Esqueleto literally means "skeleton," the bony structure of the body. It’s a vivid, slightly spooky word that instantly creates a strong image.
In the song, when he says he’s going to “romper el esqueleto,” it’s street slang for hitting or dominating someone so hard it feels like breaking their skeleton. It’s a colorful, metaphorical use that helps learners see how a basic word like esqueleto can be used creatively in urban Spanish lyrics.
Pirlo spends "RICHARDR" settling accounts. He opens by warning the competition off his territory — "Andamos saboteando en to' los ritmo'" [we're sabotaging every one of the beats] — and the grievances stack up from there: deals he refused to sign, people he collected from, a crew that calls itself family in public. The line he repeats is "De la movie son family, pero sin mí no son feliz" [in the movie they're family, but without me they're not happy], and the one after it names the debt: "La KK no conoce el Movistar si no es por mí" [KK wouldn't know the Movistar arena if it weren't for me].
Between the rounds of that argument he switches register completely. The chorus is an invitation — "Estoy pa' ti, bebé, dime qué quieres hacer" [I'm here for you, baby, tell me what you want to do] — with the night laid out as a choice between his ranch and a motel, and Colombian landmarks doing the bragging: the Spiwak, a Bentley, "estoy viviendo con la nalga en El Poblado" [I'm living with my backside in El Poblado]. The last minute drops the verses entirely and turns into shout-outs — "Omar y el niño Dios" [Omar and the baby Jesus] — the names he wants attached to the record.