Learn Spanish With FloyyMenor with these 10 Song Recommendations (Full Translations Included!)
Alan Felipe Galleguillos, known as FloyyMenor, is a Chilean singer-songwriter making waves in the reggaeton scene.
Born on August 11, 2005, in La Serena and raised in the town of Vicuña, Chile, FloyyMenor started his musical journey in 2022 by self-releasing singles with unique cover art inspired by cars and The Fairly OddParents.
His breakthrough came with the hit single "Gata Only", a viral sensation that caught the attention of fellow Chilean artist Cris MJ, leading to an official duet version that climbed to the top five on the Billboard Global 200 and topped the US Hot Latin Songs chart.
With a rapidly growing international presence and a fresh sound rooted in Chilean reggaeton, FloyyMenor continues to captivate audiences worldwide.
Chilean artists FloyyMenor and Cris Mj drop an infectious reggaeton banger all about an intense, secretive late-night hookup. The whole vibe is about dropping everything to link up. The singers beg a girl to send her live location with "mándame tu ubi" [send me your location] and turn off notifications ("Gata, pon el celu en modo avión" [Baby, put your phone on airplane mode]) so they can sneak away unnoticed. Between mentions of dancing for social media ("al ritmo del TikTok" [to the rhythm of TikTok]) and playful, boastful lines like comparing themselves to Hollywood heartthrobs ("yo tu Brad Pitt" [me, your Brad Pitt]), the lyrics are fast, fun, and extremely direct.
Underneath the party rhythm, there is a fun mix of modern urban slang and local Chilean flavor. The track mixes Spanglish club phrases like "follow me" and "life for me" with classic party slang like "guayarte" [to grind on you]. Near the end, FloyyMenor brings the romance right back to his home turf in Chile, shouting out a coastal cruise along "Avenida del Mar" in the city of "La Serena". It is straight to the point, catchy, and packed with the everyday tech lingo people use when trying to arrange a late-night escape.
FloyyMenor's "PELIGROSA" is a high-energy track all about instant attraction and a powerful, almost dangerous, connection. The singer is completely captivated by a woman he sees passing by, repeatedly calling her out with lines like "Miren a esa nena, la que va pasando" [Look at that girl, the one passing by].
He's drawn to her style, saying "Me gusta el cortesito que le está dando" [I like the little cut she's giving it], and he sees her as thrilling and risky, comparing her to his weapon: "Peligrosa como mi Glock" [Dangerous like my Glock]. It's a bold and direct song about wanting to escape with her and live in the moment, especially on the dance floor, where he encourages her to "déjate llevar" [let yourself go].
Chilean artist FloyyMenor teams up with Lewis Somes on "CHICA ATRACTIVA" for a bass-heavy blast of party energy and aggressive romance. The hook circles around a woman who is ready to party and entirely focused on him: "Ella está activa, chica atractiva / Ella está puesta pa' mí, eso me motiva" ("She's ready, attractive girl / She's down for me, that motivates me"). He even compares the rush she gives him to a potent drug kick, claiming "Ella me flota como la ketafina" ("She makes me float like ketamine"). It is blunt, fast, and completely unconcerned with playing it cool.
What makes this track stand out is the heavy dose of Chilean street slang. Floyy embraces his bad-boy side, warning rivals with "el que te toca lo voy a pescar a palos" ("whoever touches you, I'll beat with sticks") and claiming "Le gustan los flaites que le hagan perreo" ("She likes flaites who dance perreo with her"). In Chile, a flaite is an urban, working-class kid associated with street style and swagger. He even calls himself her "monrrero" (slang for a burglar or robber) when bragging that he could easily steal her heart away. Between throwing Gucci in her bag, promising trips to Europe or Ponce in Puerto Rico, and staying up "dándole color hasta que salga el sol" ("making a scene until sunrise"), this song is all about spoiling someone while keeping that rough-around-the-edges neighborhood pride.
Chilean artist FloyyMenor teams up with Cris Mj to drop a track that is completely obsessed with an elusive crush. The whole song runs on modern dating urgency: sending location drops, turning off phones, and sneaking out into the night. FloyyMenor gets straight to the point with lines like "Gata, tú estás only, mándame tu ubi" ("Girl, you're alone, send me your location"), mixing English social media lingo like "only" (meaning single or alone) and shortened Spanish slang like ubi (short for ubicación, meaning live location) to get her over immediately. He even compares his swagger to Hollywood royalty when he drops "yo tu Brad Pitt" ("I'm your Brad Pitt").
Beyond the club flexes and TikTok dances, there is an intense pull to escape everything else. Cris Mj joins in to take the party straight to the Chilean coast, promising secret drives with lines like "Tú y yo en La Serena / Por la avenida al mar" ("You and me in La Serena / Along the avenue by the sea"). They urge her to switch her phone to airplane mode ("pon el celu en modo avión") and just let go, drifting between late-night lust and the frustration of feeling her pull away. It is direct, fast-paced, and built around the thrill of a secret hookup.
Chilean breakout FloyyMenor teams up with reggaeton giant J Balvin for "BANSHEE", a high-octane late-night anthem fueled by fast cars and secretive hookups. The track lives entirely in the thrill of sneaking around, with both artists trying to steal a girl away from her current boyfriend: "Y a tu jevito ve diciéndole bye" [And go tell your little boyfriend goodbye]. The storytelling revolves around expensive rides like a BMW, a Cadillac, and the Yamaha Banshee quad referenced in the title, which doubles as the setting for one of the track's wilder flexes: "Le quité el Givenchy adentro de la Banshee" [I took off her Givenchy inside the Banshee]. There is no deep romance here, just late-night lust, social media stalking, and instant messages trading locations ("Mándame la ubi" [Send me the location]).
What makes this track stand out for a Spanish learner is FloyyMenor's heavy use of authentic Chilean street slang alongside classic reggaeton terms. He brags about being her favorite type of guy: "le gustan gángster corte bandido, los pibe' flaite'" [she likes gangster, outlaw style, the street-rough boys]. In Chile, "flaite" describes someone with a rough, working-class street aesthetic, while "corte" translates roughly to "having the vibe or style of." The lyrics also throw in cheeky regional nicknames, like "Gringolandia" (a humorous Latin American slang term for the United States) when Balvin jokes that the girl is so pale she looks like she stepped right out of Minnesota. It is flashy, blunt, and packed with everyday urban phrases you will never find in a classroom textbook.
The title is the word the chorus cannot stop repeating, worn down to two letters: toda collapses into toa, and the whole song is that one demand — all of you, all of it, tonight. FloyyMenor opens by fencing off what he wants before he says anything else: “Nena, no te voy a compartir, y si me toca ir / Te voy a hacer venir” (Baby, I'm not going to share you, and if I have to go, I'm going to make you come). When Cris MJ takes it over, the night gets counted in props — “Tú y yo jangueando en el Aventador” (You and me hanging out in the Aventador) — with the same flat appetite the song brings to everything else.
What gives it a shape is how carefully it refuses the other word. “Que te chingue no es que te amo” (Screwing you doesn't mean I love you) gets said twice, and the warning comes back plainer: “No te quemes, no quiero drama” (Don't get burned, I don't want drama), “Ni que me ames” (or for you to love me). The one image it allows to be mutual is “Tú eres diabla, yo tu diablo” (You're a devil, I'm your devil) — and it is followed immediately by “No me digas más 'te amo'” (Don't tell me 'I love you' anymore). Everything is on offer except the one sentence the other person might want to say.
Chilean artist FloyyMenor teams up with Lewis Somes on "APAGA EL CEL", and the title says it all: put your phone away. The track is built around a midnight rendezvous where distractions are banned. FloyyMenor cuts straight to the chase with lines like "Así que, ma, ven y apaga el cel" ("So, babe, come and turn off the cell"), chasing a fast, no-strings-attached night. He is entirely unbothered by commitment, telling her straight up, "Una noche nada más / Después no me digas nada" ("Just one night, nothing more / Afterward don't say anything to me"). If you like blunt reggaeton that skips the romance and gets right to the point, this is it.
Along the way, the lyrics drop heavy Chilean street slang and flexes. He brings up luxury cars non-stop: cruising in "la Meche" (a Mercedes-Benz), a Ferrari, and a Porsche Panamera. When he tells her "no andes con la pera", he is using an everyday Chilean idiom that means "don't be scared" or "don't chicken out." He also mentions wild late-night hours like "a las 5:12" ("at 5:12 AM") and popping "unas Percocet", giving the whole ride a chaotic, after-hours rush. It is boastful, funny in how shameless it gets, and packed with real slang you will actually hear on the street.
FloyyMenor and Gabito Ballesteros bring us a track all about a passionate, on-again, off-again relationship. Our singer is wondering if this special someone is going to come back to him or if she's going to leave things in the past, asking, "Nena, déjame saber si tú piensas en volver / O lo dejas en la nada" [Baby, let me know if you're thinking of coming back / Or if you're leaving it at nothing].
It sounds like she's been upset, maybe crying, because her makeup ran and "manchó toda la almohada" [stained the whole pillow]. But despite any drama, there's a strong connection. He's confident she likes him, even if she doesn't say it, singing, "Yo le gusto y no lo dice, pero es obvio" [She likes me and doesn't say it, but it's obvious]. The song is a playful, direct invitation to just go for it and not overthink things, especially with lines like, "Si tú quieres conmigo, y yo quiero contigo / No tenemos conflicto / No lo pienses, solo vente" [If you want with me, and I want with you / We have no conflict / Don't think about it, just come].
FloyyMenor's "LAMBO" is a super direct and catchy track where he makes it clear that he's all about the fast life and not interested in serious relationships. He literally tells someone, "Nena, no me estés llamando" [Baby, don't be calling me], because he prefers "el culo de la Lambo" [the back of the Lambo]! It's a pretty blunt way of saying he's more into his luxury car than any romantic entanglement.
He doubles down on this idea, repeating that women are sliding into his DMs, but he warns, "No te enamores, solo te doy cango" [Don't fall in love, I only give you 'cango' (a Chilean slang term for a short, casual encounter)]. FloyyMenor even states, "Mami, yo no me enamoro / Si nací solo, yo muero solo" [Mommy, I don't fall in love / If I was born alone, I'll die alone]. He's living for the moment, burning weed in his Ferrari, and the adrenaline of the Lamborghini. He even compares a woman's touch to codeine, suggesting it's a fleeting high, not a deep connection. It's a fun, no-holds-barred look at a certain kind of carefree, high-rolling lifestyle.
FloyyMenor, an artist from Chile, gives this song a direct, flirtatious late-night mood. The repeated invitation, “Así que llámame, my love” [So call me, my love], comes with “no mires el reloj” [don’t look at the clock], as if the couple has only a short time together. He says, “Que el tiempo se te agota” [Your time is running out], turning the moment into a playful push to stop waiting and make the call. The mix of Spanish and English in “my love” makes the hook especially easy to remember.
The lyrics are openly sensual. He praises her body as art, mentions her Instagram and OnlyFans, and imagines the two of them undressing, kissing, and making love until sunrise. “No digas que no” [Don’t say no] is a blunt, repeated plea, while “Cuando te toqué por primera vez, de tus ojos me enamoré” [When I touched you for the first time, I fell in love with your eyes] adds a softer detail. By the end, the desire sounds mutual: “Cuando tú me llamas, tú me quieres verme” [When you call me, you want to see me], and “yo loco por tenerte” [I’m crazy to have you]. It is a confident, cheeky song about two people missing each other and wanting to meet before the night slips away.
