
Get ready for a song about a deep and painful heartbreak. In "Vermisse Dich," which means "I Miss You," Kurdo pours his heart out over a lost love. He feels like he's back at the very beginning, unable to move on. He's so affected that he can't sleep at night, even after trying to distract himself with friends. The days feel empty, and he feels "dead" until the night comes.
The lyrics paint a picture of someone completely lost without their partner. He hides her photos between old jeans, perhaps because the relationship was a secret. He reminisces about sweet memories, like walking her to school every morning, and insists he was only trying to protect her. Now, she's far away, and he's desperate for any sign from her, even just a single message. His greatest fear was losing her, and now that it has happened, he's stuck waiting and hoping she'll come back.
Kurdo's "Leere Versprechen" [Empty Promises] is a really blunt look at the feeling of being an outsider in Germany. He talks about how society tries to force people to conform, saying, "Deutschland, hat uns den Ausweg gesperrt / Denn er will, dass wir aussehen wie er" [Germany has blocked our way out / Because it wants us to look like it]. It's all about the struggle to hold onto your identity and mother tongue when you feel like the system is pushing you to change. He points out the hypocrisy of those in power, who tell others to save money while they're "Champagne im Privatjet" [drinking champagne in a private jet].
He uses some strong imagery to show this divide, like "Ich komm' aus der Sonnenbank, weil hier nicht die Sonne scheint" [I come from the tanning bed, because the sun doesn't shine here] which really highlights the lack of warmth and opportunity. The song's core message is about the broken promises from those in power, and how despite their words, people often end up in "Polizeiwagen" [police cars]. It’s a powerful anthem about fighting for yourself when you feel like the world is against you, and how "In meiner Welt ist Gefühl eine Schwäche" [In my world, emotion is a weakness] – a really stark line about survival.
Kurdo's "Kein Disco Song" [Not a Disco Song] is a super direct and aggressive track that makes it clear from the jump what kind of vibe it's bringing. He's not here for a party; he's here to tell you exactly how it is, no filter. Right at the beginning, he dismisses the usual music stuff with "Scheiß auf Mic-Check, mein Rap, hör die High Hats" [Fuck mic-checks, my rap, hear the high hats], immediately setting a confrontational tone. He talks about taking what he wants, saying "Klau' dir deine Kundschaft, einfach weil ich Lust hab'" [Steal your customers, just because I feel like it], which really shows his rebellious attitude.
He's all about his own success and doesn't care about anyone else's opinion, even dropping lines like "Ich erreich' was, ich weiß das, vielleicht nachts" [I achieve something, I know that, maybe at night]. Kurdo also touches on his identity and lifestyle, mentioning "Ich bin Kanake, ich liebe Geld, ich liebe Benz" [I'm a Kanake, I love money, I love Benz]. The chorus, "Halt-halt die Fresse, das hier ist kein Disco-Song / Das-das is für die, die nicht in die Disco kommen" [Shut-shut your mouth, this is not a disco song / This-this is for those who don't come to the disco], really drives home the message: this song is for the streets, for those who don't fit in, and it's definitely not for dancing. He even brings up some intense imagery with "Am elften September hat die Welt Angst vor Moslems" [On September eleventh the world is afraid of Muslims], which is a pretty bold statement, showing he's not afraid to tackle controversial topics and challenge perceptions. It's a powerful and unapologetic statement of his place in the world.
Kurdo's "Läuft" is a gritty, no-holds-barred look at his journey from humble beginnings to a life of street credibility and success. He starts by recalling his past, saying "Es hat im elften Stock angefangen" [It started on the eleventh floor], and how people's attitudes have changed from asking "wie geht's" [how are you] to wanting an autograph. He makes it clear he's not interested in fame's frills, stating "Scheiß auf diesen Film, ich bin es nicht gewohnt" [Screw this movie, I'm not used to it].
He paints a picture of himself as a persistent figure, "Bleib' der Typ, der in der Ecke deine Kids bedroht" [I remain the guy who threatens your kids in the corner], and describes his relaxed yet imposing presence: "Chillig in der Jogginghose, BMW silbergrau" [Chilling in sweatpants, silver-grey BMW]. Kurdo insists he's a "Musiker" [musician], not just a rapper, and he's making serious money, "ich verdiene zu viel bar" [I earn too much cash]. He dismisses mainstream hip-hop, saying "Scheiß auf Hip-Hop, ich hab' niemals auf dem Hof gebreakt" [Screw Hip-Hop, I never breakdanced in the yard], and tells others to "Verpisst euch aus mei'm Ghetto, ihr seid mir zu Loveparade" [Get out of my ghetto, you're too Loveparade for me]. The chorus, "Alles läuft prima" [Everything is going great], is a blunt declaration of his success, despite the dangerous and criminal imagery he uses throughout the song, like "Skimasken-Business, kriminell, Tradition" [Ski mask business, criminal, tradition] and mentions of Kalashnikovs and being wanted by special forces. He's proud of his roots in Emmertsgrund and his connections, declaring "Ich bleibe ich und änder' mich niemals" [I remain myself and never change], like "Sturrkopf wie Zidane" [stubborn like Zidane].
Kurdo's "G Für Sie" throws us right into a high-stakes moment, a real turning point. Our narrator is sweating and shaking, facing a choice between being a "Millionär oder hinter Gitter" [millionaire or behind bars]. He's on the edge of doing something illegal, thinking, "Scheiß drauf, heute bin ich kriminell" [Screw it, today I'm criminal]. But it's not for himself. He's doing it for someone else, someone he deeply cares about, even a child on the way: "Nur für sie, genau dafür mache ich das" [Only for her, that's exactly why I'm doing this].
This song is all about that intense internal conflict. He knows what he's doing is wrong – "Ich weiß, es ist schlecht, was ich mache" [I know what I'm doing is bad] – but he feels life isn't fair, and he's driven by a powerful, almost desperate love. He calls it "Gangster-Love." He hopes she'll be happy, even if it means he has to be a "Verbrecher" [criminal] in the process. It's a really raw look at the lengths someone might go to for the people they love, questioning if it's worth it in the end, but ultimately deciding, "das war es wirklich wert, ich hoffe, dass sie glücklich wird" [it was really worth it, I hope she becomes happy].
Kurdo's "Outro" is a powerful thank you letter set to music, a look back at his journey from humble beginnings to a successful rapper. He starts by declaring his authenticity, saying, "Wir sind nicht wie du, doch sie wollen sein wie wir" [We are not like you, but they want to be like us]. He's flipping off the police lights and giving a huge shout-out to his fans, making it clear he's not changing for anyone.
He spends most of the song thanking the people who helped him along the way: his friends Buyar, Rocky, and Stivo for believing in him, and Kava for always being there. He even thanks other rappers like Veysel, Celo, Abdi, Capo, and Haft, who he says "hat mich heute offiziell zu einem Star gemacht" [officially made me a star today]. It's really sweet how he remembers his brother Beschma giving him his last cent, calling it "große Bruderliebe" [big brother love]. He also thanks his mom for smiling again and his dad for the tough times, hoping they never cry again. He even gives a nod to Azad, remembering when he was just a fan. Kurdo is proud of his "Ghettorap Made in Germany" and how he's gone from "ein Junge an der Fensterbank" [a boy on the windowsill] to feeling connected to the whole world, but he promises, "doch ich bleibe Ich" [but I remain myself] for the next hundred years.
Kurdo and Eko Fresh team up for "Ghettofilm," a powerful track that challenges stereotypes and gives a voice to those living in the German ghetto. They kick things off by questioning the idea of saving money when you don't even have a wallet, and how parents prioritize their kids' social standing over their own dreams, buying Nikes "damit Bonzen uns nicht auslachen" [so that rich kids don't laugh at us]. It's a blunt look at the struggles of immigrant families, where dreams are hard to come by and the daily grind is real.
The song really hits hard when it talks about identity. Even with German passports, they're still seen as outsiders, stuck with bad grades "mit den fünfern im Zeugnis" [with fives on our report cards]. They're caught between two worlds, feeling like immigrants in Germany but also strangers in their own homeland. Kurdo and Eko Fresh aren't holding back, calling out the hypocrisy and the feeling of being trapped. They make it clear: this isn't some dramatic movie, "Das ist kein Ghettofilm" [This is no ghetto film]. Instead, it's their reality, and they're going to live it on their own terms, not caring "ob man uns so akzeptiert" [if they accept us like that].
Kurdo's "Kein Kiffa" is a powerful declaration of his identity as a "Gangbanger" and a "Kanake" (a German slang term for someone of non-German descent, often used pejoratively but reclaimed by some). He makes it clear he's not a casual drug user, stating "Ich bin kein Kiffer, ich bin Gangbanger" [I am not a stoner, I am a gangbanger].
This track is a direct challenge to the German rap scene and society at large. Kurdo sees German rap as a "Kinderbuch" [children's book] compared to his own hardcore style. He brags about his aggressive behavior, like "In deinem Garten trete ich die Tulpen kaputt" [In your garden I kick the tulips to pieces] and even claims to trick the police. He's proud of his immigrant background, saying "Wir sind aus dem Ghetto, wir haben alle Macken. Wir sind Kanaken, püff auf dein'n Nacken" [We are from the ghetto, we all have flaws. We are Kanaken, puff on your neck]. He even provocatively calls himself "Taliban" despite his name not sounding Arabic or Islamic, just to make a point about stereotypes and identity. It's a blunt, in-your-face anthem about street credibility and rejecting mainstream expectations.
Kurdo and CJ Taylor's "Werdegang" is a powerful look back at Kurdo's journey, starting from a really young age. He remembers being a nine-year-old asylum seeker, excited about his first flea market jeans, ready to play sports. But then came the first day of school, feeling like an outsider, and those looks that said "no" – leading to tears before sleep. It's a really honest picture of feeling different and alone.
He talks about growing up, knowing even as a kid that he had to make his mom proud and get out of the social welfare system, to "nie wieder Sorgen haben" [never have worries again]. He wanted to sleep in like those people driving Porsches. From being an AZAD fan to having his own fans, he promises to "nie vergessen, wo ich herkomm'" [never forget where I come from] because he knows "wo ich hingeh'" [where I'm going]. He even mentions being signed by Haftbefehl after being kicked out of class, and suddenly he was doing interviews and touring after just two videos. It's a story of overcoming hardship and staying true to his roots, even when things weren't always easy.
Kurdo's "Ich Bin Ghetto" is a super direct and aggressive track where he basically tells everyone else in German rap to step aside. He's all about his street credibility and isn't afraid to brag about it, contrasting himself with other rappers he sees as soft or fake. He makes it clear he's not interested in academic achievements or traditional success, saying things like "Scheiß auf dein Abitur, ich ficke mit dem Schlagring" [Fuck your high school diploma, I'll fuck with a knuckle duster].
He's constantly asserting his dominance, whether he's talking about how other rappers used to be gangsters but are now "Oberarzt" [chief physician] or how he's going to crash an "Abi-Ball" [graduation ball]. Kurdo's whole vibe is about being a "Verbrecher" [criminal] and not caring about the police or what anyone else thinks. He even jokes about how he was the first to skip school and wanted the school to burn, while other rappers just have "schwule Fans" [gay fans]. It's a pretty intense and provocative listen, full of bold statements about his identity and his place in the rap game.