Learn Spanish With Fuerza Regida with these 23 Song Recommendations (Full Translations Included!)

"Bebé Dame" is an upbeat, catchy team-up where Fuerza Regida and Grupo Frontera lean into a bouncy cumbia groove to win an ex back. Right from the opening shout of "Fierro" [Let's do this / Fire away], a classic northern Mexican slang term used to hype everyone up, the track sets a lively mood for what is essentially an urgent love plea. The singer admits things got messy, calling their relationship "una guerra en el amor" [a war in love], but he is not ready to walk away. Instead of moping in private, he turns up the charm and begs for one more chance.

The lyrics do not waste time playing it cool. He goes straight for what he wants, demanding affection with "Bebé, lo que te pido, ven, dame" [Baby, what I ask of you, come, give it to me] because he cannot stand another sunrise without seeing her. Between writing poems to win her over and promising "yo lo hago diferente" [I do it differently], the narrator makes his case as directly as possible: "No sales de mi mente" [You don't leave my mind]. It is bold, fun, and packed with everyday phrases you will hear all over Mexican Spanish.

In "POR ESOS OJOS," Fuerza Regida mixes street-level bragging with absolute obsession over someone's gaze. The narrator admits that wealth changed him, wearing "una cadena con diamantes" ("a diamond chain") after pulling himself out of poverty. But all the fast living, fame, and cash leave an empty spot. He bluntly confesses that "el billete no vale verga" ("money isn't worth shit") when set against how he feels about this woman. You get Mexican slang right away with "me la paso a toda madre" (meaning he is having a great time) alongside threats for haters, claiming "pa'l envidioso cargo aparatos" ("for the envious guy, I carry heat / weapons").

The real hook of the song is the extreme, reckless romantic talk. He claims "por esos ojos, yo robo y mato" ("for those eyes, I rob and kill") and "por esos ojos me hice malandro" ("for those eyes I turned into a crook"). It is completely over the top, but it shows the dangerous lengths he will go to impress someone he calls "la envidia del antro" ("the envy of the nightclub"). Even with all his tough talk and promises to protect her from heaven if he dies first, his main goal stays simple and direct: begging her not to say no tonight.

In "ANSIEDAD", Fuerza Regida brings us straight into the messy, chaotic reality of tour life and turbulent relationships. The track kicks off with a blunt confession: "Otra vez otra en mi cama, qué puta ansiedad" ("Another woman in my bed again, what f***ing anxiety"). He is dealing with a ringing doorbell, a ringing phone, and a partner starting arguments on the other end. He uses Mexican slang like "agüite" when he says "Vieras qué agüite me da contestar" ("You should see how sad and unmotivated it makes me to answer"), showing how draining the constant conflict feels.

His defense is hilarious, bold, and terrible all at once. He tells his main girl, "Las otras capillas pa' un rato nomás" ("The other chapels are just for a little while"), pulling from the classic Mexican proverb "Teniendo catedral, ¿para qué quieres capillas?" which compares a main partner to a grand cathedral and temporary flings to side chapels. He begs her to understand the chaotic reality of fame with "Es la vida de artista / Me la navego entre loquera, desvergue de güeras" ("It's the artist life / I navigate through craziness, wild chaos with blondes"). Yet, despite all the partying, the nervous breakdown does not stop: "Y nomás la ansiedad no se va" ("And the anxiety just won't go away").

Turn the speaker all the way up for this one. Fuerza Regida jumps straight into the adrenaline rush of street combat with "Marlboro Rojo." Right from the start, the singer demands high volume with "Viejito, súbele a la bocina" ("Old man, turn up the speaker") to fuel the rush of "andar tirando vergazos" ("getting into brawls"). He calls for a red Marlboro cigarette to take the edge off his racing heart, shrugging off the danger with a quick "Primo, es que así es la movida" ("Cousin, that's just how the game goes"). Between heavy firefights, armored trucks ("las duras"), and fully loaded magazines, the track swings wildly between life-or-death chaos and sudden romance: right in the middle of dodging "las balas del diablo" ("the devil's bullets"), he admits he is just daydreaming about someone's eyes.

Along the way, the song throws around sharp Mexican slang and luxury flexes. You hear phrases like "bien pilas" ("staying sharp" or "on high alert") while the crew rides in a powerful "GT500" Mustang. There is a gold-handled gun tucked in the waistband, big .50-caliber rifles ("tostones") aimed high, and promises of high-end trips to Paris. But the track never pretends any of this is safe. With the line "Y no se sabe si de esta salimos con vida" ("And we don't know if we'll make it out of this alive"), it lays bare the daily gamble of living fast in the corrido tumbado world.

"SABOR FRESA" is pure, chaotic party energy from start to finish. Fuerza Regida throws you right into the VIP section, kicking things off by ordering champagne for the girls in the back. The title itself comes from a kiss: "La niña me besa y besa / Fresa, sabor fresa" ("The girl kisses and kisses me / Strawberry, strawberry flavor"). In Mexican slang, fresa usually means someone posh or preppy, but here it doubles as lip gloss flavor and an aesthetic for the crowd he hangs out with ("puras fresitas operadas" / "only preppy girls with cosmetic surgery"). The vibe is loud and confident, jumping from impressing people on the dance floor to taking the whole crew to a pool party where designer clothes come off.

What makes this corrido tumbado fun is how specific the lifestyle details are. He stays up until sunrise running on "bendito veneno" ("blessed poison"), goes to eat seafood at El Muchacho Alegre in the port because they open the doors for him whenever he wants, and remembers praying the rosary before walking out fearless. You also hear heavy street slang like "beliqueando" (being on edge or living a rowdy, warlike lifestyle) and "logramos coronar" (we succeeded / we hit the jackpot). He even throws in a blunt warning that his finger will not shake if anyone tries to mess with him, before diving right back into partying without missing a beat.

Fuerza Regida takes a break from tough street stories to drop a completely shameless love pledge in this Corrido Tumbado track. The lyrics do not hold back on emotional dependence. From the very first lines, the singer admits he cannot handle life alone: "Necesito cuidados, necesito de ti" ["I need care, I need you"]. He asks his partner not to let him travel solo, praising how well she looks after him with "Tú me sabes bien cuidar, tú me sabes bien guiar" ["You know how to take good care of me, you know how to guide me well"]. It is direct, honest, and puts all his cards on the table.

The real punch comes when he tries to figure out how to repay her for all that affection. He asks "Cómo te puedo pagar todo lo que haces por mí" ["How can I pay you back for everything you do for me"] and decides his only currency is existence itself: "Solamente con mi vida, ten mi vida, te la doy" ["Only with my life, take my life, I give it to you"]. Then comes the dramatic, repeated plead: "Pero no me dejes nunca, nunca, nunca / Te lo pido por favor" ["But never, never, never leave me / I am asking you please"]. It is totally over the top in the best way possible, showing a vulnerable side where love feels like a life-or-death necessity.

In Mexican slang, a sancho is the secret side lover, and Fuerza Regida leans completely into that role here. The singer is telling a woman to pack her bags immediately—"Mi niña alista tu maleta ahorita" (My girl, pack your suitcase right now)—and ditch her actual partner ("Ya dile al tonto que ya te vas" [Tell that fool you're leaving already]). He has a private jet ready to fly to Ibiza and London, mixing luxury flexes with completely blunt hookups mid-flight. He knows she is taken and good at lying ("Cabrona, buena pa' mentiras" [Badass girl, good at telling lies]), but he loves the thrill of it anyway.

The track is packed with everyday Mexican slang. When he says "que no lo sepa tu güey" (don't let your guy find out), güey is the common slang term for a dude or boyfriend. He also throws around "sin pedos" (no problem / without drama) and tells her to pick a fight with her man ("peléate con tu güey") just to create an excuse to leave. He admits straight up that he is a player with thousands of lovers ("Mujeriego y coqueto, tengo mil amores" [A womanizer and a flirt, I have a thousand loves]), warning her that if she wants to be with him, she just has to deal with the rumors and keep cool ("Nomás no te me aloques" [Just don't go crazy on me]).

"INMORTAL" throws you straight into the chaos of an untamed VIP afterparty. Fuerza Regida and Chuyin lean into total hedonism without flinching. The narrator admits right away that his memory is shot from the night's excesses: "Entre pase y pase, la neta no me acuerdo nada" ("Between hit and hit, honestly I don't remember anything"). He is blunt about the scene around him, from his clenched jaw to partying with women who are solely after his cash—"Me gustan las interesadas" ("I like gold diggers"). The track moves on pure adrenaline, running on the reckless philosophy that life is too short to save money or behave properly.

There is plenty of Mexican street slang to pick up here. When they shout "Feria, lavada, soy importante" ("Cash, washed cocaine, I'm important"), feria is everyday slang for money, while lavada refers to purified powder. You will also hear them yell "otro desmadre" ("another mess") and "otro pedo" ("another level" or "something else entirely"), phrases used when a party spirals completely out of control. The narrator does not even hide his worst habits, like ignoring his partner's phone calls mid-hookup: "Mientras mi esposa me marcaba / Qué diría la cama si hablara" ("While my wife was calling me / What would the bed say if it could talk"). It is reckless, flashy, and fully aware that spending "cincuenta mil en un instante" ("fifty grand in an instant") is the fastest way to feel on top of the world.

Ever thought about texting your ex, only to stop yourself at the last second? That is the exact mood in NEL by Fuerza Regida. The title itself comes from the Mexican slang word nel, which is a quick, casual way to say "nope" or "nah." He sings, "Hoy pensé en salir a buscarte, pero nel / Llamarte, pero nel" ("Today I thought about going to look for you, but nope / Calling you, but nope"). Instead of fixing an old romance, he distracts himself with wild parties, hotel rooms, and luxury brands like Cartier, Chanel, and Prada.

Even though he admits he is still hooked on someone ("Baby, es que me perdí en tus ojos" / "Baby, it's just that I got lost in your eyes"), he drowns out the feeling with drinks and wild nights. He mixes "Whiskey y tequila, y que no falte la de coco" ("Whiskey and tequila, and don't forget the coconut-flavored drink") while hanging out with party girls he calls an "aferrafter" (someone obsessed with after-parties) and bragging about buying a "Jeepeta" (slang for a big Jeep or SUV). It is a blunt, fast-paced corrido tumbado about choosing chaos, cash, and luxury over old feelings.

In "Caperuza," Fuerza Regida flips the classic fairytale of Little Red Riding Hood (Caperucita Roja) into a messy, late-night heartbreak story. The singer plays the desperate wolf ("Soy tu lobo, animal" [I'm your wolf, animal]) searching for his lost "Caperuza." He admits he lied to her in the past, so she packed her bags, hit the party scene with friends to drink and "sin," and completely ghosted him for three nights straight. He calls their relationship bizarre and toxic: "Este amor es anormal" [This love is abnormal].

What makes this corrido tumbado fun is the blunt Mexican slang and petty family drama. When her father angrily calls him out—"Pregunta tu papá 'Cabrón, ¿qué le hiciste a mi niña?'" [Your dad asks, 'You bastard, what did you do to my girl?']—he talks right back to the older man in his head, sighing that the daughter cheated: "Supiera, viejón, que me hizo chivo su niña" [If you only knew, old man, that your girl made a fool of me / cheated on me]. The phrase hacer chivo specifically means making someone a cuckold or stepping out on them. Paired with words like pisteaste (you drank booze) and the frustrated sigh chale (damn it / what a bummer), the song gives you real, unfiltered street talk while the narrator accepts that this toxic romance is finally dead.

Te Quiero Besar brings together Mexican-American group Fuerza Regida and Becky G for a fiery, back-and-forth corrido tumbado about a couple who cannot stop clashing, yet refuse to walk away from each other. Right from the start, the blame game kicks off. Fuerza Regida calls out an emotionally distant partner with lines like "Tú no eres cariñosa / Te mando flores y respondes otra cosa" ("You are not affectionate / I send you flowers and you reply with something else") and complains that she acts cold and tries to buy her way out of trouble ("Con tu dinero todo quieres arreglar" ["With your money you want to fix everything"]). Becky G throws it right back, admitting he is far from ideal but too attractive to resist: "Tú no eres perfecto / Y lo malo es que a mí me gustan tus defectos" ("You are not perfect / And the bad thing is that I like your flaws").

Despite the petty fights and jealousy—where she warns "No quiero ver nadie / Que se te arrime cuando pases a la calle" ("I don't want to see anyone / Getting close to you when you walk down the street")—they always choose physical passion over lingering grudges. When Becky sings "esta noche nos comemos" ("tonight we eat each other up"), it is a common Spanish idiom meaning to make out or hook up intensely. In the end, cruising around ("vamos a manejar" ["let's go for a drive"]), drinking champagne, and sealing everything with a kiss ("Te quiero besar, ya no importa nada" ["I want to kiss you, nothing else matters"]) beats staying mad. They know they are toxic together, but they simply do not care.

"Que Onda" drops you straight into a messy, secret hookup with someone who belongs in a completely different world. Fuerza Regida tells a story about getting with a "niña bien" [a well-off, high-class girl], but the vibe is far from classy. There is zero patience here: she could not even wait for the hotel and pulled him close right inside the "Merced" [Mercedes-Benz]. Instead of high-end shopping dates—he bluntly brags, "no la llevé a Chanel" [I didn't take her to Chanel]—the night runs on "tragos de Henny" [sips of Hennessy cognac], ordering pink cocaine ("el tusi") straight to the phone, and partying until 6:00 in the morning.

The thrill comes from how forbidden the whole thing is. He calls their bond "el amor de la calle" [street love], pointing out that she is sneaking around with a "cholo" [street-smart guy]. He even coaches her on how to hide it: "Maquíllate otra vez, no vayan a saber" [Put your makeup back on so they don't find out] and tells her to answer her regular guy with a calm "dile que todo bien" [tell him everything is fine]. Between deleting secret motel photos and ignoring their rings, his big question is simple: "¿Qué tal si por la noche apagamos los dos el cel?" [How about tonight we both turn off our phones?]. It is fast, reckless, and completely unbothered by the rules.

If you are looking for a gentle breakup ballad, Fuerza Regida does not have it for you here. "TU NAME" is pure, loud revenge after getting cheated on. The singer finds out his ex was unfaithful—he literally points out it was "Todo por un cuerno" ("All because of an affair/horn")—and instead of sitting around moping, he flips the switch instantly. He tells her "Ya no te topo, ya vete a la fregada" ("I don't mess with you anymore, go to hell") and jumps straight into an over-the-top party lifestyle to prove he is completely unbothered.

He rubs his comeback in her face with zero filter. He brags about taking someone new out on luxury shopping sprees ("Nos fuimos de shopping y le compré todo lo que nunca te compré" / "We went shopping and I bought her everything I never bought you") and running around with a whole list of women: Briana, Juliana, and Tania. The ultimate insult comes in the catchy Spanglish hook, where he claims he is having so much fun living "la vida de artista" ("the artist life") that he cannot even remember who she is: "No te conozco, mami, mami / Se me olvidó tu name" ("I don't know you, mami / I forgot your name"). It is petty, petty fun, but the energy makes it impossible not to sing along.

CRAZYZ starts with a clingy voice memo asking "¿A qué hora vienes por mí? Te extraño" ("What time are you coming to pick me up? I miss you"), and Fuerza Regida instantly ignores it to go party. Instead of heading home, the narrator gets a text from "una güerita bien guapa" ("a very pretty blonde girl") and orders VIP treatment for his entire crew: "Gerente, traigan muchachas pa' toda mi plebada" ("Manager, bring girls for all my boys"). In Mexican slang, plebada means your circle of friends, while lana simply means cash. The whole track runs on that spend-it-all, stay-up-all-night energy where tomorrow's responsibilities do not exist.

The chorus pulls no punches about who is partying with them: college girls who are sick of acting innocent. The lyrics point out that "de la uni están cansadas y de fingir que se portan bien en casa" ("they're tired of university and tired of pretending to behave well at home"), choosing chaos over sleep. When a friend hesitates because he has to work the next day, the response is blunt: "Carnal, no diga mamadas, que chambea mañana / Cáigale sin drama" ("Bro, stop talking nonsense about working tomorrow; show up without the drama"). Fueled by "shots, Hpnotiq y lavada" (the blue liqueur mixed with refined cocaine), Fuerza Regida turns a regular night out into a wild, sleepless marathon for "la beliqueada" (the war-ready, hardcore partiers).

Fuerza Regida's "Mi Gusto Es" is a super fun song about being completely dedicated to what you love, no matter what! The singer is basically saying, "This is what I like, and only God can stop me!" He repeats, "Mi gusto es / ¿Y quién me lo quitará? / Solamente Dios del cielo me lo quita" [My liking is / And who will take it from me? / Only God in heaven will take it from me].

What he loves? A young woman! He's totally smitten and declares, "Mi gusto es / El amarte jovencita" [My liking is / Loving you, young lady]. He's so committed that he says he'll keep following her for kisses wherever she goes: "Yo te he de seguir los besos a donde estés" [I will follow your kisses wherever you are]. Even if people try to stop him, or as he puts it, "Y aunque me den de batazos" [And even if they hit me with bats], he's not giving up. It's a bold and passionate declaration of love and stubborn devotion!

"BARBIEZ" by Fuerza Regida is a wild, loud look into an over-the-top party lifestyle where designer fashion, fast money, and luxury collide. The track revolves around women styled up like dolls, wearing Victoria's Secret, Savage, and Fendi, dancing like Rihanna with lines like "Moviendo el booty, booty como Riri" [Moving the booty, booty like Riri]. The singer mixes English and Mexican slang seamlessly, jumping from calling the girls "pretty" and "tripi" [trippy] to using regional words like "bichis" (Sonoran slang for naked) and "morra" (girl or young woman).

Beyond the club scene, the lyrics do not hide where the cash comes from. The narrator cruises in his loud truck ("Placoso en mi troca retumban corridos" [Flashy in my truck, corridos booming]) and flaunts his outlaw edge. He asks a girl if she likes his style while bragging about buying her luxury jewelry with drug money: "Te compré un Cartier con droga que he vendido" [I bought you a Cartier with drugs I have sold]. It is blunt, boastful, and built completely around the fast thrills of the corrido tumbado scene.

HARLEY QUINN throws you straight into an adrenaline-fueled night out where luxury party life crosses paths with pure street danger. Fuerza Regida links up with electronic producer Marshmello to build a track full of flashing red club lights, heavy drinking, and chaotic romance. The title references the famous comic book anti-hero to describe a fearless party girl who thrives in the middle of chaos: "Se arma la loquera, Harley Quinn lista pa' guerra" ("The madness breaks out, Harley Quinn ready for war"). She is depicted guarding his illicit cargo while carrying firepower ("Me cuida la merca con mis metralletas" [She watches my merchandise with my machine guns]), completely matching the narrator's reckless lifestyle.

The lyrics are packed with regional Mexican slang and underground imagery. When the song mentions partying "bien coco" ("very coked up") in the antro (nightclub), it leans hard into unfiltered night-shift hedonism. The scene rapidly shifts outside the club to a convoy of "monstruos" (custom armored trucks used by cartels), where masked crews patrol the streets ("Patrullando en los monstruos / Bien tapados los rostros" [Patrolling in armored trucks / Faces completely covered]). By mixing glamorous terms like "fresa" (a posh or upscale girl) with "bélico peligroso" (dangerous and war-ready), the track creates a vivid, chaotic world where dangerous flexing and wild club hookups happen at full speed.

Heartbreak meets extreme partying in "EXCESOS" by Fuerza Regida. The singer just found out his ex moved on with someone else, but instead of sitting around crying, he packs his bags and chooses chaos. He delivers one of the bluntest lines in modern corridos tumbados: "Sí estás bonita y todo, pero hay más culos que estrellas" ("You're pretty and all, but there are more asses than stars"). He leaves for the city ("la Capi") to meet his crew ("los plebes"), burn through thick stacks of cash ("gastando paquita gruesa"), and numb the disappointment with party powder and open bottles.

He admits he is awful at romance ("pa'l amor no sirvo yo" / "I'm no good at love"), so he leans fully into the rockstar lifestyle until the right one shows up. As he puts it, "Y mientras llega mi persona favorita / Seguiré con mi loquera, los excesos, las morritas" ("And until my favorite person arrives / I'll keep up my craziness, the excesses, the girls"). Riding around with blonde girls ("las güeras") poking their heads out of the sunroof ("el quemacocos"), he treats the entire city like a movie set with lights, cameras, and nonstop party energy.

In "UNA CERVEZA", US-based group Fuerza Regida and Colombian singer Manuel Turizo team up over a Corrido Tumbado rhythm to confess that getting over an ex is an absolute mess. The narrator hopes that "Una cerveza puede ayudar a que salgas de mi cabeza" ("A beer can help get you out of my head"), but a single drink is clearly not doing the trick. Instead, he is totally derailed. Going out does nothing for him anymore: "Ya no me divierten los amigos y el alcohol" ("Friends and alcohol don't entertain me anymore"), and he is driving around aimlessly while daydreaming about lost plans to buy a house, have kids, and get a dog together.

The track is packed with great everyday Mexican Spanish slang. When he admits that "la neta ya no sé pa' dónde voy" (la neta means "the truth" or "honestly"), he is spelling out just how lost he feels. He even brings up how unfair it is that he woke up next to "una morrita que ni sé cómo se llama" (morrita is slang for "a young woman" or "a girl"), yet he is still stuck thinking about his ex. He boasts that his credit card could not buy the best thing he ever had, admits all his pedas (drinking binges) are dedicated to her, and accepts that winning in life feels useless without her around: "Coronar sin ti es como que fracasé" (coronar, literally "to crown", means to succeed or make it big).

CHAVALITAS by Fuerza Regida is pure, high-octane hedonism wrapped up in fancy designer clothes and fast living. Right out of the gate, frontman Jesús Ortiz Paz flexes his lavish lifestyle with a chamarrita cuero paz bien fancy (really fancy leather jacket) and lists out the different women he is partying with. He bounces between una chavala que me diga 'Papi' (a girl who calls me 'Daddy') and una gabacha que me diga 'Fuck me' (an American girl who tells me 'Fuck me'). In Mexican slang, gabacha specifically means a white American woman. The whole track is loud, boastful, and completely unfiltered about late nights fueled by chaos, luxury brands, and wild flings.

The song really leans into street slang to show off how little he cares about blowing through cash. When he shouts otra vez en la pinche loquera (once again in the crazy madness), he is talking about getting lost in wild benders with foreign models and endless spending. He drops money on Cartier jewelry and houses without batting an eye: otra vez que me gasté una feria en ti (another time that I spent a fortune on you). In this context, feria is Mexican slang for cash or coin. He shrugs off the massive bill with no pesa, por ti, mi reina (it's no trouble, for you, my queen), treating heavy expenses like pocket change while cycling through fast romances he admits he will soon forget.

Fuerza Regida drops all the pretenses in "PERO NO TE ENAMORES", handing out a direct warning right from the start: don't catch feelings. The singer describes himself as a niño vago (a wanderer or street kid) caught up in "fiesta, alcohol y la bebida" (parties, alcohol, and drinks), calling himself a "rockstar que no sabe amar" (a rockstar who doesn't know how to love). He is totally up front about his flaws and warns his partner, "Tú sabes que te voy a lastimar" (You know that I am going to hurt you). It is blunt and honest about what he wants and what he cannot offer.

Even though they are total opposites, he admits the chemistry is undeniable: "Bebé, somos tan diferentes / Pero juntitos muy buenos pa' comernos" (Baby, we are so different / But together, very good at devouring each other). He even uses classic Mexican street slang like "qué tranza" (what's up / what the deal is) to keep things casual. The singer makes it clear he is not the romantic type—admitting that if he ever sent flowers, "fue para culear" (it was just to hook up). He is ready to set a time and date whenever she feels lonely, but the main rule never changes: "Porfa, mija, nomás no te enamores" (Please, girl, just don't fall in love).

In "Nocturno", Fuerza Regida leans straight into late-night chaos and bad behavior. The narrator announces that after midnight, he turns into the bad guy: "De noche soy el malo después de las doce" [At night I am the bad guy after twelve]. He flaunts his style, noting how his watch catches attention with "Qué bonito brilla el Rolex" [How pretty the Rolex shines], while lighting up blunts ("prendiendo los blones") and living recklessly. It is a full-throttle corrido tumbado about fast living, flashy wealth, and intense hookups.

The song gets hilariously blunt when dealing with romance and fidelity. He offers trips out to Florida with "Si quieres, te llevo a Miami conmigo" [If you want, I'll take you to Miami with me], but he cannot seem to stay out of trouble. When his partner starts an argument, he uses heavy Mexican slang to ask why she is giving him such a hard time: "No sé por qué me la haces tanto de pedo" [I don't know why you give me so much grief / start drama with me]. Then comes the utterly shameless excuse: he admits that while he cares about her, he still hooks up with other women on the side ("me chingo otros cueros" [I mess around with other girls]) and genuinely does not know what is going on with himself ("tampoco sé qué pedo" [nor do I know what's up]). He wraps it up by confessing his exact type: pretty girls and arrogant blondes ("las güeras bien mamoncitas").

Ever fall in love with someone you have never actually seen? In "Desvelado", fronted by California's Fuerza Regida, the singer is utterly obsessed with a voice he heard through his speakers. He admits right off the bat, "Con ella me enamoré / Que nunca la conocí" [I fell in love with her, though I never met her]. Now he is trapped in a loop. He glues himself to the radio every single day ("Escucho cada día la radio / Seguro que la vuelvo a oír" [I listen to the radio every day, sure I will hear her again]), convinced this mystery speaker is his destiny.

The word desvelado means sleep-deprived or kept awake, and he means it literally. He is wandering the streets at night asking "¿Dónde andará?" [Where could she be?], waking up in tears because his longing will not let him rest. Between the desperate romantic lines, Fuerza Regida throws in street-level Mexican-American slang that breaks the melancholy mood. Shouts like "¡Otro pedo!" [literally "another fart", meaning something is on a whole different level of greatness] and "A huevo, mija" [Hell yeah, baby] bring a gritty energy to a classic love-struck serenade about staying up all night searching for an invisible angel.