Mundo De Lo Ajeno Lyrics in English by Akapellah, Pirlo

Below, I translated the lyrics of the song Mundo De Lo Ajeno by Akapellah from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
There is no street code anymore, loyalty is getting extinguished
People swear to God, they are still lying to you
Minors are no longer pending Barbie or Nintendo
Because here since I was twelve years they are already putting it
Damn eternal fight
Ladilla works, but they want the most modern motorcycle '
Because now the tripona 'likes it is the one who controls
And the more percocet it takes, the faster opens the legs
And so another minor is born in the neighborhood
Of teenage mother with an absent father and a precarious home
Roda'o de Voltero 'and hitmen
Learning rudeness' and not geometry or the alphabet
In the neighborhood, Josea is sought as it is
They pass you while they chance you, even if I don't believe it '
The least you go camper with the DEA
And the one who has the least face of Nea, minimum turns
And no matter how much the child does the homework
It has the mocacins last year that are already very ugly '
And the neighborhood tigers walk in retro 11
That's when even the best asks God 'And then'? '
With that story of the worst 'battle'
Any loser believes a good warrior when he fails
The best Warrior are not the ones who earn the most battles
If not those who despite the Tollo do not throw the towel
And just as the alive are ', there are also those who live
For their dreams, their homes, family and coexists
Politicians filling and the people are in decline
It is another normal day here in the streets of the Caribbean
But in the final there is no drama
The problem is when you get a cane
In the world of others there are no panas
Sooner or later they suck it to you
And in the final there is no drama
The problem is when you get a cane
In the world of others there are no panas
Sooner or later they suck it to you
From America Pa 'Europe, I crossed the mountains' in Transur
With which the keyboard was cleaned I doping me
I did not grow with PSP, I hardly had the pin
Even in the speak I trimmed me
Because I always wanted Timberland, but we adapt 'to the Venus
Without shampoo, even the toy 'were foreign'
Culebreando in Santa Elena, in donkey to the dog's park
In my piece in the horn and I was the least
Trying to change the story with a dream
If for vice, Santa smoked the reindeer
I even threw to erase at the point of poison
With Pepita caps in Monarch, there in ninth
And the most hated the Teacher
And now they are buying their children my poster '
I always wanted football, that America fiches me
But I never progressed, I always came to train with a bug
The strawberry is pa 'jumanji, pa'l ingenu
And those of the low stratum outside the school, Manghe Manghe
Greeting 'a to' my brothers that we grew together
Commune 10, the good pa 'my niches
And now that we have fame
If you see how the babies acclaim me
I don't take it with frog '
I feel that success calls me
And now that we have fame
If you see how the babies acclaim me
I don't take it with frog '
I feel that success calls me
Four hundred and twenty
Akapellah with the rat, again, another sees'
To send him cool, give him
Give him, player, stop
Give him, give him, pogged, that a fair is already going
Cali cartel
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josea — hustles

Josea comes from the verb josear, which is a colloquial term in some Spanish-speaking regions, particularly in the Caribbean and urban contexts, meaning "to hustle" or "to work hard to make money, often through informal or illicit means."

In the song, Akapellah uses josea to paint a vivid picture of life in the barrio, where people are constantly hustling to survive and make ends meet, often outside of traditional employment. It highlights the resourcefulness and struggle present in the community.

Akapellah and Pirlo's "Mundo De Lo Ajeno" is a really blunt look at life in the barrio, especially in the Caribbean. It kicks off by saying that "Ya no hay código de calle, la lealtad se está extinguiendo" [There's no street code anymore, loyalty is dying out], which sets the tone for a world where people will lie to you even after swearing on God. The song talks about how young kids aren't interested in toys like Barbie or Nintendo because they're already getting into trouble by age twelve.

It's a stark picture of how poverty and a lack of opportunity push people into a life of crime. The lyrics mention how some prefer an easy score over hard work, all for the latest motorcycle or to impress others. Akapellah also touches on the cycle of young mothers and absent fathers, with kids growing up surrounded by criminals, learning "grosería' y no geometría ni el abecedario" [swear words and not geometry or the alphabet]. Despite trying to do things right, some kids are stuck with old, worn-out shoes while others flaunt expensive sneakers, making even the good ones question God. But it's not all doom and gloom; the song acknowledges those who live for their dreams and families, even as politicians get rich and the community struggles. Ultimately, it warns that in the "mundo de lo ajeno" [world of what belongs to others], there are no real friends, and things will eventually catch up to you.

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