Learn Spanish With Fuerza Regida with these 23 Song Recommendations (Full Translations Included!)

Fuerza Regida
LF Content Team | Updated on 2 February 2023
Learning Spanish with Fuerza Regida's music is fun, engaging, and includes a cultural aspect that is often missing from other language learning methods. It is also great way to supplement your learning and stay motivated to keep learning Spanish!
Below are 23 song recommendations by Fuerza Regida to get you started! Alongside each recommendation, you will find a snippet of the lyric translations with links to the full lyric translations and lessons for each of the songs!
ARTIST BIO

Fuerza Regida is a dynamic Regional Mexican band originating from San Bernardino, California, blending influences from both the United States and Mexico. Since their formation in 2015 as a cover band, they have evolved into pioneers of the corridos tumbados subgenre, expertly mixing traditional norteño sounds with modern urban and electronic elements.

Led by Jesús Ortíz Paz, alongside Samuel Jáimez, Khrystian Ramos, José "Pelón" García, and Moisés López, Fuerza Regida has released multiple top-charting albums, including Del Barrio Hasta Aquí and Adicto. Their hits like "Bebe Dame" and "Harley Quinn" have achieved significant acclaim in both the US and Mexico, earning them several Billboard Music and Latin Music Awards. With a bold approach to traditional Mexican music and contemporary themes, they continue to expand their influence and captivate a growing international audience.

CONTENTS SUMMARY
Nocturno (Nocturnal)
De noche soy el malo después de las doce
Qué porte, 'Qué bonito' dijo 'Brilla el Rolex'
Que conste, la lavada que cargo es sin corte
Locote, la chavala dice 'Qué malote'
At night I'm the bad guy after twelve
What style, 'How pretty' she said 'The Rolex shines'
So you know, the white that I carry is uncut
Crazy, the babe says, 'What a bad boy'

"Nocturno" plunges us into the after-hours world of a swaggering protagonist who loves fast nights, bright jewelry, and risky romance. Once the clock strikes twelve, he slips into his malo persona, flashing a gleaming Rolex and lighting up blunts while a daring partner tags along for the ride. The lyrics celebrate material shine and sensual thrills, mixing playful boasts (no need to wash illicit cash, no condoms tonight) with a carefree, almost cinematic confidence.

Beneath the bravado, the song hints at contradictions: he swears he’d die for his lover, yet casually admits to other flings. That tension—devotion versus temptation—fuels the track’s restless energy. Ultimately, "Nocturno" is a late-night confession of living fast, loving hard, and embracing the exhilarating chaos that comes with being the life of the party when the moon is high.

NEL (NAH)
Hoy pensé en salir a buscarte, pero nel
Llamarte, pero nel
Otra noche, otro hotel
Palos van más de tres
Today I thought about going out to find you, but nah
To call you, but nah
Another night, another hotel
Conquests are more than three

“NEL” packs the swagger of the nightclub into three pulsing minutes. The chorus centers on the Mexican-American slang nel—a playful, street-level way to say “nope.” Each time the singer thinks about calling or chasing a love interest, he shrugs it off with a confident nel, then dives back into a whirl of designer labels, high-end liquor, and late-night hotels. The lyrics paint a picture of a man torn between irresistible attraction and a desire to keep his freedom, flaunting wealth and bravado while secretly admitting that one woman’s eyes still have him “bien loco.”

Beneath the luxury brands and party vibes lies a tug-of-war between temptation and restraint. The track celebrates hedonistic pleasures—Cartier bracelets, Chanel perfume, whiskey, tequila, even a promised Jeepeta. Yet every glittering offer ends with that decisive nel, suggesting a refusal to get tied down or lose control. It is a playful confession: he might be surrounded by “Colombianas puras de diez,” but commitment can wait until the party is over. The result is a catchy, flirtatious anthem that perfectly matches Reggaeton’s rhythm of seduction, freedom, and nocturnal adventure. 😉

BARBIEZ
Son puras muñequitas con Victoria Secret
Moviendo el booty, booty como Riri
Bien friki, la party va a empezar
Savage y Fendi, también los bikinis
They're only little dolls with Victoria Secret
Moving the booty, booty like Riri
Very freaky, the party is going to start
Savage and Fendi, also the bikinis

Get ready for a wild night out! “BARBIEZ” drops us straight into a flashy, neon–lit fiesta where the women – nicknamed Barbies – flaunt Victoria’s Secret lingerie, high-fashion brands, and Rihanna-level dance moves. Fuerza Regida paints the scene with booming corridos rumbling from his truck, short skirts twirling, and a ready-to-party energy powered by more than a little illicit “dust.” It is a snapshot of modern Mexican nightlife where style, sensuality, and daring confidence rule the dance floor.

Beneath the glitter, the song is a bold brag about street credibility and fast money. The narrator proudly funds Cartier bracelets and luxury labels with profits from the drug trade, showing off a rebellious mix of corrido tradition and urban swagger. “BARBIEZ” celebrates feeling unstoppable – the fusion of regional Mexican sounds with hip-hop attitude, the thrill of breaking rules, and the unapologetic pursuit of pleasure.

Marlboro Rojo (Red Marlboro Cigarettes)
Viejito, súbele a la bocina
Pa' sentir machín la adrenalina de andar tirando vergazos
Nomás pilas con el radio
Pásenme un Marlboro de los rojos
Man, turn up the speaker
To really feel the adrenaline of throwing hits
Just be careful with the radio
Pass me a red Marlboro

"Marlboro Rojo" crackles like the tip of a freshly lit cigarette, throwing us straight into the high-octane world of the modern corrido bélico. Fuerza Regida’s narrator tears down the highway with the radio blaring, a red Marlboro between his fingers and a gold-handled pistol at his waist. Bulletproof vests, overflowing ammo clips, a roaring GT500, and loyal crew members paint a vivid picture of swagger, danger, and nonstop adrenaline – life lived at full volume where every corner might spark a shootout.

Amid the chaos, a surprisingly tender line keeps surfacing: "yo sólo pienso en tus ojos" – I only think about your eyes. That confession hints at a vulnerable heart hiding beneath the bravado. The song balances violent thrills with a flash of romance, reminding us that even the toughest outlaw can be haunted by love and mortality. Gritty yet hypnotic, it feels like an action film scored by late-night radio – loud, flashy, and impossible to ignore.

POR ESOS OJOS (FOR THOSE EYES)
Sé que yo no soy el mismo
Y en mi cuello
Una cadena con diamantes
De la pobreza fui a salvarme
I know that I am not the same
And on my neck
A chain with diamonds
From poverty I went to save myself

POR ESOS OJOS is a swagger-filled corrido urbano where Fuerza Regida lets us peek behind the gold chains and flashy bottles. The singer boasts about escaping poverty, stacking diamonds on his neck, and living a rowdy nightlife, yet all that glitter is eclipsed by one hypnotic detail: her eyes. Those eyes ignite a reckless devotion so intense he claims he would "robo y mato" (steal and kill) just to keep their gaze on him.

Beneath the bravado the lyrics reveal a tug-of-war between material excess and genuine emotion. He admits money "no vale verga" (is worthless) compared to her love, and even pledges to protect her from heaven if he dies first. The song celebrates regional Mexican grit while exposing the vulnerable heart beating under the luxury, showing that for all the guns, fame, and nightclub envy, his true treasure is the girl who made him a self-described malandro in the first place.

ANSIEDAD (ANXIETY)
Otra vez otra en mi cama, qué puta ansiedad
Suena el timbre y tú en mi celular
Vieras qué agüite me da contestar
Tú no me entiendes ni me entenderás
Again another one in my bed, what f*cking anxiety
The doorbell rings and you're on my phone
You should see how down I feel answering
You don't understand me nor will you understand me

ANSIEDAD drops us straight into the chaotic morning-after of a Regional Mexican superstar. He wakes up next to yet another woman, his phone buzzing with his girlfriend’s call, and a wave of anxiety hits harder than the tuba line. The singer pleads for understanding: he truly loves her, he insists, but the “artist life” drags him through wild parties, fleeting hookups and endless drama that won’t let his nerves settle.

Over punchy guitars and brassy swagger, Fuerza Regida exposes the tug-of-war between fame and fidelity. Each verse blends swagger, guilt and raw confession as the artist admits his cycle of mistakes: passionate fights, tear-stained apologies and a constant prayer for peace he can’t seem to find. In the end, “ANSIEDAD” is a corrido of vulnerability hiding behind bravado, turning private turmoil into a catchy anthem that invites listeners to dance while reflecting on the real cost of life in the spotlight.

TU SANCHO (YOUR SIDE GUY)
Mi niña alista tu maleta ahorita
Quiero que te pongas bonita
Ya le marqué al pinche piloto
Ya dile al tonto que ya te vas
My girl, pack your suitcase right now
I want you to get pretty
I already called the f*cking pilot
Already tell the fool that you're leaving

“TU SANCHO” feels like a high-altitude escapade packed with swagger and mischief. The narrator is a bold lover who sweeps a taken woman off her feet, quite literally, by ordering a private jet and promising sky-high passion on the way to glamorous spots like Ibiza and London. He flaunts money, power, and irresistible charm, urging her to pack a suitcase, invent excuses for her unsuspecting boyfriend, and revel in their secret affair. Every line drips with bravado: from praising her talent for lying to bragging about bank accounts and “different flavors” of women, he paints himself as the ultimate thrill ride.

Beneath the flashy lifestyle, the song plays with the tension between danger and desire. It celebrates forbidden romance, spontaneous travel, and unapologetic pleasure while acknowledging the chaos their fling might cause. In short, “TU SANCHO” is a racy invitation to break the rules, jet off into the clouds, and live in the moment—no strings attached, no questions asked, and definitely no telling your boyfriend.

Bebé Dame (Baby Give Me)
Fierro, de las cumbias originales con mis compas Grupo Frontera
Y Fuerza Regida, compadre. Fierro pues, márcale compa Carlos, dice
Tengo tiempo pensando en los dos
Si podemos arreglar la situación
Ready, from the original cumbias with my friends Grupo Frontera
And Fuerza Regida, buddy. Ready then, come on Carlos
I have time thinking about us
If we can fix the situation

“Bebé Dame” blends the swagger of corrido tumbado with the swing of cumbia, as Fuerza Regida and Grupo Frontera team up to deliver a heartfelt plea for reconnection. The singer can’t stop thinking about a past love; every line is an invitation to come back, wrapped in playful charisma and raw desire. He imagines poems, midnight plans, and sunrise rendezvous, all while promising he will “do it differently” this time. The chorus repeats like a mantra: “Bebé… ven, dame” – baby, come, give me what my heart is craving.

Ultimately, the song is a romantic standoff where passion refuses to surrender. It paints love as both a battle and a fantasy, fueled by hopeful impatience and an irresistible beat. Whether you’re dancing or day-dreaming, “Bebé Dame” reminds you that sometimes the boldest move in love is simply asking for another chance.

TU NAME (YOUR NAME)
Ya no te topo, ya vete a la fregada
Me fui con camaradas, agarré otro culo como tú pero mejor
Mejor me las daba y hasta mejor gritaba
Nos fuimos de shopping y le compré todo lo que nunca te compré
I don't run into you anymore, go to hell
I left with comrades, I grabbed another ass like you but better
She gave it to me better and even screamed better
We went shopping and I bought her everything that I never bought you

“TU NAME” is Fuerza Regida’s fiery victory lap after a messy breakup. Over a swagger-filled Regional Mexican beat, the singer flips heartache into a wild celebration, bragging that he has traded an ex who cheated (“todo por un cuerno”) for a life of nonstop party, party. He parades through shopping sprees, new flings, and late-night revelry, rubbing in the fact that he now spoils other women with the gifts and attention his ex never got.

Beneath the bravado, the chorus “Se me olvidó tu name” captures the song’s punchline: forgetting her name equals erasing her power over him. The track becomes an anthem of cutting ties, reclaiming confidence, and living large in neon-lit clubs—proof that sometimes the best revenge is simply moving on, louder and prouder than ever.

UNA CERVEZA (A BEER)
Una cerveza puede ayudar a que salgas de mi cabeza
No te gustaba el dinero y fue la simpleza
De tus ojitos dormilones al mirar
Cómo te extraño, agarrarte la piernita e ir manejando
A beer can help me get out of my head
You didn't like money and it was the simplicity
Of your sleepy eyes when looking
How I miss you, to grab your leg and go driving

“Una Cerveza” is a heartfelt confession from a man who realizes that no amount of partying, friends, or even a cold beer can wash away the memory of the woman he lost. As he drives aimlessly through empty streets, every mile reminds him of simple moments—holding her leg, sharing roadside kisses, planning a future with a house, kids, and a dog. What once felt magical is now a bittersweet echo, turning his outgoing life into an antisocial routine where sad songs and drunken nights are dedicated solely to her.

Despite the catchy Regional Mexican beat, the lyrics capture raw vulnerability: he is willing to trade his victories, money, and bravado just to wake up to her coffee-brown eyes again. The song paints love as priceless—something no credit card can buy—and shows how breakups can turn confident winners into lonely dreamers haunted by “what if.” In short, “Una Cerveza” is the soundtrack for anyone who’s ever tried to drown their heartbreak in a glass, only to find memories floating right back to the surface.

Te Quiero Besar (I Want To Kiss You)
Tú no eres cariñosa
Te mando flores y respondes otra cosa
Si nos peleamos siempre tú eres la orgullosa
Entre los dos a mí me toca soportar
You're not affectionate
I send you flowers and you respond something else
If we fight, you're always the proud one
Between us, I have to endure

Fuerza Regida and Becky G dive into the roller-coaster heart of modern love in Te Quiero Besar. The lyrics paint a lively picture of two strong personalities who clash as much as they connect: she can be distant, he tries to impress with gifts; pride sparks arguments, yet chemistry keeps pulling them back. The repeated plea “Te quiero besar” shows how a single kiss, a midnight drive, or a glass of champagne can melt the coldest moments and turn quarrels into passion.

At its core, the song celebrates imperfect romance. Rather than chasing fairytale perfection, the couple embraces their “defectos,” trusting that time and tenderness will smooth the rough edges. With corrido tumbado guitars, urban swagger, and Becky G’s playful flair, the track reminds listeners that love can survive jealousy and stubbornness when desire, forgiveness, and a sense of adventure are along for the ride.

Billete Grande (Big Bill)
Desde Culiacán, Sinaloa, con mi compa Edgardo
De los corridos originales
Fierro compa Jesús, y pura Fuerza Regida
Vámonos resi' pues
From Culiacán, Sinaloa, with my buddy Edgardo
From the original corridos
Hell yeah buddy Jesús, and pure Fuerza Regida
Let's roll hard then

Billete Grande throws you into the raw, adrenaline-charged world of modern corrido tumbado. Fuerza Regida’s Jesús Ortiz Paz teams up with rising Mexican-American voice Edgardo Núñez to deliver a street diary that starts with barefoot hunger in Culiacán and ends with pockets full of “big bills.” Over the pulse of tuba and requinto, the narrator thanks San Juditas for strength, shouts out mentor Don Roque, and proudly dons a Guzmán-Salazar cap—a nod to the notorious Sinaloan underworld that fuels many corrido legends.

At its core, the song is a gritty motivational anthem. It balances the thrill of hard-won success with the weight of sacrifice: the singer studies the “game,” mistrusts fake friends, and mourns a brother lost to violence. Every ringing phone call signals how far he has come, yet every lyric reminds us of the price paid along the way. Billete Grande is both a celebration of ambition and a cautionary tale set to the unmistakable swagger of regional Mexican music’s new wave.

GodFather
Con un cristal, échame un hielo y un whisky cosmo
Si tu morrita me capeó es porque estoy precioso
No la hagan de pedo
Si saben que andamos bien metido al ruedo
With some crystal, throw in ice and a cosmo whiskey
If your girl noticed me it's because I'm gorgeous
Don't make a fuss
If you know that we're deep in the ring

“GodFather” drops listeners right into a neon-lit after-party where cash, designer clothes and constant clouds of smoke set the scene. Fuerza Regida’s narrator brags about pacas of money, endless whisky on the rocks and a squad that never sleeps, painting a picture of swaggering power. Spanish street slang like morrita (girl) and cholo (gangster) mixes with luxury labels such as Dolce Gabbana, showing how modern corridos blend gritty barrio life with high-end glamour.

Beneath the boastful tone, the song also reveals the double-edged sword of that lifestyle: nonstop drug use keeps the party alive, but the razor-sharp knife (“bien filosa la navaja”) reminds us danger is always close. “GodFather” is a bold soundtrack for a generation that flirts with risk, celebrates survival and measures respect in stacks of cash and loyalty. It’s both a fearless anthem and a cautionary snapshot of the thrills and threats of living large on the edge.

Caperuza (Little Hood [Little Red Riding Hood])
Te busco y no estás
Le llamé a tu mamá y me dijo que te fuiste con amigas
Saliste de fiesta para olvidarte de todas mis mentiras
Te fuiste de viaje, pisteaste, pecaste
I look for you and you're not there
I called your mom and she said that you left with friends
You went out to party to forget all my lies
You went on a trip, you drank, you sinned

Caperuza spins the classic Little Red Riding Hood tale into a modern saga of heartbreak, jealousy, and late-night regrets. The narrator, cast as the lobo (wolf), is frantic when his Caperuza disappears after discovering his lies. He calls her mom, pictures her partying with friends, and imagines her sipping drinks in far-away places just to erase his memory. Every detail cuts deeper, from the dad demanding, “¿Qué le hiciste a mi niña?” to the realization that she might be with “otro güey.” This is no fairy-tale romance, it is a raw confession of a love the singer calls “anormal.”

Fuerza Regida blends the vibrant pulse of Regional Mexican music with vivid storytelling, painting a scene where guilt and desire collide. The wolf pleads, the flame fizzles, and the relationship seems doomed, yet the chorus keeps howling for one more chance. It is a catchy reminder that sometimes we only see what we had once the red cloak vanishes into the night.

Como Tú (Like You)
Por ti yo me ensiqué en el vicio, perdido
Y las pinches putas chingan pa' pagarte tus gustitos
Por ti mandé a la verga a mis amigos
Marihuano, pero aquí sigues conmigo
Because of you, I got hooked on vices, lost
And the f*cking b*tches hustle to pay for your little whims
Because of you, I told my friends to f*ck off
Stoner, but here you are still with me

Fuerza Regida’s "Como Tú" feels like opening a late-night voice note from a friend who is half laughing, half crying. Over a backdrop of Regional Mexican guitar and tuba, the singer unleashes raw confessions about an ex who turned his world upside down. He says he ditched his friends, drowned his nights in whiskey and weed, and even pays her bills with gigs on his guitar, yet she still left him "bien jodido." The constant flip between Spanish and English mirrors his own emotional switches: I need ya, I want ya, I love ya, I hate ya.

Beneath the bold language and street-wise swagger lies a classic heartbreak corrido about shattered future plans. He once dreamed they would grow old together, but now he is stuck facing cold nights without her and awkward run-ins with the ex-mother-in-law. "Como Tú" captures that messy, relatable moment when love, anger, pride, and regret collide, all wrapped in a modern, bicultural sound that makes the pain feel both intimate and anthemic.

PERO NO TE ENAMORES (BUT DON'T FALL IN LOVE)
Enamorar a un niño vago
No es tan fácil como lo creías
Mejor déjate de cosas
Tú sabes que te voy a lastimar
To make a wild kid fall in love
It isn't as easy as you thought
Better stop the nonsense
You know that I'm going to hurt you

PERO NO TE ENAMORES is a cheeky confession from Fuerza Regida’s front-man, a self-proclaimed rockstar who lives for fiestas, alcohol, and late-night escapades. He welcomes a flirtatious “princesa” into his wild world, yet warns her up front: don’t catch feelings. Flowers, sweet words, and bedroom invitations are all part of the game, but lasting romance is not on the table.

The track mixes Regional Mexican swagger with mischievous urban slang to paint a picture of two opposites who spark intense chemistry but share very different goals. He owns his bad-boy persona, she’s drawn to the thrill, and together they ignite a short-lived blaze built on desire rather than devotion. In short, it’s a playful anthem for anyone who loves the chase but dodges commitment.

HARLEY QUINN
Baby, bésame la boca
Aunque te sepa a vodka
Ese polvo rosa que te aloca, me provoca
Ahí están los escoltas vida peligrosa
Baby, kiss me on the mouth
Even if it tastes like vodka
That pink powder that drives you crazy, it provokes me
There are the bodyguards, dangerous life

Harley Quinn catapults you into a neon-soaked nightclub where Regional Mexican guitars collide with Marshmello’s electronic pulse. Through a haze of vodka kisses and polvo rosa, the narrator flexes a life of high-risk glamour: ski-masked bodyguards, automatic weapons, red lights flashing, and a daring flirtation with a girl who turns every head on the dance-floor.

Like the comic-book antiheroine she’s named after, the song’s Harley Quinn embodies reckless charm and untamed energy. Her curves, her command of the crowd, and her taste for danger mirror the singer’s own thrill-seeking lifestyle. Together they ride a wave of adrenaline, celebrating excess, forbidden romance, and the intoxicating rush of living fast while the corridos tumbados beat keeps the party surging till dawn.

CRAZYZ
Hola, amor, ¿qué estás haciendo?
¿A qué hora vienes por mí?
Te extraño
Una güerita bien guapa me dice, ¿Qué tranza?
Hello, love, what are you doing?
What time are you coming for me?
I miss you
A really hot blonde tells me, what's up?

CRAZYZ drops us straight into a late-night call that turns into a full-blown fiesta. What starts as a simple “¿Qué estás haciendo?” quickly snowballs into plans for bottles, banda, and a parade of carefree plebitas (college girls) looking to shake off routine. The lyrics paint a neon-lit scene where a manager is summoned to supply drinks and company, Molly slips into the water, and everyone agrees on one mission: keep the party alive until the sun forgets to rise.

Beneath the throbbing tuba lines and street-smart slang, Fuerza Regida celebrates youthful rebellion and momentary escape. The song captures that electric mix of no pasa nada bravado and restless fatigue with everyday expectations—classes, jobs, family rules. Here, girls kiss, friends toast with Hpnotiq, and responsibility is placed on pause. It is a soundtrack for living in the now, fusing traditional Regional Mexican instrumentation with urban swagger to remind listeners that sometimes the best plan is to leave tomorrow for mañana.

EXCESOS (EXCESSES)
Ando como quiero, destapo botellas
Tú ya andas con otro, ni modo, qué pena
Creí serías la buena, me voy, te dejo huella
Sí estás bonita y todo, pero hay más culos que estrellas
I walk how I want, I open bottles
You're already with someone else, too bad, what a shame
I thought you'd be the good one, I'm leaving, I leave my mark on you
Yes, you're beautiful and all, but there are more as*es than stars

EXCESOS is a swagger-filled confession booth set to a pulsating Regional Mexican beat. The narrator has just walked away from a breakup, but instead of sulking he pops champagne, tears up the highway to Mexico City, and surrounds himself with "morritas" who love a good corrido. Money, powdered stimulants, convertible rides, and flashing camera lights replace any lingering sadness. In short, the song paints a neon-lit picture of someone drowning heartbreak in pure, unapologetic indulgence.

Beneath the bravado, Fuerza Regida hints at a restless search for “mi persona favorita” — the one true connection that could calm the chaos. Until that mystery person appears, the singer openly embraces the excess of the party scene: “hay más culos que estrellas,” so why settle? Listeners are invited to live in the moment, flaunt their freedom, and crank up the volume, all while remembering that pleasure can be both dazzling and fleeting.

Igualito A Mi Apá (Just Like My Dad)
Igualito mi papá
Y hasta los mismos gustos
Me regalo su Super con cacha dorada
La porto con gusto
Just like my dad
And even the same tastes
He gifted me his pistol with a golden handle
I carry it with pleasure

Igualito A Mi Apá is a swagger-filled corrido tumbado that celebrates legacy, power, and style. The singer proudly declares that he is “just like my dad,” inheriting not only his father’s golden-gripped pistol but also his taste for luxury clubs, designer shades, and fast-moving business. Between Culiacán and La Humadera he rides in a white Suburban, lighting up premium BackPack Boyz and effortlessly dodging the authorities.

While the beat stays laid-back, the lyrics mix calm confidence with a clear warning: troublemakers should keep their distance because he is always protected by loyal people. In flashy nightclubs he blows clouds of smoke, spends freely, and turns heads (“the Barbies go crazy when they see me spend”). Behind the bravado lies a simple message—family influence runs deep, and when you combine inherited respect with modern ambition, you live exactly how you want, no matter what others say.

CHAVALITAS (Young Girls)
Y una chamarrita cuero paz bien fancy
Y una chavala que me diga 'Papi'
Y una gabacha que me diga 'Fuck me'
Y una que la vean pelada y no está fácil
And a leather Paz jacket, real fancy
And a chick that calls me 'Daddy'
And a gringa that tells me "f*ck me"
And one that they see naked and she's not easy

CHAVALITAS throws us straight into a feverish night where luxury, desire, and bravado dance to the same bassline. The narrator flashes a fancy leather jacket, pops bottles, and surrounds himself with all kinds of “chavalitas” – from the girl who whispers “Papi” to the blonde tourist who boldly switches to English. Between verses he boasts about Cartier gifts, new houses, and wads of cash that vanish as quickly as they appear. It is a first-person snapshot of wild parties and short-lived hookups, painting the portrait of someone who chases adrenaline more than affection.

Yet beneath the swagger there is a hint of exhaustion. He admits he is caught in “la pinche loquera” (the crazy scene) again, losing himself again, spending a fortune again. The song lets listeners feel both the thrilling highs and the empty lows of nonstop indulgence, offering a raw look at the glamorous but chaotic lifestyle that fuels much of modern regional Mexican trap. Buckle up, because Fuerza Regida’s voice is your tour guide through a neon-lit world where fun is guaranteed, but the bill – emotional or financial – always comes later.

Rosones (Bruises (Slang))
Putas, lavada, botellas de cristal
La paca llega, la quiero reventar
Traigo a la más buena de todo Instagram
Cuerpo bonito, ese culo es natural
Wh*res, coc*ine, crystal bottles
The cash arrives, I want to blow it
I bring the hottest from all of Instagram
Pretty body, that a*s is natural

Rosones plunges listeners into a high-energy night where money, fame, and bravado rule. Over a modern Regional Mexican beat, Fuerza Regida and Jorsshh brag about private flights, stacks of cash, designer fits, and an entourage of Instagram-ready women. The hook, “las putas, lavada,” hints at both wild partying and the shady business of cleaning dirty money, giving the song its outlaw edge.

Instead of roses and chocolates, the narrator promises his date rosones—passionate love bites—while asking her to keep their blunt-filled escapades off social media to avoid jealous friends. The lyrics celebrate excess: crystal bottles, weed smoke, loud corridones, and a belt stuffed with cash. In short, Rosones is a swagger-packed anthem about living fast, flaunting success, and savoring every vice that fame can buy.

CHAKA
Ay, qué pinche calentura
Y un culito pa' mi cura
Compita, ya se me figura
Que hoy modelan las dulzura'
Oh, what f*cking heat
And a little a*s for my fix
Buddy, I'm starting to figure that
That today the sweeties are modeling

CHAKA is Fuerza Regida’s swagger-packed invitation to a night where the champagne bubbles as loudly as the 808s. The word chaka is border slang for a big boss or flashy gangster, and the narrator fully embraces that role: jets on standby, a Rolex President gleaming, and the mind of Bill Gates guiding the bankroll. Over a seductive beat he spots a chula who matches his fire, promising her jacuzzis, dark beer, and a VIP pass to his very own "Champions League" of princesses. He flips from Batman at night to Bruce Wayne by day, reminding us that money and mystery walk hand in hand - just don’t ask where the cash comes from.

Beneath the flexing lies a simple motto: "pa’ merecer primero hay que hacer" - to deserve it, you have to make it happen first. The song celebrates ambition that starts in the streets, rewards itself with luxury, and looks for a partner who can keep up. It is equal parts party anthem and self-made success manifesto, blending Mexican corrido bravado with urban US swagger so learners can see how modern Spanish slang paints pictures of power, pleasure, and playful romance.

We have more songs with translations on our website and mobile app. You can find the links to the website and our mobile app below. We hope you enjoy learning Spanish with music!