Learn Spanish With Becky G with these 23 Song Recommendations (Full Translations Included!)
“Mayores” is a playful reggaeton anthem where Becky G confidently declares her preference for mayores – mature men who open doors, send flowers, and know how to treat her like a lady… until things heat up. Her lyrics mix romance with flirtatious boldness, showing she wants both chivalry and passion. Enter Bad Bunny, the younger suitor who insists he can match – or beat – any older rival, bringing a fun back-and-forth energy to the track.
Beneath the catchy beat, the song celebrates self-assurance, desire, and breaking age expectations. Becky G flips traditional gender roles by openly stating what she likes, while Bad Bunny answers with equal bravado. The result is a light-hearted conversation about attraction, confidence, and owning your preferences, all wrapped in the irresistible rhythm of reggaeton.
Chanel pairs Becky G’s border-blending vocals with Peso Pluma’s raw sincerity to paint a bittersweet picture of a breakup that still shimmers with luxury. Over a Regional Mexican groove, the duo remembers a love story lined with Chanel bags and Cartier jewels, yet no amount of high-end sparkle can cover the cracks. Each singer admits, almost playfully, that they once died to see each other, but a cycle of mistakes left the relationship beyond repair.
Instead of wallowing, the track leans into acceptance: tú por aquí, yo por allá—you go your way, I’ll go mine. The upbeat instrumentation contrasts with the resigned lyrics, making the song feel like dancing through heartbreak. It’s a catchy reminder that even golden memories and designer gifts can’t rewrite the past, and sometimes the most glamorous goodbye is simply letting go.
Por El Contrario is a heartfelt Regional Mexican ballad where Becky G joins forces with siblings Ángela and Leonardo Aguilar to explore the raw aftermath of a breakup. The singers confess that, even though they should have moved on, memories keep sneaking back in. They picture their ex possibly kissing someone new, covering up an old tattoo, and living life unaffected, while they themselves wrestle with loneliness and unanswered questions.
The chorus paints the most dramatic image: the narrators feel as if they nearly lost or even sold their souls just to escape the pain. They try to bargain with karma, only to be reminded that “todo se paga” – everything comes at a price. In other words, you cannot run from emotional consequences. This track blends sorrowful lyrics with the Aguilars’ ranchera flair and Becky G’s contemporary edge, creating a powerful portrait of love’s lingering sting and the futile negotiations we make with destiny when a goodbye still hurts.
Sin Pijama is a flirty reggaetón anthem where Becky G and Natti Natasha take full control of late-night plans. Through playful lyrics, they invite a love interest to skip the small talk, ditch the pajamas, and turn a simple sleep-over into an all-night celebration of attraction. Video calls, teasing photos, and promises of no sleep build a digital foreplay that leads straight to a bedroom vibe loaded with confidence, humor, and bold sensuality.
Beneath the catchy beat and cheeky hook, the song champions female agency. The artists set the rules, decide the pace, and own their desires without apology. By blending Spanish and Spanglish slang with irresistible rhythm, “Sin Pijama” becomes more than a party track—it is a modern statement that pleasure can be playful, consensual, and proudly led by women who know exactly what they want.
Becky G teams up with KAROL G to deliver a fiery reggaeton breakup anthem that drips with confidence and attitude. Over a contagious beat, the two singers wave goodbye to a toxic ex, making it crystal clear that his lies and drama are no longer welcome. The repeated image of literally throwing away the phone shows just how done they are, while playful digs like the fake hotline number “1-800-jódete” add humor to their fierce self-respect.
The song is all about reclaiming power: the ex’s “false love” is sent on vacation, and the women head straight to the party, bottles raised, ready to move on with new admirers already lined up. In short, MAMIII celebrates cutting ties with anyone who drags you down, choosing fun, freedom, and self-love instead. Get ready to dance while you practice telling negativity to hit the road!
“QUE HACES” is a sparkling, flirt-forward anthem where Becky G and Manuel Turizo turn an ordinary Friday plan into a lifetime proposal. The song opens with Becky G pretending she’s not jealous, then quickly flips into full-blown admiration, even blessing the woman who taught her crush how to kiss “like that.” It’s playful, honest, and packed with Latin-pop swagger that mirrors Becky’s Mexican-American roots and Turizo’s Colombian smoothness.
At the heart of the track is the irresistible line “Dime qué haces este viernes y el resto de tu vida” – an over-the-top invitation that leaps from “Want to hang out?” to “Want to get married?” in seconds. The constant options – ¿Nos vemos o qué? ¿Nos casamos o qué? ¿O nos comemos y que el tiempo decida? – capture the rush of a new crush where every possibility feels deliciously real. With its bouncy beat and cheeky lyrics, “QUE HACES” celebrates that thrilling moment when you’re ready to drop all your plans, bet on chemistry, and see where the night (or the rest of your life) takes you.
La Respuesta is a fiery reggaeton duet where Becky G flips traditional gender roles on their head with a confident “No, gracias.” She makes it crystal clear that she is financially, emotionally and socially independent; she will not wash dishes, iron clothes or stay cooped up at home just to satisfy outdated expectations. Her repeated “La respuesta a tu pregunta es no” turns into a catchy rallying cry for anyone who refuses to trade freedom for romance.
When Maluma jumps in, he claims he is on board with a strong, self-sufficient woman, yet his playful persistence shows that old habits die hard. Their back-and-forth highlights the clash between modern empowerment and lingering machismo, all over an irresistible beat that makes the message easy to dance to. In short, the song is a fun, upbeat reminder that true love should complement independence, not compromise it.
MALA SANTA invites you to a neon-lit dance floor where Becky G proudly tears up the rulebook. Singing in playful Spanglish, she tells anyone trying to label her that she is “ni mala ni santa” – not the villain, not the saint, just a confident woman who owns every shade in between. Over a pulsing pop beat she asks for tequila shots, switches from quiet to daring in a heartbeat, and declares zero interest in love clichés. The message is clear: her duality is her power, and she’ll decide when the night starts, how hot it gets, and when it stops.
Under the swagger lies a liberating anthem about self-definition. Becky G blends her Mexican-American roots with modern pop attitude to celebrate freedom, sensuality, and the thrill of dancing like nobody’s filming – in fact, she even tells you to turn the phones off. “MALA SANTA” becomes a rallying cry for anyone who refuses boxes and embraces both their halo and their horns, all while keeping the party vibes blazing until sunrise.
“Fulanito” is a fiery celebration of flirtation, rhythm, and confidence. Over a contagious blend of reggaetón and Dominican dembow, Becky G and El Alfa paint the picture of an anonymous heart-stealer – the fulanito that makes everyone lose control on the dance floor. Becky revels in how this mystery guy coaxes out her boldest moves, while El Alfa brags about the lavish rewards that follow her hypnotic sway. The chorus keeps circling back to the same irresistible scene: bodies dancing “apreta’itos” (tightly pressed together), money flying, and no one planning to sleep until the club kicks them out.
Beneath the party glow, the song carries a streak of empowerment. Becky’s playful lyrics remind listeners that she chooses when, where, and with whom she turns up the heat, and she’s cashing in on her own allure to live large. El Alfa’s verses flip the usual script too, pledging devotion to the one woman who can outshine the rest. In short, “Fulanito” is an exhilarating soundtrack for anyone ready to own the night, flaunt their confidence, and dance until dawn.
“MAMIII” is Becky G and KAROL G’s fiery breakup anthem that turns a messy split into an all-out celebration of freedom. Over a pulsating reggaeton beat, the two G’s roast a toxic ex, proudly announcing that his poor choices scored him an autogol while they upgrade their lives. From tossing the phone in the trash to sharing an unforgettable hotline number ("1-800-jódete"), every line oozes humor, sass, and unmistakable self-confidence. The song blends Spanglish punchlines with Latin-pop swagger, reminding listeners that self-love always wins and deadweight belongs on permanent vacation.
Beyond the savage comebacks, “MAMIII” doubles as a rallying cry for anyone who’s ever walked away from harmful love. Becky G’s Mexican-American flair and KAROL G’s Colombian power unite in a sisterhood of resilience, proving that heartbreak can birth a dance-floor-ready victory lap. Crank it up, let the bass shake loose those last bits of regret, and toast to a brand-new chapter where the only call you answer is to your own happiness.
“NI DE TI NI DE NADIE” is Becky G’s bold anthem of freedom. In playful Spanglish, she tells a potential suitor: “Sure, we can have fun, but don’t catch feelings.” Her heart is “fuera de servicio,” so she lays down clear rules—no commitments, no drama, no pretending. The chorus drives the point home with a catchy mantra: she doesn’t belong to you, to him, or to anyone.
This song celebrates self-ownership and sets a confident boundary wrapped in an irresistible reggaetón beat. Becky G flips traditional love-song expectations, reminding listeners that it is perfectly okay to choose casual vibes over romance while staying honest and in control. Get ready to dance—and maybe rethink what “relationship goals” really means!
Get ready for a non-stop fiesta! In “24-7,” Becky G invites us to dive into a whirlwind night that refuses to end. The singer meets someone new on a Friday, and before she knows it they are still dancing when the sun comes up on Saturday. Pulsing club beats, carefree drinks, and flirtatious moves keep the energy sky-high while the clock becomes irrelevant. It is a snapshot of that magical moment when music, chemistry, and spontaneity blend so perfectly that nobody wants to leave the dance floor.
Beneath the glittering party lights, the song celebrates living in the present and breaking your own rules - even if you swore you would not drink or stay out late. Becky G’s bilingual swagger reflects her U.S.–Mexican roots, adding an extra splash of cultural flavor to the track. “24-7” is a reminder that sometimes the best memories come from unexpected nights that roll straight into morning, powered by rhythm, confidence, and a whole lot of fun.
Arranca is Becky G’s fiery breakup anthem where tropical beats meet unapologetic attitude. Over a contagious merengue-dembow groove, Becky gives her ex a clear order: put on your tires and drive off. She’s over the lies, has a new guy for weekend parties, and is too busy feeling herself to let “falso amor” ruin another summer. The repetitive hook “Arranca, arranca” doubles as both a dance call and a dismissal, turning personal empowerment into something you can shout on the dance floor.
Omega jumps in with his signature swagger, sparking a playful back-and-forth that highlights jealousy, temptation, and bragging rights. Yet even with his flirtatious lines, the takeaway stays the same: Becky is in charge, boundaries are set, and if you can’t handle it, pa’l carajo. The song celebrates self-worth, Latin pride, and summertime freedom, wrapping a bold message in rhythms that make saying goodbye feel like a party.
“COMO DIABLOS” finds Becky G caught in the raw aftermath of a breakup, feeling a never-ending heartache that not even alcohol or medicine can numb. She questions her ex—“Baby, ¿qué fue?”—and vents her disbelief that someone she loved so fiercely could leave so easily. The song swings between vulnerability (admitting she misses his kisses like medicine) and fiery self-confidence (reminding herself she’s “un fuckin’ cien”).
This emotional tug-of-war creates a relatable anthem: it’s about mourning lost love while refusing to stay broken. Becky G’s lyrics blend heartbreak, humor, and empowerment, showing listeners that it’s okay to hurt, okay to curse the pain, and absolutely necessary to remember your worth as you dance your way back to happiness.
“Cuando Te Besé” captures the spark of love at first sight and the rush that follows a kiss that feels like touching the sky. Becky G and Paulo Londra trade verses about a totally unexpected street-corner encounter: one moment they’re strangers, the next their hands are clasped, hearts are racing, and a single kiss flips their worlds upside down. The lyrics replay that first electrifying contact over and over, stressing how certain they are that they’d gladly relive it “de nuevo, y de nuevo, y de nuevo.”
Beneath the catchy pop beat, the song is really a celebration of boldness. It encourages listeners to seize the moment, ignore doubts about existing relationships or being forever alone, and dive headfirst into the magic of connection. Every line is a reminder that when chemistry is real, a simple kiss can feel like heaven - and once you taste that feeling, you’ll keep chasing it with the same breathless excitement.
Becky G’s “BUEN DÍA” is a musical sunrise that pours optimism into your coffee cup. As she gazes out the window and thanks God, she decides that broken hearts and idle gossip will not dim her glow. By admitting she has faced the same hurts and rumors, Becky flips the script—life is too short to carry other people’s baggage, so she sets it down and steps into the light.
The chorus is a daily mantra: Nunca es tarde para tener un buen día—it is never too late to have a good day. Determined to speak up, ditch her insecurities, and team up with the woman in the mirror, she wakes up “ready to eat the world.” The message is clear and catchy: choose self-love, chase your dreams on your own terms, and let every morning be a fresh, fearless start.
“Querido Abuelo” is Becky G’s heartfelt letter to her late grandfather, a man whose sombrero still waits by the door and whose spirit keeps the family ranch alive in memory. Through nostalgic snapshots – the smell of the countryside at dawn, sleeping on the floor yet feeling “millonaria” just to be near her grandparents – she celebrates humble roots, unconditional support, and the pride of carrying his blood. The song turns grief into gratitude: while time ran out for one last hug, his words “Persigue tus sueños” echo in every achievement she makes today.
More than a goodbye, the track is a promise to honor his legacy. Becky bridges her Mexican-American identity with ranchera-tinged pop, reminding listeners that true wealth is found in family, tradition, and the courage to dream big. “Querido Abuelo” invites learners to feel the warmth of cariño, the sting of loss, and the power of perseverance – all wrapped in a melody that makes Spanish vocabulary and cultural themes unforgettable.
Bailé con mi ex spins a late-night confession into a catchy reggaetón groove. Becky G walks through the door at dawn, makeup smudged and buzzed from the club, while her partner is already tucked in. When he sleepily asks how her night went, she blurts out the truth: she literally bumped into her ex on the dance floor. One nostalgic song led to another, and—before she knew it—hours had slipped by, twirling to the memories of their first spark. Yet the chorus is crystal clear: the dance was a flashback, not a relapse. Becky is happy to see her ex doing well, but she loves where she is now.
Beneath the bouncing beat, the lyrics explore honesty in relationships. Rather than hiding the encounter, Becky chooses transparency, emphasizing that the ex is “solo un recuerdo.” The song captures that strangely sweet moment when the past re-appears, stirs old feelings, then fades again—leaving you grateful for your present and confident in your choice. It is a playful reminder that nostalgia can be harmless… as long as your heart knows exactly where it belongs.
Si Si puts Becky G in the driver’s seat of a love game full of mixed signals. Over a hypnotic reggaetón beat, she calls out a partner who pretends to have moved on, even though every ring of her phone still pulls him back. The repeated hook “No digas que no si sí” (Don’t say no if it’s yes) flips the script: it’s Becky who sets the rules, reading his mind and exposing the tug-of-war between pride and desire.
At the heart of the song lies empowerment. Becky celebrates her independence—“De ti no dependo / Mi cartera sigue llena igual sin ti”—while leaving the door ajar for a reunion on her terms. The track mixes playful teasing with unapologetic confidence, reminding listeners that self-love comes first, and anyone who wants in has to be honest about what they feel.
In GOMEZX4 Becky G throws caution, cash, and even her seasickness to the wind so she can prove just how limitless real love can be. The Mexican-American powerhouse promises a "life of a rich person" even if the bank account says otherwise, vowing to brave violent storms, fight wars, and play the fairytale prince who rescues Cinderella—anything to keep her partner safe, happy, and by her side.
The lyrics sparkle with playful exaggeration, but the message is beautifully simple: true love is priceless courage. Becky blends her Jalisco blood with her Inglewood spirit, reminding listeners that devotion, loyalty, and corazón outshine money and fear every time.
“ME ACOSTUMBRÉ” drops us right into the bittersweet moment when love walks out the door—literally. Becky G paints the scene: suitcases at the doorway, sleepless nights spent refreshing an ex’s profile, and desperate late-night calls that never get picked up. The hook “me acostumbré a perderte” (“I got used to losing you”) is a raw confession that her devotion was never quite enough. We feel her heart race in frustration while only alcohol seems to keep her company and the memory of love slips away “por las escaleras.”
Just when the heartbreak feels one-sided, Mau y Ricky jump in with a remorse-filled reply. They replay the moment they became strangers, admit they never said adiós properly, and own up to shattering her heart “en cuatro partes.” What follows is a musical back-and-forth where regret meets longing, turning the song into a late-night phone call both parties wish they had answered. The result is a catchy, emotionally charged conversation about realizing too late the value of what was lost—and the hard habit of getting used to that loss.
“BESÁNDOTE” is a bittersweet love letter sung by Becky G and Oscar Ortiz. The duo look back on a relationship that almost made it, replaying every memory and wishing they could rewind time. Their hearts feel “dead while alive,” yet the love refuses to fade. They imagine hugging tighter, holding on longer, and—above all—continuing to kiss the person they lost.
Despite the breakup, they promise an endless devotion: even if “more than ten thousand years” pass, the feeling will still be there. The song is a reminder to treasure every moment with someone you love, because you never know when a last kiss might truly be the last.
No Te Pertenezco is Becky G’s confident clap-back to an ex who seems to have forgotten the rules of a casual fling. She admits that his look once made her swoon and the chemistry was fun, yet she reminds him the pacto has expired. Every time he calls their short-lived romance lo nuestro, Becky coolly answers: I don’t belong to you. The repeated chorus turns that phrase into a catchy mantra of independence, turning heartache into a dance-floor hook.
In the second half, the singer swaps heartbreak for high heels, glittery makeup, and a night out that is all about self-love and freedom. She lets her ex know he is just another name in her past while others are lining up for a chance. With bold lyrics about ignoring late-night messages and owning the city streets, Becky G crafts an empowerment anthem that celebrates saying adiós to possessive relationships and hola to living life on her own terms.