
Natiruts is a Brazilian reggae band formed in 1996 in Brasília, and one of the country's most popular reggae acts. They're known for blending reggae with rock, funk and homegrown Brazilian rhythms, and for lyrics about love, peace and everyday feeling.
"Dou Não Dou" fits that mold well, a warm, patient love song built around the coy back-and-forth of its title line, "I give, I don't give," as the singer waits for a guarded partner to finally open up.
"Reggae Amor" is a love song built around devotion and staying power. The singer prays for someone they miss, admits to feeling voiceless and out of time, and asks for patience while they figure out how to be loved well. The chorus turns that longing into a promise: the tide never comes back the same way twice, so take what good you can from this moment and don't drift away — the singer has decided to love for good.
The final verse widens the lens from the couple to the world. Time keeps moving and won't stop for anyone; people change, and to be wrong sometimes is simply human. The sea holds what's left behind, and the song closes on hope for the next generation, repeating "reggae amor" like a chant — love as the steady rhythm underneath everything else.
"Dia Perfeito" is Natiruts' ode to a simple, sun-soaked day that feels complete. Teaming up with Planta e Raiz, the song opens with a shout-out to the two reggae acts before dropping into the story: the singer falls in love one afternoon by the sea, catches a wave in, and watches everyone around him relax into an easy, carefree mood.
As night falls, the friends build a bonfire and sing reggae until sunrise under the stars. The "perfect day" of the title isn't about anything extraordinary happening. It's the ordinary combination of sun, surf, music and good company that the singer can't stop thinking about, wanting more of that same feeling every single day.
It's a warm, feel-good track from two of Brazil's best-known reggae groups, capturing the laid-back beach culture that reggae in Brazil is built around.
Ever felt like just giving up and walking away from it all? Natiruts' "Tudo Vai Dar Certo" starts by acknowledging that universal feeling of doubt. But it quickly shifts into a powerful message of hope and reassurance. The song is like a comforting voice, a "luz" (light), telling you that everything will be alright. It suggests that by looking up at the sky, we can find a renewed strength. The core idea is that our positive thoughts can become our "fortaleza" (fortress), protecting us from unseen "inimigos" (enemies) and making the good things we imagine become real.
This isn't just about wishful thinking; it's a call to action. The lyrics urge you to use the power of your mind, to think without limits, and to create the reality you want to live in. It's about breaking free from any system that holds you back and raising your own "vibração" (vibration). The song's ultimate advice? Let love be reborn in your mind. By combining belief with consistent, loving action, you can manifest your dreams and see for yourself that, in the end, everything will work out.
"Amor Pra Recomeçar" is Natiruts sending a list of wishes to someone they care about, reggae-style: warm, patient, and never preachy.
Each verse wishes something small and honest. Not stopping too soon, since every age carries both pleasure and fear. Patience with people who get things wrong. Letting sadness last a day, not a year, and learning that laughing is good, but laughing at everything is really just despair in disguise. Friends worth trusting, even if that means living alongside a few enemies too. Enough money to get by, since you do have to live.
The chorus is the heart of the song: no matter how tired you get, there is still love left to start over with. That line repeats and builds until the song ends on it alone, "pra recomeçar," to start over, as if the point is less to say something new and more to make sure it sinks in.
Natiruts, the reggae band from Brasília, built this song around a simple image: a hummingbird that brings love in for a moment, then flies off again. That little bird opens and closes almost every verse, a gentle reminder that love can be fleeting and still leave you happy.
Between the choruses, the song looks outward too. The singer imagines surfing under a wide blue sky "of crazy clouds" above his home city, then wishes he could forget the poverty and violence that make his people unhappy. A girl once told him she didn't like boys so laid-back, ones who play reggae and MPB, but he brushes that off next to the beauty of the Planalto Central and the people who make the Cerrado feel like the ideal place to live.
Near the end he gets personal, thanking the audience just for being there, for letting him put his feelings into a song and be heard. He plans to leave Brasília at the end of the year to see the ocean, promising his mother he'll be back by the end of February. It's a warm, unhurried song about home, gratitude, and a small bird that keeps bringing love back around.
"Xaxado Do Amor" is Natiruts' warm, reggae-rooted love song about how love ripples outward into the world. The band sings that the good we do, and the harm we do, both travel out into the universe and eventually return to us, so every act of kindness matters.
The lyrics picture a gentler world: children playing without worry, people learning to respect each other, and old suffering finally overcome by joy. It's less about romantic love between two people and more about love as a force strong enough to heal a country and its people, with the sun breaking through even when things look hopeless.
The playful chant in the middle, listing things like ice cream, gum, a smile and passion, captures the simple, everyday joys that come bundled with love. The song closes on gratitude, thanking love for the good feeling it brings when the sun shines on you.
"Pedras Escondidas" ("Hidden Stones") is a reggae ballad about waiting and quiet hope. The singer pictures himself behind a hill, watching the day fade, holding onto a simple kind of patience while life goes on around him.
The song's central image compares secrets to hidden stones, buried out of reach and far from any real intention. It's a gentle warning about people who promise more than real love, offering only "paradises of illusion and fantasy" instead of something true.
After a quieter bridge, where time opens up, a storm passes, and someone caught in loneliness never sees it coming, the song returns to its opening image. It closes on the same idea: some things stay buried, no matter how much time passes.
"Deixa o Menino Jogar" ("Let the Boy Play") is a social commentary from the Brazilian reggae band Natiruts. The song opens on a weary, resigned tone: the years keep passing, no real solution ever comes, and people are left gambling their lives and futures away, trusting leaders the song compares to hungry lions.
The chorus is the song's plea: let the child play, let the child learn. It's a call to protect childhood and education from a world that keeps failing to deliver on its promises, and it repeats the idea that the wellbeing of ordinary people is something the powerful fear.
The final verses turn that idea into a small, personal story. A woman asks why a boy is crying, and finds him in a dark corner with his partner and their child, crying from hunger. It's the song's way of grounding its broader protest in one real, painful image, and it closes by repeating the same chorus: let the boy play, let the boy learn.
"Serei Luz" ("I Will Be Light") is a reggae song about deciding to be a source of light wherever you go, and refusing to make that conditional on who you meet.
The promise sits in the refrain - "aonde quer que eu vá, serei luz" (wherever I go, I will be light) - and the verses spell out what it costs. Colour, creed, gender and religion are set aside explicitly, and a blessing is treated as the same blessing whether it arrives as "amém", "axé" or "shalom". The singer asks for the arms, the head, the smile and the heart to be opened together, not one at a time.
The practical advice is deliberately plain: if you can't improve something, at least don't make it worse; do good without first checking who deserves it; we are brothers. Respect, the song says, comes from above - which lets it argue for tolerance without arguing for any one faith.
Thiaguinho's feature keeps the song on the warm, communal side of that message rather than the preachy one: by the end the refrain is being sung back as a shared promise instead of a personal one.
"Hoje Eu Quero Ouvir" is a Brazilian reggae song by Natiruts about turning to music for comfort after a hard day.
The singer wakes up, goes to work, and carries an old wound with him. He cries over the unfairness of it all, but he still knows there is something good inside his heart. So today, more than anything, he wants to hear a song that makes him feel happy again.
The middle verse widens the view with an image of an indigenous man walking peacefully by the river, free under the moon, without hatred or cruelty. It is a picture of the kind of peace the singer is longing for.
The song closes on a hopeful, spiritual note: may the light that never fades bring a better future for everyone, whatever their faith. Even without hope, people can still be renewed by memory and by the chance to love again.
Get ready to soak up some good vibes! "Na Positiva" by the Brazilian reggae band Natiruts is a pure celebration of optimism. The title itself means "In the Positive," and the lyrics are all about choosing to live with a positive mindset. The singer wants to live out their dreams, get lost in music, and stay in a "positiva vibração" or positive vibration.
This song paints a beautiful picture of a life filled with love and imagination. With lines about "seres de luz" (beings of light) and "cores astrais" (astral colors), it creates a dreamy, spiritual mood. The lyrics suggest that love is an infinite force that makes the world more beautiful, and sharing life with someone special makes the days feel "tão azuis"—so blue and peaceful. It’s an anthem for believing in your dreams and seeing beyond the ordinary.
Have you ever felt a longing for someone so strong that it feels like the moon itself is awakening your desires? That's the beautiful feeling Natiruts captures in "Sol do Meu Amanhecer." The singer paints a picture of warm, moonlit summer nights, filled with a deep wish to find a special person, to kiss them, and to love them. It's a sweet and direct invitation, asking their love to come to them, wherever they are, to discover that their shared feelings were "nada foi em vão" (not in vain).
The song's title and repeating phrase, "Sol do meu amanhecer," translates to "Sun of my dawn." This powerful metaphor reveals just how important this person is. They are like the sun, bringing light, warmth, and a new beginning to the singer's life. Being with them feels like coming home, a place of strength and peace. The song is a beautiful celebration of finding someone who makes you want to simply smile, be thankful, and embrace everything life has to offer together.
This song is a playful, patient kind of love song. The singer's partner makes them suffer and shrugs it off, saying a few tears never hurt anyone, so the singer keeps gently asking when they'll finally be ready to grow into the relationship.
Rather than push, the singer chooses to wait. They believe that in time the "fera" (the beast, the guarded, defensive side of the loved one) will soften and start to purr. The title line, "Dou, não dou" (I give, I don't give), captures that back-and-forth: the tease of almost falling in love, pulling back, and almost falling again.
By the end, the promise pays off. As time passes, the love grows, everything starts to feel like too much in the best way, and the old ache of living through that uncertainty finally fades.