Learn Spanish With LEGADO 7 with these 23 Song Recommendations (Full Translations Included!)

This song is a beautiful declaration of a love that has grown stronger over time. The title itself, "Todo A Su Tiempo," means "Everything in Its Own Time," and that's the whole feeling here. The singer tells us how everything they've built together happened gradually: "Se fue dando todo lo que hemos logrado / Muchos años han pasado" (Everything we've achieved happened over time / Many years have passed). It wasn't always easy, and they admit that "Cosas fallaron" (Things went wrong), but they came out of it stronger than ever.

He is completely captivated by his partner, telling them directly, "Me traes loco, totalmente hipnotizado" (You drive me crazy, totally hypnotized). He remembers how just kissing them was once a dream, "Rozar, mis labios, a los tuyos / Fue un sueño" (To brush my lips against yours / Was a dream). Now, he feels like nothing can tear them apart, calling it "Amor eterno" (Eternal love) and feeling incredibly lucky. It's a sweet and confident song about a love that was worth the wait.

Todo A Su Tiempo w wykonaniu LEGADO 7, Jose Mejia i Nivel Codiciado to prosta, bezpośrednia historia o relacji, która przetrwała swoje i z czasem stała się nie do ruszenia. Tekst krąży wokół motywu cierpliwości: tytułowe Todo a su tiempo ("Wszystko w swoim czasie") przypomina, że sukces w związku i w życiu wymagał lat, a dawne potknięcia nie przekreśliły wspólnej drogi (Cosas fallaron / Pero eso no demostró que allí quedamos – "Rzeczy się psuły, ale to nie znaczyło, że tam utknęliśmy").

Pod względem językowym dostajesz tu mocną dawkę meksykańskiego slangu i zwrotów z gatunku regional mexicano. W okrzykach pojawia się compa (skrót od compadre, czyli kumpel, ziomek) oraz określenie Pura lumbre – dosłownie "czysty ogień", którym artyści podkręcają atmosferę i mówią, że dają czadu. W miłosnych deklaracjach wokalista nie owija w bawełnę: mówi wprost Me traes loco, totalmente hipnotizado ("Doprowadzasz mnie do szaleństwa, całkowicie zahipnotyzowany") i przyznaje, że urok drugiej osoby był jego słabym punktem (Tu personalidad / Fue mi debilidad – "Twoja osobowość była moją słabością").

This song, "SunRocks" by LEGADO 7, feels like a peek into the artist's world, where baseball and business go hand-in-hand. He talks about being on the baseball field with his crew, the "jardineros" [gardeners], and how they're always ready for what's next. It's cool how he connects the game to his life, saying things like "esto no lo aprendió lo que es la inversión" [he didn't learn what investment is] and "soy la visión del negocio" [I am the vision of the business].

He's all about working hard and having a plan to live better, mentioning "echándole ganas para vivir mejor" [putting in effort to live better]. There's a real sense of pride in his journey, from starting small to building something big. He even drops some fun lines about Snoop Dogg and how he earns respect wherever he goes. It's clear he values loyalty and his roots, with lines like "mi cuerpo ha rayado representa todo lo que soy original aquí" [my tattooed body represents everything original I am here], showing that his experiences and identity are etched into him.

This song, "Sergio El Americano," is all about Sergio's journey from Los Angeles to the streets, and how he compares these two worlds. He's been in the business, and it sounds like he missed it, even if he tried to calm down. He talks about not wanting to be "encerrados los fueros del otro lados" [locked up on the other side], which could mean avoiding trouble or staying out of certain situations. He doesn't always have the support of others, but he knows that "siempre al ganador" [always to the winner] – implying he's focused on success.

Sergio finds pleasure in what he does, and he's proven himself. He mentions that "las riquezas no lo son todo en la empresa" [riches are not everything in business], which is a cool perspective. He's got a home in California and identifies as "el americano que me cabeza para el mando" [the American who leads the way]. He's not one to brag, but he's made good business deals and has good connections. He's willing to lend a hand to those who've helped him, always looking forward because "sin ver las garras y siempre cruzar la cabeza es gratis y te das cuenta" [without seeing the claws and always crossing your mind is free and you realize]. It's a song about moving forward and staying true to yourself.

I Todo A Su Tiempo bjuder Legado 7, Jose Mejia och Nivel Codiciado på en riktigt charmig kärleksförklaring i traditionell Regional Mexican-anda. Huvudbudskapet sitter direkt i titeln: allt har sin tid. Texten ser tillbaka på en relation som har krävt tålamod och gått igenom motgångar – Cosas fallaron (”Saker gick fel”) – men där paret kommit ut starkare på andra sidan med raden Más que fuerte, ahora andamos (”Starkare än någonsin vandrar vi nu på”).

Det är rakt, ärligt och lite härligt kaxigt när sångaren erkänner hur förlorad han är i sin partner: Me traes loco, totalmente hipnotizado (”Du gör mig galen, helt hypnotiserad”). Han hyllar både personligheten och utseendet som sin stora svaghet (Tu personalidad fue mi debilidad), och minns hur den första kyssen kändes som en dröm som äntligen blev sann. Mitt i all romantik slänger gruppen också in klassiska rop till sina vänner och musikerkollegor som Pura lumbre (ordagrant ”rent eldsken”, ett uttryck för att musiken är dunderbra eller ”helt lysande”).

Трек Todo A Su Tiempo («Всему свое время») от Legado 7, Jose Mejia и группы Nivel Codiciado — это искреннее признание в любви, в котором нет места лишней драме. Главный герой оглядывается на прожитые годы и напоминает: к настоящему счастью они с любимой шли долго. Фраза Cosas fallaron, pero eso no demostró que allí quedamos («Что-то не получалось, но это не значило, что мы сдались») отлично передает настрой: пара прошла через трудности и стала только сильнее.

Здесь полно нежных деталей: герой признается, что просто тонет во взгляде девушки (Siempre me pierdo en tus ojitos — «Я всегда теряюсь в твоих глазках») и называет ее характер и красоту своей главной слабостью (Tu personalidad fue mi debilidad y tu hermosura). Песня звучит очень живо еще и благодаря типичным мексиканским выкрикам вроде Pura lumbre (буквально «чистый огонь» — так говорят, когда трек получается по-настоящему горячим). Это простая и теплая история о том, как однажды сбылась мечта коснуться губ любимого человека, и о вере в вечную любовь (Amor eterno).

„Todo A Su Tiempo“ ist eine wunderschöne und direkte Liebeserklärung. Der Song erzählt die Geschichte einer Beziehung, die über viele Jahre gewachsen ist und Schwierigkeiten überwunden hat. LEGADO 7 singt darüber, wie alles zur richtigen Zeit geschah: „Todo a su tiempo / Se fue dando todo lo que hemos logrado“ (Alles zu seiner Zeit / Alles, was wir erreicht haben, hat sich so ergeben). Auch wenn es nicht immer einfach war und „Cosas fallaron“ (Dinge schiefgelaufen sind), ist ihre Verbindung jetzt stärker als je zuvor.

Der Sänger ist total von seiner Partnerin fasziniert. Er gibt zu, dass es ein Traum war, sie zu küssen: „Rozar, mis labios, a los tuyos / Fue un sueño / Y se me hizo“ (Meine Lippen, deine berührend / War ein Traum / Und er wurde wahr). Er fühlt sich von ihr hypnotisiert und verliert sich in ihren Augen. Es ist eine Liebe, von der er glaubt, dass sie ewig halten wird, und er macht klar: „Nada en esta vida podrá separarnos“ (Nichts in diesem Leben wird uns trennen können).

In "Todo A Su Tiempo" zingt LEGADO 7 over een liefde die de tand des tijds heeft doorstaan. Hij vertelt hoe alles op het juiste moment gebeurde: "Todo a su tiempo / Se fue dando todo lo que hemos logrado" (Alles op zijn tijd / Alles wat we hebben bereikt, is zo gekomen). Het is een relatie die niet altijd makkelijk was, want hij geeft toe dat "Cosas fallaron" (Dingen gingen mis), maar ze zijn er samen sterker uitgekomen.

De zanger is duidelijk smoorverliefd en windt er geen doekjes om. Hij beschrijft hoe het ooit een droom was om haar te kussen en hoe hij nu volledig in de ban is van haar ogen, haar persoonlijkheid en haar schoonheid. Hij is er heel direct over: "Me traes loco, totalmente hipnotizado" (Je maakt me gek, volledig gehypnotiseerd). Het is een ode aan een diepe, blijvende liefde, waarbij hij zich gelukkig voelt en gelooft dat niets hen kan scheiden.

LEGADO 7, Jose Mejia ve Nivel Codiciado bu parçada sabrın ve aşka sadık kalmanın hikayesini anlatıyor. Şarkının ana fikri zaten adında gizli: Todo A Su Tiempo (Her şey vaktinde/zamanında). Sözler, yıllar içinde yaşanan hatalara ve aksiliklere rağmen pes etmeyen bir bağı anlatıyor. "Cosas fallaron / Pero eso no demostró que allí quedamos" (Bir şeyler ters gitti / Ama bu orada kaldığımızı göstermedi) diyerek zorlukları aşıp yola eskisinden daha güçlü devam ettiklerini açıkça söylüyorlar.

Şarkının ortasındaki selamlaşmalar tam bir sokak ve arkadaş havası taşıyor. "Pura lumbre" (Saf ateş/alev) ifadesi argo olarak ortalığın çok sıcak ve enerjinin harika olduğunu anlatmak için kullanılıyor. Nakarat kısmında ise sevgilisinin bakışlarına ve güzelliğine tamamen teslim olmuş bir aşık var: "Rozar, mis labios, a los tuyos / Fue un sueño / Y se me hizo" (Dudaklarımı dudaklarına değdirmek / Bir rüyaydı / Ve gerçek oldu) sözleriyle hayal ettiği aşka sonunda kavuştuğunu ilan ediyor.

Dans Todo A Su Tiempo, LEGADO 7 s'associe avec Jose Mejia et Nivel Codiciado pour poser une déclaration d'amour ultra directe sur un rythme de musique régionale mexicaine. Le narrateur regarde en arrière : les galères passées s'effacent dès qu'il est avec elle. La phrase « Todo a su tiempo / Se fue dando todo lo que hemos logrado » (Tout vient à point à qui sait attendre / Tout ce qu'on a accompli est arrivé petit à petit) donne le ton. Les erreurs du passé n'ont pas brisé le couple ; au contraire, ils en sortent plus soudés avec la formule « Más que fuerte, ahora andamos » (Plus forts que jamais, voilà comment on avance).

Le refrain assume un romantisme total, sans détour : « Rozar, mis labios, a los tuyos / Fue un sueño / Y se me hizo » (Effleurer mes lèvres contre les tiennes, c'était un rêve, et ça s'est réalisé). L'expression « se me hizo » est typique pour dire qu'un souhait s'est enfin concrétisé. Entre deux dédicaces amicales lancées au micro (« Pura lumbre, my boys » [Du pur feu, les gars]), le texte insiste sur un coup de foudre qui dure : « Me traes loco, totalmente hipnotizado » (Tu me rends fou, totalement hypnotisé) et le fameux « Siempre me pierdo / En tus ojitos » (Je me perds toujours dans tes petits yeux). C'est simple, franc, et plein de certitude sur l'avenir.

Todo A Su Tiempo tarkoittaa “kaikki aikanaan” tai “kaikki omalla ajallaan”. Kappaleessa rakastunut kertoja muistelee suhdetta, joka on rakentunut vähitellen: “Se fue dando todo lo que hemos logrado” [kaikki se, mitä olemme saavuttaneet, tapahtui vähitellen]. Matkan varrelle on osunut epäonnistumisia, mutta ne eivät saaneet paria luovuttamaan. Päinvastoin he ovat nyt “más que fuerte” [vahvempia kuin koskaan].

Rakkaus on tässä hyvin konkreettista ja hieman suloisen ylitsevuotavaa. Toisen persoonallisuus on ollut kertojan heikkous, kauneus on vienyt mennessään, ja silmät sekä suudelmat ovat jättäneet pysyvän jäljen. “Siempre me pierdo en tus ojitos” [eksyin aina pieniin silmiisi] kuulostaa siltä, että katseeseen jäädään kirjaimellisesti kiinni. Kertosäkeessä huulten koskettaminen oli ensin unelma, josta tuli totta. Siksi lupaus “Nada en esta vida podrá separarnos” [mikään tässä elämässä ei pysty erottamaan meitä] tuntuu kappaleen suurimmalta rakkausjulistukselta. LEGADO 7:n, Jose Mejian ja Nivel Codiciadon esittämässä laulussa tunnelma vaihtuu luontevasti hellistä säkeistä ylpeisiin huudahduksiin kuten “Pura lumbre” [pelkkää tulta, eli täyttä energiaa].

„Todo a su tiempo“ znamená „všechno ve svůj čas“. Píseň vypráví o lásce, která se budovala postupně: „Se fue dando todo lo que hemos logrado“ [Všechno, čeho jsme dosáhli, vznikalo postupně]. Dvojice už spolu prožila roky, něco se pokazilo, ale jejich chyby je nerozdělily. Naopak teď kráčejí dál silnější. Je to hezká připomínka, že vztah nemusí být dokonalý od prvního dne, aby měl pevné základy.

Vypravěč je do své partnerky úplně zamilovaný. Její osobnost ho okouzlila, její krása byla jeho slabostí a v jejích očích se „Siempre me pierdo“ [Vždycky se ztrácím]. Dotek rtů byl kdysi snem, který se splnil, a její polibky v něm zanechaly stopu. Dokonce říká „Amor eterno“ [Věčná láska] a dodává, že je šťastný, protože je nic nedokáže rozdělit. Mezi romantickými verši se objeví i krátké pozdravy pro Nivel Codiciado a Joseho, což písni dodává uvolněný, společný charakter. Výraz „me traes loco“ [přivádíš mě k šílenství] tu není stížnost, ale přímé a trochu přehnané přiznání: tahle žena ho úplně hypnotizuje.

"De Rodillas Te Pido" is a regional Mexican ballad about a man begging for forgiveness after cheating on his partner.

He admits the affair was never worth it — just a fling, a fleeting distraction — and now he's paying dearly for the betrayal. He gets down on his knees, pleading with her to come back and swearing he hasn't forgotten her.

The pain cuts deepest at night: he wakes up shouting her name, tormented by the thought of her with someone else. He can't even bring himself to imagine it.

Have you ever wanted something you know you can't have? That's the exact feeling at the heart of LEGADO 7's song, "Fruta Prohibida." The title itself means forbidden fruit, a powerful metaphor for a deep desire that is off-limits. The singer is tormented by a past love, realizing how much he cared for her only after years have passed and he sees her again.

He feels trapped between his memories, or "fantasías," and the painful reality: she is now with someone else. This is the great "ironía" (irony) he sings about. She was once his, but now her presence only brings him suffering. This lost love has stolen his peace and left him feeling hopeless, forever longing for the one he considers his beautiful, but unattainable, "fruta prohibida."

"Regalo Equivocado" ("Wrong Gift") tells the story of a man sitting by the Christmas tree, opening a present from his ex. Instead of a sweet surprise, he finds the name of her new lover written on the perfumed envelope inside, a gift meant for someone else that got sent to him by mistake.

The mix-up makes it painfully clear she has already moved on. He wipes his own name off the package and mails it back to her, admitting he will never again share a Christmas kiss with her, or the traditional twelve grapes at midnight on New Year's Eve, now that she saves those moments for someone new.

It is a heartbreak song dressed up as a Christmas story, using a wrapped gift to say what the singer cannot say directly: that the relationship is over, and he found out in the worst possible way.

"El Troquero" is a celebration of the trucker's life, told by a narrator who's proud to say exactly who he is: a truck driver who works hard, drinks, and loves without apology.

He names real places along his routes, from Jalisco in Mexico to Texas towns like McAllen, San Benito, Corpus Christi, Laredo and San Antonio, plus a stop in California. In each one he claims a woman he's fond of, treating his romances the way he treats his travels: with pride and no regrets.

The song leans into corrido tradition, mixing boasts about money and freedom with a few tender lines about heartbreak. He toasts to the women in his life even when they bring him trouble, and closes the way he opened: happy to be a trucker who likes to drink.

Legado 7 built this corrido around a real person: Alejo Lugo, who grew up close to "la maña" (organized crime, the street code plenty of corridos glorify) alongside a friend who chose books instead. "Uno estudioso y el otro puro desmadre tiraba" (one was studious, the other pure chaos) sets up the twist, because it's Lugo, not the studious friend, who ends up "Ahora en Riverside, soy un abogado" (now in Riverside, I'm a lawyer). The song frames crossing into the US as the hinge point: "Un día brincamos pa'l otro lado" (one day we jumped to the other side), after which he throws himself into school, saying flatly "Me apliqué en la escuela, siempre pinté pa' ser abogado" (I applied myself in school, I always aimed to be a lawyer).

His grandfather Nino gets the warmest lines in the song, repeated once mid-song and again right at the end: "Y a su papá Nino, siempre lo recordaremos, porque sus consejos al viejo lograron" (we'll always remember his father Nino, because the old man's advice paid off). Everything after that plays like a victory lap. Lugo now spends his days "Ayudando chacas que en duros aprietos se han mirado" (helping girls who've found themselves in tough jams), the band sends a shoutout to his friend "el R1," and the hook "Puro Legado 7" ties the band's own name to somebody else's success story, which is corrido tradition in a single line.

This is a confession delivered to the wrong person. "Mi mujer me encontró en el celular los mensajes del WhatsApp" (My girl found the WhatsApp messages on my phone) is the whole plot, and the man telling it is not talking to the woman who caught him. He is talking to the other one. The evidence piles up fast, "Me cachó en las fotos, también los videos" (She caught me in the photos, also the videos), "Ni cómo negarlo, dejé abierto el Facebook" (No way to deny it, I left Facebook open), and his position on all of it is one flat line: "Vergüenza no tengo, pero no me alegro" (I am not ashamed, but I am not happy about it).

What he wants is for nothing to change. "Ella tiene que capear que a las dos les pertenezco" (She has to deal with the fact that I belong to both of you), "Que las dos tienen sus puestos" (That you both have your places), said as though it were an administrative matter. He dresses the affair up as a crossing of worlds, "Tú tan fresa y yo tan cholo" (You are so preppy and I am so cholo), and floats away from the consequences on "En un viaje sideral" (On a cosmic trip). The last line is worth hearing twice: "Que te vi y que me gustaste para el hijo de mi apá" (That I saw you and I wanted you for my dad's son), a boastful Mexican way of saying "for me". Even at the end he cannot quite say it in the first person. LEGADO 7 open the track by dedicating it to Cartel de Santa, and the borrowed swagger never lets up.

This song, "Barrios Bajos" by LEGADO 7, is a really personal look at growing up in tough neighborhoods. The singer talks about how he wasn't taught morals, but instead learned to "siempre chingar" [always hustle] to get by. He mentions how life in the streets teaches you tricks to survive, and if you don't learn them, you'll get left behind.

He reflects on past friendships, realizing that some people were only around when he had money. He even spent time in a rehabilitation center for six weeks because of bad influences and vices. When he got out, only his mom and brother were there, which really highlights who his true friends are. He also talks about his life in Guanatos, where "hay gente malos, buenos, de todo en este ambiente" [there are bad people, good people, everything in this environment]. Despite everything, he doesn't regret his past and always prays for his son, believing that God decides his path. It's a blunt and honest story about street life, loyalty, and finding your way.

"Quiero Charlar Con La Muerte" is a corrido by LEGADO 7 that opens with a familiar boast: cantinas, cockfights, pretty girls, a new truck, money spent as fast as it comes in. The singer plays the role of a man who has lived large and given plenty of it away to people who needed it more.

But the song turns. Underneath the bragging is a man getting ready to face death, not run from it. He says he wants to sit down and talk with death before it comes for him, and ask for just a little more time.

The closing lines are almost a toast rather than a goodbye: even in the next world, he hopes there's still something to smoke and something to drink, and he tells his friend to keep going, stay in good spirits. It's a song about accepting an end while still holding onto the good things that made a life worth living.

This corrido, "La Gente Del Perro" by LEGADO 7, is a shout-out to a specific crew, the "gente del perro" [the dog's people]. The lyrics mention a character named Markel, described as "puro malas roca cabeza pintera puro el ojo no era cualquiera" [pure bad rock, painted head, pure eye, not just anyone]. It sounds like a tough, street-smart group, always aware of their surroundings, knowing "antes los palos que el perro se entera" [before the sticks that the dog finds out].

The song talks about facing challenges head-on, even when things get dangerous, saying "salimos al toro todos andamos siempre" [we all go out to the bull, we're always walking]. There's a strong sense of loyalty and family, with the line "la familia madre antes que yo a nadar al agua cae como los extraños" [the mother family before I swim in the water falls like strangers], emphasizing that family comes first. It's a dedication to this group, celebrating their resilience and unity.

Have you ever wondered what it's like to build something from the ground up? LEGADO 7's "De Chavalito" gives us a glimpse into that journey, starting from when he was just a kid. He talks about seeing the "arte por las calles" [art in the streets] from a young age, suggesting a life shaped by his surroundings. It's clear he's been through a lot, mentioning how he "me rehice" [rebuilt myself] in the neighborhood.

This song isn't just about starting small; it's about the hustle and the drive for more. He says, "así es como comenzó el negocio" [that's how the business started], but then admits he "quería más" [wanted more]. It's a candid look at the challenges too, with lines like "me rajé en el camino" [I gave up on the way] showing that the path wasn't always easy. But through it all, his family is a constant source of strength, with "mis cachorros mis quinces saint mirren con mi familia" [my pups, my fifteen saints with my family] being his blessings. It's a really personal and honest story about ambition and staying true to your roots.

This song, "Chambeando Recio," is all about working hard and making money, especially in Chicago! The lyrics talk about someone who's always been in the grind, saying "en el lodo no ha sido así es de ánimo de hacer billetes" [in the mud it hasn't been like that, it's about the spirit of making money].

It's a declaration of success and power, with lines like "me dicen rey de las libras" [they call me king of the pounds] and "andamos afirma que en chicago ante amor ese no le aflojamos" [we're firm that in Chicago, we don't let up on that love]. The song really emphasizes being in charge and making moves, even mentioning "la ciudad de chicago donde andamos aplicando" [the city of Chicago where we're operating]. It's a confident and energetic track about hustling and coming out on top.