
Noel Schajris is a talented singer-songwriter from Argentina. He is widely recognized for his captivating solo career. Before his solo success, he was also a prominent member of the popular Latin pop duo, Sin Bandera.
Noel Schajris and Techy Fatule build this duet around a simple decision: stop grieving and take your heart back. The opening line, 'Voy a rescatar mi corazón' [I'm going to rescue my heart], sets up the whole song as a rescue mission. Everything painful about the breakup gets boxed up: 'Lo demás dejarlo en un cajón' [Leave the rest in a drawer].
What follows isn't bitterness, it's relief. 'Soy más feliz, no estás aquí' [I'm happier, you're not here] lands almost like a confession, and the chorus keeps circling back to 'Camino a mi lado, me deja el pasado' [I walk my own path, the past leaves me] and 'Y empiezo a creer en mí' [and I start to believe in myself]. The two voices trade lines like they're talking each other into it, building toward 'Nunca más me voy a esconder' [Never again will I hide], the moment the song stops explaining the breakup and just states the new plan.
Noel Schajris opens this ballad already past the point of fighting for the relationship — "Es muy tarde, ya lo sé" ("It's too late, I know it") — and takes the blame outright: "Fue mi culpa, yo fallé" ("It was my fault, I failed"). Instead of asking for another chance, he steps back and wishes her well, admitting the love between them is gone: "Te deseo lo mejor" ("I wish you the best").
The song then turns from apology to a quiet, confident claim. He tells her the scars will heal with time, and that one day she'll realize what she had. The hook says it plainly: "Como yo, como te he querido yo, nadie en el mundo jamás te amará" ("Like me, how I've loved you, nobody in the world will ever love you"). It reads less like a threat than a private conviction — he doesn't expect her back, he just doesn't believe anyone else will love her the way he did.
Noel Schajris brings us a beautiful declaration of love in "Infinitamente Tuyo." It's all about finding that one person who makes everything click, like when he sings, "Porque el sol de tu sonrisa brilla para mí" [Because the sun of your smile shines for me]. He clearly feels incredibly lucky, calling his love a "milagro que la vida en ti me reveló" [miracle that life revealed to me in you] and even an "ángel de mujer" [angel of a woman].
This song is such a sweet journey of finding your soulmate. He talks about searching and stumbling until he found her, saying, "Tropecé con el destino hasta que te encontré" [I stumbled with destiny until I found you]. And once he did, everything changed! He found his home and his truth, exclaiming, "En el fuego de tu corazón por fin hallé un hogar" [In the fire of your heart I finally found a home]. It's a powerful feeling of complete devotion, where he feels "Infinitamente tuyo" [Infinitely yours] and can't imagine loving anyone more. It's a song that truly celebrates finding your happiness and your eternity in another person.
"Tus Ojos" turns someone’s eyes into the whole architecture of safety and devotion. The hook says it outright — "Tus ojos son mi luz y mi guía en el camino" ("Your eyes are my light and my guide on the path") — then keeps restating the same claim: "Tus ojos son mi paz, la luna en una noche oscura" ("Your eyes are my peace, the moon on a dark night"), "Mi aire, mi locura, el rincón del mundo" ("My air, my madness, the corner of the world"). The opening verse frames that gaze as water — "Me pierdo y me sumerjo" ("I get lost and I immerse myself"), "En ellos nado libre" ("In them I swim free") — and by the second verse the metaphor is gone and the claim is absolute: "Soy eterno" ("I am eternal"). It closes on the plainest line in the song, "Contigo estoy" ("I'm with you"), right after admitting "Nada me falta hoy" ("I lack nothing today").
Noel Schajris's "Más Que Suerte" featuring Jesus Molina is a beautiful celebration of finding everything you need in another person. It's not just about luck; it's about a deep, unwavering connection. He sings, "Junto a ti tengo todo / No sé lo que haría solo / Tengo más que suerte, suerte" [With you I have everything / I don't know what I would do alone / I have more than luck, luck], really emphasizing that this person completes him.
The song talks about navigating life's challenges together, saying, "En cada paso, cada piedra, cada pieza suelta / Nuestro laberinto da la vuelta / Siempre, tú me encuentras siempre" [With every step, every stone, every loose piece / Our labyrinth turns around / Always, you always find me]. It's about that incredible feeling of knowing you'll never be lost because they're always there. And the powerful line, "En la vida hay cosas buenas, hay cosas malas / Y tú eres todas las cosas / Eres una y todas las cosas" [In life there are good things, there are bad things / And you are all things / You are one and all things], perfectly sums up how this person is everything to him, through thick and thin. It's a truly heartfelt declaration of love and gratitude.
A father sings to a child who arrived the way a tide does: "Iba y venía / Cruzando las olas" (it came and went / crossing the waves). Nobody saw it coming, "Nadie podía imaginar / Que eras tú quien iba a llegar" (nobody could imagine / that it was you who would arrive), and the title becomes a name he keeps repeating, "Hijo del mar" (son of the sea), with "Agua y sal" (water and salt) as the stuff the boy is made of.
The middle of the song turns from wonder to recognition. Looking at the child, he sees "Esa infinita parte del todo / Que forma parte de mi ser" (that infinite part of the whole / that forms part of my being), and calls him "el amanecer" (the dawn) and "Lo que siempre quise ser" (what I always wanted to be). What he offers back is small and physical: "Solo puedo agradecer" (I can only give thanks) and the wish to be "la espuma de tu mar" (the foam of your sea), the thin white edge on the water the child now owns. The closing lines name it plainly as "Regalo de vida" (gift of life) before the refrain fades out on "Del mar" (from the sea).
"Dime" (tell me) is a slow-burning seduction built almost entirely out of questions. Noel Schajris and Jesús Molina keep pressing the same point: "¿Quién te besa mejor? Dime" (who kisses you better? tell me), "Si te quemas, mi amor" (if you burn, my love), and "Si me mientes o no" (whether you're lying to me or not). The answer they want is in the hook, "Dime que yo, que soy yo" (tell me it's me, that it's me). It's confident to the point of being a bit cocky, and that's the fun of it.
The second half turns up the heat with "¿Quién te hace vibrar en la oscuridad?" (who makes you tremble in the dark?) and a direct invitation: "No lo pienses más, vente para acá" (don't think about it any more, come over here). Notice "vente para acá", a very natural way to say "come here", and "deja de jugar" (stop playing games). The song is full of dime, the command form of decir with me attached, so by the end you'll never forget how to say "tell me".
Noel Schajris and Guaynaa team up for "Entre Las Nubes," a song that's all about missing someone incredibly when you're far away, and then the pure joy of finally being together. The lyrics start with that longing, like when Noel sings, "Quiero darte un beso / Pero eso va a tener que esperar" [I want to give you a kiss / But that's going to have to wait]. He's on a plane, counting the hours, and imagining his loved one "entre las nubes" [among the clouds] while he's reading books and writing songs, holding onto the memory of their last time together.
But then the song shifts to the magic of reunion! Suddenly, they're face to face, and all he wants is to stay. He loves seeing her "con tus ojitos en la madrugada / Y tu melena toda despeinada" [with your little eyes in the early morning / And your hair all messy]. Time seems to speed up when they're together, and every moment feels magical. He even says, "Juro que te escojo si vuelvo a nacer" [I swear I'd choose you if I were born again]. It's a sweet, heartfelt declaration of love and a plea for her to stay, repeating "Dime que no te vas" [Tell me you're not leaving] over and over.
Have you ever been so excited to see someone that every moment feels like an eternity? That's exactly what Noel Schajris and Guaynaa are singing about in "Entre las Nubes (Acústico)"! It's all about that intense longing and anticipation when you're far away from someone you love. The song opens with a relatable feeling: "Quiero darte un beso / Pero eso va a tener que esperar" [I want to give you a kiss / But that's going to have to wait].
They describe looking out the airplane window, counting the hours, and seeing their loved one "entre las nubes" [among the clouds] – a beautiful image of how much they're on their mind. It's all about holding onto the memory of the last time they were together, reading books, and even writing a song, all while waiting to be reunited. And once they're finally face to face? All they want is to stay, captivated by their sleepy eyes in the morning and messy hair, feeling like time speeds up and every moment is magical. "Contigo no existe el final del cuento" [With you, there's no end to the story] – how sweet is that?
No Veo La Hora (I Can’t Wait) is a heartfelt declaration of impatient love. Noel Schajris lists all the simple, tender moments he is dying to share: hanging his jacket in his partner’s closet, singing them to sleep, whispering secrets, or sprinting together under the rain. Each line paints everyday scenes that feel extraordinary because they are imagined with the person he loves. The repeated phrase “no veo la hora” turns the song into a countdown of affection, showing how anticipation can make ordinary gestures pulse with emotion.
Beyond longing, the lyrics celebrate growth and reciprocity. Schajris offers “un beso en libertad,” “un abrazo por la noche,” and “un cuento que te haga soñar,” framing love as an exchange of freedom, comfort, and inspiration. He believes life brought them together to “crecer” — to grow — and through this union he rediscovers amor y fe (love and faith). In short, the song is a warm invitation to build a shared world where small acts become big promises, and waiting becomes proof of how deeply he cares.