J‐AX opens the curtain on his own life in Intro, swapping the usual swagger for raw confession. Over a moody beat and Bianca Atzei’s haunting hook, the Milanese rapper rewinds the tape of his career: the first grey hairs, the record‐label contracts he signed like a trusting kid, the lonely nights in the studio while everyone else was on holiday. He jokes that he never grew up, “Peter Pan con la labirintite,” yet the price of staying forever young is heavy. Money, ego, and old friendships crumble, leaving him to wonder if starting over from “meno di zero” is even possible.
But this is not a lament, it is a welcome. J‐AX rips off the polished celebrity mask and spits back the poison of fake success, choosing freedom over penthouses. He salutes anyone who has felt washed up, sidelined, or told they are “out of fashion.” The message is clear: real value is in authenticity, not hype. When the stage lights go out, he wants no regrets, only the pride of living like a true Goonie. So, “Benvenuti a tutti quelli come me” – welcome to everyone who dares to start again, scars and all.