Learn Spanish With Junior H with these 23 Song Recommendations (Full Translations Included!)
Junior H’s “PIÉNSALO” is a raw, modern corrido that trades heroic tales for heartbreak. Over melancholy guitars and slow-rolling rhythms, the Sonora singer paints a vivid picture of a man who masks his loneliness with liquor, weed, and fleeting company, yet can’t shake the memory of the one woman he truly wants. The opening lines celebrate how perfect she looks just being herself, then quickly slip into vulnerability: the night is cold, he has no sweater, and life without her feels even colder.
The song pivots between brash confession and tender plea. Junior H confesses to partying in strip clubs, getting high, and stumbling through drunken Tuesdays, but each vice is just a flimsy bandage on the real wound—missing her touch. He clings to small reminders, like the lipstick-stained joint in his ashtray, and begs for just one more night together, believing that “one returns to where one was happy.” In the end, he admits something between them is broken beyond repair, yet his hope lingers. “PIÉNSALO” captures that bittersweet mix of bravado and fragility when love ends but longing refuses to let go.
In “Y Lloro”, Junior H pours out a heartbreak story that feels as raw as a late-night confession over a half-empty bottle. The singer suddenly realizes his girlfriend has drifted away: messages stop arriving, her attitude shifts, and before he can make sense of it, she is gone. What follows is a swirl of regret, loneliness, and self-blame. He stays up pleading with the night sky, tries to drown the hurt with drinks, and pretends the pain is bearable, yet every verse circles back to the same truth: he cries because he still loves her.
This Regional Mexican ballad captures the universal moment when you look around and discover love has slipped through your fingers. Junior H’s emotive vocals and melancholic guitar lines turn that moment into a cinematic scene — think dim lights, empty rooms, and echoes of “why?”. The song teaches listeners Spanish expressions of sorrow while reminding us that even tough souls can break down when the corazón is on the line.
Junior H turns the heat all the way up in “LA CHERRY,” a club-ready confession of instant attraction. Picture a dimly lit antro (nightclub) where sparklers flicker above champagne bottles, Dom Péri keeps flowing, and a mysterious woman glides across the floor in a sleek Fendi dress. The singer is spellbound at first sight; her elegance (“fina”) and her daring moves spark both desire and admiration. “Quemando la cherry” hints at lighting up a blunt, adding a hazy, rebellious vibe to the night of partying and flirtation.
Underneath the luxury labels and bottle service, the story is all about a one-night encounter that refuses to fade from memory. Even after the music stops, he imagines her back in his room, the two of them dancing reggaetón in private, “perdiendo el control” (losing control). He showers her with drinks, covers the tab for her friends, and keeps exchanging intense glances, but nothing matches the thrill of their first connection. In short, “LA CHERRY” blends regional Mexican style with urbano swagger, celebrating the intoxicating mix of attraction, rhythm, and high-end indulgence that makes a single night unforgettable.
“ROCKSTAR” plunges us into Junior H’s neon-lit, late-night universe where love, luxury, and loneliness ride in the same Jeep Rubicon. The narrator admits he is not the classic handsome hero—he is a “sad boy rockstar,” rough around the edges yet magnetic. He parties with pink powder, lights up blunts, and blasts music while a fearless partner rolls with every twist of his chaotic lifestyle. Instead of arguing, they heal bruised hearts with smoke, songs, spontaneous road trips, chocolates, and flowers, proving that thrills can momentarily fill the spaces where trust and romance have cracked.
At its core, the track blends vulnerability with bravado. Junior H flaunts wads of cash and a devil-may-care attitude, yet confesses he no longer believes in love. The woman beside him mirrors that resilience: unshaken by drama, confident amid the attention she gets, and quick to dial him for another adventure. “ROCKSTAR” is a bittersweet ode to modern escapism—where feelings are numbed by parties and material highs, but the hope of fixing mistakes still lingers just enough to keep them both speeding toward the next sunrise.
Mientras Duermes is Junior H’s late-night confession, delivered over a moody Regional Mexican groove that blends corrido guitars with urban attitude. In the stillness of the night he pictures his ex fast asleep, her makeup wiped away, while he’s out living the so-called rockstar life: sipping Blue Label, singing for crowds, chasing his dreams. Yet the spotlight feels hollow. Beneath the swagger lies a heart gnawed by anxiety that another man might slip into the space she once filled.
The song swings between nostalgia and resentment. Junior H recalls giving everything and getting little in return, watching the relationship fade quicker than expected. He owns his pain without sugarcoating it: he is broken, lonely, unable to regret a love that cost him so much. This contrast of glamorous imagery and raw vulnerability makes the track a relatable anthem for anyone who has tried to drown heartbreak in parties, only to find it waiting when the music stops.
Las Noches is Junior H’s late-night confession, wrapped in the soulful guitars and melancholy trumpets of Regional Mexican music. From the very first line, the singer is stuck in a time loop: “Ya ha pasado tanto tiempo y aún vivo el ayer.” The song captures that familiar ache of replaying old memories, replaying the passion-filled nights, and asking the painful question every heartbroken person knows: Why can’t I stop thinking about you?
Bouncing between longing and disillusion, Junior H paints vivid scenes of absolute devotion—he remembers being “en la cima” with her—before tumbling into the reality that her kisses were mentira. He daydreams about changing her mind so she’d “morir de deseo” to be with him again, yet deep down he admits it’s impossible. The result is a bittersweet anthem for anyone who’s ever been caught between hope and resignation, with every verse echoing the lonely hours when nostalgia hits hardest.
Imagine hopping in a car, driving over 1000 kilometers just to see the person who makes your heart race. That is exactly the emotional road trip Junior H takes us on in “1004 KM.” The song paints the picture of a long-distance love where miles stretch the heart but never break it. Junior H wrestles with the ache of separation, admits how hard it is to control the pain, and still holds tight to an unshakable faith that the reunion will come.
At its core, the track is a love letter packed with regret for lost time, gratitude for the bond that survives every gray day, and a promise to cherish only one woman forever. The repeated line “Viajé 1004 kilómetros pa verte” turns the journey into a badge of devotion: distance is temporary, love is permanent. Junior H’s heartfelt vocals and raw lyrics encourage listeners to believe that true love is worth every kilometer, every wait, and every leap of faith.
Ella plunges us straight into a neon-lit Mexican nightclub where the narrator is riding a cocktail of adrenaline, alcohol, and smoke. Amid flashing lights and thumping beats he locks eyes with a stunning stranger. The song paints their electric first encounter: from hesitant shoulder tap to bodies pressed close on the dance floor, every detail captures the intoxicating rush of “love at first sight” wrapped in late-night revelry.
After a whirlwind of dancing, drinks, and passion, the pair end up together until sunrise, only for her to vanish with the daylight. What follows is pure yearning. Back in the club, he lights another joint and scans every face, replaying memories of her smile and praying for a second chance. Junior H turns a fleeting hookup into a bittersweet story of instant attraction, youthful excess, and the haunting hope that lightning might strike twice.
Sad Boyz II invites us into Junior H’s late–night confession booth, where love has gone from sweet to sour almost overnight. The song opens with the singer asking his partner to rest her head on his chest, only to reveal a heart that feels “tenso” after months of unspoken tension. Realizing the relationship is slipping away, he decides to erase shared photos and videos, symbolically deleting the memories that once defined their bond. Every lyric drips with that bittersweet mix of nostalgia and frustration, painting heartbreak as something you can try to delete from your phone, but never from your heart.
The twist comes when Mom gets involved. The girlfriend’s mother confronts Junior H, questioning his new tattoos, his “cabron” attitude, and his gloomy “sad boy” persona. His reply is simple yet powerful: “¿Doña, qué hago si su hija me lastimó?” In other words, he became the “sad boy” because her daughter broke his heart. The song balances Regional Mexican melodies with modern emo vibes, turning a private breakup into a public showdown and proving that even the toughest corridos tumbados singer can wear his emotions like permanent ink.
Buckle up for a midnight ride through California! Ojos De Maniaco paints a vivid picture of Junior H and LEGADO 7 cruising a sleek black Acura, bass booming with corridos, smoke curling in the air, and the speedometer flirting with triple digits. The party vibe is undeniable, but behind the thumping speakers and spinning tires lies a clear message: every luxury in that car was earned, not gifted. The artists tip their hats to long hours, sweat, and sacrifice, reminding listeners that even tacos taste better when you have worked for them.
Beneath the “maniac eyes” — a playful nod to red eyes from late-night hustle and a little recreational smoke — there is unwavering focus. The song celebrates grit: working, battling setbacks, leveling up, and never looking down while climbing higher. It is a high-octane anthem for anyone chasing dreams on their own terms, enjoying the journey, and proving that determination hits louder than any speaker system.
Junior H opens up a raw confession in A TU NOMBRE, painting the picture of a heartbroken party-goer who hides his pain behind stacks of cash, bottles of Buchanan’s, and late-night fiestas. On the surface we hear a boastful narrator bragging about luxury cars, “pacas” of money, and nonstop revelry, yet every toast and every shot is really a salute to the one who left him. The more he spends, drinks, and surrounds himself with “morritas,” the more he realizes he cannot erase her perfume from his BMW.
Beneath the corridos tumbados beat, the song reveals the classic tug-of-war between bravado and vulnerability. Junior H’s protagonist begs his ex to admit she still misses him, even while he parades through excess and danger—drugs, weapons, and late-night calls that go unanswered. A TU NOMBRE becomes a bittersweet anthem for anyone who has tried to drown heartbreak in luxury, only to find that love lingers longer than any buzz.
In “El Azul,” Junior H and Peso Pluma invite us into the flashy yet perilous universe of a seasoned trafficker who cruises in a blue Rolls-Royce, guards himself with AK-47s (nicknamed cuernos del diablo), and keeps a protective Elegua cap close at hand. The lyrics paint a picture of constant negotiation with danger — “texting with death” — while boasting of high-tech drones, powerful allies, and a lion’s mane of courage inherited from legendary figures like El Chapo (hinted at by the code number 701).
Beneath the bravado, the narrator wrestles with guilt, asking God’s forgiveness even as he admits he will likely die the same “bélico” (warlike) way he lives. The song mixes unapologetic pride in wealth and influence with a sobering awareness that this lifestyle has a price. This blend of swagger, spirituality, and fatalism is a hallmark of corridos tumbados, giving learners a raw glimpse into modern narco-culture and its contradictions: loyalty and violence, faith and sin, glamour and grave risk.
Junior H’s “Tres Botellas” turns a lively cantina night into an emotional confession. Over an infectious Regional Mexican groove, the singer pops open botecitos (little beers) and downs three bottles of liquor, hoping each swig will numb the sting of a recent breakup. Friends, music, even flirtatious chats with other women can’t mute the ache—so he keeps drinking, trying to drown memories that stubbornly resurface.
The lyrics paint a vivid picture of heartbreak masked by partying: every bottle is a band-aid, every toast an attempt to stop the tears. While people around him ask, “What happened to you two?” he hides behind more tequila instead of explanations. “Tres Botellas” captures that bittersweet mix of festive sound and raw vulnerability, reminding listeners that sometimes the loudest celebrations echo the deepest sorrows.
Imagine a smoky cantina where the music is loud, the tequila flows nonstop and everyone is laughing except the guy at the center table. That heart-heavy drinker is Junior H. In EN LA PEDA (literally “On the Bender”) he admits that every round he orders is really for only one reason: to erase the memory of a woman who walked away as if nothing happened. He brags about one-night stands and a bed full of strangers, yet each boast feels hollow because he still compares them all to her. The repeated plea “Mesero, porfa, traiga otra botella” paints the picture of someone drowning heartache glass by glass.
Beyond the macho posturing, the song reveals a tender confession: before this breakup he was “un buen muchacho,” but now the alcohol, the parties and the casual flings are just armor covering a shattered heart. Junior H blends the swagger of Regional Mexican corridos with raw vulnerability, turning a night of wild partying into a soundtrack for anyone who has ever tried—and failed—to drink an ex out of their system.
Pour a glass and press play! Junior H’s “Henne$$y” invites us into a dimly lit night where every sip of cognac is a spark of déjà-vu. The Mexican artist relives the first-time magic of seeing someone stunning walk in, eyes shining “como la primera vez.” He toasts that beauty in a crystal glass, letting both lovers drink it down together so their attraction can flow as smoothly as the Henny running over their skin.
The lyrics swirl between Spanish and English, turning the famous cognac into a symbol of shared desire. With each request to “sírvanse otro,” the mood grows warmer, the admiration deeper, and the night longer. “Henne$$y” is less about the bottle and more about that intoxicating moment when two people choose to stay up late, trading glances, refilling glasses, and savoring a chemistry so strong it tastes like top-shelf liquor.
"A Tu Manera" invites us into a late-night confession booth where desire, vulnerability, and a touch of tequila blur the lines between pride and passion. Junior H and Peso Pluma trade verses like secret voice notes, admitting they are hooked on a lover who controls the rhythm of their heartbeat. They crave her physical touch, obsess over the small details (like that unmistakable tattoo), and wrestle with the ache of not having her close. The repeated question “¿Quién me come como tú?” is less about ego and more about the terrifying thought that no one else will ever light them up the same way.
Beneath the flirtation lies a deeper plea: let’s keep this alive, even if it hurts. The singers compare their addiction to aguardiente, own up to drunken phone calls, and beg for reassurance that they are the only ones in her thoughts. It is a modern corrido where swagger meets raw sincerity, capturing the push-and-pull of a relationship that is equal parts fiery romance and emotional dependence — all while promising, “We’ll do it your way.”
“COLOGNE” is a late-night confession wrapped in Regional Mexicano guitars and a smoky trap vibe. Junior H and Ovi play the role of two guys who tried to turn a casual, “come y vete” fling into real love, only to end up haunted by the scent of the girl’s perfume. Every ring that goes straight to voicemail, every photo still saved in the phone, and every whiff of her cologne drags them back to the same bittersweet loop: she wanted fun, they wanted more.
The song walks us through a tug-of-war between pride and yearning. They swear they are over her—changing phones, lighting up to forget, promising the pain will fade—yet the clock keeps ticking while the memories play on repeat. “COLOGNE” captures that messy moment when you realise love was one-sided, but your heart hasn’t received the memo. It’s a relatable mix of swagger and vulnerability, a soundtrack for anyone who has ever tried to mask heartbreak with bravado only to find the scent of the past lingering in the air.
“1004 Kilómetros” is Junior H’s heartfelt postcard from the road, a track that turns physical distance into an emotional roller-coaster. Singing from the perspective of a traveler who has literally crossed 1,004 kilometers for a single embrace, the Mexican artist lays bare the tug-of-war between longing and hope. Each line reveals how hard it is to keep pain in check when the person who usually brings comfort is miles away. Yet amid the melancholy, he highlights an unshakable bond: “En la vida sólo habrá una mujer… y esa solo serás tú.” In other words, no matter the miles, there is only one love that truly matters.
The song flickers between cloudy days of loneliness and sunny bursts of faith. Junior H regrets lost moments, promises a future reunion, and clings to the dream of permanent togetherness: staying “hasta el fin” and living happily. It is a modern corrido-trap anthem that captures the universal experience of missing someone deeply while choosing to believe the separation is temporary. Press play and you will feel the highway rushing by, the countdown of kilometers shrinking, and the certainty that love can bridge any distance.
Junior H turns the dance floor into a kaleidoscope of color and emotion in Psicodélica. The lyrics drop us straight into a late-night party where smoke swirls, neon lights flash, and champagne rains down. Amid the buzz, the singer spots a fearless dancer whose carefree moves steal every gaze in the room. He invites her to kick off her high heels, melt into the rhythm, and share a hypnotic connection that feels almost magical.
What follows is a dazzling push-and-pull of flirtation: from playful “bad girl” teasing to the dreamy idea of “climbing to the clouds” together. Her movement relaxes him, her lips are “mortal poison,” and their chemistry makes the night feel both rebellious and spellbinding. Psicodélica celebrates the electric thrill of letting go on the dance floor, living in the moment, and getting lost in a shared, intoxicating groove.
Junior H’s “MUSICA <3” feels like opening a time-capsule journal and hearing its author rap the pages out loud. In lively Spanglish, the Mexican singer rewinds to 2014 when he was a quiet kid armed only with a cheap notebook and a pen that spoke for him. Those early rhymes were his way of asking the sky for one simple favor: let music wrap around him like a warm blanket. Years later, he’s thanking that same cosmic force for answering, while also sending love to his parents and his home state of Guanajuato. The track is a gratitude-soaked anthem, celebrating how music turned shy scribbles into a larger-than-life dream of becoming “el pinche uno” – the number one legend.
Stylistically, Junior H mixes heartfelt thanks with laid-back street swagger. References to jarabe soda, sleepy highs, and a voice gone hoarse from endless singing capture the roller-coaster life of a rising corrido tumbado star. Yet beneath the slang and swagger lies a sincere promise: as long as his pen has ink and his blood runs hot, he will keep writing, keep singing, and keep chasing that legendary status. The song is both a love letter to music and a reminder that big dreams often start in cheap notebooks.
La Piel Rayada paints the portrait of a tattooed young man on the road between Mexico and Nashville, Tennessee, whose inked skin instantly earns him stares and criticism. Far from a careless outlaw, he is sharp, loyal, and ready to defend himself, but his true focus is family. His brother El Güerito and his father Chuy rely on him, and he proudly acts as his father’s right-hand in the family business while staying respectful and alert.
When night falls, duty turns to celebration. With Dos Equis beers, a wax pen, and a gallito in hand, he and La Clica de los Demonios crank up the music and party until sunrise. The song’s swaggering corrido trap blend declares that he doesn’t care what anyone thinks: the tattoos, the late-night revelry, and the tight brotherhood are badges of freedom, identity, and resilience. Junior H invites listeners to wear their own stories just as boldly and enjoy the ride.
Junior H turns heartbreak into a raw corrido tumbado anthem. In "LOKERON X AMOR" he looks back on a love that crashed and burned: he gave up his wild habits for one girl, only to watch her walk away—apparently lured by maldito dinero. The lyrics swing between soft regret (he talks to the moon, blames Cupid for mis-aiming an arrow) and blunt self-mockery ("Vieras qué pendejo me siento"). You can almost feel him staring at an empty beer while his friends ask what went wrong.
Instead of mourning quietly, the singer dives head-first into a loquerón—a crazy, no-rules spree fueled by weed, new flings, and late-night parties. He brags about doubling the trouble with "dos perras" and calls himself bélico (battle-ready), yet every boast is shadowed by the pain of betrayal. The song’s push-and-pull between vulnerability and swagger captures the essence of modern Regional Mexican music: a confessional heart wrapped in rebellious attitude.
Junior H turns heartache into a slow vibing confession. In Fvck he scrolls through photos of a past love, half admiring her glow-up, half convinced she is still missing the kind of affection he once gave. With every “Fvck” he blurts out the frustration of not knowing when or if their paths will cross again. The corrido tumbado beat sets a laid-back backdrop, yet the lyrics reveal an inner storm: patched-up heart, late-night memories, and the tug-of-war between wanting her back and refusing to fall for the “perfect play” that hurt him before.
At its core, the song is a candid snapshot of modern romance where social media snapshots meet old-school yearning. Junior H captures that stuck-in-the-middle feeling—too proud to text first, too wounded to move on—while cleverly dropping blunt English interjections that heighten the rawness. The result? A relatable anthem for anyone who has ever stared at a screen, muttered “Fvck, qué hacer?”, and hoped love might scroll back into their life.