Bigflo & Oli turn a confessional diary into a rap postcard with “New York En Décembre.” The verses jump from backstage fatigue to front-row glory, showing how dizzy a rapid rise can feel: one minute he nails sold-out concerts, the next he “hits only the post” on a penalty shot. Luxury watches, croc-skin bags, cash deals and new apartments sparkle throughout the lyrics, yet every brag is quickly shadowed by self-doubt. The brothers joke about quitting, dream of hiding in Tokyo, and wonder where they fit “in the universe,” all while rebooting like robots after tour life.
Behind the witty punchlines lies a deeper critique of the game itself. Bigflo lists the traps of fame— critics who might be right, fans who move on fast, artists who chase clout and build golden cages for themselves. He reminds us that time, not diamonds, is the real treasure, and that success is a climb followed by an inevitable descent. World issues flash by, from consumerism to Palestine, suggesting that while rap might feel like a personal marathon, it still runs through a messy global landscape. The song is both a flex and a therapy session, celebrating resilience as much as it questions the worth of the prize.