Learn Spanish With Lyanno with these 11 Song Recommendations (Full Translations Included!)

“SINGLE” is a bold reggaetón anthem in which Puerto Rican singer Lyanno celebrates the magnetic confidence of a woman who has just left a relationship. The narrator can’t resist how she “looks even hotter now that you’re single,” and he wastes no time offering an escape filled with nonstop passion. Throughout the lyrics he paints a picture of a weekend getaway where time seems to stop, luxury drinks flow, diamonds sparkle, and every moment is charged with desire.

Beneath the sensual imagery and playful bragging, the song highlights two big ideas: the thrill of newfound independence and the chemistry that sparks when someone truly appreciates you. Lyanno positions himself as the partner who lets her be herself, showering her with attention, pleasure, and lavish treats, all while pushing her ex into the background. “SINGLE” is essentially a sultry celebration of freedom, self-confidence, and living in the moment when you finally break free.

PTLM stands for "Para Todas Las Mamacitas" — for all the mamacitas — and Lyanno builds the whole track as a dedication. It opens on one night out: "Hoy salió con las amigas pa'l club" (Today she went out with her friends to the club), and the boyfriend gets dropped somewhere along the way — "De camino, al novio lo dejó" (On the way, she left her boyfriend), "Porque la tenía seca" (Because he was leaving her unsatisfied). What she wants instead is the night itself, the kind that makes her forget his name and where he lives.

Then the song widens out into a roll call. Lyanno names exactly who it belongs to: "Esto es pa' las gorda' y las flaca'" (This is for the thick ones and the skinny ones), the studious ones, the ones posting on OnlyFans, "las que no tienen que pedir permiso" (the ones who don't have to ask permission) and the ones with a boyfriend at home who go out anyway. The hook is an instruction shouted at the DJ — "Ponle perreo pa' todas las mamacita'" (Play some perreo for all the mamacitas) — and the record signs off with women from Puerto Rico, Venezuela, Colombia, Mexico, Chile and the Dominican Republic reporting in one by one.

Lyanno and Lunay are not holding back in "Dos Opciones"! This song is all about pure desire and impatience. The singer is absolutely desperate to see this woman again, saying, "Hoy ando desesperao' / ¿Cuantá' noche' he esperao' pa' volver a tocarte?" [Today I'm desperate / How many nights have I waited to touch you again?]. He's completely addicted to her, admitting, "Me gustas demasiao', ya no puedo aguantarme" [I like you too much, I can't hold back anymore].

He's ready to make a move and gives her a simple choice: "Tiene' dos opciones pa' escoger / Lo hacemo' en mi carro o el hotel" [You have two options to choose from / We do it in my car or the hotel]. It's a bold and direct invitation, showing he's confident she'll say yes. He even mentions her escaping work and doing things in the university parking lot, so it's clear they have a history of spontaneous hookups. He's promising to do all the things he sings about in his songs, which is a pretty cheeky line! He's definitely not shy about what he wants.

Lyanno's "MÁS DE UN BESO" is a super flirty and confident reggaeton track all about wanting more than just a quick goodbye kiss. Our guy is totally smitten, telling someone their gaze

Lyanno and Alvaro Diaz team up for "OVERTHINKING," a track that perfectly captures that frustrating back-and-forth when you're trying not to think about an ex, but they keep popping up. Our singer admits, "No quería pensarte, pero ni modo" [I didn't want to think about you, but oh well], and it's clear the feeling is mutual because he hears, "Tú estás en las misma', me entero de todo" [You're in the same boat, I find out everything]. It's all about those mixed signals and the drama that comes with a complicated past relationship.

He's definitely overthinking everything, especially when she's "Dedicándome los storie' cuando sale'" [Dedicating stories to me when you go out]. The big question is, "¿Y por qué no deja' aunque sea por hoy nada más tu orgullo pa'l lao'?" [And why don't you just put your pride aside, at least for today?]. He knows she's changed, but he can still hear in her voice that she hasn't forgotten him. It seems like outside opinions and gossip really messed things up for them: "Todo el mundo creando historias de nosotros dos, Hablando mierda sin saber lo que pasó" [Everyone creating stories about us two, Talking trash without knowing what happened]. Despite all the drama, he's ready to go back if she says the word, and he's not afraid to be persistent to get her back in his arms. It's a fun, honest look at not being able to let go.

Get ready to feel the heat with Lyanno and Villano Antillano's "CALOL"! This track is all about that undeniable, intense attraction that makes you want to shed everything and just dance. Lyanno sets the scene, calling out to all the

Get ready to party with Lyanno and Ñejo in "DEJO AL JEVO"! This song is all about a woman who's just broken up with her boyfriend and is ready to live her best single life. The guys are definitely here for it, with lines like "Qué bueno que te dejaste, tú te ve' más rica soltera" [It's great you broke up, you look hotter single].

She's done crying and is out with her friends to celebrate, ready to smoke and have a good time. The lyrics tell us she "dejó al jevo, borró la foto y tiene un culo nuevo" [left her boyfriend, deleted the photo, and has a new ass], which is a pretty blunt way of saying she's moving on and feeling herself! The singers are making their intentions clear, saying "Mami, si tú me invita', yo me atrevo" [Mami, if you invite me, I dare to]. It's a fun, no-holds-barred anthem for freedom and new beginnings after a breakup.

Have you ever been so heartbroken that you keep listening to old voice notes from an ex, just to hear their voice again? That's exactly where Lyanno is in "NOTAS DE VOZ." He's stuck in the past, playing those voice notes ("Dándole play a tus nota' de voy" [Playing your voice notes]) and refusing to write another love song like the ones he used to dedicate to this person. He even tattooed their name in his notebook, thinking their love was eternal ("Lo de nosotros parecía eterno / Que hasta tatué tu nombre en mi cuaderno" [What we had seemed eternal / I even tattooed your name in my notebook]).

Now, he's just trying to cope. He's looking for his ex on Google Maps and WhatsApp, but they're nowhere to be found ("No me sale tu location en Google Maps / Ni tu foto en el WhatsApp"). He's out at clubs, surrounded by people, but still feeling empty and missing their embrace ("Los shots lleno' y vacía la casa / Tanta gente y no eres tú la que me abraza"). He's even wearing sunglasses to hide his pain, still thinking about his ex while out at E11EVEN ("Siempre gafas pa' que mi dolor no se note / En E11EVEN, pero pensando en tu culote"). It's a raw look at holding onto feelings, just in case they decide to come back ("To' mis sentimientos los guardo / Por si un día decide' regresar" [I save all my feelings / In case one day you decide to return]).

“PILATES” is Lyanno’s cheeky invitation to turn a typical workout into an all-night, no-rules rendezvous. Over a sultry reggaetón-trap beat, the Puerto Rican singer boasts about gifting cash, defying gravity with ZaZa (slang for potent weed), and exploring more positions than a Pilates class. The lyrics paint a vivid picture of two partners who skip love’s formalities in favor of pure, unfiltered chemistry: her make-up smearing during impromptu photo shoots, his name tagged on her pictures but never followed online, and both of them locked into a playful game of dominance and desire.

Beneath the steamy imagery, the song taps into modern hookup culture. Feelings stay on the sidelines—“tu cora no siente nada”—yet the attraction is magnetic, irresistible, and knowingly risky. Lyanno highlights the thrill of bad-boy allure, luxury treats, and bedroom acrobatics while giving a nod to empowerment: the woman is equally bold, confidently taking the lead in the suite. “PILATES” ultimately celebrates physical connection without strings attached, pairing seductive wordplay with an infectious rhythm that dares listeners to move, sweat, and maybe try a few new poses of their own.

En Tu Cuerpo plunges us straight into a rain-soaked night of irresistible attraction. Over a smooth reggaetón-R&B beat, Puerto Rican singer Lyanno describes two lovers who barely know each other yet share an instant, electric chemistry. Every line focuses on the give-and-take of passion: teasing touches, playful dirty talk, and a constant promise of “complaciéndonos al mismo tiempo” (pleasing each other at the same time). The storm outside mirrors the rising intensity inside, while Spanglish phrases like “qué rico” and “yo invito” add flavor and authenticity to the scene.

Beneath the explicit imagery lies a theme of mutual consent and enjoyment. Lyanno repeatedly checks in—“Tú dime si te prestas”—showing that good communication fuels the fire. The song ultimately celebrates body positivity, confidence, and living in the moment until dawn. As you groove along, listen for vocabulary about the body, desires, and time expressions, and let the rhythm help lock new words in your memory.

Poderosa is a pulsating ode to the fearless queen of the dance floor. Lyanno and Rauw Alejandro spotlight a woman the entire neighborhood calls La diosa—a goddess who owns every inch of her presence. From her captivating gaze to the way her hips hypnotize over heavy reggaetón bass, she radiates self-confidence. No other woman intimidates her, no designer shoes or handbags impress her; she chooses whom she wants, when she wants, and everyone else can only watch in awe.

Beneath the party energy, the song celebrates female empowerment and liberation. The lyrics invite her—and anyone listening—to drop inhibitions, dance “hasta abajo,” and lose control in the music’s thundering low end. It’s a night where rules disappear, curls spring free from straight hair, and desire takes the lead. In short, Poderosa turns the club into a temple of confidence, where the crown rightfully belongs to the woman brave enough to claim it.