Stalkear is a modern Spanglish verb that means 'to stalk'. It's a fascinating example of how English words are adapted into Spanish, in this case by adding the common verb ending -ear.
In the song, ROSALÍA uses it provocatively to describe her intense pursuit of a lover, singing "a mi baby yo lo voy a stalkear pa' poderlo enamorar" (I'm going to stalk my baby to make him fall in love). It's the key that unlocks the song's bold theme and its title, "Dios Es Un Stalker" (God is a Stalker).
ROSALÍA takes on a pretty wild character in this song. She compares herself to a god who has decided to break her own rules for one specific person. Usually, she says, she waits for people to come to her, declaring, "No me gusta hacer intervención divina" (I don't like making divine interventions). But for this one person, she's making a big exception. She's not just going to pursue them, she's going to become their shadow, their secret follower, the wind in their hair. It's an intense, over-the-top kind of devotion.
The whole song is full of these powerful, almost funny claims. She says she's the "Dueña del mundo y de las ideas" (Owner of the world and of ideas) and that her constant presence is exhausting. The goal of all this? She states it very clearly: "Pero a mi baby yo lo voy a stalkear / Pa' poderlo enamorar" (But my baby I'm going to stalk / To be able to make him fall in love). It's a song that plays with ideas of power, obsession, and love, presenting them in a way that's both commanding and a little bit crazy.