MALA paints the picture of a daring young woman who flips the script on traditional work and earns her freedom through an online hustle: OnlyFans. With her newfound cash she swaps a modest motorbike for a boxy Mercedes-Benz G-Wagon, moves to the upscale neighborhood of El Poblado, and turns heads wherever she goes. The lyrics burst with Colombian and Mexican slang—chimba, gomelería, krippy—that celebrate her confidence while hinting at the critics snapping photos "de su toto." Yet she stays unfazed, dancing by herself when the reggaetón drops and proving she can look after herself sin envidiarle nada a nadie.
Beyond the flashy rides and luxury trips to Europe, Cancún, or Dubai, the song is a tongue-in-cheek salute to modern hustle culture and unapologetic female empowerment. Peso Pluma’s raspy corrido-tumbao style joins Ryan Castro’s reggaetón swagger, fusing Mexico and Colombia into one infectious anthem that tells listeners: if you have the drive—and the nerve—you can rewrite your own story, critics be damned.