Couleur Lyrics in English Zazie

Below, I translated the lyrics of the song Couleur by Zazie from French to English.
In my genes, nothing
Nothing that bothers
I'm brunette or blonde
Everybody loves me
In the street, in life
I stroll
Playing cowboy
Or rather Indian
In your genes, well
Yeah, it's the same
If your skin gets fewer
Sunburns
In the street, under the blows
Turns out you die
The world makes you see
All the colours
This world, I can't watch it
Even in a painting
It's been too long
That it's been going on
Let's make it clear
Let's make it clear
I'm black, white
I'm the colour
Of hope, white and black
And in my heart
I'm Floyd, Blake
Flame watching over the dead
So every colour
Shines again
In our DNA, alas, a gene
Wages war
A seed of violence
That hides our crimes
As a news brief
When knowing where I'm shooting
At everything that moves
Isn't clear
Not sure the savage is the one
We arrest
But since it seems that music
Softens morals
I'm sending you these few notes
From deep in my heart
I don't care about the colour
Of your skin
I carry every colour
On my flag
Yeah I'm black, white
I'm the colour
Of hope, white and black
And in my heart
I'm Floyd, Blake
Flame watching over the dead
So every colour
Shines again
Is that clear
Is that clear
Is that clear
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SONG MEANING

Can a single melody repaint the world? In “Couleur,” French singer Zazie grabs a box of linguistic crayons and writes a playful yet powerful manifesto against racism. She toys with the French homophones gêne (embarrassment) and gènes (genes) to say, “In my genes, nothing bothers me… I can be brunette or blonde, everyone loves me.” The idea is simple: our DNA doesn’t decree superiority or inferiority. Yet when society looks at skin rather than soul, the same streets that welcome some can become deadly for others. Zazie’s lyrics jump from childhood games of cowboys and “Indians” to chilling name-checks of George Floyd and Jacob Blake, reminding us that real bullets and real hatred still stain the pavement.

Despite the darkness, the song bursts with hope. Zazie declares herself “noire, blanche… de la couleur de l’espoir”—black, white, and the color of hope all at once. She waves a personal flag painted with every shade, insisting that music can still “soften our manners.” “Couleur” is therefore both a lament and a luminous call-to-action: drop the prejudice, crank up the volume, and let every hue shine on. Is that clear? She asks—and then answers with a resounding, melodic yes.

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