Learn Spanish With Grupo Frontera with these 23 Song Recommendations (Full Translations Included!)

Have you ever typed out a whole late-night text to an ex and then hit backspace until the screen is blank? That exact moment is the whole engine of "Que Vuelvas" by Grupo Frontera and Carin Leon. The singer admits, "Te escribo mensajes todas las noches, pero los borro" ("I write you messages every night, but I delete them"). Why? He explains with total honesty: "Pa' quedar en visto, ese mal rato mejor me lo ahorro" ("To end up left on 'read', I'd rather save myself that bad time"). In Spanish, the phrase "quedar en visto" literally means staying "seen"—it is the modern sting of getting blue-checked and ignored. His pride is stubborn ("mi orgullo es tan grande"), yet he still cannot stop his brain from spiraling.

The chorus hits with a sharp contrast: "Deberías estar aquí, aquí donde te quiero / Pero, al contrario, estás allá donde te extraño" ("You should be here, here where I love you / But instead, you are over there where I miss you"). He is not doing casual heartbreak; he takes it to dramatic heights, begging them to return "para que a mi cuerpo el alma le devuelvas" ("so that you return the soul to my body"). It turns that petty fear of looking foolish on a messaging app into a full-blown Regional Mexican plea for your missing soul.

Ever been someone's secret late-night call? In "ME JALO", Grupo Frontera and Fuerza Regida tell the story of a guy who knows he is just the side piece—and honestly, he does not care. He catches her lying when she saves his contact under a fake name on WhatsApp ("Vi que me pusiste otro nombre en el Whats" [I saw you put a different name for me on WhatsApp]) and calls him only when her main boyfriend leaves ("Que tú me llamas cuando se va ese pelado" [That you call me when that guy leaves]). Even though he is losing sleep and knows she is only using him to misbehave ("tú me usas pa' portarte mal" [you use me to misbehave]), he plays dumb and rolls with it.

The magic of the track is packed inside its heavy Mexican slang. The title phrase "me jalo" literally means "I pull myself," but colloquially it translates to "I'm down" or "count me in!" Pair that with "en corto" (right away) and "dime qué tranza" (tell me what's up), and you get the full picture of someone who drops everything the second his phone rings. As soon as she says "Vente p'acá" (Come over here), he replies "le caigo" (I'll drop by) without a second thought, trading a good night's rest for a forbidden rendezvous.

Have you ever tried to move on from someone, but your mind just refuses to cooperate? That is the exact spot Grupo Frontera puts us in with "No Se Va". The singer starts with a very honest complaint: "Tan fácil que es enamorarme / Y tan difícil olvidarte" ("So easy to fall in love, and so hard to forget you"). He admits that looking at their old photo hurts, so he is actively trying to train his broken heart just in case they run into each other again. Yet, he still ends up dialing their number only to freeze up because he cannot bring himself to speak.

Instead of letting go, he makes increasingly desperate pleas for them to return. He begs, "Quédate otra vez, quédate toda la noche / Quédate otra vez, quédate más de las doce" ("Stay again, stay all night / Stay again, stay past midnight"), before going all out and asking them to stay for an entire lifetime. He even calls this person his "bala perdida" ("stray bullet"), an idiom for someone unpredictable or dangerous who still hit him right in the heart. The pull is so intense that he is ready to search for them from "Bogotá hasta Buenos Aires" (from Colombia down to Argentina), all because the memory simply will not leave: "Tu recuerdo no se va" ("Your memory doesn't go away").

Ever had your heart broken so badly that you wished you could travel back in time just to stand someone up? That is the exact mood Grupo Frontera and Maluma bring to "POR QUÉ SERÁ". Right from the start, they hit you with the brutally honest line: "Quisiera volver al día en que nos conocimos / Pa' no ir" [I wish I could go back to the day we met / Just so I wouldn't go]. Paired with wanting an imaginary off switch for human emotions ("Quisiera un botón para apagar los sentimientos" [I wish for a button to turn off feelings]), the track lays out the universal frustration of catching feelings for someone who is only playing games.

The chorus hits with a dramatic, almost cursed realization: "Yo nací pa' querer a la que no me quiere" [I was born to love the girl who doesn't love me]. Maluma jumps in with his signature flair, calling the band his parcero (Colombian slang for "close friend" or "buddy"), and asks the big question: "¿Desde cuándo en tu corazón yo ando sobrando?" [Since when am I extra/unwanted in your heart?]. The phrase "ando sobrando" is great everyday Spanish for feeling like a third wheel or simply unwanted where you used to belong. It is a catchy, bitter track for anyone who feels like their love life is just "otro amor que se me rompe en pedazos" [another love that shatters to pieces].

In "ÁNGEL", Grupo Frontera and bachata superstar Romeo Santos drop their defenses completely for someone who feels straight out of heaven. The song starts at a low point, admitting "Llegaste en mi peor momento / Y reviviste lo que estaba muerto" ("You arrived at my worst moment / And revived what was dead"). The singer used to guard his feelings heavily—literally saying "Al corazón yo le tenía un chaleco antibalas" ("I had a bulletproof vest on my heart")—but he throws that protection away because this new partner is too good to be true. He even jokes that she looks too perfect for real life: "La inteligencia artificial creó tu cuerpo" ("Artificial intelligence created your body").

The chorus drives the whole theme home by asking heaven for answers: "Hay que preguntarle a Dios / Si se le cayó un ángel de arriba" ("We have to ask God / If he dropped an angel from above"). Romeo Santos even throws in a fun nod to his own musical roots, calling this lover "La bachata preferida, Aventura, mi obsesión" ("The favorite bachata, Aventura, my obsession"), referencing the legendary group Aventura that launched his career. It is a sweet, cheerful track about feeling so lucky in love that you wonder if someone literally fell from the sky to save you.

COQUETA brings together Grupo Frontera and Fuerza Regida for an infectious, high-energy cumbia about being completely hooked on someone after just a short time together. The singer starts out staring at the night sky, wondering "si en algún lugar, esto se estaría repitiendo" ("if somewhere out there, this is repeating itself") or if their intense connection was just an accident of fate. Even though they barely know each other, so much happened in a single week that he is losing his mind with longing, asking her to come back into his arms "pero no como amigos, como la última vez" ("but not as friends, like the last time").

The track is packed with casual Mexican slang that makes the pursuit feel playful and direct. When he calls her "coqueta" (a flirt), he demands "si me quieres sólo di la neta" ("if you love me, just tell the truth"), using la neta to mean the honest truth. To prove he is completely head-over-heels, he admits he is ready to get fully attached: "cómo no quieres que me clave / De mi cel ahí te va la clave" ("how do you not want me to fall hard / here is the passcode to my phone"), swearing he does not talk to anyone else. It is an honest, upbeat plea to stop playing games and let the whole world know they belong together.

Picture this: you are late at night, a little drunk, staring at your phone with exactly 1% battery left. Instead of calling a cab or plugging in a charger, you spend that final sliver of battery making a desperate apology to your ex. That is the whole premise behind "un X100to" by Grupo Frontera and Bad Bunny.

The lyrics are full of frank, messy honesty about post-breakup regret. The narrator admits that going out to clubs or seeing other people is completely fake: "Que si me ven con otra en una disco / Sólo es perdiendo el tiempo" (If they see me with another girl at a club, it's just wasting time). He even notes Mexican party slang like las morritas (the girls) asking about la peda (the drinking party), yet he still ends up drowning in tequila and scrolling through old photos on Instagram. He freely takes the blame too, admitting he lived in "un infierno que yo mismo incendié" (a hell that I set on fire myself) while foolishly playing with love "como si fuese el diez" (like I was the number 10 jersey—a soccer metaphor for acting like a star playmaker).

Grupo Frontera goes all-in on romantic certainty with "ME GUSTAS". Instead of playing it cool, the singer bundles every possible level of affection right from the start: "Ya te amo, tú me gustas, yo te quiero / Y cualquier sentimiento que se parezca" ("I already love you, I like you, I care about you / And whatever feeling resembles that"). He playfully apologizes to past heartbreaks because this new person proves the old saying true: "Eres tú cuando decían que vendrán tiempos mejores" ("You are what they meant when they said better times will come").

The rest of the track runs through a checklist of sweet details that seal the deal, from her mischievous laugh ("tu risa traviesa y coqueta") to her eyes and hands. In the chorus, he uses the handy Mexican everyday phrase "No hay por qué pensarla" ("There's no need to overthink it / no need to hesitate"), jumping straight to a firm commitment with "yo me quedo contigo" ("I'm staying with you"). It is direct, cheerful, and skips all the usual dating games.

Get ready for a sweet and direct declaration of love! In "Ojitos Bellos," the singer from Grupo Frontera is completely smitten and isn't afraid to show it. He playfully announces his plan to win someone's heart, arguing it's only fair since they've already stolen his. The song is filled with romantic daydreams, like wanting this person to be the first thing he sees in the morning and sharing passionate kisses.

The central focus is on the person's "ojitos bellos," or beautiful little eyes. The singer loves seeing his own reflection in them and feels they must have been sent directly from heaven just for him. He makes a heartfelt promise: "No tengo pruebas / Pero tú no tengas dudas / Que te van a ver feliz" (I don't have proof / But have no doubt / That they will see you happy). It's a sincere plea for a chance at a happy life together, fueled by a feeling he's never experienced before.

Have you ever tried to play it cool while your heart is completely crushed? That is the exact mood Grupo Frontera and Grupo Firme bring in "EL AMOR DE SU VIDA". The narrator sits at a bar making up the wildest excuses for his breakdown. He insists that drinking is just him "echando alcohol a las heridas" ("pouring alcohol on my wounds") and talking to the bottle is merely asking it for advice. When tears roll down his face, he hilariously denies it: "No estoy llorando, es que se están descongelando sentimientos" ("I am not crying, my feelings are just defrosting"). It is dramatic, painfully relatable, and very honest about how messy heartbreak looks.

The real gut punch comes with the central twist. He spots his ex looking happier than ever, but she is "besando al amor de su vida" ("kissing the love of her life"). He considered her the love of his life, only to realize he was never hers. Instead of taking the high road and wishing her well, he drops all pretenses: "Si les digo que quiero que sea feliz, mentiría" ("If I tell you I want her to be happy, I would be lying"). He wraps it up with the ultimate confession: "a ella le tengo amor y a ese le tengo envidia" ("I have love for her, and I have envy for that guy"). It is refreshing to hear a breakup track that skips the fake maturity and admits to pure, petty jealousy.

Hast du dich schon mal gefragt, warum Verlieben so leichtfällt, das Vergessen aber wehtut? Genau darum geht es in "No Se Va" von Grupo Frontera. Der Sänger trainiert sein gebrochenes Herz förmlich darauf, der Ex-Partnerin wieder zu begegnen: "Yo entreno a mi corazón roto / Por si mañana el te vuelve a encontrar" (Ich trainiere mein gebrochenes Herz, falls es dich morgen wiederfindet). Trotz der Trennung klammert er sich an die Erinnerung, die einfach nicht verschwindet ("Tu recuerdo no se va"). Er greift zum Telefon, bringt aber kein Wort heraus, während er sie anfleht, noch etwas länger zu bleiben, über Mitternacht hinaus oder am besten gleich für immer: "Quédate otra vez, quédate toda la vida" (Bleib noch einmal, bleib das ganze Leben lang).

Besonders spannend für Sprachlernende: Er nennt die geliebte Person seine "bala perdida" (wörtlich: verirrte Kugel). Im Spanischen beschreibt man damit jemanden, der unberechenbar, wild oder riskant ist, aber man kommt trotzdem nicht von ihr los. Um sie wiederzusehen, würde er buchstäblich über den ganzen Kontinent reisen: "De Bogotá hasta Buenos Aires" (Von Bogotá bis Buenos Aires) – von Kolumbien bis nach Argentinien. Ein tanzbarer, ehrlicher Song über die Art von Liebe, die man einfach nicht abschütteln kann!

We have all been in that desperate spot where we messed up, got blocked, and ended up begging for one last chance. In "Di Que Sí", Grupo Frontera and Grupo Marca Registrada team up to deliver an honest plea from someone who ruined their relationship. The narrator kicks things off by admitting he has spent multiple nights "pisteándome el dolor" [drinking away my pain], using the northern Mexican slang verb pistear (to drink alcohol). He is suffering through sleepless nights in a bed that still smells like his ex ("Mi cama se quedó con el olor a ti" [My bed was left with your scent]), praying to God to bring her back while begging her to unblock his number for just one minute so he can explain.

What makes this track so fun to sing along with is how direct and unapologetically clumsy the apology is. He openly admits, "la regué, me equivoqué" [I messed up, I made a mistake], where la regué is a classic Mexican idiom for screwing up. Between throwing in a mild guilt trip about how much he used to do for her ("Tanto que yo hice por ti" [So much that I did for you]) and repeatedly begging her to just say yes ("Porfa di que sí" [Please say yes]), the song nails that chaotic mix of regret, sleepless desperation, and hope.

Grupo Frontera goes all-in on wholesome, over-the-moon romance in Hecha Pa' Mí. The singer is so head-over-heels that he starts by thanking his partner's parents just for bringing her into the world: "Quiero darle las gracias a tu mamá y a tu papá por darle la vida al amor de mi vida" ("I want to thank your mom and your dad for giving life to the love of my life"). He admits he is not perfect, but promises to protect her until his days are up. He even throws in a cheeky bit of math about his loyalty, joking that he only belongs to her twelve months out of the year ("Al año soy tuyo nomás doce meses").

The title phrase "hecha pa' mí" means "made for me," and the chorus treats this romance like a custom fit: "Así, a la medida, ¿dónde andabas perdida?" ("Just like that, custom-made, where were you hiding?"). The word pa' is everyday spoken shorthand for para ("for"), while a la medida literally means "tailor-made" or "to size." He calls her mija (a warm contraction of mi hija, meaning "my daughter" or "my girl") and drops the Mexican slang phrase "está cabrón" (it is tough/impossible) to say that with her around, it is pretty much impossible to feel stressed ("Teniéndote a ti, está cabrón que me estrese"). It is pure, joyful appreciation for finding someone who feels designed specifically for you.

Sabe aquela história clássica do "contatinho proibido"? Em "ME JALO", o Grupo Frontera e a Fuerza Regida contam exatamente essa dinâmica sem nenhum filtro. O narrador sabe muito bem que é o amante: ele repara que ela salvou o contato dele no WhatsApp com outro nome ("Vi que me pusiste otro nombre en el Whats" [Vi que você me colocou com outro nome no Whats]) e que as ligações só chegam em horários suspeitos, logo depois que o namorado oficial dela vai embora ("Que tú me llamas cuando se va ese pelado" [Que você me liga quando aquele cara vai embora]).

Mesmo sabendo que ela mente descaradamente e só quer alguém para "aprontar" ("Loquita, tú me usas pa' portarte mal" [Maluquinha, você me usa pra se comportar mal]), ele simplesmente não resiste. A graça toda da faixa está nas gírias mexicanas: a expressão do título, "yo me jalo", significa algo como "eu topo" ou "eu vou correndo sem pensar duas vezes". Ele perde o sono, admite que se faz de bobo ("Me miente y me hago el tonto" [Ela mente pra mim e eu me finjo de bobo]), mas basta ela soltar um "dime qué tranza" (me diz qual é o plano / o que tá pegando) que ele já está a caminho, morrendo de sono, mas pronto pro rolê ("Bien desvelado, pero le caigo" [Sem dormir nada, mas eu chego aí]).

Dans "No Se Va", le groupe américano-mexicain Grupo Frontera nous plonge dans l'obsession tenace d'un amour impossible à effacer. Le chanteur le dit tout net : "Tan fácil que es enamorarme y tan difícil olvidarte" (C'est tellement facile de tomber amoureux et si difficile de t'oublier). Même en regardant une simple photo qui fait mal, il prépare son esprit au choc : "Yo entreno a mi corazón roto por si mañana te vuelve a encontrar" (J'entraîne mon cœur brisé au cas où il te retrouverait demain). Le refrain martèle cette présence fantôme avec une insistance presque désespérée : "Tu recuerdo no se va" (Ton souvenir ne s'en va pas).

Cette obsession géographique prend une ampleur un peu folle quand il promet de chercher l'autre "De Bogotá hasta Buenos Aires" (De Bogotá à Buenos Aires), reliant la Colombie à l'Argentine d'un seul trait. Il supplie ensuite son amante de rester : "Quédate más de las doce" (Reste après minuit) et va jusqu'à l'appeler "mi bala perdida" (ma balle perdue). En espagnol, une bala perdida est un projectile incontrôlable, mais ici l'expression désigne avec tendresse une personne imprévisible, un électron libre qui fait des ravages sans le vouloir. C'est direct, rythmé, et terriblement entêtant !

Cette chanson raconte une histoire de cœur brisé très moderne. Le chanteur est tiraillé entre son immense orgueil et son envie de recontacter son ex. Il avoue : « Te escribo mensajes / Todas las noches / Pero los borro » [Je t'écris des messages / Toutes les nuits / Mais je les efface]. Pourquoi ? Pour s'épargner la douleur d'être ignoré. Il se bat avec sa propre fierté, qui « abajo me pesa » [me pèse], mais il veut désespérément que l'autre personne sache ce qu'il ressent.

Le refrain est une plainte directe et touchante. Il oppose l'endroit où il est et celui où se trouve son amour perdu : « Deberías estar aquí, aquí donde te quiero / Pero, al contrario, estás allá donde te extraño » [Tu devrais être ici, ici où je t'aime / Mais au contraire, tu es là-bas où tu me manques]. Il voudrait lui demander de revenir, mais son orgueil l'en empêche. Il va jusqu'à dire qu'il a besoin d'elle « para que a mi cuerpo el alma le devuelvas » [pour que tu rendes l'âme à mon corps]. C'est une façon assez intense de dire qu'il se sent complètement vide sans elle.

In "Quédate Bebé", Grupo Frontera delivers a desperate, funny, and chaotic plea to stop a breakup. Instead of relying on big romantic speeches, the narrator frantically lists every single unfinished plan they share. He points to tickets he already bought for New York, shows for Post Malone, dreams of visiting Japan, and kissing on a balcony in Paris. He even uses pop music as an excuse to stick together, begging her to stay because "KAROL G sacó nueva canción / Hay que perrearla" ("KAROL G dropped a new song / We have to dance to it"). The Spanish slang "perrearla" comes from perreo, the dance style tied to reggaeton, proving he will use literally any fun reason to delay her walk out the door.

Then he pulls out the ultimate guilt trip: everyday logistics and social pressure. He asks what they are supposed to do with their dog ("¿Qué hacemos con el perro?"), who will break the news to everyone they know, and reminds her about a fancy party they planned to attend. He even brings family into it, pleading that they still have a dinner date with his mother, adding the blunt detail: "ella te quiere, aunque es difícil con las mujeres" ("she loves you, even though she is difficult with women"). Underneath the funny panic, his bottom line is simple and direct: "una vida sin ti no tiene sentido / Es como morir sin haber vivido" ("a life without you makes no sense / It's like dying without having lived").

Have you ever sworn off an ex, only to change your mind after a couple of drinks? That is exactly the situation in "Ya Pedo Quién Sabe" by Grupo Frontera and Christian Nodal. When sober, the singer is completely firm: "Si ando bueno y sano / Alguien me pregunta si volvería a tu lado / Obvio les digo que no" ("If I'm sober and healthy / Someone asks me if I'd go back to you / Obviously I tell them no"). He admits loving them caused real pain that a simple bandage cannot fix ("La herida nomás no se quita / Ni porque le puse un curita"). In plain daylight, there is no way he wants them back in his bed.

Everything falls apart the moment the tequila starts flowing. The Mexican slang word "pedo" literally means a fart, but in everyday speech across Mexico, it means drunk (or trouble, depending on context). So "ya pedo quién sabe" translates to "once I'm drunk, who knows." Alcohol wipes out his good judgment entirely. He even drops a clever pun on the calendar and top-shelf liquor, singing that calling her back in July only happened because he was drinking Don Julio tequila ("Que aquella vez que te hablé en julio / Fue porque tomé un Don Julio"). A few drinks in, he is suddenly leaving broken-heart emojis under her latest photos and dialing her number again.

A man who has clearly been getting the basics wrong is trying to fix all of it in one night. He opens by owning up: "Ay, disculpa si no te he mandado flores" [Oh, forgive me if I haven't sent you flowers], then "Si me olvidé de las fechas, no es porque ya no te quiera" [If I forgot the dates, it's not because I don't love you anymore]. Thin excuse, and he seems to know it. His whole defence is the line he closes the verse on, "Si bien sabes que yo te amo a mi manera" [You know very well that I love you in my own way], which is the sort of thing you say once you have run out of better arguments.

So he plans an evening instead. She puts on her best dress and paints those lips red, he switches the phone off, and it all comes down to "Un vino a la luz de las velas, tú y yo nomás" [A glass of wine by candlelight, just you and me]. Grupo Frontera let the accordion do most of the pleading, and the chorus promise, "Voy a volverte a conquistar" [I'm going to win you over all over again], lands somewhere between romantic and slightly desperate. The best line is "Hoy se va a hacer lo que me pida la reina" [Today we do whatever the queen asks of me]. For one night, she picks.

Grupo Frontera delivers a straight-talking breakup track wrapped in a lively cumbia rhythm with "Monterrey". The whole premise is refreshingly direct: if feelings have faded, just say so in person—"Pero dímelo face to face" ("But tell me face to face")—so tickets and hotel bookings can be sorted out: "Pa' yo cancelar los planes / Que teníamos en Monterrey" ("So I can cancel the plans we had in Monterrey"). Instead of begging for affection, the singer sets a firm boundary with "A nadie mendigo amor" ("I beg love from no one") and "Esto de amar a medio tiempo no es lo mío" ("This part-time loving isn't for me"). Relationships need to be "blanco y negro, no gris" ("black and white, not gray"), not fleeting like "un café instantáneo" ("an instant coffee").

There is also plenty of honest vulnerability beneath that tough exterior. He admits he has a knack for pretending everything is fine ("Tengo el talento pa' lucir como si nada"), but immediately confesses the truth: "Pa' qué te miento / Me está doliendo y qué feo sentimiento" ("Why lie to you, it's hurting me and what an ugly feeling"). He even references Latin music star Eladio Carrión's common theme of searching for calm with the line "Estoy buscando paz mental, como Eladio" ("I'm looking for peace of mind, like Eladio"). While he knows he will be spending Christmas alone, he makes it clear that self-respect comes first.

In "Ay Bebé," Grupo Frontera tells the story of a girl who is completely exhausted by romance because everyone lets her down. Her remedy is straightforward: take a shot, put on her favorite song, put on some lipstick, and hit the club. She is not even twenty-one yet, sneaking in with her sister's ID ("No tiene ni veintiuno, anda con ID de su hermana"). Guys at the venue send over roses and expensive champagne, but fancy status symbols do not work on her. She cares about real feelings and smooth talk ("ella es más de cora', se enamora con la labia"), not designer gifts like Louis Vuitton bags ("bolsas LV").

The singer falls hard for her gaze ("Con esos ojitos lindos fue que me enculé" [With those pretty eyes, I fell crazy in love]) and tries to prove he is nothing like her past flings. He promises real intentions instead of cheap hookups, offering to drive her straight home instead of to a motel ("Yo te llevo pa' tu casa, no para el motel / Como lo hacía él" [I'll take you to your house, not to a motel / Like he used to do]). He claims their bond goes beyond the physical into something spiritual ("una conexión hasta lo espiritual"), begging her to let her guard down and become his official partner ("te quiero de oficial").

Grupo Frontera and Los Dareyes De La Sierra team up for a track about a toxic obsession that refuses to quit. The singer is stuck in sleepless nights, chain-smoking just to numb the ache of an ex who left. When he says "Y si ando arriba / Es porque dueles todavía" ("And if I'm high / It's because you still hurt"), the slang phrase andar arriba literally means to be elevated or high, pointing straight to using substances as an escape from heartbreak. He even blames his bloodshot eyes on two things: "de tanto que fumé / Y de tanto llorar" ("from smoking so much / and from crying so much"). It is messy, honest, and completely dramatic.

The core of the song treats this past lover like an addictive substance that is impossible to kick. He admits "Eres la droga que ya no puedo dejar" ("You are the drug I can no longer quit") and describes her as "veneno dulce" ("sweet poison") that stays locked into his skin. Trying to move on with someone else fails immediately because "la vibra no fluye" ("the vibe doesn't flow"). Instead of accepting help, he delivers the brutally direct line "Uno siempre es adicto a lo que lo destruye" ("One is always addicted to what destroys them"), acknowledging that even if thinking about her is ruining his life, he cannot stop craving the high.

Tu as déjà eu l'impression d'avoir la pire malchance du monde en amour ? C'est exactement ce que Grupo Frontera et Maluma partagent ici. Dès la première phrase, le décor est planté avec un humour un peu désespéré : « Quisiera volver al día en que nos conocimos / Pa' no ir » (J'aimerais retourner au jour où on s'est rencontrés / Pour ne pas y aller). Le chanteur regrette tellement cette rencontre qu'il rêve d'un bouton pour éteindre ses sentiments et arrêter de souffrir. Il finit par se demander avec fatalisme : « ¿Por qué será que cuando quiero querer, conmigo quieren jugar? » (Pourquoi dès que je veux aimer, on veut jouer avec moi ?), concluant avec amertume qu'il est juste né pour aimer celle qui ne veut pas de lui (« Yo nací pa' querer a la que no me quiere »).

Maluma débarque ensuite en lançant un amical « su parcero » (son pote, un mot d'argot très typique de Colombie) pour en rajouter une couche sur la trahison. Il s'étonne du changement brutal de son ex : « ¿Qué te pasó? ¿Qué te cambió? Tú así no eras » (Qu'est-ce qui t'est arrivé ? Qu'est-ce qui t'a changée ? Tu n'étais pas comme ça). Il regrette d'avoir aimé pour de vrai (« de a de veras ») alors qu'il se retrouve maintenant mis de côté (« en tu corazón yo ando sobrando », littéralement « je suis en trop dans ton cœur »). C'est direct, sincère et terriblement accrocheur pour chanter à tue-tête ses déceptions amoureuses !