The choice of the third best, the choice, the choice yeah
wonchi andeon ildeul (wonchi andeon ildeul)
The things I never wanted (the things I never wanted)
nae tongje bakkui ildeul (tongje bakkui ildeul)
The things beyond my control (beyond my control)
ja, jibeoneocha hanadul
Come on, let's tuck them away, one, two
geurae, hanadul
That's right, one, two
geurae, hanadul
That's right, one, two
(English)
(English)
Chorus 2
gieokdeulro yeohaeng
A journey through memories
yeohaeng, yeohaeng
A journey, a journey
(English)
(English)
Chorus 2
ja, jiwoboja hanassik
Come on, let's erase them, one at a time
geurae, hanassik
That's right, one at a time
(English)
Postchorus 2
eoseo nareul guhaejwo, eoseo nareul guhaejwo
Hurry and save me, hurry and save me
(English)
Postchorus 2
eoseo nareul kkeonaejwo, eoseo nareul kkeonaejwo
Hurry and pull me out, hurry and pull me out
(English)
(English)
Postchorus 2
igoseseo guhaejwo
Save me from this place
eoseo ppalri kkeonaejwo yeah, eh
Hurry and get me out of here quickly yeah, eh
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연꽃을 피워내 — bloom a lotus flower
연꽃을 피워내 translates to "bloom a lotus flower." This phrase is particularly interesting because the lotus flower holds significant symbolic meaning in many cultures, often representing purity, rebirth, and resilience, especially in challenging environments.
In the context of Agust D's "AMYGDALA," after recounting numerous painful and traumatic experiences, the line "끊임없던 시련은 날 죽이지 못했고 다시금 나는 연꽃을 피워내" (The endless trials couldn't kill me, and once again, I bloom a lotus flower) signifies overcoming adversity and finding beauty and strength amidst suffering. It's a powerful metaphor for healing and growth, making it a unique and memorable phrase in the song.
The amygdala is the part of the brain that files away fear, and Agust D spends four minutes talking straight at his own. He does not describe trauma in the abstract, he reads out dates and medical records: 천구백구십삼 [nineteen ninety three], 내가 태어난 달 [the month I was born], then 엄마 심장의 수술 [my mother’s heart surgery]. Later he is in the middle of a work schedule when the phone rings with news of his father’s liver cancer. The detail that sticks is Uh, uh 귓가엔 엄마 심장 시계 소리 [uh, uh in my ears, the ticking of my mother’s heart], a sound he cannot stop hearing.
What lifts it above a list of bad years is the bargaining underneath. He grades his own life like an exam, 최선들의 선택 [the choice of the best options], then 다음 차선들의 선택 [then the choice of the second best], then the one below that, for decisions nobody could have made well. He asks 그래서 이 수많은 고통은 날 위한 것일까? [so is all of this pain meant for my own good?] and never really answers. The hook is 어서 나를 구해줘 [hurry and save me], shouted at an organ that cannot hear him. Relief, when it comes, is tiny and hard won: 끊임없던 시련은 날 죽이지 못했고 [the endless trials could not kill me], 다시금 나는 연꽃을 피워내 [and once again I bring a lotus into bloom].
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