Las Caraqueñas (En Vivo) Lyrics in English by Nelson Arrieta, Ronald Borjas, Gustavo Aguado

Below, I translated the lyrics of the song Las Caraqueñas (En Vivo) by Nelson Arrieta from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
has cunningham hitch and what of
caracas with its walk so right that
everything is up when I look at her
back the body
I can't hug
is that they have a tumbao chat
I married as the external face but I
I'm going is that
is that they have the military girls of
caracas with a
tasty than all these sales when
I look from
three months I can't talk just look
well not want
medicines and not to see love again is
how to walk like this is reflected in the
Caracas but for the life of the people
like this happens many times dear
look how to walk but not the caraqueñas
well you went there
I think that beyond the things of being
bad good like in the end today the
full faces we liked it so long
bit random
first of all I have my own convenience
like in the end
the faces have a Valencian noise
a noise to love to listen to a fury
down from that to the end the faces in the
soil have recognized
the faces of looking looking looking
mina 2009 walking who knows where it goes
how to walk from the faces to the ground
they will take you out of listening
there I will hear you bleeding again
by mouth
I don't know
they really deceive you
the faces
each chapter of my life and I will not give
my life as karina the faces on her face
Well, his hair took what I was wearing
so much lady wanted
It's the gut, it's a devil not to walk the
faces that interest power is an area
canaria for life they already stop me
the skies like the path of cobwebs
go out to dance that I no longer give launched the
dark stretchers final place of the
faces that you are dance dance dance with
while I was walking the letters are from
import as canteens las caraqueñas
in condemning the girl who loved me
like my payments to a good woman
of
you will see
look how it is in that one but look how
a voter green park look look how
dance source of inspiration don't get involved
to all as they see on the stairs that she
but she looks like the artists who are
they move so good I don't know what to do that
pants if she fits me she looks how
dance people but she looks like two of
the three attention spaces
but I have clothes in my heart but I
I take life like him in the faces that
her but look
now
to
my
I
They take good care of the faces that don't
allow to talk
but there is nothing
look how I dance in the claws that I see
so that everyone can see listen to that choir
as she says as she says and she sees me look how
the chains fly as they look at it
as spokespersons but it is something that I no longer know
dance
maliki and that usually the waist
landa love that I have here
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tumbaosway / style

Tumbao is a vibrant, informal word that refers to a person's unique and captivating way of walking, dancing, or carrying themselves, often with a rhythmic or sensual sway.

In this song, it's used to describe the alluring and distinctive style of the

This song is a high-energy celebration of women from Caracas, Venezuela, affectionately called "Las Caraqueñas." The singers are completely captivated by their walk, their bodies, and their overall presence. They repeatedly mention how these women have a special "tumbao" [swing/rhythm] in their walk that's incredibly attractive.

The lyrics are full of admiration, with lines like "todo está arriba cuando la miro la espalda el cuerpo" [everything is up when I look at her back, her body] and "se me paran los pelos como camino de las telarañas" [my hairs stand on end like the path of spiderwebs] when describing their captivating movement. The song also playfully suggests that these women are so enchanting, they might even "engañan" [deceive] you! It's a lively and passionate ode to the unique charm and beauty of Las Caraqueñas, making you want to get up and dance along with their irresistible rhythm.

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