Peso Pluma turns the party lights low and the luxury dial up to maximum in “BRUCE WAYNE.” Picture him opening his wardrobe after a short hiatus, finding it stuffed with fresh designer pieces: Christian Dior sneakers, a never-seen-before Maison Margiela jacket, and no stylist in sight. He brags about errands that turn into quick cash, shipments that add “kilitos,” and a house so full of people that dancers nearly step on his new kicks. Every line flexes status symbols and effortless swagger, letting us know that he is in complete control of his image and his night.
The chorus reveals why he feels unstoppable: sliding through the city in a Lamborghini, he compares himself to Bruce Wayne—wealthy by day, prowling like a vampire by night. This alter-ego captures the song’s core message: success brings both admiration and envy. Peso Pluma knows some fans will crown him a hero while others wish him ill, yet he remains “vivo y bendecido,” alive and blessed, even if that blessing feels like a curse. “BRUCE WAYNE” is both a victory lap and a warning siren, wrapped in booming corridos-trap production and soaked in moonlit bravado.