Corcel translates to "steed" or "warhorse," a noble and powerful horse, often used in battle or by knights. It's a much more evocative and less common word than simply "caballo" (horse).
In the song, Melendi uses corcel metaphorically to describe how he felt exploited by the "gordo y el narco." He sings, "Ladrones de caballos, yo fui vuestro corcel" (Horse thieves, I was your steed), implying he was a valuable asset that was ridden hard and taken advantage of. This powerful imagery makes the word stand out.
“El Gordo y el Narco” is Melendi’s cheeky revenge ballad aimed at two real−life swindlers who once managed his career. Picture a greedy manager and an even greedier producer—the fat one and the dealer—scheming behind fancy smiles while milking the artist like a “vaca lechera.” Through biting humor, circus−like metaphors and pop-culture winks to Asterix and Obelix, Melendi exposes them as wolves in flashy clothing who turned his talent into their personal loot. Every insult is served with a wink, letting listeners savor both the outrage and the punch-line.
What makes the song so fun is its triumphant attitude. Far from wallowing in bitterness, Melendi toasts to the fiasco: the betrayal forced him to grow stronger, sleep better and write juicier songs. By the final chorus he flips the script—they remain “ratas,” while he gallops on as the free-spirited corcel they once tried to ride. It is a lively reminder that bad contracts can leave scars, but they can also fuel unstoppable creativity and a good story to sing along to.