Learn Spanish With Aitana with these 23 Song Recommendations (Full Translations Included!)
Set against the glittering chaos of a nightclub, “SUPERESTRELLA” captures Aitana’s split-second dive into a reckless romance: she steps in as the it-girl everyone watches, locks eyes with a daring stranger, and sparks a playful back-and-forth where he shrugs off the gossip surrounding her fame while she teases the idea that loving a superstar is no fairy tale; the lyrics race through bathroom escapades, whispered what-ifs, and headlines waiting to happen, painting a vivid picture of the thrill, vulnerability, and looming consequences that come when celebrity glam collides with very human desire.
“Quieres” is a flirty pop cocktail where Aitana, Emilia, and Ptazeta swap bold invitations and cheeky challenges. The singers confess an unstoppable curiosity—they want to know how that kiss feels—and they refuse to let the thought leave their heads. Throughout the song they dare their crush to stop hesitating, log into their “network,” and unlock the “closed door” of possibility. Each verse turns everyday images (passwords, sculptures, paintings) into vibrant metaphors for physical attraction, while the chorus keeps asking the same playful question: Do you want something with me? The message is clear: step up, be daring, and enjoy the adventure together.
Underneath the playful teasing lies a liberating call to live in the moment. The singers promise spontaneous trips, secret hotel escapades, and nights where “nobody sleeps.” By combining catchy reggaeton–influenced beats with confident, witty lyrics, “Quieres” paints desire as a fearless game. If you have feelings, say them up front; if you have curiosity, act on it. After all, life is a party—why not press play and dance into the unknown?
6 de Febrero is Aitana’s bittersweet postcard from a love that bloomed one winter day and withered just as quickly: the date becomes a painful souvenir of whispered “te amo” s that no longer exist, of promises to give her “the whole world” that vanished without warning. Over an infectious pop groove, she narrates the push-and-pull of heartbreak—she dances so she won’t cry, sees her ex everywhere, wonders if he only used her to forget someone else, and begs him to “give back” that sacred day so she can move on. The song blends vulnerability and empowerment, showing how a single calendar page can hold a universe of memories, questions, and the courage to finally say: “déjame aquí… aquí estoy mejor.”
La Chica Perfecta pairs Aitana’s bright Spanish pop with Fangoria’s electro flair to explode the myth of the flawless woman: the protagonist looks like a 10 de 10—always polished, always smiling—yet inside she is crushed by anxiety and exhaustion from being everyone’s ideal. The song flips the camera to reveal her secret tears, her dread of simply stepping outside, and her fury at belonging to others when she should belong only to herself. With the defiant hook “Ella no quiere ser la chica perfecta”, she rejects the demand to mask bad weeks with a good face, to dress impeccably while feeling miserable, and to stay silent about mental health. Gossip about her style changes, weight, or rumored surgery no longer matters; she finally owns her body, her choices, her happiness. Under the irresistible beat, Aitana and Fangoria serve a liberating anthem that urges listeners to dance away society’s rules and embrace messy, authentic self-love.
In “Pensando En Ti,” Spanish pop star Aitana turns the universal post-breakup spiral into a late-night soundtrack where insomnia, buzzing memories and conflicting advice from friends blur together; she flips her pillow, hides her phone and stares at old photos, yet every tactic to forget only amplifies the loop of thoughts about the one who’s gone. The song captures that tug-of-war between head and heart: logic says block the number, but emotion keeps replaying every kiss, filling an empty bed with imaginary conversations and window-sneaking fantasies. Set to a catchy pop beat, Aitana’s lyrics paint a vivid picture of how modern love lingers in technology, snapshots and sleepless nights, making listeners nod, dance and sigh, “Sí… yo también paso la noche pensando en ti.”
Corazón Sin Vida is a bittersweet Latin-pop confession where Spanish star Aitana and Colombian crooner Sebastián Yatra trade memories of a love that stitched them up only to tear the seams again; they symbolically hand back kisses and letters, asking “¿para qué me curaste cuando estaba herida?” while ocean imagery and flightless-bird metaphors show two people drowning in distance and regret, yet still searching for each other in every song. The catchy chorus loops like an emotional echo, reminding us that some goodbyes never finish the job, and the result is an addictive blend of heartbreak, nostalgia, and the stubborn hope that a “heart without life” might beat for one last dance.
Las Babys is Aitana’s invitation to shake off the week’s stress, slip into your best moves, and own the dance floor with your closest girlfriends. The lyrics paint a neon-lit Friday where the streets are calling, the music is loud, and freedom feels brand-new because she is soltera de vuelta – single again. It is all about perreando (twerking) until sunrise, laughing at the long Monday that felt endless, and celebrating the unbreakable bond between friends who turn into sisters.
Between bass drops, Aitana raises her glass por un amor que nunca fue – to the love that never happened. That toast becomes a playful goodbye to past disappointments and a cheer for every side of herself: the good girl, the rebellious one, and the ride-or-die crew that keeps the party alive. Ultimately, “Las Babys” is a bright, feel-good reggaeton anthem that champions self-love, friendship, and the simple joy of dancing the night away because, as the chorus reminds us, la vida es buena.
“CUANDO TE FUISTE” is a vibrant Latin-Pop declaration of post-breakup rebirth: Aitana and Natalia Lacunza turn heartbreak into fuel, swapping wilted promises for newfound confidence. The lyrics compare a failed love to flowers that never bloomed and words that were never spoken, then celebrate the moment those losses spark personal growth. As the rain of sadness stops, a stronger woman emerges, realizing that the greatest victory is learning to love herself again. Every chorus reinforces this uplifting twist—what once hurt now heals, what was once missing now blossoms—making the song an empowering anthem of self-worth and emotional liberation.
Aunque No Sea Conmigo captures the sweet ache of loving someone who hasn’t chosen you yet: Aitana and Evaluna trade heartfelt lines that confess a duplicated heartbeat, the thrill of waiting by the window for a message, and the quiet acceptance that the other person may walk a different path. The singers paint a vivid picture of yearning that is hopeful rather than bitter, wishing their beloved could one day feel the same electric rush—even if those feelings bloom with somebody else. By blending tender Spanish phrases like te quiero with modern pop warmth, the song turns unrequited love into a dance between vulnerability and optimism, reminding listeners that genuine affection is generous enough to celebrate another’s happiness, aunque no sea conmigo.
**“Presiento” swirls around that electric moment when your heart screams danger but your feet keep walking toward the cliff anyway. Aitana and Morat paint the picture of someone who knows the other person is a professional heart-breaker: they charm, disappear, and leave behind paper-thin promises. The singers confess they can already sense the oncoming crash—yet the thrill is so strong that every warning light gets switched off. It is a dance between irresistible curiosity and self-preservation, where logic loses to longing.
At its core, the song captures the bittersweet rush of choosing a love that almost certainly ends in tears. We hear the tug-of-war between “I shouldn’t” and “I can’t help it,” between instinct and obsession. By repeating Solo por volverte a ver (“Just to see you again”), Aitana and Morat show how powerful that pull can be: sometimes we gamble our peace of mind simply because the sparkle feels worth the risk—even if the prize is heartbreak made of paper.
“+” is a heartfelt arithmetic of love. Aitana and Colombian duo Cali y El Dandee sing from the raw moment when two people realize their first big romance is slipping away. They fight the clock, beg for a plot twist, and try to add (“más”) kisses while life keeps subtracting (“menos”) moments together. Math becomes poetry: February hurts extra because it once marked an anniversary, memories pile up like numbers, and even an entire alphabet feels too small to describe the loss. The singers cling to every sum of shared laughter and every product of shared dreams, refusing to accept that the answer might already be zero.
Despite the upbeat Latin-pop beat, the lyrics feel like a late-night diary entry filled with crossed-out plans and endless “te extraño.” The song captures that universal question after a breakup: where do you store a love that no longer has a home? It is a bittersweet reminder that first loves can fade, yet the equations they leave on our hearts remain unforgettable—and sometimes impossible to solve.
Akureyri sweeps listeners into a dreamy, late-night confession where Spanish pop star Aitana and Colombian crooner Sebastián Yatra find shelter from the literal and emotional cold in each other’s arms. Beneath references to green-yet-clouded eyes, borrowed coats, and a sofa turned sanctuary, the song paints Akureyri — the Icelandic town famed for its northern lights — as a magical backdrop for a fleeting romance that feels both healing and heartbreaking. While they wait for an aurora that never quite appears, the pair realize that their own glow is brighter than any sky show, celebrating the power of shared vulnerability, temporary escapes, and the bittersweet beauty of moments that cannot last. 🎇
“AQYNE” celebrates the liberating moment when heartbreak flips into self-love and late-night confidence: Aitana and Danna Paola sing from the perspective of someone who admits the relationship’s end hurt, but also knows it collapsed under the partner’s pride and infidelity; instead of clinging to the past, she grabs her friends, leaves her fragile heart at home, and toasts to fresh beginnings—promising to kiss (and maybe double-text) anyone she wants while karma gives her ex the only hug they have left.
Desde Que Ya No Hablamos finds Spanish pop sensation Aitana unpacking the bittersweet chaos that follows a breakup. The song is set in the very city where the romance first bloomed, which makes every familiar street and ringtone feel like a time machine. Listeners step into her diary of unanswered questions, iPhone photo memories, and those awkward conversations when family still asks about the ex. The chorus repeats like an echo in an empty apartment: we are so close in distance, yet miles apart in heart.
Rather than angry or resigned, Aitana sounds caught in the limbo of missing the everyday intimacy: late-night texts, shared songs, and inside jokes that now have no audience. She wonders who hears his stories now and whether their favorite track still reminds him of her. By voicing the universal fear of being replaced, she turns personal heartache into a sing-along moment that invites us to heal together.
“SEGUNDO INTENTO” is Aitana’s candid diary entry set to a catchy pop groove, where she walks us through the after-shocks of giving a relationship a second chance and watching it crumble again. Lying in bed, staring at the ceiling, she admits she saw it coming all along, yet the hurt lingers because it wasn’t the breakup itself that stings, but how it happened – the broken promises, the rushed goodbye, the empty space next to her. Over pulsing beats, Aitana balances nostalgia (“I miss us in my room”) with hard-won clarity (“this was never going to work”), transforming her heartache into a moment of self-empowerment as she firmly warns: “don’t come back.” The song captures that bittersweet mix of replaying memories, hearing “our” song on the radio, and wondering if the other person still thinks of you, all while realizing you’re finally starting to heal. It’s a relatable anthem for anyone who has tried one more time only to discover that self-love is the real happy ending.
“Cuando hables con él” is Aitana’s heartfelt voice note to a mutual friend, mixing nostalgia, regret, and tenderness in one breath; she asks that friend to pass along a simple hola while secretly unloading a suitcase of emotions: she hopes her first love is happy, admits she dated someone else (but no, she is not lonely), confesses she still thinks of his blue eyes at night, and owns up to the “stupidity” of letting him go; yet, even in this rain of feelings, she insists on protecting him from more pain, proving that first loves leave marks that even catchy pop hooks cannot erase.
Los Ángeles is Aitana’s playful ode to a forbidden yet irresistible romance: two lovers steal kisses in secret corners, from silent libraries to a metaphorical Eden where even angels fall from grace, and their chemistry is so explosive it blurs the line between sin and bliss. With tongue-in-cheek biblical nods to Adam, Eve, and the tempting apple, the lyrics celebrate raw physical attraction, the thrill of hiding in plain sight, and the carefree decision to live in the moment—because life is short, gossip is irrelevant, and one more “noche mágica” is worth every risk.
Lo Malo is a high-energy empowerment anthem where Aitana teams up with Ana Guerra, Greeicy, and TINI to kick a “bad boy” to the curb and reclaim the dance floor. The lyrics paint the picture of a fed-up heroine who hangs up the phone, shrugs off fake smiles, and heads out for a night that belongs only to her. Each pounding beat is a reminder that self-respect feels better than any empty bouquet of roses, and losing a toxic partner is already a win.
With playful game metaphors—“tira porque te toca a ti perder” (your turn to lose)—the singers flip the script, declaring that they alone choose the when, where, and with whom. The catchy chant “no, no, no” drives home the rule: no more “chico malo” in their lives. In short, “Lo Malo” is a feel-good call to dance, celebrate freedom, and say adiós to anything that doesn’t serve your happiness.
“Con Las Ganas” paints the exhilarating rush of an unexpected, almost clandestine romance: two strangers lock eyes, slip into each other’s skins, and turn a gray room into a playground of stolen moments where they “play at being human” and even turn into restless cats who refuse to sleep. Amid forbidden elevators and shared sins, Aitana and Amaia deliver a vivid mix of sensual imagery and raw vulnerability, capturing how desire can feel both thrilling and painful—the lyrics bite into water, blur edges, and leave the heart gasping for words it can’t quite say. Ultimately, the song is a confession of unspoken longing; it celebrates the electric spark of intimacy while mourning the ache of having to let go, leaving listeners floating between the sweetness of connection and the sting of goodbye.
In Con La Miel En Los Labios, Spanish pop sensation Aitana invites us on a nostalgic roller-coaster through Madrid’s sleepless streets, where two lovers once tasted every thrill "like honey on their lips." The lyrics paint vivid snapshots of wild nights, stolen-taxi kisses, hung-over Sundays, and fearless confessions that left them laughing, crying, and breaking all the rules. Yet beneath the rush of passion lies a tender ache: the relationship shatters, memories linger, and she refuses to delete the old messages because love may change, but it never truly burns out. Holding the moon in her hands and fragments of a shared past in her heart, Aitana sings with the hopeful certainty that any rainy day could make them feel it all again—still sweet, still sticky, still unforgettable, like honey that never quite fades from their lips.
Me Quedo ("I’m Staying") is a bold night-out anthem in which Spanish pop powerhouses Aitana and Lola Indigo turn an awkward club encounter into a declaration of independence. Picture the scene: the lights flash, the crowd sways, and suddenly the ex who once played mind-games appears. Instead of slipping away, the singers plant their heels, flip their hair, and announce me quedo— they refuse to let anyone ruin their fun. The repeated line “no me voy, me sé tu juego” ("I’m not leaving, I know your game") transforms the dance floor into a battlefield where self-confidence beats old drama every time.
Throughout the song, fiery metaphors spark: “sigues jugando con fuego” warns the ex that flirting with danger has finally backfired, while “mi corona pesa más que tu ego” crowns the women as queens of their own story. The message is clear—this is not about seeking revenge or rekindling romance, just about owning the moment, dancing with friends, and proving that personal worth cannot be shaken. With its contagious beat and fearless lyrics, Me Quedo invites learners to embrace self-esteem, practice playful Spanish slang, and remember that sometimes the most powerful move is simply choosing to stay and shine.
In “Luna,” Spanish pop sensation Aitana turns the night sky into a love story, comparing her partner to a full moon whose glow cuts through years of bad timing, distance, and gossip. The lyrics trace two souls who kept missing each other — "Alguno siempre estuvo acompañado / O tú o yo / Nunca los dos" — until fate finally aligns their orbits. Whenever this lunar love appears, everything feels safe and bright, yet the threat of separation looms like a power outage, making her plead "No te vayas" so she never has to face another dark night alone. The song glimmers with hope, vulnerability, and the magical pull of a light that outshines every star in the sky.