À La Mélanie feels like Hatik has opened the pages of his private diary, letting us eavesdrop on every pang of guilt, flash of pride, and craving for escape that ricochets inside his head. He raps about a past that still weighs on his eyes, blessings he is not sure he deserves, and the dizzying irony of becoming rich while people queue for scraps just outside the fancy restaurants that now invite him in. Fame rains euros on him, yet each new banknote seems to add another kilo to the scale of his sins. The more followers cheer him on, the more he misses the quieter life when no one expected anything and the only safety he worried about was his parents’.
Then comes the refrain - “à la Mélanie” - a dreamland he paints in bright, hopeful strokes: far from snakes, headlines, and social-media showbiz, close to family roots, African skies, and the approving gaze of his late grandfather. For Hatik, “Mélanie” is less a real place and more a state of peace where he can finally drop the worldly baggage, smile without guilt, and simply live. The result is a raw, soul-searching anthem that asks a timeless question: what is the point of success if you cannot feel free?