,” she also admits that searching for new loves was just a detour—because only this person gives her that special spark. The chorus becomes an invitation: Why overthink it? Let’s kiss like we used to and start another chapter.
The song celebrates second chances with an upbeat, pop groove that turns nostalgia into excitement. It reminds us that love can hit the reset button when two people are willing to forget past mistakes, trust the chemistry, and live in the now. With catchy hooks and bilingual flair, Becky G encourages listeners to embrace spontaneity, follow their hearts, and dance straight into a new beginning. 💖📖
“2NDO CHANCE” is a late–night confession booth wrapped in a pop-regional Mexican crossover. Becky G and Ivan Cornejo trade raw, bilingual emotions as they sit in that lonely space between breakup and moving on. Surrounded by unused photos and a playlist that still echoes their shared moments, the singers admit how much it hurts to picture their ex out partying, laughing, maybe even loving someone new. They flip-flop between “te amo” and “te odio,” craving even a false promise that the other still cares, because a comforting lie feels softer than the cold truth.
At its heart, the song is about craving a do-over. Both voices accept that everyone messes up, and a second chance is always possible. Yet jealousy, self-doubt, and late-night imagination keep twisting the knife. Becky’s California-Mexican pop flair blends with Ivan’s melancholic sierreño tones, making the track feel like scrolling through memories under neon lights: bittersweet, restless, and impossibly relatable to anyone who has ever begged for just one more shot at love.
Un Puño de Tierra is Becky G’s spirited salute to living with no chains and no regrets. In this fresh take on a beloved regional Mexican classic, the bicultural star places herself in the shoes of a carefree wanderer who drifts from port to port, drinks when she feels like it, and refuses to let anyone claim her heart. The lyrics paint her as a seagull in constant flight, savoring every sunset because, to her, life is nothing but a dream.
Yet beneath the party-ready attitude lies a deeper message: everything we chase is temporary. When death comes, we leave with nothing but “un puño de tierra” – a small fistful of soil. That blunt reminder turns the song into a rallying cry to indulge responsibly, speak honestly, and collect memories instead of possessions. Becky G’s version invites listeners to dance, sing, and, most of all, embrace the fleeting beauty of the present moment.
Bubalu spins a vibrant tale of love lost, regret, and the burning hope of a second chance. Over an irresistible reggaeton beat, the singers confess that from the very first glance they felt destined for each other, yet careless actions pushed their romance off course. Now they drive around in flashy cars, stare into mirrors, and replay old memories, all while realizing too late the value of what they once had. Each chorus is a plea to “let me in like before, when we were lovers,” capturing that universal moment when you wish you could rewind time and fix your biggest mistake.
What makes the song extra engaging is its back-and-forth perspective. Anuel AA and Prince Royce take the blame, admitting they broke promises and even “killed Cupid,” while Becky G fires back with confident lines that remind us she still holds the power to steal his heart again. The nickname “mi bubalu” adds a sweet, playful touch, contrasting the bitter sting of jealousy toward a new partner. Altogether, the track blends remorse, longing, and swagger, painting a picture of two people circling the same question: can a once-in-a-lifetime love survive after everything fell apart?
“Cuando Te Besé” captures the spark of love at first sight and the rush that follows a kiss that feels like touching the sky. Becky G and Paulo Londra trade verses about a totally unexpected street-corner encounter: one moment they’re strangers, the next their hands are clasped, hearts are racing, and a single kiss flips their worlds upside down. The lyrics replay that first electrifying contact over and over, stressing how certain they are that they’d gladly relive it “de nuevo, y de nuevo, y de nuevo.”
Beneath the catchy pop beat, the song is really a celebration of boldness. It encourages listeners to seize the moment, ignore doubts about existing relationships or being forever alone, and dive headfirst into the magic of connection. Every line is a reminder that when chemistry is real, a simple kiss can feel like heaven - and once you taste that feeling, you’ll keep chasing it with the same breathless excitement.
Sola is Becky G’s fiery declaration of independence. Fed up with a partner who never calls, lies, and takes her for granted, the Mexican-American star flips the script: she kicks him to the curb and heads out to live her vida loca. The lyrics paint a picture of dawn breaking while she is still waiting by the phone, then quickly shift to club lights, loud music, and the thrill of dancing without obligations. Every line drips with attitude and humor as she tells him to let his friends and “esas mujeres” babysit his house because she is done.
At its core, the song is an empowerment anthem. Becky G admits she once “gave it all,” but now she sees clearly that love should not cost her freedom or self-respect. By the chorus she is chanting mejor me quedo sola—better to be alone—choosing herself over any unreliable romance. The beat is contagious, the message is crystal: losing a bad partner is not a tragedy, it is a party invitation. ״Sola״ reminds listeners that sometimes the best way to heal is to put on your favorite track, step into the night, and dance like nobody’s missing you.
Arranca is Becky G’s fiery breakup anthem where tropical beats meet unapologetic attitude. Over a contagious merengue-dembow groove, Becky gives her ex a clear order: put on your tires and drive off. She’s over the lies, has a new guy for weekend parties, and is too busy feeling herself to let “falso amor” ruin another summer. The repetitive hook “Arranca, arranca” doubles as both a dance call and a dismissal, turning personal empowerment into something you can shout on the dance floor.
Omega jumps in with his signature swagger, sparking a playful back-and-forth that highlights jealousy, temptation, and bragging rights. Yet even with his flirtatious lines, the takeaway stays the same: Becky is in charge, boundaries are set, and if you can’t handle it, pa’l carajo. The song celebrates self-worth, Latin pride, and summertime freedom, wrapping a bold message in rhythms that make saying goodbye feel like a party.
Cries in Spanish is Becky G and DannyLux turning heartbreak into a sierreño confession, complete with wistful guitars and raw, conversational Spanish. Becky imagines an alternate ending where the relationship never fell apart, asking playful yet painful questions like “¿Si aún fuera tu morra, qué no haríamos?” She day-dreams about still being her ex’s “drug” and “whole life,” only to snap back to reality and realize he is gone. The back-and-forth between dreamy what-ifs and blunt realizations gives the song a tug-of-war feeling that any heartbroken listener can relate to.
At its core, the track is about doubting the truth of past love. Repeating lines such as “Según yo era tu droga… dime por qué no estás aquí” highlight the narrator’s disbelief that someone who once seemed addicted to her could simply walk away. Colloquial phrases like “al chile” (honestly) make the pain sound candid and unfiltered, while the bilingual title nods to Becky G’s bicultural identity. The result is a cathartic, sing-along lament that invites learners to explore contemporary Mexican slang, question the reliability of memory, and feel the universal sting of a love that might never have been real.
AMANTES is a heartfelt reunion story wrapped in a catchy Latin pop groove. Becky G and Spanish singer Daviles de Novelda look back on a love that once bloomed with flowers but was cut short by pride and youthful mistakes. Now, older and wiser, the pair admit their faults and beg for a second chance, promising, “Seamos amantes… ámame como antes” – “Let’s be lovers… love me like before.” The lyrics pulse with regret, nostalgia, and fiery desire as they remember secret kisses, late-night escapades, and the unique spark they could never find in anyone else.
Musically, the song mirrors this emotional journey. Flamenco guitar and handclaps meet urban beats while Becky’s smooth vocals dance with Daviles’s raspy cante, creating a cross-cultural celebration of Spanish and Mexican-American sounds. The chorus is both an apology and an invitation: leave the past behind, heal old wounds, and relive the passion that never truly died. Whether you have ever chased a lost love or simply enjoy a rhythm that makes you sway, AMANTES reminds us that some connections are worth fighting for – and worth singing at the top of your lungs.
In “VISTO CARO,” Becky G turns the runway into a dance floor, flaunting a life of head-to-toe designer drip and sky-high swagger. The lyrics name-drop Valentino, Ferragamo, Gucci, Bulgari and even a roaring Ferrari, painting a picture of pure luxury: private jets, pink champagne, sparkling diamonds and a grin full of bling. Yet this isn’t just about showing off labels. Becky’s singing from the throne of success, reminding us she’s protected by her crew, showered in “los verdes” (cash) and riding a wave of unstoppable confidence.
Beneath the flashy brand names beats a heart that’s crazy in love. Surrounded by wealth, the singer’s true obsession is her partner: their kiss, their touch, their shared mischief. Becky promises loyalty “24/7,” even ready to defend their bond with a Glock if anyone dares to interfere. The song blends Regional Mexican swagger with modern urban flair, celebrating the sweet spot where fortune, freedom and fierce romance meet. In short, it’s a sparkling anthem for living large, loving hard and smiling wide.
Sin Pijama [Remix] is a bold, flirtatious anthem where Becky G joins forces with Natti Natasha, Nio García and Casper Mágico to paint the picture of an irresistible late-night hookup. Over a reggaetón beat, the singers swap invitations to ditch the small talk, head straight to the bedroom and forget their pajamas. The lyrics celebrate mutual attraction, tequila-fueled confidence and the thrill of breaking routine, all while making it clear that everyone involved is fully in control of their own desires.
Beyond its sensual surface, the track also showcases female empowerment in Latin urban music. Becky G and Natti Natasha take the lead with playful bravado, flipping traditional gender roles by openly voicing what they want and when they want it. The remix’s male verses answer back with equal enthusiasm, turning the song into a fun, no-judgment conversation between confident adults who know exactly how they like to spend a sleepless night.