Learn Spanish With Matisse with these 17 Song Recommendations (Full Translations Included!)

«Eres Tú» is a sparkling confession of love where Mexican artist Matisse teams up with Reik to celebrate that once-in-a-lifetime person who makes the whole planet fade into the background. From the very first line, the singer admits an endless curiosity for their partner: “I want to know you a thousand times.” Every verse piles on more devotion, promising to shout their feelings to the world, cherish every sunrise together, and even hand over their own life if the other ever ran out of it.

The chorus keeps circling back to the same magnetic idea: “Eres tú, solo tú” — “It’s you, only you.” Nothing else matters, not the opinions of strangers or the march of time, because the beloved is both the beginning and the end. By repeating that simple phrase, the song turns into a mantra of absolute dedication, making listeners feel the warm rush of knowing they are someone’s entire universe.

Have you ever felt so lost during a breakup that you just need a little reassurance? In "Necesito Un Favor," which translates to "I Need a Favor," the Mexican band Matisse captures that exact moment. The song describes the painful end of a relationship, where the singer is told face-to-face that their partner is no longer happy. It's the last time they will touch, the last kiss, the last time they'll smell their partner's hair before losing them for good.

Faced with this heartbreak, the singer makes two simple, yet powerful requests. First, they ask their departing love to leave them a written note promising that they will be okay tomorrow. The second favor is a selfless plea: when their ex falls in love with someone new, they hope they'll remember how much the singer loved them. It's a beautiful and bittersweet goodbye, accepting that the relationship is over but holding on to the love that was shared, wishing their ex happiness even as a piece of their heart will always belong to them.

Have you ever felt the pain of a breakup so strongly that you just needed one day to be sad? "Tal Vez Mañana" captures that exact feeling. The singer knows that someday they will move on. They imagine a future, maybe even tomorrow, where they'll finally forget their ex's kisses, stop checking their phone a thousand times, and be happy again.

But the key word is mañana (tomorrow). The song is a powerful anthem for the present moment of heartbreak. The singer makes a conscious choice to put self-love aside for the day and just feel the pain, admitting, "Hoy me duele todo" (Today, everything hurts). It's a raw and honest look at the struggle of letting go, acknowledging that healing isn't instant and sometimes you just have to wait for tomorrow.

Have you ever been perfectly happy on your own, and then suddenly, bam! You get a huge crush on someone? That's exactly what Matisse and Bronco sing about in "Me Gana El Sentimiento." The song tells the story of someone who was content with their life until they saw a person's photos and fell head over heels. It's a classic tale of a modern, one-sided crush where the feelings are just too strong to ignore.

The singer feels completely overwhelmed by their emotions, confessing, "Es que me gana el sentimiento / Porque te miro y no te tengo" (The feeling overcomes me / Because I see you and I don't have you). They try to get the attention of their crush by sending messages, but they get ignored. Still, they admit they're stubborn and can't give up, all while dreaming of the day they can finally be together. It's a song about intense, hopeful, and slightly obsessive feelings that come with wanting someone you can't have.

Have you ever loved someone so much you'd do anything for them? In "Héroe," Matisse sings about a love that is powerful and all-consuming. The singer dreams of having a profound effect on their beloved, to the point of making their "skin crawl with cold" and being willing to "die there afterwards." It's a song about wanting that same level of devotion in return, a love where both people would give their entire lives for each other without a second thought.

The central idea is a beautiful paradox. The singer wishes they could be a "héroe" or even a "dios" (god) for the person they love. But this isn't about being powerful; it's about being needed. By "saving you a thousand times," the singer feels they might find their own "salvación" (salvation). It's a heartfelt plea that suggests love gives them purpose, and protecting their partner is the very thing that saves them, too.

Have you ever felt amazing after a breakup? That's the feeling behind this song! It's an anthem for anyone who has left a bad relationship and is now enjoying their freedom. The singer tells a story about an ex who was selfish and unappreciative. While the singer gave everything, their partner wanted it all for themselves, leaving no money for things like concerts or vacations.

But this isn't a sad song! It's a celebration. The singer is now "bien a gusto" (very comfortable) being single, spending money on themselves, and partying with friends. They've traded the Sunday blues for a life of fashion, money, and singlehood. The message is clear: sometimes, being on your own is way better than being with the wrong person.

Como Lo Hice Yo is a heartbreak confessional in true cantina style. Mexican singer Matisse teams up with Mexico’s Carin León to tell the story of someone who wishes they had literally kept their eyes shut the moment their ex walked by. From the first stolen kiss to the last bitter tear, the narrator rewinds every scene, scolding himself for ignoring the red flags of a dazzling but damaging love. The chorus feels like a tipsy shout from a barstool: he never used to drink, yet now no shot of tequila can wash away the sting of being replaced.

The song swings between regret, anger, and lingering devotion. He watches his ex parade a new partner and wants to warn the poor guy, “Run while you can!” Even so, the ache refuses to leave, proving that some loves dig deeper than we expect. With brisk guitars and aching harmonies, Como Lo Hice Yo becomes both a cautionary tale and a bittersweet sing-along for anyone who has ever drowned their sorrows in music and mezcal.

Have you ever had a breakup that just sticks with you, even months later? That's exactly what Matisse is singing about in "Todavía" [Still]. The song kicks off with the blunt truth: "Como duele el amor a veces, ya lo ves" [How love hurts sometimes, you see]. The singer is still reeling from a split that happened eight months ago, and even though time has passed, their ex is still a constant presence in their mind, "como un fantasma aquí en la casa" [like a ghost here in the house].

It's a really relatable feeling of being stuck in the past, unable to move on. The chorus, "Todavía no puedo olvidarte ni dejarte de pensar" [I still can't forget you or stop thinking about you], perfectly sums up that lingering ache. They can't stop imagining their ex coming back, even though they know it's not going to happen. It's that bittersweet hope mixed with the painful reality of having lost them "Al final de todo ahora te perdí" [In the end of everything now I lost you]. It's a beautiful, sad song about the struggle to heal from a broken heart.

This song is a super relatable heartbreak anthem, perfect for anyone who's ever been dumped and just wants to wallow a little! Our singer is absolutely reeling after a breakup, even though it's only been one day. They're missing their ex terribly, saying "No ha pasado ni un minuto que no piense en ti" (Not a minute has passed that I haven't thought of you) and feeling a huge void.

They're so heartbroken that they're wondering if they'll ever sleep again and asking for a "conjuro" (spell) to forget their ex. The ultimate move? Blasting Luis Miguel! "Y ahora pongo a Luis Miguel en las bocinas / A todo volumen, que todos escuchen / Que en esta casa de amor hoy se sufre" (And now I put Luis Miguel on the speakers / At full volume, so everyone can hear / That in this house of love today there is suffering). It's a dramatic, funny, and totally understandable way to cope when you're feeling like you didn't deserve to be left behind.

Have you ever tried to get over an ex, but your heart just won't cooperate? Matisse and Pedro Capó totally get it in their song "Mantra"! It's all about that struggle to move on, even when you know you should.

The song starts with the singer literally Googling "Cómo hacer para olvidar" [How to forget] – which is so relatable! But they don't trust the internet, so they try writing a mantra instead: "No debo llamarte, no debo llamarte" [I shouldn't call you, I shouldn't call you]. It's a funny, honest look at trying to convince yourself to let go, especially when you've had a few drinks and that resolve starts to slip. The lyrics really hit home when they say, "Puedo mentirme, pero no al cora-zón" [I can lie to myself, but not to my heart], because the heart "Siempre está triste porque te fuiste" [is always sad because you left]. It's a perfect song for anyone who's ever tried to delete an ex's number but found themselves reaching for the phone anyway!

Matisse's "No Sé Si Es Mucho Pedir" is a heartfelt plea from someone desperate to win back a lost love. The singer admits to making a mistake that led to the breakup, saying, "Todavía quedan restos de tu vida, Recodándome que te perdí por un error" [There are still remnants of your life, reminding me that I lost you because of a mistake].

They're not ready to give up, asking their former partner not to surrender to the idea that it's over: "Todavía no te me des por vencida, Que yo no acepto que esto ya se terminó" [Don't give up on me yet, because I don't accept that this is over]. The song's title, "No sé si es mucho pedir" [I don't know if it's too much to ask], sets up the core of the song: a series of earnest requests. The singer asks for a second chance, hoping their ex will soften their heart, remembering the pain they caused by leaving: "Tú me presentaste el dolor, Cuando te decidiste marcharte" [You introduced me to pain, when you decided to leave]. It's a really intense song, with the singer even saying that if their love never returns, it would send them "directito al infierno" [straight to hell]. But there's also a hint of resignation, wondering if it's too late and if they should just say goodbye.

This song is basically one long, honest “I still love you” message that slipped out four months after the breakup. The singer knows they were supposed to stay just friends, but the feelings clearly did not get that memo. From the first line, “Ya van cuatro meses desde que cortamos” [It’s been four months since we broke up], you can feel how they’ve been counting the time. They imagine the ex is probably fine “del otro lado” [on the other side], moving on with life, while they’re the one still stuck. That contrast is the whole tension of the song: one person healing, the other still completely hooked.

Over and over, the singer keeps answering an invisible question: “Por si te lo preguntas” [In case you’re wondering]. Every time, the answer is the same and a little more intense. “Hoy solamente quiero estar contigo” [Today I only want to be with you], “Te extraño mucho” [I miss you a lot], “No ha pasado ni siquiera un día que yo no piense en ti” [Not a single day has gone by that I don’t think of you]. They even admit they don’t know how to forget, “Aunque a Dios se lo pida” [Even if I ask God for it], which is both dramatic and very relatable. And the strongest line is almost over the top in its honesty: “Esta vida sigue siendo solamente tuya” [This life is still only yours]. It’s that kind of song you put on when you’re not over someone at all, and you’re half embarrassed, half proud of how ridiculously in love you still are.

Have you ever been in that tricky situation where you know you're not good for someone, but you also can't imagine them finding anyone better? That's exactly where Matisse takes us in "Un Nuevo Amor" (A New Love). The singer starts by listing all the reasons their ex should find someone new:

"Que no guarde sus problemas, que no sea como yo a la hora de la cena" (Who doesn't keep their problems to themselves, who isn't like me at dinner time)

They even suggest finding someone who's a "caballero" (gentleman) with a good job and no money problems. It's almost like they're trying to convince themselves, or maybe just soften the blow.

But then, the song takes a hilarious and relatable turn! The singer suddenly gets a bit cocky, declaring that no one else could ever love them quite like they did. They boast about being the only one who can make them "tocar el cielo con las manos" (touch the sky with their hands) and "volar" (fly). It's a classic move: trying to push someone away, then immediately regretting it and pulling them back with a reminder of how special your connection was. It's a fun, honest look at the messy feelings that come with a breakup, especially when there's still a lot of love (and a little bit of ego!) left.

Have you ever heard that saying, "'tis better to have loved and lost than never to have loved at all"? Well, Matisse's song "No Me Hace Bien" [It Doesn't Do Me Good] is all about someone who's really questioning that idea. The singer is deep in the pain of a breakup, feeling like the saying just doesn't apply to them because "el dolor sigue haciendo mucho daño" [the pain keeps doing a lot of damage]. Even with time passing, they still miss their ex, losing count of the days they've had nightmares and woken up in the middle of the night, hoping to find them on their side of the bed, only to find it empty. It's a really relatable feeling of being stuck in a loop of sadness.

The song really gets into the struggle of trying to move on but just not being able to. The singer admits, "No más, no avanzo" [I just don't advance], and even though they know they should probably get over it, they can't help but think about their ex "24-7." They even wonder if they're "a medio paso de volverme loco" [half a step from going crazy] because this constant thinking isn't normal. Despite trying to forget, they just haven't, even if it sounds cliché. It's a raw and honest look at how hard it is to let go when you're still deeply in love, even when you know it's not good for you.

Get ready to dive into "Malo" by Matisse featuring Mau y Ricky! This song is a super honest look at a relationship where one person feels like they're not good enough, even though they're totally in love. The singer admits right away, "Te advierto que he roto corazones sin quererlo" [I warn you that I've broken hearts unintentionally] and that they often don't get around to saying sorry. They even say, "Yo soy malo para ti, Tú muy buena para mí" [I am bad for you, You are very good for me], knowing they don't deserve their partner but still wanting them.

But even with all that self-doubt, there's a deep connection! They talk about having a letter ready "Por si un día tú me pides que me vaya" [In case one day you ask me to leave], but then immediately switch to how much they love their partner's mouth and even the dimples on their back. It's a fun mix of insecurity and intense affection. They describe their relationship as something special, saying, "Tú y yo vibramos, Como las olas bailamos, Somos como amores de película" [You and I vibrate, We dance like the waves, We are like movie loves], something no one can take away. It's a really relatable song about loving someone deeply even when you feel like you're not good enough for them.

Have you ever been so completely smitten with someone that you wouldn't change a single thing about them? That's exactly what Matisse and ChocQuibTown are singing about in "Nada"! This song is a super sweet declaration of love, where the singers are head-over-heels for their special someone, even down to their bad moods. They sing, "No te cambiaría nada, nada, nada / Tal como tú eres ya me encantas / Hasta tu mal humor a mí me enamoró" [I wouldn't change anything about you, nothing, nothing, nothing / Just as you are, I already love you / Even your bad mood made me fall in love].

It's all about that feeling when you're so obsessed you can't sleep, constantly dreaming of them, and thinking about them all day. They even say, "No he visto nada igual / Tú eres una en un millón" [I haven't seen anything like it / You are one in a million]. The song is full of playful promises, like giving them whatever they ask for and wanting to spend a whole Sunday in bed watching Netflix. It's truly a celebration of finding that perfect person who makes you feel completely loco (crazy) in the best way possible!

Get ready to feel all warm and fuzzy with Matisse's "Invencible"! This song is a beautiful declaration of how someone can make you feel utterly fearless and complete. It's all about finding that person who makes you brave enough to dream, as the lyrics say, "Pierdo el miedo En tus manos Desde ahí yo me atrevo a soñar" [I lose my fear In your hands From there I dare to dream].

It's clear this isn't just any love song; it's about a deep connection that brings immense peace and comfort. The singer feels truly "invencible" [invincible] when they're with their loved one, finding solace in their embrace and not wanting to be anywhere else: "Soy invencible en tus brazos No hay otro lugar Donde yo quiera estar" [I am invincible in your arms There is no other place Where I want to be]. It's a sweet, heartfelt tribute to the person who makes everything perfect and fills your life with harmony.