Otro Más is Jay Wheeler’s late-night voice note that was never sent. The Puerto Rican singer pours out every anxious thought that hits after a breakup — stalking her online, drowning regrets in rum, picturing her with “otro macho,” and torturing himself with the idea that he was just another guy. He admits he stays silent out of fear of messing up again, yet the silence only makes the loneliness louder.
Beneath the smooth blend of reggaeton and R&B, the song is a study in heartbreak vocabulary: cacho (cheating), me jode el casco (it messes with my head), dejado en visto (left on read). Wheeler’s raw plea of “Dime cómo carajo hago pa’ regresar” captures that universal moment when pride collapses and all you want is a second chance. It is both a dance-floor slow burn and a lesson in how love, ego, and late-night scrolling can turn anyone into “otro más.”