Learn Portuguese With Marisa Monte with these 23 Song Recommendations (Full Translations Included!)
Marisa Monte grew up in Rio de Janeiro, born into a musical family: her mother sang and her father worked as a musical director. She trained her voice with an opera teacher before turning to popular music, and by the late 1980s she had become a central figure in Música Popular Brasileira, an alto who moves easily between samba, jazz, pop, and soul within a single record.
Her 1994 album Verde, Anil, Amarelo, Cor de Rosa e Carvão carried her music well beyond Brazil, and she has since won four Latin Grammy Awards. In 2002 she teamed up with Arnaldo Antunes and Carlinhos Brown to form Tribalistas, whose self-titled album sold more than two million copies across Latin America. She followed it by releasing two solo records on the same day in 2006, Universo ao Meu Redor and Infinito Particular, and has collected eight Brazilian Music Awards and seven MTV Video Music Brazil trophies over her career.
Marisa Monte's "Medo Do Perigo" is a song that really gets you thinking about how we face love and danger. She sings, "Ninguém nos separa do amor / Não nos separa" [Nobody separates us from love / It doesn't separate us], which feels like a powerful statement about love's unbreakable hold. But then she adds, "Ninguém nos prepara pro amor / Que nos separa" [Nobody prepares us for love / That separates us], suggesting that love, while strong, can also lead to unexpected partings.
What I love most about this song is her fearless attitude. She declares, "Eu não tenho medo do amanhã" [I'm not afraid of tomorrow] and "Eu não tenho medo do perigo" [I'm not afraid of danger]. It's like she's actively seeking out intense experiences, saying, "Vivo procurando esse risco que me arrasta" [I live looking for this risk that drags me along]. She even talks about leaving a storm for a new shelter and feeling "Vivo morto, vivo por você" [Alive dead, alive for you], which is such a dramatic way to describe being completely consumed by someone. It's a bold and passionate take on embracing life's uncertainties, especially when it comes to love.
This is such a sweet and happy song! Marisa Monte sings about the incredible feeling of finding love when you've completely given up on it. She starts with a huge sigh of relief: "Ainda bem / Que agora encontrei você" (Thank goodness / I found you now). It's like she can't believe her luck, wondering what she did to deserve this person.
Before this new love, she felt totally alone and overlooked. She says "ninguém / Dava nada por mim" (nobody / bet anything on me), and she had even "desacreditei de mim" (lost faith in myself). Her heart was so used to being alone that she calls it "aposentado" (retired) and "maltratado" (mistreated). But then, this new person arrives and changes everything. They didn't just show up for a little while, "Você veio pra ficar" (You came to stay), making her happy and making her sing again.
Have you ever been so overwhelmed by a crush that you start whispering secrets to the drywall? That is exactly where Brazilian singer Marisa Monte begins in "Amor I Love You." She opens with an open plea: "Deixa eu dizer que te amo" ("Let me say that I love you") and confesses, "Hoje contei pras paredes / Coisas do meu coração" ("Today I told the walls / Things from my heart"). Thinking about this person brings instant peace ("me acolhe a alma" / "shelters my soul"), but it also makes her chest race ("Meu peito agora dispara"). It is sweet, dramatic, and charmingly unhinged in the way genuine infatuation always is.
Then the song switches into total literary indulgence. The recited passage describes someone who "tinha beijado o papel devotamente" ("had kissed the paper devotedly") after reading romantic letters for the first time. The narrator compares that burst of affection to a parched body soaking in a warm bath ("Como um corpo ressequido / Que se estira num banho tépido"). It turns love into an all-consuming luxury of pure sensation, wrapping up with the simple, multilingual hook: "Amor, I love you."
Brezilyalı şarkıcı Marisa Monte'nin bu şarkısı tam bir derin nefes alma anı. Şarkının adı olan "Ainda bem" (Çok şükür / Ne iyi oldu ki), aşkta umudunu tamamen kesmiş birinin yaşadığı tatlı şaşkınlığı anlatıyor. Kalbini aşktan tamamen emekliye ayırdığını söylerken "O meu coração já estava aposentado" (Kalbim çoktan emekli olmuştu) diyerek durumu biraz da esprili ve dobra bir şekilde özetliyor. Hatta kimsenin onun için bir şans görmediğini, görenlerle de kendisinin ilgilenmediğini açıkça itiraf ediyor: "Porque ninguém dava nada por mim, quem dava, eu não tava a fim" (Çünkü kimse bana şans vermiyordu, verenle de benim işim yoktu).
Yalnızlığa alışmış ve geçmişte hırpalanmış bir kalbin, birdenbire hayatına giren doğru kişiyle nasıl canlandığını dinliyoruz. Monte, "Eu realmente não sei o que eu fiz pra merecer você" (Seni hak etmek için gerçekten ne yaptım bilmiyorum) derken hissettiği minneti gizlemiyor. Şarkının güzelliği de bu sadeliğinde saklı: Büyük laflar etmek yerine, sadece o kişinin gelişiyle her şeyin dönüştüğünü ("Tudo se transformou") ve artık yüzünün güldüğünü fısıldıyor.
“Dança Da Solidão” invites us to imagine loneliness as a swirling samba. Marisa Monte and Paulinho Da Viola turn the heavy feeling of solitude into a rhythmic, almost hypnotic dance where everyone ends up moving. The lyrics paint loneliness as molten lava that silently covers everything, leaving a bitter taste and gray smiles. Through vignettes of heartbreak—Camélia’s sudden widowhood, Joana’s blinding passion, Maria’s tragic end—the song shows how disappointment keeps time like a metronome, guiding our reluctant steps on the dance floor of life.
Yet amid disillusion lies a hidden spring of hope. The narrator remembers a father’s warning to stay cautious, strums a viola under the full moon, and discovers a “fonte de água pura,” a pure water source that promises to wash away bitterness. The message is clear: even when sorrow leads the choreography, music, memory, and a sip of optimism can help us glide through the darkness and find light on the other side.
Have you ever felt so strongly for someone that you were ready to go all in? In "Totalmente Seu," which means "Totally Yours," Brazilian singer Marisa Monte sings about exactly that feeling. She's not playing games; she tells her love interest, "Eu levo a sério" ("I take it seriously") and confesses, "Sou totalmente seu" ("I am totally yours").
The singer knows that love isn't always easy. She admits that liking someone "Tem sempre algum perigo" ("Always has some danger") and involves a certain risk. Will it work out in the end? She's not sure, saying "O tempo irá dizer" ("Time will tell"). But for now, she's focused on the powerful connection she feels in the present, which she describes as "forte, perfeito" ("strong, perfect"). It's a song about embracing vulnerability and giving yourself completely to love, even without knowing what the future holds.
Manchmal rechnet man einfach nicht mehr mit der Liebe: Genau darum geht es in Ainda Bem von der brasilianischen Sängerin Marisa Monte. Sie erzählt völlig ungeschminkt, wie sie die Hoffnung eigentlich schon aufgegeben hatte. Die Zeile „O meu coração já estava aposentado“ (Mein Herz war schon im Ruhestand) bringt es herrlich auf den Punkt. Ihr Herz hatte keine Illusionen mehr und war von früheren Enttäuschungen gezeichnet („Tinha sido maltratado“ – Es war schlecht behandelt worden). Sie war so an das Alleinsein gewöhnt, dass sie selbst kaum noch an sich geglaubt hat: „Até desacreditei de mim“ (Ich habe sogar den Glauben an mich selbst verloren).
Und dann wendet sich plötzlich alles! Ein neuer Mensch taucht auf und bringt sie unerwartet wieder zum Singen. Die Erleichterung darüber steckt schon im Titel: „Ainda bem“ heißt wörtlich übersetzt so viel wie „noch gut“, bedeutet im Alltag aber schlicht „Ein Glück!“ oder „Gott sei Dank!“. Mit der Zeile „Porque ninguém dava nada por mim“ nutzt sie zudem eine typische Redewendung: Wörtlich „Niemand gab etwas für mich“, was bedeutet, dass niemand auch nur einen Pfifferling auf sie gesetzt hat. Jetzt kann sie ihr Glück kaum fassen und fragt sich ehrlich: „Eu realmente não sei o que eu fiz pra merecer você“ (Ich weiß wirklich nicht, was ich getan habe, um dich zu verdienen).
Get ready to be transported to the magic of Brazilian Carnival! This song is a beautiful tribute to Portela, one of Rio de Janeiro's most famous and beloved samba schools. The singer describes the incredible feeling of watching their parade at dawn, as the sun begins to rise. The lyrics paint a vivid picture of this "elegante amanhecer" (elegant dawn) and the deep emotions it stirs: joy, peace, and a sense of wonder.
The song is filled with powerful imagery that celebrates Portela's spirit. When the singer says, "Voei nas asas" (I flew on the wings), it's a direct reference to the school's symbol, the eagle. The lyrics praise Portela as a source of "mil contos pra contar" (a thousand tales to tell) and "mil cantos pra cantar" (a thousand songs to sing), highlighting its rich history and cultural importance. It's a pure celebration of samba, community, and the breathtaking beauty of Carnival.
Marisa Monte's "O Que Você Quer Saber de Verdade" is like a warm, gentle hug telling you to just be. It's all about letting go and finding freedom. The lyrics encourage you to "Vai sem direção, Vai ser livre" [Go without direction, Go be free], which is such a lovely thought, isn't it? It suggests that sometimes the best path is no path at all, just pure freedom.
The song also has this beautiful way of talking about sadness, saying "A tristeza não, Não resiste" [Sadness no, Does not resist]. It's as if sadness can't stick around when you're truly present and open. You're invited to "Solte os seus cabelos ao vento" [Let your hair down in the wind] and "Não olhe pra trás" [Don't look back], focusing instead on the quiet rhythm of life, like the "barulhinho que o tempo No seu peito faz" [little sound that time makes in your chest]. It's a reminder to listen to your inner self and the world around you, finding peace in every falling leaf and passing cloud, and ultimately, discovering "O que você quer saber de verdade" [What you really want to know].
Have you ever wished you could carry happiness with you like a superpower? That's the heart of Marisa Monte's uplifting song, "Feliz, Alegre E Forte." The title itself translates to "Happy, Joyful, and Strong," and the lyrics are a powerful reminder to focus on the present moment. The song asks, what does it matter if time passes, if you have a setback like a flat tire, or if the night gets cold? The answer is always to focus on the positive: getting back up, knowing how to love, and living in the "here and now."
This song is like a personal mantra, repeating the core affirmation: "Sou feliz, alegre e forte / Tenho amor e sorte / Aonde quer que eu vá" (I am happy, joyful, and strong / I have love and luck / Wherever I go). It suggests that true contentment isn't about what happens to you, but about your mindset. As the lyrics say, a happy state of mind simply depends on believing in it. It’s an empowering message about finding strength, love, and luck within yourself, no matter where life takes you.
В этой песне человек говорит о любви без защитных оговорок: «Sou totalmente seu» [Я полностью твой] и ещё прямее: «Sou 100% seu» [Я на сто процентов твой]. Он просит не обращаться с ним легкомысленно: «Eu levo a sério» [Я отношусь к этому серьёзно] и «Não brinca assim comigo» [Не играй со мной так]. В этом есть даже лёгкая улыбка: «Я на сто процентов твой» звучит почти как официальное заявление, только речь идёт о чувствах.
Но полной уверенности в будущем у героя нет. «Gostar de alguém tem sempre algum perigo» [Любить кого-то всегда немного опасно], а отношения связаны с риском: «Ficar com alguém envolve um certo risco» [Быть с кем-то связано с определённым риском]. Выражение «Se vai dar pé» [получится ли, выйдет ли] использует разговорный оборот dar pé, то есть «сработать» или «получиться». Продолжение «Ou não vai ter jeito» [или ничего не выйдет] оставляет другой вариант, и решить всё должен «O tempo» [время]. Пока ответ неизвестен, герой знает только одно: сейчас это чувство «forte, perfeito» [сильное, прекрасное].
У «Totalmente Seu» бразильська співачка Маріса Монтеш говорить від імені людини, яка закохалася без напівтонів. «Sou totalmente seu» [Я повністю твій] і «Sou 100% seu» [Я на сто відсотків твій] звучать майже як урочиста обіцянка, хоча поруч є чесне зізнання: «Não nego, confesso» [Не заперечую, зізнаюся]. Герой просить не гратися з його почуттями: «Não brinca assim comigo» [Не грайся так зі мною]. Це трохи драматично, трохи мило і дуже прямо.
Пісня не обіцяє, що все неодмінно складеться. «Se vai dar pé» [Чи з цього щось вийде] містить бразильський розмовний вислів: буквально він пов’язаний із можливістю втриматися на ногах, а тут означає «чи спрацює це». У наступному куплеті «ficar com alguém» [бути з кимось, мати стосунки] названо ризиком, а майбутнє віддано часу: «O tempo irá dizer» [Час покаже]. Та зараз усе для героя «forte, perfeito» [сильне, прекрасне], тому він обирає не вгадувати фінал, а чесно сказати: він повністю належить цій людині.
U pjesmi „Totalmente Seu”, čiji naslov znači „Potpuno tvoj”, Marisa Monte govori izravno i bez puno okolišanja: ova osoba ljubav shvaća ozbiljno. „Eu levo a sério” [Shvaćam to ozbiljno] i „Não brinca assim, não faz assim comigo” [Nemoj se tako šaliti, nemoj mi to raditi] zvuče kao molba nekome tko se možda poigrava njezinim osjećajima. Zatim dolazi vrlo jasna izjava: „Sou totalmente seu” [Potpuno sam tvoja/tvoj]. U portugalskom se rod ne vidi u toj rečenici, pa prijevod može biti i „Potpuno sam tvoj” i „Potpuno sam tvoja”, ovisno o tome tko govori.
Najzanimljivije je što pjesma ne obećava da će sve sigurno uspjeti. „Gostar de alguém tem sempre algum perigo” [Sviđati se nekome uvijek nosi određenu opasnost], a „Se vai dar pé, ou não vai dar jeito, o tempo irá dizer” [Hoće li uspjeti ili neće biti rješenja, vrijeme će pokazati]. Izraz dar pé je razgovorni idiom za „imati izgleda” ili „uspjeti”. Unatoč tom riziku, osjećaj je sada „forte, perfeito” [snažan, savršen]. To je slatko, odvažno i pomalo pretjerano priznanje: budućnost je neizvjesna, ali trenutačno je govornik sasvim predan.
I “Totalmente Seu” er kærligheden både alvorlig og lidt risikabel. Fortælleren siger: “Eu levo a sério” [Jeg tager det alvorligt] og beder den anden om ikke at lege sådan med følelserne: “Não brinca assim comigo” [Lad være med at lege sådan med mig]. Så kommer den meget direkte erklæring: “Sou totalmente seu” [Jeg er helt din]. Der er ingen forsøg på at skjule, hvor stærkt det føles lige nu.
Sangen er også ærlig om usikkerheden. At kunne lide eller være sammen med nogen indebærer “algum perigo” [en vis fare] og “um certo risco” [en vis risiko]. Udtrykket “Se vai dar pé” betyder omtrent “om det kan fungere” eller “om det har en chance”. Det kan fortælleren ikke vide endnu: “O tempo irá dizer” [Tiden vil vise det]. Men her og nu er konklusionen enkel og næsten charmerende overdrevet: “Sou 100% seu” [Jeg er 100 procent din].
В „Totalmente Seu“ бразилската певица Мариса Монте говори съвсем директно за човек, към когото се е отдала напълно. „Sou totalmente seu“ [„Напълно съм твоя“] и „Sou 100% seu“ [„На сто процента съм твоя“] се повтарят като ясно обещание, без игри и без преструвки. Тя казва „Eu levo a sério“ [„Приемам го насериозно“] и моли другия: „Não brinca assim comigo“ [„Не си играй така с мен“]. Тук любовното признание е едновременно нежно и малко настоятелно: чувствата са прекалено силни, за да бъдат третирани като шега.
Песента обаче не обещава сигурен край. „Gostar de alguém tem sempre algum perigo“ [„Да харесваш някого винаги крие известен риск“], а „ficar com alguém“ [„да бъдеш с някого, да имаш връзка или да се срещаш с него“] също включва риск. Изразът „Se vai dar pé“ [„Дали ще се получи“] е разговорен португалски идиом, близък до „дали ще потръгне“, докато „O tempo irá dizer“ [„Времето ще покаже“] оставя отговора за по-късно. Засега тя знае само едно: „agora é forte, perfeito“ [„сега е силно, съвършено“]. Харесва ми тази честност: пълно отдаване в настоящия момент, без да се преструва, че бъдещето е гарантирано.
„Totalmente Seu“ bedeutet „Ganz dein“. Marisa Monte singt hier aus der Sicht einer Person, die eine neue Liebe sehr ernst nimmt. Gleich am Anfang heißt es: „Eu levo a sério“ [Ich nehme das ernst]. Danach folgt die direkte Bitte „Não brinca assim comigo“ [Spiel nicht so mit mir]. Die Gefühle sind also kein lockerer Zeitvertreib: „Sou totalmente seu“ [Ich bin ganz dein] und „Sou 100% seu“ [Ich bin zu hundert Prozent dein]. Diese hundert Prozent sind natürlich keine Rechnung, sondern eine sehr deutliche Art zu sagen: Ich bin völlig auf dich eingestellt.
Gleichzeitig weiß die Person, dass Nähe ein Risiko bedeutet. „Gostar de alguém tem sempre algum perigo“ [Jemanden zu mögen birgt immer eine gewisse Gefahr], später heißt es noch konkreter: „Ficar com alguém envolve um certo risco“ [Mit jemandem zusammen zu sein, bringt ein gewisses Risiko mit sich]. Ob es gut ausgeht, weiß niemand: „Se vai dar pé“ [Ob es klappt] oder „se vai dar certo“ [ob es gut geht], „o tempo irá dizer“ [die Zeit wird es zeigen]. Trotzdem bleibt im Jetzt eine klare Überzeugung: „Só sei que agora é forte, perfeito“ [Ich weiß nur, dass es jetzt stark und vollkommen ist]. Genau diese Mischung macht das Lied so sympathisch: ein bisschen vorsichtig, ziemlich direkt und trotzdem völlig verliebt.
En «Totalmente Seu», Marisa Monte presenta a alguien que habla del amor con una franqueza encantadora y un poquito de riesgo. La frase «Sou totalmente seu» [Soy totalmente tuyo/a] se repite como una declaración directa: la persona no está jugando y se entrega por completo. «Eu levo a sério» [Me lo tomo en serio] y «Não brinca assim comigo» [No juegues así conmigo] suenan casi como una advertencia cariñosa: si vas a acercarte, hazlo de verdad.
La letra también reconoce que querer a alguien nunca viene con garantías. «Gostar de alguém / Tem sempre algum perigo» [Gustar de alguien siempre tiene algún peligro] y «Ficar com alguém / Envolve um certo risco» [Estar con alguien implica cierto riesgo] dicen que el resultado todavía no está decidido. La expresión «Se vai dar pé» [Si va a funcionar] es coloquial en portugués brasileño, algo parecido a “si esto va a salir bien”. La respuesta es sencilla: «O tempo irá dizer» [El tiempo lo dirá]. Mientras tanto, la persona no duda de lo que siente ahora: «Só sei que agora é forte, perfeito» [Solo sé que ahora es fuerte, perfecto]. Es una canción breve, insistente y muy segura de una cosa, aunque el futuro siga en suspenso.
Have you ever felt so connected to nature that it felt like magic? Marisa Monte's "A Língua dos Animais" captures this feeling perfectly. The song is a beautiful celebration of the simple joys found outdoors. It paints a vivid picture with images of:
- "Gotas do céu" (Drops from the sky) that bring a garden to life
- "Ondas do mar" (Ocean waves) that murmur songs
- "Flores de luz" (Flowers of light) that decorate the morning
As the singer walks in the sun and steps on the grass, this deep connection to the world around them leads to a wonderful discovery. When they are alone and follow their instincts, they find they can understand a secret language: the "língua dos animais" (the language of the animals). It's a song about finding a magical, intuitive sense of belonging in the natural world, where you can even have a conversation with a bird about "supernatural subjects."
En «Totalmente Seu», Marisa Monte presenta a alguien que habla del amor con una franqueza encantadora y un poquito de riesgo. La frase «Sou totalmente seu» [Soy totalmente tuyo/a] se repite como una declaración directa: la persona no está jugando y se entrega por completo. «Eu levo a sério» [Me lo tomo en serio] y «Não brinca assim comigo» [No juegues así conmigo] suenan casi como una advertencia cariñosa: si vas a acercarte, hazlo de verdad.
La letra también reconoce que querer a alguien nunca viene con garantías. «Gostar de alguém / Tem sempre algum perigo» [Gustar de alguien siempre tiene algún peligro] y «Ficar com alguém / Envolve um certo risco» [Estar con alguien implica cierto riesgo] dicen que el resultado todavía no está decidido. La expresión «Se vai dar pé» [Si va a funcionar] es coloquial en portugués brasileño, algo parecido a “si esto va a salir bien”. La respuesta es sencilla: «O tempo irá dizer» [El tiempo lo dirá]. Mientras tanto, la persona no duda de lo que siente ahora: «Só sei que agora é forte, perfeito» [Solo sé que ahora es fuerte, perfecto]. Es una canción breve, insistente y muy segura de una cosa, aunque el futuro siga en suspenso.
¿Alguna vez te has sentido tan enamorado que terminas hablándole a los muebles? Justo eso confiesa la brasileña Marisa Monte cuando canta: «Hoje contei pras paredes coisas do meu coração» [Hoy le conté a las paredes cosas de mi corazón]. En este clásico pop, el amor no llega con drama ni tormentas; llega como un bálsamo reconfortante. Repetir un simple «Deixa eu dizer que te amo» [Deja que te diga que te amo] se convierte en una necesidad básica, casi medicinal: «Isso me acalma, me acolhe a alma / Isso me ajuda a viver» [Eso me calma, me acoge el alma / Eso me ayuda a vivir]. La ternura es tan directa y sin pretensiones que hasta mezcla idiomas en el coro al soltar ese directo «Amor, I love you».
Lo más curioso del tema llega hacia el final, cuando la música baja y entra un fragmento literario recitado con devoción. Es una lectura que describe a alguien besando una carta y sintiendo cómo «o seu orgulho dilatava-se» [su orgullo se ensanchaba] ante semejante declaración de afecto, como si un cuerpo exhausto entrara en agua tibia («num banho tépido»). Marisa te muestra el enamoramiento desde dos ángulos: la sencillez de confesar tus ganas de querer a alguien y la euforia íntima de saberte querido.
Segue o Seco paints a vivid picture of Brazil’s drought-stricken sertão, where everything feels seco (dry) — cattle, storms, farming tools, even people’s hopes. By repeating the word over and over, Marisa Monte lets us taste the dust and feel the weariness of a land and a population that keep moving forward without realizing that the very road beneath their feet is cracked and barren. The line “a água que secar será um tiro seco” hints that, when the last drop is gone, desperation can explode like a gunshot. Drought here is not only about weather; it is a symbol of social neglect, poverty, and the slow erosion of dreams.
Yet behind the cracked earth there is a persistent prayer: “Ô, chuva, vem me dizer” — “Oh, rain, come tell me.” The singer begs the clouds for relief and wonders whether the people “up there” (political leaders? the heavens?) are lonely, silent, or simply indifferent. Each imagined cause for rain — Saint Peter’s tears, a broken heart, coconuts spilling their water — reminds us that human emotion and natural forces are intertwined. In the end the song is both a protest and a hopeful chant: it exposes the harsh reality of drought while calling for compassion, solidarity, and the life-giving water that can reset destiny.
“Dança da Solidão”, interpretada por Marisa Monte junto a Paulinho da Viola, convierte la soledad en una especie de baile compartido: “Danço eu, dança você / Na dança da solidão” [bailo yo, bailas tú / en la danza de la soledad]. La imagen es bonita y bastante amarga: dos personas se mueven al mismo ritmo, aunque estén atrapadas en la desilusión. La canción usa metáforas muy físicas, como “Solidão é lava que cobre tudo” [la soledad es lava que lo cubre todo] y una amargura que “sorri seus dentes de chumbo” [sonríe con sus dientes de plomo]. Aquí la soledad no es silencio tranquilo, sino algo pesado que cubre, endurece y deja a la persona “resignado e mudo” [resignado y mudo].
Después aparecen pequeñas historias de amor y pérdida: Camélia enviuda, Joana se enamora y Maria intenta quitarse la vida por amor. No se explican sus destinos, y justamente por eso suenan como ejemplos de distintas formas de desilusión. La voz recuerda el consejo del padre, “Meu filho, tome cuidado” [hijo mío, ten cuidado], y admite que al pensar en el futuro no olvida el pasado. En la madrugada, toca la viola mientras contempla la luna llena, pero la canción deja una salida luminosa: “Uma fonte de água pura” [una fuente de agua pura]. Quien beba de esa agua ya no tendrá amargura. Es una promesa sencilla, casi de cuento, que aparece después de tanta tristeza: incluso dentro de la soledad puede existir algo capaz de aliviarla.
In “Dança da Solidão”, Marisa Monte, artista brasiliana, e Paulinho da Viola trasformano la solitudine in una danza che coinvolge tutti: “Danço eu, dança você / Na dança da solidão” [ballo io, balli tu / nella danza della solitudine]. L’immagine è amara e molto concreta: la solitudine è “lava que cobre tudo” [lava che ricopre tutto] e lascia in bocca un sorriso dai “denti di piombo” [denti di piombo]. La parola “desilusão” significa disillusione, la scoperta dolorosa che l’amore o il futuro non sono andati come si sperava.
Le strofe ricordano alcune storie brevi e drammatiche: “Camélia ficou viúva” [Camélia è rimasta vedova], Joana si è innamorata e Maria ha tentato di morire per amore. Poi arriva il consiglio del padre: “Meu filho, tome cuidado” [figlio mio, fai attenzione], perché pensare al futuro non significa cancellare il passato. Nella madrugada, la notte fonda, il narratore accarezza la viola, lo strumento musicale brasiliano, mentre guarda la luna piena. E proprio quando tutto sembra amaro compare una speranza semplice: “Uma fonte de água pura” [una fonte d’acqua pura]. Chi beve quell’acqua, dice la canzone, non avrà più amarezza. È un finale luminoso, anche se la danza della solitudine continua.
