
Kenia Guadalupe Flores Osuna, known professionally as Kenia Os, is a celebrated Mexican singer and songwriter born on July 15, 1999, in Mazatlán, Sinaloa, Mexico. Rising from her beginnings as a popular YouTube personality, Kenia quickly carved out a notable career in the Latin pop and reggaeton music scenes.
Dubbed the "new queen of Mexican Pop," she released her debut single "Por Siempre" in 2018 and has since built a solid discography with albums like Cambios de Luna (2022) and Pink Aura (2024). Signed under Sony Music Mexico, Kenia is known for her captivating presence both as a singer and a media personality, having hosted the MTV Millennial Awards and participated in reality shows like HBO Max's Bake Off Celebrity: Mexico. Her dynamic artistry and growing influence make her a standout figure in contemporary Latin music.
In Kenia OS's "Si por Mí Fuera," we hear a story about that classic dilemma: knowing someone isn't good for you, but still feeling drawn to them. She's got "Cuatro mil motivos tengo para no volver" [I have four thousand reasons not to come back], and she tells herself this right before she falls for them again. We've all been there, right?
She knows this person won't change, and that they'll just "joder" [mess it up] again. Even though her heart might want to give them another chance, her head knows better. She sings, "Mejor de una me voy rápido" [It's better if I leave quickly] because it's more practical. It's a really relatable song about breaking free from a cycle, even when it's hard to let go of those "ricos tus besos" [your rich kisses].
This song is all about that feeling when you see someone across the room and decide you're going to make a fun, questionable choice tonight. Kenia OS sets the scene perfectly: she's out dancing by herself, feeling great, when she spots someone she can't look away from. She's already thinking, "Estoy imaginando el sabor de tu boca" (I'm imagining the taste of your mouth).
It's not a love story; it's about embracing a moment of pure attraction and impulse. She calls it one of the "Malas decisiones" (Bad decisions) that she wants to remember. She knows this person has a bad reputation, but she cheekily admits, "a mí también me gusta el drama" (I like the drama too). The best part is her total confidence. She's not waiting around; she declares, "No quiero tequila quiero a ese" (I don't want tequila, I want that guy). It's a fun anthem for a night where you know exactly what you want, even if it's just for a few hours.
Replay is a high-energy invitation to forget your worries, hit the dance floor, and keep the music spinning on repeat. Kenia Os and Steve Aoki paint a neon-lit scene where sunrise is optional, the DJ booth is command central, and every beat encourages you to live right now. With lines like “No dejemos pa' mañana lo que podemos hacernos hoy” (let’s not leave for tomorrow what we can do today), the song urges listeners to drop their inhibitions, order another round, and let the bass blur out yesterday’s heartbreak.
When Kenia chants “baila… dale replay,” she is not just asking you to dance again; she is celebrating the power of music to reset your mood and make joy a habit. The mix of Spanish and English lyrics mirrors a global party where everyone is welcome, and the collaboration with Aoki cranks up the electronic pulse that keeps feet moving until the lights come on. In short, “Replay” is a feel-good anthem about turning up, tuning out the past, and hitting play one more time—because the night is only over if you decide to leave.
Kenia Os's "Es Así" is all about embracing life's messy, up-and-down nature. She gets real about those days when everything goes wrong, singing "Unos días arriba y al otro todo sale mal" [Some days are up and the next everything goes wrong]. It's a reminder that it's normal to feel heartbroken, or even to take out your frustrations on someone else, as she admits, "Que te rompan el cora' a pedazos / Que yo me desquite con otro" [That your heart gets broken into pieces / That I take it out on someone else].
But even when things get tough, Kenia's message is super empowering: "Y si me caigo pues esto es así / Y si la cago pues vuelvo a seguir" [And if I fall, well, that's how it is / And if I mess up, well, I keep going]. She's learned to bet on herself above all else, declaring, "Entre tantas opciones, siempre apuesto por mí" [Among so many options, I always bet on myself]. It's a fun, honest anthem about accepting that life just is this way, with all its good and bad, and always choosing to move forward.
Kenia OS is here to tell you that she's not impressed by your fancy things! In "Dinero," she makes it super clear that she's over all the lies and doesn't want anyone's money. She sings, "Yo no quiero tu dinero, Mentirosos ya no quiero" [I don't want your money, I don't want liars anymore].
She's a confident woman who knows her worth, telling potential suitors, "Una chica como yo no consigues donde sea" [You don't find a girl like me just anywhere]. She's got her own style, with "En el cuello tengo hielo, hielo" [On my neck I have ice, ice] and "Otros miles en el suelo, suelo" [Other thousands on the floor, floor]. She's not falling for any more sweet talk or "galán de telenovela" [telenovela heartthrob] acts. Kenia OS is basically saying, she's moved on, changed the locks, and is doing just fine without anyone's fake charm or cash!
Have you ever missed someone so much that you just had to call them, even if it felt a little desperate? That's exactly where Kenia Os is in "Solo Una Vez"! She's been trying to get over someone, thinking that distance would help, but it turns out that was a lie. She admits, "Sorry que te llame tanto / Pero yo he estado extrañándote" [Sorry I call you so much / But I've been missing you]. It's not the tequila making her feel this way; it's her own skin, her own desire, that's driving her to reach out.
She's home alone and just wants to turn back time, "Solo una vez" [Just one time], to see what could happen. She's not sure if this person will be her "todo o mi nada" [everything or nothing] tomorrow, but her bed hasn't forgotten them yet! She even says, "Baby, me gustas tanto como el primer día" [Baby, I like you as much as the first day]. She wants them closer than a tattoo on her skin and sends a photo to make them think of her. It's a fun, flirty, and super relatable song about giving in to that undeniable pull to someone you just can't get out of your head.
Have you ever broken up with someone, but then you miss them like crazy after a few drinks? That's exactly what Kenia Os is singing about in "Mi X"! She admits that "Cuando me doy un trago, dos o tres" [When I have one drink, two or three], all those wild nights with her ex come rushing back, making her want to get back together.
But here's the kicker: as soon as he opens his mouth, everything goes wrong! She hilariously says, "Es que la verdad, calladito te ves más bonito" [The truth is, you look prettier when you're quiet]. Even though they're amazing in bed, like "rock-star[s]", they're really "como agua y aceite" [like oil and water] and "nieve y verano" [snow and summer]. So, even though she sometimes wishes he wasn't her ex, she knows deep down that they just don't work out.
Have you ever felt like a past relationship just completely swept you away? Kenia OS's "Tsunami" perfectly describes that feeling! She sings about how her ex's absence dragged her down "como un tsunami" [like a tsunami], leaving her trying to forget them by "tomando más" [drinking more].
It's clear she's still caught up in the memories, especially how their bodies together "era arte" [was art]. Even though she admits, "Fui la que fallé" [I was the one who failed], she can't shake the feeling that her ex is "todo lo que yo siempre busqué" [everything I always looked for]. She's still dreaming of their skin and missing their energy, even from a distance. It's a really honest look at how hard it is to move on when someone felt like art to you.
Kenia OS's "Cambios" is all about embracing a new chapter after a breakup, and it's super empowering! She starts by telling herself to "Abre tus alas y vuelve a volar" [Open your wings and fly again], which is such a beautiful image of moving on. Even though "Las noches son largas" [The nights are long], she reminds herself that "el sol siempre vuelve a brillar" [the sun always shines again].
This song is a declaration of self-love and putting herself first. She sings, "Ahora me toca a mí cambiar" [Now it's my turn to change] and "Ahora solo pienso en mí, ahora solo creo en mí" [Now I only think about myself, now I only believe in myself]. It's clear she's done putting someone else's needs before her own, even admitting, "Te quise al punto que dejé de quererme a mí" [I loved you to the point that I stopped loving myself]. But now, she's ready to "fluir, tengo que dejarlo ir" [flow, I have to let it go] and isn't afraid to start over. You can feel her determination when she says, "si caigo por algo, no pienso parar" [if I fall for something, I don't plan to stop].
Kenia Os brings us a super fun, flirty track with "OMG"! It's all about that thrilling, unpredictable feeling when you're really into someone, even if you're not sure where it's going. She sings, "Lo que tenemos no se compara / Tiene un toque original" [What we have can't be compared / It has an original touch], highlighting how unique and special this connection feels.
She describes the relationship as a wild ride, a "sube y baja es de otro planeta" [up and down is from another planet], full of ups and downs but always exciting. Kenia admits, "Tú a mí me tienes, like, my god" [You have me, like, my god], showing just how captivated she is. There's a playful push and pull, a delicious uncertainty where "Ninguno sabe lo que va a pasar / Pero nos mata la curiosidad" [Neither of us knows what's going to happen / But curiosity is killing us]. It's that sweet, dangerous kind of attraction she describes as "Ese dulce tan amargo no me asusta / Cada vez que me lo como más me gusta" [That sweet, bitter candy doesn't scare me / Every time I eat it, I like it more]. She's totally hooked, even calling his kisses "veneno" [poison] – but in the best way possible!
Have you ever felt like you have everything you could ever want, but it all means nothing without that one special person? That's exactly what Kenia OS is singing about in "Tercera Noche"! She's stuck in a cycle, spending her "Tercera noche que le hablo a mi ventana" [Third night I talk to my window] and "durmiendo con la misma pijama" [sleeping in the same pajamas], just missing someone.
She's got the fame, the luxury cars, the designer clothes, and even a visa to travel, but none of it brings her joy because the person she cares about isn't there. She sings, "Tengo todo, pero no te tengo a ti" [I have everything, but I don't have you] and "Todo me vale si no estás aquí" [Everything is worthless if you're not here]. It's a really relatable feeling of emptiness, even when surrounded by success. She even admits, "No sabías que eras tan necesario" [I didn't know you were so necessary] – sometimes you don't realize how much someone means to you until they're gone.
Get ready to feel like a total boss with Kenia Os's "La OG"! This song is all about owning your success and shutting down the haters. Kenia confidently declares, "Yo soy la OG, tú eres la newbie" [I am the OG, you are the newbie], letting everyone know she's the original and they're just starting out. She's doing something right if people are trying to "copy-paste" her style!
Kenia is living her best life, saying, "Sorry, vivo en la movie" [Sorry, I live in the movie], and she knows everyone wants to watch her shine. She's not bothered by the "hate y esa mala vibe" [hate and that bad vibe], choosing instead to stay "high tocando el sky" [high touching the sky]. With her "Ice, ice, ice llevo en la cadena" [Ice, ice, ice I wear on my chain] and a glow that leaves you "ciego" [blind], Kenia Os is here to remind you to embrace your own shine and ignore anyone trying to dim your light. It's a fun, empowering anthem that'll have you feeling like the OG of your own life!
Get ready to shake off some bad vibes with Kenia OS's "Cocteles"! This song is all about moving on after a breakup and reclaiming your power. Our singer is done with the drama, declaring, "Lo que tú me hiciste ya no duele" [What you did to me no longer hurts]. Tonight, things are different: "Esta noche intercambiamos los papeles" [Tonight we switch roles].
She's not looking back, telling her ex, "No me llames, no me escribas no me celes" [Don't call me, don't write me, don't be jealous]. Instead of dwelling on lies, she's trading them for a good time: "Voy a cambiar tus mentiras por cocteles" [I'm going to change your lies for cocktails]. She even tells the bartender to bring two drinks, "Pa' brindar lo que fue lo de nosotros dos" [To toast to what we two used to be]. It's a fun, defiant anthem about choosing joy and freedom over a past relationship, even planning to get lost somewhere "Donde ni la NASA me va a encontrar" [Where not even NASA will find me]!
Get ready to hit the dance floor with Kenia OS's "La Noche"! This song is all about that electrifying feeling when you're out, dressed up, and ready to let loose. Our singer is already in her "vestido y tenis Nike" [dress and Nike sneakers], eager to dance and get close to someone special. She's completely captivated by this person's "aroma de Versace" [Versace scent], which is making the temperature rise!
It's a night of pure impulse and excitement, where there's no need to overthink things: "Solo hay que vibrar, sin preguntar, porque lo nuestro es nuevo" [We just need to vibe, without asking questions, because what we have is new]. She can't hide her feelings anymore, especially when this person dances with her "solo de noche" [only at night] or when "en la disco se dan las doce" [it turns midnight at the club]. The lyrics really capture that intense, almost overwhelming sensation of being drawn to someone, where every touch makes her feel "al borde de la locura" [on the verge of madness]. It's a fun, flirty invitation to just enjoy the moment and see where the night takes them!
Have you ever been in a relationship that you know is a terrible idea, but you just can't stay away? That's exactly what Kenia Os is singing about in "Ruleta Rusa". The whole song is built around one amazing, dramatic idea: "Porque besarte es como disparar a ciegas en la ruleta rusa" (Because kissing you is like shooting blind in Russian roulette). It's all about the thrill of a dangerous, high-stakes romance. She knows it's a gamble, but she's not a passive victim. She coolly adds, "tengo buena puntería" (I have good aim), suggesting she's confident she can handle whatever comes next.
This isn't just an abstract feeling; she gives us scenes from this secret affair. They meet at midnight in LA to "empañar los vidrios de tu coche" (fog up the windows of your car) and make a sport out of dodging paparazzi. It's a relationship lived in intense, cinematic moments. She admits she's tried to leave before, but her heart "se rehúsa" (refuses). In the end, she'd rather live for these risky, colorful moments than settle for a safe life, asking, "¿Pa' qué vivir en blanco y negro?" (Why live in black and white?).
Kenia Os is here to tell us she's done with a past relationship, and she's not looking back! She starts by saying, "Yo te dije que No iba a volver a caer" [I told you I wasn't going to fall again], making it clear she's learned her lesson. This ex was all talk, "Fuíste puro bla-bla-bla" [You were pure bla-bla-bla], and now she's over it. She's not thinking about falling in love again.
Instead of heartbreak, Kenia is choosing a good time! She's all about "Mari, Candy, copas de Rosé, Un champagne y fiesta en el hotel, After pari', hasta el amanecer" [Marijuana, candy, glasses of Rosé, champagne and a party in the hotel, after party 'til dawn]. She even throws a little shade, "Mucha mujer pa' ese cabrón" [Too much woman for that jerk], and reminds him she helped him get to the top: "gracias a mí, llegaste al millón" [thanks to me, you reached a million]. This song is a fun, confident anthem about moving on and enjoying life on your own terms!
In "Llévatelo," Kenia OS sings about being unimpressed by a man who is all style and no substance. At first, she admits his "doll-like face" and charming words blinded her, but she soon realizes he has nothing interesting or intelligent to say. His mind is as empty as his promises are flashy.
This song is a powerful anthem of self-worth. Kenia OS rejects the man's attempts to win her over with material things like Gucci, Prada, and trips to Milan or New York. She makes it clear she can buy those things for herself, declaring, "My mind defines my power." The track serves as a reminder that true value isn't in expensive brands or a pretty face, because as she sings, "all that glitters is not gold."
Kenia Os's "Tú Y Yo X Siempre" is a super sweet love song about finding that person who makes everything brighter and more magical. It's all about how intense and overwhelming new love can feel, like when she sings, "Siento el cuerpo que se me deshace / Al besarte" [I feel my body falling apart / When I kiss you]. It's that feeling where just being with them makes the whole world better.
She really emphasizes the idea of an eternal connection, repeating "Tú y yo por siempre" [You and I forever] throughout the song. It's clear this isn't just a fleeting crush; it's a deep, lasting bond where time doesn't even matter. My favorite part is when she says, "El mundo es más bello al saber / Que tú y yo por siempre" [The world is more beautiful knowing / That you and I forever] – it perfectly sums up how love can transform your whole outlook on life!
Get ready to feel the energy! Kenia Os brings us a track that's all about owning your power and having an explosive night out. She describes herself as a "Barbie, pero no quiere un Ken" [Barbie, but she doesn't want a Ken], making it clear she's independent and not looking for a partner. This isn't about being a damsel in distress; she's in charge, even declaring "No gun, pero el party es rehén" [No gun, but the party is a hostage] – meaning she's got everyone's attention and control.
The whole song is about her confident, unstoppable vibe. She's got "Modo explosivo como big bang" [Explosive mode like big bang], ready to light up the night. She's moved on from past heartbreaks, saying "La que por amor lloraba, ya maté a esa, ya no soy esa" [The one who cried for love, I already killed her, I'm not that person anymore]. Now, she's the desirable one, the "cereza de su pastel" [cherry on his cake], the "fruta que él no puede morder" [fruit he can't bite]. It's a fun, fierce anthem for anyone who's ready to take over the dance floor and live life on their own terms!
Have you ever been stuck in that frustrating space where you know someone likes you, you like them back, but neither of you is making a move? That's exactly where Kenia Os and Álvaro Díaz are in "Bobo"! Kenia is tired of waiting, saying "No quiero más mensajes, dímelo a la cara" [I don't want any more messages, tell it to my face]. She's over the endless texting and imagining, wanting to know "¿Qué va a pasar cuando estés aquí?" [What's going to happen when you're here?].
Both artists admit they're obsessed, with Kenia singing "Muchos detrás de mí y yo sentada aquí / Mirando mi cel, esperando por ti" [Many behind me and I sitting here / Looking at my phone, waiting for you]. Álvaro even says, "Estar detrás de ti, ese es mi hobby" [Being behind you, that's my hobby]. They both know what they want, but the silence is deafening. Kenia hilariously asks, "¿Acaso tú eres bobo o te haces?" [Are you stupid or are you pretending to be?], summing up the whole vibe perfectly. It's a fun, relatable take on modern dating where everyone's waiting for the other person to make the first real move.
Have you ever had someone call you in the middle of the night, trying to win you back, but you're just over it? That's exactly the vibe Kenia OS gives us in "Morir de Amor"! She's getting those late-night calls – "Me llamas a la cuatro de la mañana / Para decirme que soy yo a quien amas" [You call me at four in the morning / To tell me that I'm the one you love] – but she's not falling for it anymore. She's been there, done that, and she's learned her lesson.
This song is all about moving on from a toxic relationship. Kenia OS is totally over the lies, singing, "Ya no te creo nada, ya una vez lo pensé" [I don't believe anything you say, I already thought about it once]. She's got her mom's wisdom in her head, too: "Mami me advirtió que no / Que eras un cabrón" [Mommy warned me not to / That you were a jerk]. Even though her heart was broken, she's strong and knows she'll find someone better. She declares, "Yo no me vo' a morir de amor, no, no / Alguien lo hará mejor que tú" [I'm not going to die of love, no, no / Someone will do it better than you]. It's a powerful anthem for anyone who's realized they deserve more!
Kenia OS is not holding back in "Mía Mía"! This song is all about telling an ex, loud and clear, that they're completely over them and moving on. She's tired of the games, asking, "¿Qué haces tú por aquí?" [What are you doing here?] and reminding them, "Cuando nos dejamos te la puse easy" [When we broke up, I made it easy for you].
She's definitely not interested in getting back together, even joking, "No te compro ni en oferta" [I wouldn't buy you even on sale]. Kenia OS is all about herself now, repeating, "Yo estoy en la mía, mía" [I'm in my own lane, mine] and making it clear, "Ni siquiera en tus sueños tocas mi anatomía" [Not even in your dreams do you touch my body]. It's a fun, confident anthem about reclaiming your independence after a breakup!
Kenia OS is not playing around in "Toy Toy"! This song is all about reclaiming your power after a breakup and letting your ex know they're completely irrelevant now. She starts by saying, "Dices que yo ya cambié / Porque estoy bien sin ti" [You say I've changed / Because I'm fine without you], making it clear that her happiness is a problem for him, but she's not sorry. She even throws in a funny pop culture reference, "Tú tan Amber, yo tan Johnny" [You're so Amber, I'm so Johnny], to highlight how he's the one looking bad.
She's totally over being treated like a plaything, declaring, "Ya me cansé de ser tu 'Toy, toy, toy'" [I'm tired of being your 'Toy, toy, toy']. Kenia OS tells him he lost the game and needs to ask his mom for a new toy to entertain his ego. Ouch! She's moved on to someone new who makes her happy, while her ex is left "como Forky andas en el basurero" [like Forky, you're in the trash can]. It's a sassy, confident anthem for anyone who's ready to move on and leave their ex in the dust!