Feid’s “DESQUITE” drops us into the neon-lit chaos of Colombia’s weekend nightlife, where two partners in crime chase thrills rather than consequences. The narrator hooks up with a girl who already has a boyfriend, yet she keeps slipping away from her routine to meet him. Every Friday they look for hangeo (party action), showing up at any hour, phone on silent, willing to do whatever it takes to “steal” a moment together. Their chemistry is magnetic and risky, and that danger is exactly what fuels the excitement.
Beyond the pulsating beat, the song paints a picture of double lives and secret identities. On social media she plays innocent, but with him she unleashes her “powers,” forgetting rules, responsibilities, and even time itself—they link up “de martes a martes” (from Tuesday to Tuesday). Feid celebrates this rebellious energy, portraying both lovers as modern gángsters who refuse to follow society’s script. “DESQUITE” is ultimately about getting even with boredom, routine, and expectations, all while dancing through the night with unapologetic passion.