Imagine pressing pause on a hectic world, only to find that time keeps racing anyway. Emicida and Gilberto Gil invite us into that paradox with "É Tudo Pra Ontem," a musical conversation born in the long, suspended Fridays of the pandemic. Over gentle samba-soul and Gil’s calming refrain, Emicida raps about yellowing photos, unwashed dishes, and the ache of missing friends. Everyday images become reminders that everything ages, everything passes, and yet—right in the middle of uncertainty—life keeps sprouting like a stubborn seed pushing through concrete.
The heart of the song is the mantra “Viver é partir, voltar e repartir” (“To live is to leave, return, and share”). It suggests that real living is a cycle: we set out, we come home, and we divide what we gained with the community. Even the playful fable of God disguised as an anteater echoes this idea. When the creator finally checks on humanity, the verdict is only “more or less,” hinting that we still have work to do. The takeaway? Time is slipping through the hourglass, so reach out, forgive, create, and share your light today. Because according to Emicida, everything we dream of doing is already overdue—é tudo pra ontem.