Learn Spanish With Justin Quiles with these 23 Song Recommendations (Full Translations Included!)

Have you ever had a super intense, short-lived romance that felt like a whirlwind trip? That's exactly what Justin Quiles is singing about in "Turismo"! He compares their brief but passionate connection to tourism, saying, "Lo nuestro fue como el turismo / Que en poco tiempo intentamos conocernos" [What we had was like tourism / In a short time we tried to get to know each other].

He's totally smitten, even though it was just one night. He sings, "El mapa me llevó a tus labios y allí perdido / Fue donde encontré el camino" [The map led me to your lips and there, lost / Is where I found the way]. But then reality hits with "fronteras" [borders], and now he's a "turista perdido" [lost tourist], thinking about her all day. He really wants to go back and wishes they had more time, blaming it on time itself: "Echémosle la culpa al tiempo / Que no fue quien para alargar / Lo nuestro en el mejor momento" [Let's blame time / That wasn't able to prolong / What we had at the best moment]. He even says, "Tenerte es un mandamiento bíblico" [Having you is a biblical commandment] – talk about strong feelings for a one-day romance!

Justin Quiles brings us a fun, flirty track about a night where inhibitions just melt away! The song, "Se Rindió" (which means "She Surrendered"), is all about that moment when someone can't hold back anymore.

He sings about a night after midnight, where "entre la calentura y el roce" [between the heat and the touch], she just gives in. He didn't even have to try! "No tuve que tratar nada, nada, nada" [I didn't have to try anything, anything, anything] he repeats, emphasizing how natural it all felt. The next day, she's already calling, missing his bed, and ready for more. It's a playful take on attraction and letting go, with Justin Quiles assuring her, "Sé que eres una nena buena, así que ma cógelo easy" [I know you're a good girl, so take it easy].

Justin Quiles is here to tell everyone he's winning, and he knows some people aren't happy about it! In "No Quieren Que Gane" [They Don't Want Me To Win], he's basically saying, 'You can throw all the shade you want, but I'm still going to come out on top.' He sings, "Me tiran la Mala y yo Sigo por encima eso es lo que les duele" [They throw bad vibes at me, and I keep rising above, that's what hurts them].

He's been in the game for a while, and he's not slowing down. He even asks for divine intervention for his haters, saying, "Cristo por favor tú ten piedad De todo el que me mira mal" [Christ, please have mercy on everyone who looks at me badly]. It's a fun, confident track about overcoming jealousy and staying true to his path. He's not just winning; he's making sure everyone knows it, especially those who wish he wasn't!

Justin Quiles, the Puerto Rican hit-maker, teams up with Venezuelan band Rawayana for a tropical love rush in “BOOM BOOM.” From the very first lines we’re pulled onto a sunrise beach where routine gets tossed aside, a swimsuit slips away, and the singer promises to be her moon at night and her sun by day. The imagery of floating without touching the sand and dancing as soon as the music drops shows how this romance lifts the couple above everyday life, turning their world into a brand-new cinema.

Every time the hook lands, that pulsing boom-boom is both the bass line and a racing heartbeat. Quiles is hopelessly hooked, confessing that she distracts him so much he ends up writing songs and posting love-soaked statuses just for her. References to Caribbean fire, late-night parties, and a private “other vocabulary” reveal a relationship fueled by chemistry, rhythm, and playful intimacy. In short, the song is an invitation to move your body, feel the heat, and let love’s explosive beat take over.

DJ No Pare [Remix] is a high-octane reggaetón anthem that captures the electric buzz of a Caribbean night when nobody wants to leave the dance floor. Justin Quiles unites a dream team of urban stars—Zion, Farruko, Natti Natasha, Lenny Tavárez and Dalex—to beg the DJ not to hit the off switch. Over thumping bass and sparkling synths, they trade verses about paying the DJ extra, keeping the lights low, and pushing the party from 3 a.m. all the way to sunrise. The repeated line “Pónsela DJ” (“Spin it, DJ”) turns the track into a shout-along request for endless music, twerking and wild, carefree fun.

Beneath the fiesta vibes, the song doubles as a celebration of freedom and confidence. The women in the lyrics own the night: they’re single, stylish and in total control of their bodies, turning heads with every move while shrugging off worries and heartbreak. References to classic reggaetón (“Otro Trago”) and playful nods to weed culture reinforce the anything-goes atmosphere. In short, DJ No Pare [Remix] is an invitation to drop your inhibitions, dance until dawn and savor the pulse of Puerto Rican nightlife where the only rule is keep the music playing. 🎉

Justin Quiles spends this whole song addressing an ex as usted, the formal "you" you would save for a stranger or a boss. That is the joke and the ache of it at once. He opens on a denial rather than a confession, "No creas que ya me olvidé" ("Don't think I've forgotten"), and then keeps circling back to the title line, "Sigo pendiente de usted" ("I'm still thinking about you"), as if the polite distance makes the admission easier to get out.

What he actually remembers is nothing you would put on a greeting card. It is her perfume, "Me gusta tu elegancia, te distingue tu fragancia" ("I like your elegance, your fragrance sets you apart"), and his own swagger, "Si te gusta mi piquete, cero tolerancia" ("If you like my swag, there's no holding back"). A defensive streak runs underneath: "Baby, ven estoy, que estoy cansado de que digan que te utilicé" ("Baby, come here, I'm tired of them saying I used you"). He wants her back and he wants the gossip corrected, roughly in that order. Then the track simply dissolves into him naming his producers out loud, which after three minutes of formal pronouns is funnier than he probably meant it to be.

"Si Tú" is Justin Quiles' reggaeton come-on to a woman he can't stop chasing, with Plan B and Magnifico backing him up. The hook keeps circling the same confession — "Ya yo te imaginé" (I already imagined you), "Que te probé y te toqué" (that I tried you and touched you) — while the pre-chorus lays out the dare itself: "Y si tú, uh uh uh / Aprovecharas bien el momento" (And if you, uh uh uh, made the most of the moment). He's still working for it, too — "Ando buscando la manera a ver cómo te puedo hacer mi señora" (I'm looking for a way to see how I can make you my lady).

By the time the guest verses show up, the warning turns literal — "Corres peligro cuando te veo" (You're in danger when I see you) — and the compliments become a full outfit check: "Philipp Plein, Versace, Louis Vuitton, Christian Dior." Underneath the name-drops the want stays blunt: "Te quiero desnuda pa' mí" (I want you naked for me).

Orgullo paints the picture of a couple trapped in a playful yet painful tug-of-war, where ego is the real jailer. Justin Quiles and J Balvin confess that they stalk each other on Instagram, count the hours until the other one texts, and replay memories of better days, but neither wants to make the first move. The chorus says it all: “Me está matando el orgullo cuando más quiero estar al lado tuyo” – pride is killing them right when they most want to be together. Their love started hot, almost reckless, and now it flickers as each waits for a sign, refusing to surrender that tiny word “sorry.”

Wrapped in a smooth reggaeton beat, the song feels like late-night messages that hover unsent. Its message is universal: when pride gets louder than our feelings, we risk losing someone who might actually be perfect for us. Listening to “Orgullo” is a reminder to put the phone down, step out of the stalemate, and choose vulnerability over silence.

Feel the beat, lose your mind, and fall into a dance-floor love story!

“Loco” pairs Puerto Rican sensation Justin Quiles with reggaetón legends Zion & Lennox and Dominican party-starter Chimbala. From the very first line, the singers confess they go crazy the moment their crush starts to move. The club lights flash, the drinks kick in, and every hip swing turns the night into a magnetic game of attraction. Both sides admit, “Me muero por ti y tú te mueres por mí” (I’m dying for you and you’re dying for me), so there is nothing left to discuss—only the pulse of the music.

At its core, the song celebrates confidence, chemistry, and living in the now. The repeated chorus works like a hypnotic chant, urging the listener to forget tomorrow and surrender to rhythm tonight. “Loco” is more than a party track; it’s an invitation to let desire take the lead, dance without limits, and enjoy that electric spark when two people connect under the spell of reggaetón.

Justin Quiles and Lenny Tavárez bring us a track that's all about getting over a breakup by hitting the club! Our singer is at a funeral, but it's for his past relationship, and he's chosen the disco as his place to mourn. He's shedding "lágrimas de tequila" [tequila tears], admitting he won't forget his ex because "una hija de puta como tú no se olvida en un día" [a bitch like you isn't forgotten in a day].

But don't feel too bad for him! He's actually having a great time now, saying "la estoy pasando cabrón" [I'm having a hell of a time] and hoping his ex is too. Thanks to her, he's got new friends sliding into his DMs. He even jokes, "De por vida te lo voy a agradecer" [I'll thank you for it my whole life]. The song is a blunt, in-your-face anthem about moving on, embracing the single life, and finding new fun after heartbreak, even if a part of you still remembers the past.

Justin Quiles, Lenny Tavárez, and Blessed bring us a reggaeton track that's all about a wild night out and a no-strings-attached connection. It kicks off with the singer spotting someone who caught his eye, saying, "Te lo entré sin pasaporte, usted está buena y bien mela" [I let you in without a passport, you're hot and really sweet]. It's clear from the start that this is going to be a night of pure fun and maybe a little trouble.

The song describes a night of partying with "un whiskycito y pa' mí traje un guaro" [a little whiskey and I brought a guaro for myself], and getting a bit crazy. There's a pact for a night of contact, with lyrics like "Los dos pegaíto' pa' que sientas el tacto" [The two of us close so you feel the touch]. He's really into this person, even saying, "Por verlo, yo pago hasta vacuna" [To see you, I'd even pay for a vaccine]. It's a playful, energetic song about letting loose, enjoying the moment, and a bit of street-style romance in the Barrio Antioquia, where he suggests, "Pa' que bote billetera y llave" [So you throw away your wallet and keys] – meaning to just forget everything and dance!

Justin Quiles's "PERMANENTE (INTRO)" is a powerful and honest look into his journey from humble beginnings to where he is now. He starts by reflecting on the struggles of growing up with little, saying, "Cuando uno nace pobre / Un poco pan y café / Ir a trabajar el doble" [When you're born poor / A little bread and coffee / You have to work double]. It's clear he's faced a lot of challenges, and he feels like many people didn't support him, noting, "Nadie te quiere dar la mano en el proceso / Prefieren hundirte y hacer un ejemplo de eso" [Nobody wants to lend you a hand in the process / They prefer to sink you and make an example of it].

But despite all that, Justin Quiles is determined. He's been "Joseando desde los catorce" [Hustling since fourteen] and feels destined for this path. He's committed to his progress, even when patience wears thin, repeating, "Nadie me saca de aquí, voy a mí, voy a mí" [Nobody gets me out of here, I'm going for it, I'm going for it]. He also touches on the pain of loss and missing loved ones, like his brother, saying, "Extraño a mi hermanito, diablo, te fuiste joven" [I miss my little brother, damn, you left young]. This song is a raw declaration of his resilience, faith, and love for his family, believing that "nada ha sido en vano" [nothing has been in vain].

The hook is a scheduling problem. «Yo no quiero amarte» (I do not want to love you), Justin Quiles says, and then explains what he does want instead: «Quiero recogerte un viernes y entregarte un martes» (I want to pick you up on a Friday and drop you off on a Tuesday). Four days, returned by Tuesday. It is a blunt way to put it, and the whole song runs on how badly the rest of the lyrics contradict it.

Because he keeps describing something that sounds a lot like love. He wants «conocer más allá de tu timidez» (to know what is beyond your shyness), he has noticed «que tienes un lado oscuro» (that you have a dark side), and by the second verse Zion & Lennox are offering wine and a second date: «Dos copas de vino y un Franco de Vita» (two glasses of wine and some Franco de Vita), a Venezuelan balladeer whose songs are the opposite of casual. Then «Hoy tú y yo cambiaremos el destino» (today you and I will change our fate). That is not a four-day plan. The refrain never admits it.

Justin Quiles spends "Su Gato" on one boast he keeps returning to: "Yo se la robé a su gato" ("I stole her from her man"). Gato is Puerto Rican street slang for the boyfriend she came with, and the line lands as a punchline rather than a confession. The setup arrives as a question from off-mic — "Mera, Quile', ¿Pero y esa baby?" ("Hey, Quile', so what's the deal with that girl?") — and the rest of the track is his answer.

What complicates the swagger is how watchful the verses are. He takes her "por la cintura" ("by the waist") while keeping an eye on the door, "por si el novio se aparece en lo oscuro" ("in case the boyfriend shows up in the dark"), then tells her she is safe because she's "con los duro'" ("with the tough guys"). The beat stays glossy and unhurried; the words keep checking over their shoulder.

Justin Quiles brings us a super romantic track with "DIAMANTE"! It's all about a guy who's messed up in a relationship and is now desperate to win his ex back. He's looking back, wishing he could turn back time to fix his mistakes, singing, "Si yo pudiera darle al tiempo pa' atrás / Borraría to' lo que hice mal" [If I could turn back time / I'd erase everything I did wrong].

He knows he made some errors, maybe even caused some drama, but he truly believes their love is worth fighting for. He compares their struggles and the pressure they faced to how diamonds are formed, saying, "Mala mía por la presión / Pero es que así es que se forman los diamantes" [My bad for the pressure / But that's how diamonds are formed]. He's basically saying that all the tough times have made their connection stronger, like a diamond, and he's ready to steal a kiss and get back to how things used to be!

Get ready to feel the heat with Justin Quiles' "TU ROPA"! This song is all about the intense, lingering feelings after a passionate night. Our singer can't get enough, literally, as he sings, "Se me quedó tu olor en mi ropa, tu saliva en mi boca" [Your scent stayed on my clothes, your saliva in my mouth]. He's totally hooked, even calling his love interest a bit "friki" [freaky], but quickly adding, "pero a mí me gustan locas, locas" [but I like crazy ones, crazy ones].

He's clearly smitten and wants a repeat of the night, asking, "De esa noche quiero otra" [From that night, I want another]. He feels powerful with her, even saying, "Encima de ti me siento He-Man" [On top of you, I feel like He-Man]. He knows she's no angel, calling her a "demon," but that just seems to make him want her more. He's desperate to avoid a cold, lonely night without her, hoping she'll stay because, as he says, "Mami, tú estás como el día, mami, bien calentita" [Mommy, you're like the day, mommy, very warm]. It's a fun, flirty track about being completely captivated by someone after a wild night!

Justin Quiles sets the scene for a perfect night in "MAREA," where worries fade away under the stars. He's chilling, feeling "más calm down que Rema" [more calm than Rema], watching the stars with his "cielo en la arena" [sky on the sand]. It's all about making memories that matter, so much so that they decide "No arregles la cama, no limpies la escena del crimen" [Don't make the bed, don't clean the crime scene].

The song perfectly captures that feeling of being completely lost in a moment with someone special. As the waves crash, "están las olas sonando" [the waves are sounding], the mood intensifies, and he notes, "La marea está bajando y la nota subiendo" [The tide is going down and the high is going up]. He's totally captivated by her, saying, "Verte riendo me tiene envuelto" [Seeing you laugh has me wrapped up], and he hopes no one spoils it. He even says, "Hasta los peces están contentos" [Even the fish are happy] about what they're doing. He sees her as a "sirena fuera de la playa" [mermaid out of the water], and even though "Las olas van y vienen" [The waves come and go], he wants her to stay. It's a fun, carefree track about enjoying the present and making a little bit of beautiful chaos together.

Justin Quiles' "YA BEBÍ" is all about that feeling when you're trying to move on after a breakup, but your ex is still stuck in your head. He's out at parties, trying to forget, going "de boca en boca" [from mouth to mouth] and with "culos que yo ni pedí" [asses I didn't even ask for], but nothing works. He keeps thinking, "A otra le di pero no te olvidé" [I gave it to another but I didn't forget you].

He even admits to wasting his charm on other women, saying, "Estoy desperdiciando la labia con babies que no tienen tu magia" [I'm wasting my smooth talk on babies who don't have your magic]. It's a blunt and honest look at how hard it is to get over someone, even when you're trying everything to distract yourself. He's drinking, he's partying, he's with other people, but every morning he wakes up and thinks of her, regretting everything.

Get ready to dive into the world of Justin Quiles and Eladio Carrion's "GUCCI FENDI"! This track is all about flaunting success and living large, with a confident, almost boastful vibe.

The lyrics paint a picture of constant luxury and being at the top of the game. Justin Quiles talks about dressing in designer clothes, saying "A veces salgo vestido de Gucci / A veces salgo vestido de Fendi" [Sometimes I go out dressed in Gucci / Sometimes I go out dressed in Fendi]. He even compares himself to fashion trends, always being "trending." There's a strong sense of having risen from humble beginnings, as he proudly states, "Lo digo orgulloso porque salimos del barrio" [I say it proudly because we came from the neighborhood]. Eladio Carrion jumps in to emphasize this journey, contrasting his childhood when he couldn't go to Chuck E. Cheese with his current reality of being with models and actresses from Milan or Paris. It's a fun, high-energy anthem about enjoying the fruits of their labor and not being afraid to show it off!

Justin Quiles is here to tell us that some things just aren't meant to be, and that's okay! In "Colorín Colorado," he's closing the book on a past relationship with a surprisingly chill attitude. He starts by saying they're going "en contra de la naturaleza" [against nature], like it's rained a lot but the dam is still dry. It's a cool way to say some things just don't make sense or work out, no matter what.

He's pretty clear that "nuestro cuento se ha acabado" [our story is over] and "se cerró el libro, colorín colorado" [the book is closed, happily ever after] – that last part is a classic Spanish ending to a fairy tale! He admits he loved her, but "eso fue en el pasado" [that was in the past]. What's really interesting is that he says there's "no hay remordimiento, yo te tiro la mano" [no regret, I'll shake your hand]. He's not bitter; he's just moved on. He even jokes that if someone asks how she's doing, they should "vayan a tu cuenta... y que revisen to' tus estado'" [go to your account... and check all your statuses] because he has no idea! He's all about keeping things friendly, even suggesting they could still be intimate if they wanted, or just shake hands and be cool. No need for war, just happiness!

Justin Quiles is here to shoot his shot in "Ponte Pa' Mi"! This song is all about him trying to convince a woman to give him a chance. He's clearly smitten, noticing how good she looks in the summer sun, saying she's "más buena, maldita sea" [so good, damn]. He's heard she's a bit closed off, but he confidently declares, "Ya llegó el que la abre" [The one who opens her has arrived].

He's ready to be her new man, pointing out that "desde hace rato, tú no tienes gato" [for a while now, you haven't had a boyfriend]. He wants to give her some "mantenimiento" [maintenance], which he playfully explains means things like kissing her back, and getting down to business. He's not shy about his intentions and believes he's a big upgrade from her last guy, telling her, "Para él tú eras un five, para mí tú eres un ten" [For him you were a five, for me you're a ten]. He's basically saying, "Ponte para mí" [Get with me]!

Nunca Imaginé is a flirty reggaetón tale that starts with a single Instagram photo and snowballs into a night of irresistible chemistry. Justin Quiles (Puerto Rico) and Kevin Roldán (Colombia) paint a modern love-at-first-DM story: he compliments her picture, she replies in private, and the spark pulls them from the screen straight to the dance floor. The lyrics follow their whirlwind connection as they trade confident banter, ditch their inhibitions, and give in to desire, all while Quiles marvels that this captivating woman seems meant for him alone.

Beneath the sensual imagery, the song celebrates the thrill of today’s digital courtship—the idea that one bold message can rewrite gravity and make everything else fade away. Her commanding voice, his playful persistence, and the pulsating club setting mix into an anthem about seizing the moment and owning mutual attraction. By the time the chorus hits, it is clear: neither of them “imagined” how quickly virtual flirting could turn into real-world passion, but neither wants to let go of the high it brings.

Justin Quiles's "De La Nada" tells the story of a woman who's had enough of a bad relationship and decides to take her life back. She breaks up with her partner, realizing that "la soledad no le va tan mal" [loneliness doesn't suit her so badly] after all.

Now, she's all about living her best life! She's hitting the gym five days a week, getting in shape, and going out to party. She's not looking back, saying "ya no cree en sus palabras" [she no longer believes his words] and that "sola vive mejor" [she lives better alone]. It's a fun, empowering anthem about moving on and finding happiness on your own terms, even hinting that she's found someone new who makes her laugh and fulfills her fantasies – maybe even Justin Quiles himself!