Learn Italian With Capo Plaza with these 19 Song Recommendations (Full Translations Included!)

Get ready to enter the world of Capo Plaza's "Allenamento #2," which translates to "Training #2." The song isn't about hitting the gym; it's a declaration of the artist's constant hustle and dedication to his craft. He describes his life as a form of non-stop training, where he's always smoking, running, and staying one step ahead. He paints a picture of a life lived on his own terms, telling his mom not to worry because he's just having fun, even as he navigates a world that feels like a "war."

Plaza portrays himself as a confident "little savage" and a "champion" who is constantly improving and has "new powers." He's surrounded by a loyal crew and warns outsiders to stay away because his people won't talk to them. Despite past betrayals from a "brother," he doesn't complain and is focused on moving forward, running without looking back. He boasts about his dominance, saying, "I eat everything, I don't leave you leftovers," showing his ambition to take every opportunity and leave nothing for his rivals.

In "Tutta La Night," Italian rapper Capo Plaza paints a picture of a life that changed in the blink of an eye ("un battito di palpebre"). He contrasts his difficult past, a "jungle" where survival was key, with his current luxurious lifestyle filled with fast cars, international travel from L.A. to Dubai, and so much money he can't count it. Despite this success, there's a feeling that it's all fragile and could become "useless" in a minute.

Even with all the wealth, the artist feels misunderstood and isolated, repeating the line "Non mi capirai mai" (You will never understand me). He's still "tormented by troubles" ("tormentato dai guai") and pushes himself to the limit to achieve the impossible. The song is a declaration of ambition and resilience, celebrating his success while acknowledging the constant pressure and the struggles he overcame to get there.

The title "Acqua Passata" is an Italian phrase that means "water under the bridge," something that's in the past and forgotten. But in this song, Capo Plaza tells us the past is anything but forgotten. He reflects on a difficult life, describing himself as a "soldato" (soldier) on the streets, a life that made his mother cry because he never came home. He looks back on a time when his friend was imprisoned and feels that money and success have changed him and his crew, leaving them feeling "vuoti" (empty).

Despite achieving success, counting millions at Nobu and driving a Mercedes-Benz S-Class, he feels trapped in a personal "inferno" (hell). He sings about loneliness, feeling like he's on a "precipizio" (precipice), and trying to cope with his problems by drinking Hennessy. The song paints a picture of someone caught between two worlds: the tough streets he came from and the luxurious but emotionally empty life he lives now. It's a raw look at how the scars of the past remain, no matter how much success you find.

In "Forte E Chiaro," which translates to "Loud and Clear," Capo Plaza paints a vivid picture of his journey from a difficult past to a successful present. He repeatedly contrasts his life before with his life now, reflecting on the sacrifices he remembers and the tough streets he came from. The lyrics describe a world that is "hell, not a walk in the park," filled with street fights and struggles for survival. He is a survivor, emerging from "the jungle without a scratch."

Now, things have changed. He talks about his success with images of big cars and rising earnings, defiantly telling everyone to "look at me now." Despite his success, there's a sense of toughness and distrust. He pushes himself to the limit and doesn't trust the "vipers" around him. The song is a powerful declaration of overcoming hardship, a message delivered, as the title suggests, loud and clear.

Capo Plaza describes the neighbourhood he grew up in as a jungle, a place where you learn to watch your back before you learn much else. The chorus keeps returning to the same image: a safari, blood on your hands, survival as an everyday routine rather than something dramatic.

The verses fill that picture in. Weed no longer takes the edge off, four of them ride without helmets, the buildings run fifteen floors high and the same corners sell both death and love around the clock. He says the jungle is what made him hard, and he does not pretend otherwise.

What keeps it from being only bleak is who he keeps close. Real brothers surround him, and there is a woman whose hand he holds even while admitting it does not fix anything. He is clear about where he is going too: he will win for the neighbourhood, and when he dies he wants to go without regrets.

For learners, this is a good song for street Italian. You will meet everyday verbs like rimanere, credere and arrendersi, plus borrowed English words such as hood and baby that Italian rap uses freely.

In "Sottovuoto," which means "Vacuum-Sealed" in Italian, Capo Plaza paints a picture of a life filled with contradictions. He's caught between a glamorous new lifestyle and the dangerous streets he came from. On one hand, he boasts about his success, mentioning a "giubbotto Fendi" (Fendi jacket) and a "orologio nuovo" (new watch), declaring, "mo' spendo in ciò che voglio" (now I spend on what I want). This wealth, however, seems to be built on a risky foundation, hinted at with references to "pacchi sottovuoto" (vacuum-sealed packages) and a world where "uccidi o, sì, ti uccidono" (you kill or, yes, they kill you).

This success doesn't bring peace. The speaker is haunted by "ansie" (anxieties) and "incubi" (nightmares), feeling lost and alone after a painful breakup. He describes a final kiss, "come se è l'ultima volta" (as if it's the last time), and accuses his ex-lover, "Mi hai lasciato solo" (You left me alone). The song captures a feeling of being trapped between past struggles and a present filled with fragile emotions, where material possessions can't heal the wounds that "peggiorano ogni giorno" (get worse every day).

In "Borse Hermès," Italian rapper Capo Plaza paints a vivid picture of a life transformed by success, moving from a difficult past to a luxurious present. The song's title, which means "Hermès Bags," represents the ultimate symbol of wealth he once only dreamed of. He contrasts his old life in the "cold ghetto" with his new reality of private jets, expensive watches ("Tourbillon Audemars Piguet"), and Range Rovers, declaring that his life now feels like a movie.

Despite the glamour, the lyrics reveal the scars of his past. Capo Plaza talks about betrayal, explaining how he was hurt by a close friend: "when the knife goes in, it's always from the best friend." These experiences have made him tough, giving him "bulletproof skin." Now, he sees himself as a champion who has mastered the game of life, confidently stating, "if life is a game, baby, I have all the cheats and codes." The song is a declaration of victory, celebrating how far he's come while never forgetting the harsh realities that shaped him.

"Capri Sun" is Capo Plaza rapping about the toll of fame and a relationship that keeps hurting him. He opens admitting he left someone behind and won't explain why, then spends the song describing the wealth, danger, and paranoia that came with success — flashing lights, betrayal from someone close to him, and money that never settles the score.

The recurring chorus is the emotional center: a love that swings between devotion and destruction, "first you love, then you kill, there's no answer." He can't resolve it, so the fighting repeats every night. Capri Sun becomes a small, almost childish comfort next to the harder things he's using to cope.

By the end he admits he knows she's lying to him, but claims he's the better liar — a tired, guarded kind of survival rather than a resolution.

Capo Plaza built this song out of the last two minutes of an argument, the part where one person is already at the door and the other is still talking. The title line, "Non fare così" (Don't act like that), is what you say when you have already lost and have not accepted it yet. He keeps asking, "Baby, non andare, rimani" (Baby, don't go, stay), and then lays out the only two options he can still see: "Ne possiamo parlare o puntarci le armi" (We can talk or point guns at each other). As a threat that line is ugly. As an admission that talking and fighting are the only two settings left, it is closer to what the song is actually about.

The money is what makes it sting. "Prima rubavamo abiti" (We used to steal clothes) comes one line before "Ora ho camicie di Burberry" (Now I've got Burberry shirts), and he is proud of the distance between those two lines, but the success arrives too late to buy anything back. He knows the scale was wrong all along: "E tu mi chiedevi la luna" (And you asked me for the moon), "Ti meritavi, sì, tutti i pianeti" (You deserved, yeah, all the planets). By the last verse he has stopped talking to her and started talking about her, "E non so manco che fai, con chi sei, dove stai" (And I don't even know what you do, who you're with, where you are), and the only thing he can still put in a calendar is "a domani" (till tomorrow), an appointment nobody agreed to.

Capo Plaza spends this one balanced on a ledge. The hook says it outright: "Sono a un passo e poi mi butto, non servon lacrime" (I'm one step away and then I jump, tears are no use), and the only thing holding him back is a person he keeps asking to stay. "E mi hai guarito da ogni male, yeah" (And you healed me of every hurt, yeah) is where the title comes from, and it is a big thing to say about someone you also tell "Tu senza me non ci puoi stare" (You can't get by without me). The romance here runs on need more than on tenderness.

Then the beat doubles up and the love song turns into a grudge list. "Gli dai un dito e si prendono il braccio" (You give them a finger and they take the whole arm) is the thesis, and what follows is a fast, clipped run through everyone who applauded him and then walked at the first obstacle: "Non le vedi 'ste facce di plastica?" (Don't you see these plastic faces?). He answers them with "Ma sono un diamante e durerò per sempre" (But I'm a diamond and I'll last forever), a line that only sounds like bragging if you skip the verse before it. The Salerno rapper has been at this long enough to have earned the second half, and the first half is him admitting what it cost.

In "Dimmi Tu," which means "You Tell Me," Capo Plaza paints a picture of a life filled with urgency and uncertainty. He reflects on his journey, speeding down the highway with only memories of his beautiful coastal city and the "lost people" he's known. The song has a powerful sense of living for the moment, as if every night is the last. This isn't just for fun; it's a fight for survival where he feels he must either "take it all" or "go extinct."

The chorus is a repeated, anxious question: "E che sarà di me? E che sarà di noi?" (And what will become of me? And what will become of us?). He sees life as fleeting, something that "only gives a taste" before it's gone. Faced with this uncertainty, he turns to someone, pleading, "Baby, dimmi tu" (Baby, you tell me), searching for answers that he can't find on his own.

Welcome to the world of Capo Plaza's "Nisida," a track that paints a vivid picture of street life, loyalty, and the consequences that come with it. The song's title refers to a real island near Naples that houses a juvenile prison, a place the rapper mentions some of his friends have ended up. Through his lyrics, Plaza tells a story of hustle and survival, starting from hanging out "fuori scuola" (outside of school) and being driven by a hunger that's been there since the beginning. He describes a world where you either rise to the top or struggle at the bottom, and his crew is his strength, comparing them to the legendary football team Real Madrid.

This isn't just a celebration of success; it's a raw look at the darker side of that life. Plaza talks about the constant pressure, the conflict with the police, and the feeling that drugs are a "condanna" (a curse). He gives shout-outs to friends who are in prison, reminding us of the real risks involved. The song is a declaration of loyalty to his crew—the ones he shares his bread with—and a warning to anyone who disrespects them. It's a story of staying true to your roots while growing up, acknowledging how success changes relationships, and never forgetting the struggle that got you there.

In "Tevez", Capo Plaza paints a picture of his rise from humble beginnings to success, comparing himself to the famous Argentinian footballer Carlos Tevez, who also came from a tough neighborhood to become a millionaire. The lyrics are filled with a sense of ambition and relentless drive. He's not playing games—he wants "real money, not Playstation money" and is pushing the pedal to the metal, touring Italy for his family. This journey isn't easy; he walks a "dark path" and asks his mother to pray for him, acknowledging the fine line between being a superstar and an outlaw.

Throughout the song, Capo Plaza asserts his independence and defiant spirit. He declares, "I always do what I want" and warns others not to tell him what to do because he'll "always do the opposite." He navigates a world of deceitful people, or "snakes," that he steps over with his designer shoes. Despite his success and tough exterior, there's a feeling of loneliness. He mentions a past relationship where he wasted time trying to understand someone, and admits that even from the top floor overlooking the city, what he really misses is home.

The ratata of the title is gunfire, and Capo Plaza builds the whole hook out of a kid at a window counting it: Sento un ratata (I hear a ratata), then Sento ra-ta-ta-ta, è fuori la finestra (I hear ra-ta-ta-ta, it's outside the window). The setting never leaves the housing blocks he grew up around in Salerno. Fra i palazzi grigi, la testa nel busy (Among the grey buildings, my head in the hustle) is the closest thing the song has to a mission statement, and money is the only exit anyone in it can name: Stiamo provando a fottere la crisi (We're trying to screw the crisis).

The back half is about what arriving actually did. Prima stavo su un cesso / Ora ho fatto successo (Before I was in a dump / Now I've had success) is a lazy rhyme and it works precisely because it sounds like something you would say out loud. He keeps checking himself against the old address, too: Ora che sto in alto non mi scordo da dove vengo (Now that I'm on top I don't forget where I come from). Then, almost thrown away near the end, the best line in the song: Ho tutto e qualcosa mi manca (I have everything and something is missing). The shooting is still going in the final verse, which is the point. Getting out did not turn the sound off.

In "Mi Riempi Di Chiamate," which translates to "You Fill Me Up With Calls," Italian artist Capo Plaza paints a vivid picture of a life caught between love, fame, and a difficult past. The song dives into a turbulent relationship filled with late-night phone calls, arguments, and a sense of conflict where he admits, "Between me and you, baby, it's a fight." He wrestles with his new life, wondering if his problems are caused by fame or if his home country, Italy, is no longer the right place for him. The lyrics create a feeling of being trapped in a long, difficult night, where paranoia rises and he feels overwhelmed, confessing, "This night is a bastard."

Throughout the track, Capo Plaza reflects on his journey from a rough childhood, where he "saw crap already when I was a kid," to his current success. He contrasts having a "villa and a pool" with no longer having a "smile." This creates a powerful theme of sacrifice and the emotional cost of success. The song is a raw look at the struggles that come with fame, the pain of a complicated romance, and the feeling that life can love you one moment and hate you the next.

The Tesla in this song is a scoreboard. Capo Plaza opens by measuring how far he has come, "In un cinque stelle, prima stavo nel campetto" (In a five star hotel, before I was on the little pitch), then turns to the one person the receipts are really for: "Mamma guarda come volo adesso" (Mum, look how I fly now). His idea of having arrived is oddly specific. A cup that never empties, "Il bicchiere è sempre pieno e viola" (The glass is always full and purple). A friend going past on one wheel. A Tesla in orange, and he says the colour out loud. Anyone still unimpressed gets told "Non sei Tony, non sei manco Sosa" (You're not Tony, you're not even Sosa).

The hook is where all that speed starts costing something. "A volte mi gira la testa" (Sometimes my head spins) shares the chorus with "A centottanta mettendo la sesta" (At a hundred and eighty, shifting into sixth), and the song never settles whether the dizziness comes from the money or from the driving. The passenger seat gets the only sensible line in three minutes, "Lei mi dice rallenta" (She tells me slow down), and the answer is the chorus over again. Sfera Ebbasta and DrefGold crowd in around him, money thrown in the air, Arizona iced tea in hand, and nobody goes anywhere near the brake.

In "Ferite," which means "Wounds" in Italian, Capo Plaza paints a picture of a life where success and pain are deeply intertwined. He describes his journey from a difficult past, where his only options were "stay on the street or do this," to a present filled with wealth, symbolized by big cars and millions of euros. However, this success doesn't heal old wounds. He feels surrounded by people waiting for him to fail, calling them "vipers" and warning himself to never let his guard down.

Despite his achievements, Capo Plaza feels isolated and mistrustful. He sings, "More money but fewer friends," and admits he has very few "friendly hands" to count on. The song's title is a recurring theme: these are the invisible "wounds that don't go away," the emotional scars from his past and the betrayals he's faced. The only moment of peace seems to be with a special person, a night he wishes would never end, offering a brief escape from a world he sees as sad and corrupt.

In "New Jeans," Italian rapper Capo Plaza paints a picture of his journey from humble beginnings to a life of fame and luxury. He contrasts his past, growing up in apartment blocks ("da palazzi") with his current status, symbolized by towering skyscrapers ("grattacieli alti"). The lyrics are filled with boasts about his success: his name is everywhere, he's a "young champion," and he's moved from the stadium stands to VIP seats. He's focused on making money and enjoying the rewards, like custom cars and a carefree lifestyle, choosing to ignore his problems and stay loyal to his close circle of friends.

Beneath the surface of success, there's a sense of defiance and self-reliance. Capo Plaza warns others to "watch how you talk" and reflects on a tough upbringing where he and his friends had to act grown up from a young age. He also touches on moving on from a past relationship, deciding to focus on himself and his own business. The recurring line, "Quello che mi serve dentro i new jeans" ("What I need is inside my new jeans"), suggests that he keeps everything important—be it money, ambition, or something else—close to him as he continues his rise to the top.

What the song is about

"Hennessy" is Capo Plaza taking stock of a life that moved very fast. The hook says it plainly: he is under stress, and the cognac is what he reaches for to keep going. "E-energy, hennessy mi da la carica" reads less like a celebration than an admission that the fuel is running low.

Around that chorus he builds two pictures. One is the win. He name-checks a 4x4, a Cartier, a Patek and a G-Class, and lines himself up with Kylian Mbappe, born in ninety-eight like him, someone who arrived young and had to deliver straight away. "Ora mi sono evoluto" marks the distance from "viveva in buco, gia volevo tutto", living in a hole and already wanting everything.

The other picture is what it cost. People he grew up around turn out to be brothers only when it suits them ("Sono fratelli, si, se gli fai comodo"). Envy follows him ("Tutte 'ste serpi campano di invidia"), and strangers look at him as if he were carrying a weapon, only because things worked out. He keeps relationships at arm's length and says he does not want anyone who complicates the life he has.

By the last verse he has stopped arguing with any of it. He signs contracts, takes the days as they come, and says the only thing left worth fearing is death.

Language notes

The lyrics use the mixed register Italian rap relies on constantly: standard Italian carrying a heavy load of English and Spanish loanwords. "Lean nel cup", "putas nel back", "big gas" and "move on" all sit inside Italian sentences untranslated, which is exactly how they are said. A couple of lines are self-censored mid-word ("fa la tro-"), a common way to keep a bar sayable.