Learn Portuguese With Xamã with these 10 Song Recommendations (Full Translations Included!)
Quando A Gente Ama paints a vivid picture of a love that feels as intense and unpredictable as a night out in Rio. Xamã moves through scenes filled with mototáxis, gin shots, street slang and flirtatious glances, wondering why the relationship never quite clicks. He questions whether loving “too much” is the real problem, and he contrasts shallow party thrills with the deeper pull of genuine affection.
The lyrics juggle contradictions: confidence and insecurity, truth and fabrication, pleasure and regret. Even amid fake social-media profiles, ego-boosting escapades and the buzz of quick-fix thrills, the chorus reminds us that when we love, everything else fades. Xamã admits he accepts every crisis and still feels like “the happiest rascal” whenever love breaks through, delivering a relatable message about embracing imperfect passion in an imperfect world.
Leão throws you straight into a cosmic love chase where swagger meets sincerity. Xamã steps onto the scene as a "despenteado leão" ‒ a lion with messy hair and even messier feelings ‒ cruising in a lunar jet over São Sebastião. Between vampire jokes and movie-style bravado, he confesses a raw craving for connection: he is not a saint, not even sure if he is king, gypsy or nomad, yet all spotlights point to one thing, his desire to be truly seen and loved. The lyrics leap from surreal images to street-smart quips, painting romance as both a blockbuster stunt and an intimate whisper.
When Marília Mendonça enters, the duet flips into playful mutual teasing. She is the irresistible “leoa gostosa,” and together they mix rap flow with sertanejo heartache, proving that passion can be intense, humorous, and a bit chaotic all at once. Underneath the flirty banter lies a deeper message: fame, fantasy, and tough-guy poses cannot hush the simple need to hold someone’s hand. Leão is a vibrant reminder that even the most confident roar hides a soft spot eager for a genuine embrace.
Just Love is a fast-moving road trip through Xamã’s restless mind. With Agnes Nunes’ silky hook floating above booming beats, the Brazilian rapper slams the car door on materialism, shouting “Take back your money, I don’t need this – I love me!” He zooms down Rio’s West-Zone highways, code-naming himself Ray Charles and Conan the Barbarian, dodging hype, and carrying only one suitcase: pure, unapologetic love. The English lines give the song an international sparkle, while the Portuguese verses paint vivid street scenes – a glove compartment hiding an MP5, rainy Monday afternoons, late-night reruns of cheesy movies.
At its core, the song is a tug-of-war between saudade (the sweet ache of missing someone) and radical self-worth. Xamã keeps hearing his ex on the radio, yet he accelerates toward the future, convinced that feelings are richer than fame or cash. Metaphors of speed, space, and cinema turn the breakup into an action film – one where the hero chooses authenticity over “the hype you think you live.” By the time he shouts “Goodbye!”, we understand the message: love can be wild, messy, even painful, but when you steer with your heart and not your wallet, you are already winning the race.
"Aeromoça" (Flight Attendant) by Brazilian rapper Xamã featuring Flora Matos lifts off as a flirty, high-altitude party. Xamã plays the love-struck passenger, flaunting Miami outfits, promising beer service, and praising a mesmerizing flight attendant whose "bunda" blinks like a firefly. References to Iemanjá, Kanye's wild speeches, and the pounding "tome" chants fuse Afro-Brazilian mystique with pop swagger, making the cabin shake with laughter and heat.
Flora Matos soon grabs the yoke. She flips the roles, announcing that she is both stewardess and pilot and that only travelers with real flight lessons may enter the cockpit. With playful authority she shuts the airport to unwanted visitors, vows never to suffer for a man again, and coolly compares herself to Beyoncé. Together their verses craft a cheeky, sensual duet about desire, respect, and who really gets to fly the plane of love.
Midnight, neon lights, and a playlist that jumps from Slipknot to Liniker. Xamã calls a lover for a secret rendez-vous, bragging that he is a “traficante do som da meia-noite,” a smuggler of after-dark sounds. The lyrics paint Rio’s streets like a graphic novel: horror movies on TV, Uber rides through Hell de Janeiro, name-drops of Chico Science, Red Hot Chili Peppers, Paco Rabanne, and even Messi in Miami. Each reference works like a flash of graffiti, showing how hip-hop, rock, funk, and MPB can share the same wall. At the center is desire. Xamã wants the thrill of making love while Liniker’s soulful voice spins, pretending past intimacies never happened, feeding off the rush of danger and the power of music to reset emotions at midnight.
Beneath the swagger is a tug-of-war between vulnerability and bravado. He flexes his artistic range, yet admits he “necessito do abraço.” Major RD echoes the sentiment, guarding his “porte, santo e sorte,” but still craving connection. The track becomes an anthem for late-night romantics who juggle ego, passion, and playlists as eclectic as their feelings. It reminds learners that Portuguese rap can be poetic, playful, and packed with pop-culture Easter eggs, offering a sonic tour of Brazilian nightlife where love and music break every curfew.
GTA drops you straight into the buzzing streets of Rio de Janeiro, where real life feels as frenetic as the video-game world of Grand Theft Auto. Xamã runs a rapid-fire countdown of commandments, calibers, and close calls, painting a vivid picture of crime, cops, and constant motion. Each line is packed with local slang, sly humor, and pop-culture nods that turn the song into a cinematic chase scene: enemy of the state, friend of the favela, riding the beat like a stolen car through Los Angeles in San Andreas.
Yet beneath the sirens and swagger, the rapper lets us glimpse a softer wish list: barefoot afternoons on a farm, Djavan on the stereo, family barbecues, a football match on Sunday. He flips from outlaw to poet with references to Basquiat, Di Cavalcanti, angels, and devils, showing that survival in Rio demands both ferocity and artistry. GTA is ultimately a statement of identity and resilience, fusing street reality with high art and reminding listeners that even in the crossfire, creativity roars louder than any nine-millimeter.
Puto De Luxo is a flirtatious ride through Brazil’s nocturnal high-life. Xamã and Vulgo FK step into the roles of charming outlaws who mix street swagger with first-class glamour. Between references to baile funk parties, Moscow-style extravagance, and VIP treats like whisky on ice, the rappers paint a cinematic scene where luxury meets the raw heat of the favela. The female lead – the “sugar mamma” – is just as powerful, commanding attention, demanding thrills, and flipping traditional gender roles while everyone else tries to keep up with her energy.
Under the playful verses lies a tug-of-war between desire, money, and status. Each line bounces from sensual bravado (“ela me lambe que nem pirulito”) to witty social commentary (“eu quero grana e que se a fama”). The groove merges baile, trap, rock, and samba references, reflecting Brazil’s musical melting pot. In short, “Puto De Luxo” is a bold soundtrack for late-night adventures – a celebration of passion, pleasure, and the flashy dreams that light up the dance floor.
Escorpião plunges us into a dizzying Rio-by-night where desire, danger and daydreams collide. Xamã raps with a street-poet swagger, mixing English hooks sung by Agnes Nunes with rapid-fire Portuguese verses full of pop-culture shout-outs, birthday confessions and smoky balcony musings. The repeated invitation to “Touch me, say my name” paints a scene of raw attraction, yet the scorpion image hints at hidden stingers: emotional games, prideful bluffs and the thrill of getting burned while playing.
Beneath the sensual surface, the lyrics juggle contrasts—Rio versus Miami, reality versus imagination, tough bravado versus secret loneliness. Xamã admits to mistakes, gambles with love like a poker hand and asks for change in late-night prayers, while Agnes’s silky chorus keeps tempting the listener back into the dance. The result is a hypnotic portrait of modern relationships: risky, spontaneous and irresistibly alive, much like the sting of a scorpion that both hurts and awakens.
“Sagitário” is a playful love-letter from rapper Xamã to a wild, free-spirited Sagittarius woman he meets during a night of samba and street parties in Rio. Jumping from the alleys of Vidigal to daydreams of Paris and Miami, the lyrics mix big-city fantasy with unmistakably Brazilian references like Pedra do Sal, pagode rhythms, and cheap cachaça. The narrator is no polished prince; he jokes about fake designer shirts and “cheque voador” (a rubber check), yet counters every shortcoming with an overflowing “milhão de flow” and an honest, carefree affection.
Ultimately the song celebrates spontaneous romance and the thrill of living in the moment. It paints love as a high-energy road trip where humor, music, and desire keep the engine running: he is the fogo, she is the gasolina, and together they speed through life like race-car legend Emerson Fittipaldi handling sharp curves. “Sagitário” invites the listener to laugh, dance, and believe that even if you cannot afford a jet-set lifestyle, passion and creativity can still make you feel like you are on top of the world.
Malvadão 3 is a swagger-filled ode to irresistible attraction. The moment Xamã spots a striking woman, his imagination takes off like a jet, picturing every mischievous scenario possible. He paints her as the “musa do calçadão” – the beach-side goddess who turns every head – while branding himself the malvadão, the bold “bad boy” who is ready for whatever adventure she inspires. Between cheeky compliments, double entendres, and playful self-confidence, the lyrics celebrate physical chemistry, late-night drives, and the buzz of city nightlife.
Beneath the flirtatious humor lies a snapshot of modern Brazilian street culture. References to slow-motion phone videos, low battery drama, soccer jerseys, and cruising in a Honda Civic ground the fantasy in everyday life. The repeated image of “pimenta” (pepper) hints that this romance is spicy and potentially dangerous, yet too tempting to resist. In short, the song is a rhythmic rollercoaster through desire, bravado, and youthful freedom, all wrapped in DJ Gustah’s contagious beat that keeps the party – and the daydream – in constant motion.