“Dios Es Un Stalker” turns the idea of divine love on its head. ROSALÍA imagines God as a playful, almost obsessive admirer who quietly follows every step of a love interest — like a cosmic “lurker” on social media. Lines such as “Yo te sigo, tú improvisa” paint a picture of an all-seeing presence that slips into every corner of someone’s life, from the gentle breeze on their hair to the secrets of their “deseos indeseables.” It is equal parts romantic, humorous, and unsettling, mixing sacred imagery with the modern slang of online stalking to show how devotion can blur into fixation.
Beneath the cheeky concept lies a deeper reflection on power and vulnerability. The narrator boasts of omnipresence (“dueña del mundo y de las ideas”), yet admits exhaustion from being everywhere at once. By flipping traditional roles — the divine chases, the mortal is chased — ROSALÍA questions who truly holds control in a relationship driven by longing. The result is a vibrant, tongue-in-cheek anthem that asks: when passion becomes all-seeing, is it still love or something more possessive?