
Get ready for some serious feels with KEVIN ROLDAN and Leo Dan's "Te He Prometido"! This song is all about a love lost and the bitter realization that comes with it. Our singer is heartbroken, promising, "Te he prometido que te he de olvidar" [I have promised you that I will forget you], but it's clear he's struggling.
He gave his all, saying, "Cuanto has querido, yo te supe dar" [All that you wanted, I knew how to give you], only to be left "Solo y herido" [Alone and wounded]. The toughest part? Knowing his love is marrying someone else tomorrow! But he's convinced she'll regret it, singing, "Llorarás, llorarás por tu capricho" [You will cry, you will cry for your whim]. He truly believes she still loves him and won't find happiness with anyone else because, with him, she "conociste el amor" [knew love]. It's a powerful and a little bit dramatic take on heartbreak and unrequited love!
Have you ever met someone and felt an instant connection, like it was meant to be? That's exactly what Kevin Roldan sings about in "GANAS DE VERTE"! He describes this meeting as an "accidente un poco singular" [a somewhat singular accident], almost as if the universe conspired to bring them together. He's completely captivated, admitting, "Solo se que me fascinas y que muero yooo por ti" [I only know that you fascinate me and that I'm dying for you].
This song is all about that intense, undeniable pull towards someone new. Kevin Roldan even says he gets "cosas raras" [strange feelings] and can't forget her face from the moment he saw it. He knows that love might not be trendy right now, with people preferring "una aventura" [an adventure], but he's ready to change his ways. He even declares, "Contigo se acabo el KR mujeriego" [With you, the womanizing KR is over]! He's just desperate to see her, wondering if he can even last "Otro día mas" [one more day] without her. It's a fun, honest look at falling hard and fast.
Kevin Roldan's "Me Gustas" is a super direct and catchy reggaeton track all about being totally smitten with someone! He can't even try to hide it anymore, singing "Por más que trates de ocultarlo, ya no puedo negarlo" [No matter how much you try to hide it, I can't deny it anymore]. He's completely captivated, admitting "Al parecer tú a mí me encantas y no puedo evitarlo" [It seems I'm enchanted by you and I can't avoid it].
He's thinking about this person constantly, saying "De mi mente no puedo sacarte, sencillamente por que me gustas" [I can't get you out of my mind, simply because I like you]. What does he like? Everything! "Tu cabello, tu cara, todo me gusta" [Your hair, your face, everything about you I like]. It's a fun, flirty song where he's imagining dancing with her and making it clear he wants to be close, asking "Cuánto daría por un beso de tu boquita?" [How much would I give for a kiss from your little mouth?]. He's definitely not shy about expressing his desire!
“Miami” captures Kevin Roldan’s whirlwind romance with a stunning Colombian woman who grew up between the United States and the Dominican Republic. Set against the glittering backdrop of Miami’s nightlife, the lyrics paint a picture of late-night drives in a Mercedes, star-gazing in Brickell, and splurging on champagne at the iconic LIV club. Roldan can’t help but follow her every move; her magnetic confidence and “culito más chimba” make him feel like a lovesick fool chasing the city’s most captivating muse.
Beneath the flashy cars and VIP tables, the song celebrates Latin pride, big-city dreams, and the thrill of living in the moment. It mixes playful Spanish slang with irresistible reggaetón beats to showcase Miami as a melting pot where cultures, rhythms, and passions collide. Ultimately, “Miami” is a lively ode to seduction and high-energy nightlife, inviting listeners to lose themselves in the heat of the dance floor just as Roldan does in the allure of his Miami queen.
In “Practícalo (Too Fly)”, Colombian star Kevin Roldán teams up with Dayme y El High, Mackie and Kenai to deliver a flirtatious reggaetón jam that celebrates living in the now. The singers invite a partner to forget any fear of being judged and to leave the past exactly where it belongs. No matter how many partners each person has had, what counts is the sizzling chemistry they feel in the present — one they’re eager to explore through kisses, caresses and irresistible dance-floor moves.
Throughout the song, playful metaphors (doctor and impatient patient, drying sweat, “rico, rico y caliente”) paint a picture of unapologetic desire. The repeated call to practícalo and inténtalo is both a dare and a promise: if they give in to the moment, the experience will be passionate, freeing and unforgettable. In short, the track is an anthem for brushing off insecurities, turning up the heat and enjoying pleasure without regrets.
Get ready to feel the heat with Kevin Roldan's "PPP" featuring Zion & Lennox! This song is all about pure, unadulterated desire and a commitment to pleasure. The title "PPP" is a playful abbreviation for "puesto para darte placer" [ready to give you pleasure], and the lyrics make it clear that the singer is always ready to fulfill his lover's fantasies.
He declares, "Hoy tú eres mía, sí / Baby, de noche y de día" [Today you are mine, yes / Baby, by night and by day], emphasizing his devotion to her satisfaction. The song is full of confident boasts about how he makes her feel, like when he says, "Se pone loquita cuando me ve en la Tv" [She goes crazy when she sees me on TV]. It's a high-energy track about intense attraction, physical connection, and a night (or day!) of passion, with lines like "Tu boquita me domina / Tú y yo bailando en una esquina" [Your little mouth dominates me / You and I dancing in a corner] painting a vivid picture of their chemistry.
“LOCA” is Kevin Roldán’s playful love letter to a woman whose “craziness” drives him wild. Throughout the song, the Colombian artist marvels at how her look, her walk, and her daring dance moves have him completely hooked. He can’t stop thinking about her all night, and he freely admits that her uninhibited, confident energy is exactly what attracts him. Roldán showers her with sweet compliments—calling her niña bonita—while mixing in flirtatious lines about kissing her, watching her dance in minimal clothing, and wanting to wake up beside her.
Beyond the flirtation, the lyrics reveal a promise of grand gestures and genuine devotion. Roldán paints a picture of luxury trips to Milan and Paris, designer gifts, and even an apartment in the Emirates, all to show that he can treat her better than any ex. The repeated chorus, “Me gustas así de loca,” celebrates her bold spirit rather than asking her to change. In short, the song is a lively blend of reggaeton rhythm, sensual admiration, and over-the-top romance, capturing the thrill of being irresistibly drawn to someone who lives and loves without holding back.
"Cartagena" is a nostalgic, flirtatious reggaeton track from Kevin Roldán and Bryant Myers. The song looks back on a passionate reunion in Cartagena, Colombia, with the two artists trading verses about missing a lover, replaying intimate memories, and how vivid it all still feels, "like it was yesterday."
Beneath the playful, sometimes explicit slang, the core feeling is longing and nostalgia for a specific time and place with someone special, wrapped in the two rappers' laid-back braggadocio.
In "Llano Grande," Kevin Roldan paints a picture of a lavish lifestyle filled with success and confidence. He calls himself a "world star" and dismisses his critics, saying they are now like "fans" waiting for him. The lyrics are full of boasts about his wealth, mentioning a mansion that looks like a hotel, a large property in Llanogrande (a wealthy area in Colombia), and luxury items like Rolex and Cartier watches. He declares that no one can compare to his status as a "gangsta" from Cali.
Amidst all this bragging, the song is also an invitation to a woman he's attracted to. He tells her, "If you like me and I like you, let's go together." He invites her to a secret party at his mansion in Llanogrande, telling her to let her boyfriend know she'll be late because she's with the "multimillionaire from Llanogrande." The lyrics describe his intense attraction, wondering if it's her face, her hair, or her body, but knowing her kisses take him to heaven.
“Una Noche Más” is the musical plea of a man who cannot shake the memory of a past lover. Colombian artist Kevin Roldán teams up with reggaetón star Nicky Jam to spin a story of late-night nostalgia, sleepless longing, and the hope that just one more night could rekindle everything they once shared. Throughout the lyrics he admits he still thinks of her constantly, that nothing feels the same since she left, and that every empty bed reminds him of the way they used to be together.
Instead of wallowing quietly, the singer turns his yearning into a persuasive invitation: if she gives him another chance, he promises passion, fun, and the excitement they both remember. Between rhythmic beats and smooth verses, the song captures the universal tug-of-war between regret and desire, painting love as something that can burn brightly again if only fate allows — for at least one more unforgettable night.
"TBC (Karma)" is Kevin Roldán leaning into the "what goes around" idea and pointing it at one specific person. He opens by admitting he's been holding back for a while, singing "Ya llevo tiempo" ("It's been a while") before naming exactly what he's after: "Con las ganas de probar los besitos de tu boca" ("With the desire to taste the kisses from your mouth"). By the hook he's decided she's the payback he deserves. "Tú eres mi karma" ("You are my karma"), he sings, "solo pasando por mi lado robas mi calma" ("just passing by me you steal my calm"). It's a small, funny idea to build a whole song around, and he doesn't dress it up.
The second half turns into a daydream. He wants to run off together: "Vámonos lejos" ("Let's go away"), "donde podamos ser felices los dos hasta viejos" ("where we can both be happy until we are old"). Then he admits it might only exist in his head: "Anoche soñé que te encontré y te besé" ("Last night I dreamed that I found you and kissed you"). That's the whole song: wanting someone so much it starts to feel like fate, then waking up to find out it was only a dream.
Kevin Roldán and Almighty build the whole song around one line of logic: love is a sickness, and this is the cure. The hook says it outright — "Que tengo la cura pa' su enfermedad" [I have the cure for your sickness] — and then shuts down any romance before it starts: "No digas 'te quiero', no hay necesidad" [Don't say "I love you," there's no need]. It repeats that hook five times, so the point is hard to miss.
The verses spend their time on flash instead of feelings — a Bugatti, sneakers "hasta a Jordan" [all the way up to Jordan], a penthouse with a city view, Hennessy poured out. Roldán turns a game console into a pickup line, "Yo voy a ser tu mostror y tú mi PlayStation" [I'll be your monster and you my PlayStation], and by the last bars he's calling himself "El rey de todas las palabras, cabrones" [the king of every word, you b*tches] — cocky all the way to the outro.
"Polanco" is a reggaetón flex track. Kevin Roldán, Dani Flow, and producer Mauro Dembow trade verses about partying in Polanco, an upscale Mexico City neighborhood, and living large: designer clothes, money, and a string of romantic conquests.
The lyrics are unapologetically boastful and explicit, mocking rivals and exes while the artists talk up their own status and swagger.
By the closing lines the song turns into a victory lap, with the artists calling out their own names and their crew, "Los Duracos," as the final flex.
"TU NOVIO ES UNA LOCA" is a boastful reggaeton track where Kevin Roldán and Bryant Myers taunt a woman's current boyfriend, claiming she is happier and more excited with them than she ever is with him.
The verses lean into classic trap bravado: flashy brands, fast cars, money, and a string of comparisons meant to prove the singers are simply better than the competition. It's less a love song and more a victory lap, sung directly at a rival who, in the singers' telling, doesn't stand a chance.
Between the boasts, there's a recurring King Records ad-lib and crew shout-outs, reminding listeners which label and camp the song represents.
Get ready for a direct and steamy reggaeton track! In "S.E.X.O.", Kevin Roldan and Bryant Myers don't waste any time with subtlety. The song captures a moment of intense, immediate attraction. Fueled by a bit of alcohol, the singer approaches a woman he finds irresistible, admitting he's completely captivated and feels an addictive pull just from the way she looks at him.
The lyrics are a straightforward invitation to a passionate night. The chorus spells it out, literally, claiming the woman gets him higher than any liquor ("Tú me subes la nota, más que el licor"). He uses vivid descriptions to express his desire, comparing her mouth to sweet syrup ("sirope") and their intense encounters to the famous soccer rivalry between Real Madrid and Barcelona. It's a song all about raw physical chemistry and giving in to temptation.
"Perreito En Provenza" is a reggaeton party anthem where Kevin Roldán brags about a night out with money, cars, and a crew that "goes to Provenza" — the nightlife district in Medellín famous for its clubs, rooftop bars, and late-night scene.
The song follows a familiar reggaeton script: a woman who loses control on the dance floor the moment the beat drops, a group of friends chasing the after-party, and a narrator who positions himself as the best in the room. The chorus repeats the night's plan — heading out, dancing hard, and ending up at "the mansion" — while the verses lean into flirtation and nightlife bravado.
Musically and lyrically it's built for the club: short, punchy lines, plenty of ad-libs, and slang rooted in Medellín's party culture rather than storytelling depth.
Get ready for a super direct and a bit cheeky track from Kevin Roldan, Kalido, and HIT$ MUSIC! "Te Empeliculaste" is all about a guy who thought he was just having a good time, but the girl he was with started to catch feelings – or as the song puts it, she "empeliculaste" [got all cinematic/made a movie out of it].
He's pretty blunt about it, saying things like "Realmente lo que yo quería era pasar el rato, Y que solo vaciláramos" [Really what I wanted was to hang out, And just chill]. He even reminds her, "Tu fuiste la que te empeliculaste, El día que te lo metí en el asiento de atrás" [You were the one who got all cinematic, The day I put it in you in the back seat]. He's got a girlfriend, so he can't commit, even though he admits "la verdad cosita vos me encantaste" [truthfully, little thing, you enchanted me]. It's a fun, no-holds-barred look at a casual encounter that one person took a little too seriously, all set to a catchy beat perfect for dancing.
Get ready to turn up the heat with "Manantial [Remix]"! This track is a full-on celebration of intense attraction and desire, where the artists can't stop thinking about a special someone after a passionate encounter. The lyrics are super direct and a little naughty, with lines like "Mamacita, tú me incita' a pecar" [Mamacita, you tempt me to sin] and "Solo esa boquita e' la que quiero besar" [Only that little mouth is the one I want to kiss].
The song is all about that insatiable craving, that feeling of wanting someone so much you just can't get enough. The repeated phrase "Cómo tú te viene', mami, un manantial" [How you come, mami, a spring] is a pretty vivid and sensual image, describing the overwhelming pleasure. It's a party anthem for when you're caught up in a wild romance, full of late-night calls, dancing, and a whole lot of chemistry. The artists are basically saying, "If you're down to get wild, just call me!"
Get ready to hit the dance floor with Kevin Roldan's "Cali"! This song is pure reggaeton energy, all about living large and having a good time. Kevin Roldan, who calls himself a "gangsta de Cali" [gangster from Cali], is showing off his wealth and charm.
He's got designer gifts, like "lencería Armani" [Armani lingerie], and he's not shy about saying he's richer than any "sugar daddy." The lyrics are playful and a bit cheeky, with lines like "Dile a tu gato que el que se enamora pierde" [Tell your boyfriend that whoever falls in love loses] and inviting someone to get wild on a Friday night. He's all about the party, the cars, and making sure everyone knows he's at a "nivel legendary" [legendary level]. It's a fun, confident track that'll make you want to move!
Kevin Roldan and Lyanno's "Manantial" is a reggaeton track all about intense physical attraction and desire. The song describes a passionate, almost addictive connection between two people. The lyrics are pretty direct, with lines like "Mamacita, tú me incita' a pecar" [Mamacita, you tempt me to sin] and "Solo esa boquita e' la que quiero besar" [Only that little mouth is what I want to kiss], making it clear this is a song about strong, undeniable chemistry.
The title "Manantial" means "spring" or "fountain," and it's used to describe the woman's reaction to their intimacy: "Cómo tú te viene', mami, un manantial" [How you come, mami, a spring]. The singers talk about knowing each other's bodies perfectly, with Lyanno even saying, "Tu punto exacto lo conozco" [I know your exact spot]. It's a song for when you're feeling that undeniable pull towards someone and just want to be with them, no strings attached, as they say, "Lo que hagamo' hoy no hay que hablarlo mañana" [What we do today, we don't have to talk about tomorrow].
Kevin Roldan's "Mujer Prohibida" is a passionate declaration of love from a man who knows he might not be the
This song is straight-up about a secret, very physical hookup where both people just want pleasure and nothing else. Kevin Roldan keeps repeating “Tú y yo, baby, haciendo el amor con champaña y tussi” [“You and me, baby, making love with champagne and tusi”], and that sets the whole mood: luxury, drugs, and sex, with no interest in problems, guilt, or consequences. When he says “Envueltos, olvidándonos de lo malo, solo queremos hacerlo y repetirlo” [“Wrapped up, forgetting the bad stuff, we just want to do it and repeat it”], he’s basically saying they use the moment to block out everything negative and just chase the same rush again and again.
The lyrics are very explicit and visual. Lines like “Ella encima-cima, me gusta cómo grita, grita” [“She on top, I like how she screams”] and “Cómo se excita, le doy duro no se quita” [“How she gets excited, I go hard, she doesn’t stop”] focus on the physical details more than any feelings or romance. There’s even a bit of drama when he mentions “Después de que a su novio le colgó” [“After she hung up on her boyfriend”], which makes the encounter feel even more forbidden. Overall, the song is about a wild, risky night between two people who are fully into the desire and repetition of that experience, without worrying about love, labels, or morals.
Get ready to feel the heat with Kevin Roldan's "Pa' Mi" featuring Jowell & Randy! This song is all about intense desire and a deep longing for one special person. The singer is completely smitten, declaring, "Si tú supieras que daría la vida por ti" [If you only knew I'd give my life for you] and that when night falls, he only thinks of her. He's practically begging for her attention, wanting her to be "pa' mi" [for me] because he's definitely "pa' ti" [for you].
He's head over heels, describing her as the only one he'd put in his Lamborghini and the one who captivated him from the moment he saw her. The lyrics get pretty steamy, with vivid descriptions of their intimate moments, like her biting the pillow and him wanting more of her. He even imagines them together until the apocalypse, making a toast with whiskey. It's clear he's found true love, stating, "Eres tu, sin duda, la que me llena de amor" [It's you, without a doubt, who fills me with love]. He's certain that without her by his side, his soul would die. Talk about dedication!