Learn Italian With Tony Boy with these 11 Song Recommendations (Full Translations Included!)

In "Passa Il Tempo," which translates to "Time Passes," Italian artist Tony Boy reflects on moving forward and letting go of past troubles. The song's main message is clear from the start: "Passa il tempo, basta tormentarti / È passato ormai" ("Time passes, stop tormenting yourself / It's in the past now"). He grapples with the feeling of not meeting expectations and being on a different timeline than he once imagined.

Throughout the song, Tony Boy paints a picture of a difficult life, hinting at struggles with lines like "Non c'è il soffitto, piove dentro" ("There's no ceiling, it's raining inside"), a powerful metaphor for feeling exposed and having internal turmoil. He finds strength in friendship, thanking a "brother" for his support, and uses his music as a form of release and redemption, calling his rhymes "il nostro perdono" ("our forgiveness"). It's a song about resilience, finding reasons to smile "even if everything goes wrong," and the universal struggle of judging oneself while trying to move on.

Tony Boy spends this one talking to someone who keeps texting to ask where he is going tonight, and answering her mostly in his own head. He is not chasing her: "Io lo so bene come sei, non insisto" (I know exactly how you are, I won't push), followed straight away by the admission that he vanished too. What makes it land is how specific the wreckage gets. "Outfit clean, coscienza sporca" (Clean outfit, dirty conscience) is four words and does the whole job, and "Cocci a terra nel salotto" (Shards on the floor in the living room) leaves the broken heart of the title lying around as actual pieces of something.

The second verse is the same man a few drinks later. He fills the glass to the brim, sits with his legs crossed smoking above a precipice, then watches himself from the outside: "Terza persona, vedo bene ogni mio vizio" (In the third person, I see every vice of mine clearly). The hook keeps insisting she is what holds him up, "Tu mi fai forza anche se tengo il cuore rotto, rotto, rotto" (You keep me strong even though my heart is broken, broken, broken), and that repeated "rotto" does more than any adjective would. The meanest line waits until the very end, and it points back at her: "Non sei più chi sei da quando ti conosco" (You're not who you were when I met you).

Ever feel like your thoughts are stuck on a loop? That's the core idea behind Tony Boy's "In Automatico." The title, which means "On Automatic," describes how the singer's mind keeps returning to a painful place, no matter how hard he tries to stop it. He sings about a person who has changed and a relationship that is now just a memory, bringing feelings of malinconia (melancholy) and nostalgia.

This isn't just a simple breakup song, though. The lyrics paint a picture of a tough life that has left him feeling emotionally frozen. He uses powerful metaphors to describe his state of mind, comparing his heart to an "igloo" and his emotions to a locked phone with the wrong PIN. He feels emotionally blocked off, harsh only with himself, and unable to escape the cycle of his own thoughts.

In "Giusto," Italian artist Tony Boy reflects on the idea of getting what you deserve in a world full of gossip and judgment. The song's title, which means "Right" or "Just," captures the core message: despite what people say about you ("Hanno detto molte cose su di me"), in the end, you only receive what is fair. He acknowledges that he can't fix the world ("Non è un mondo che aggiusto"), so he focuses on his own path.

Tony Boy paints a picture of his internal struggles, mentioning feeling emotionally cold and dealing with "traumi di prima mattina" (traumas in the early morning). He contrasts the envy of others with his own success, symbolized by his shining jewelry. Throughout the song, he talks about persevering despite being told "No" and staying true to himself. It's a story of navigating a harsh world, dealing with an empty feeling in his heart, and ultimately believing that justice will prevail.

In "Anomalia," Italian artist Tony Boy paints a picture of a life caught between two extremes. On one hand, he describes a world of luxury with "diamonds set on my chain" and expensive cars. On the other hand, he reveals a deep internal struggle, feeling like an "anomaly in the system." He feels trapped halfway between feeling everything and feeling nothing at all, confessing, "Everything seems okay, it's not okay, baby."

The song explores themes of mental health, paranoia, and the dark side of a successful lifestyle. Tony Boy sees himself as a glitch, an "anomalia dentro me" (an anomaly inside me), and he doesn't try to hide it. This internal conflict affects those around him, as he tells his partner, "Now you have sad eyes like mine, baby." It's a raw and honest look at the feeling that even when you have everything on the outside, something can still be fundamentally broken on the inside.

In "Total Black," Italian artist Tony Boy paints a picture of a life lived in the fast lane, defined by high fashion, success, and intensity. He describes a lifestyle where problems are dealt with by being locked away in a "blunt" and thoughts are put into "lean." The central image is his signature style: dressing in "total black" high fashion, a look that represents his unchanging identity even as his fame grows. He's confident, claiming he's always been the "center of attention" and is now becoming the "voice of the people" through his music.

The song captures a feeling of constant motion and risk. Life with him is like going "duecento all'ora" (200 km/h), and he won't wait for anyone. He contrasts his public success, like making a "milli" (million) without thinking, with his inner struggles, like waking up suddenly at night from past traumas. Ultimately, "Total Black" is a declaration of ambition and resilience, a promise to keep pushing forward until his real-life successes seem like a legendary "storia" (story).

Tony Boy's "Guerra" is a really personal look into his world, where he's constantly battling expectations and fake people. He starts by calling out someone who compared him to others, telling them to go to that other person because they'll treat them "meglio di così" [better than this]. He's over the drama, saying "ognuno ha i suoi chiodi" [everyone has their own nails] – meaning everyone has their own problems to deal with, and he's not interested in superficial things like "un tattoo inutile che fai per essere alla moda" [a useless tattoo you get to be fashionable].

He talks about his come-up, paying for recordings "coi soldi del trap" [with trap money] before his rap career took off, and how things are growing now. He also touches on a darker period, admitting he "non poppavo Perc', poi ho conosciuto lei / Poi ho perso la mia mente dentro le vie del centro" [didn't pop Percs, then I met her / Then I lost my mind in the streets of the center]. It feels like he's always in his head, saying "Mi piace mettermi in dubbio, lo fa la mia testa in automatico" [I like to question myself, my head does it automatically]. He's fighting his own war, staying silent and strong, adding zeros to his contract, and leaving the clout chasers behind. The song is a toast "Per chi combatte la sua guerra" [For those who fight their war], a powerful message about staying true to yourself.

Tony Boy's "Cerchio" is a high-energy track all about living the good life and making your mark. He's got everything people are looking for, repeating, "Ho quello che cerchi, quello che chiedi" [I have what you're looking for, what you're asking for]. It's a flex, pure and simple!

He talks about doing "cerchi" [circles] in an Audi, creating moshpits at concerts, and even blowing smoke in a perfect circle – it's all about making an impact. He's got global contacts "come un Glovo" [like a Glovo delivery service] and is constantly on the move, flying on jets and driving a Benz. Despite all the screens giving him a headache, he turns everything into a party. He even brags about making a year's salary in just days, shutting down anyone who thinks he's lazy. It's a confident, fast-paced look at success and enjoying every moment of it.

Tony Boy's "Mischiare Le Carte" (Shuffling the Cards) feels like a raw, unfiltered peek into his mind. He talks about taking a lot from life, but when he's with a certain person, he's "su Marte" (on Mars), completely out of this world. He admits to making mistakes by oversharing in the past, so now he's keeping to himself, "in disparte" (aside).

There's a sense of needing to overcome challenges, like defeating a dragon, to take this person to a different place. He tells them, "Devi essere un po' meno severo con te" (You need to be a little less hard on yourself). He finds a rebellious feeling when they're together, closing himself off from the world, and he warns them about playing with fire. Tony Boy also touches on his past, recalling smoking weed in middle school and his aggressive side. He feels like he's in a different league than others, and his songs are meant for his brothers when he's gone. It's a mix of introspection, ambition, and a bit of a rebellious spirit.

Ever felt like people are talking about you, but they have no idea what you're really going through? Tony Boy's "Che Ne Sai" [What do you know?] is all about that feeling! He's calling out all the haters and doubters who judge him without knowing his struggles. He asks, "Ma tu cosa ne sai? Di quei giorni, quei giorni, quei giorni in cui nel buio e non trovo la luce?" [But what do you know? About those days, those days, those days when I'm in the dark and can't find the light?]. It's a blunt reminder that they don't know about the "droghe che ho in corpo" [drugs I have in my body] or "cos'ho nel giubbotto" [what I have in my jacket].

Tony Boy also flexes his success and talent, asking "Tony come fai? A rimanere umile sempre con questo talento?" [Tony, how do you do it? To always remain humble with this talent?]. He's proud of his crew, saying "Tutti quanti i miei slime sono in giro a fare soldi" [All my slime are out making money], while dismissing the talkers with a simple "'Bla, bla, bla'". He even jokes about how easily he surpasses others, saying, "Ti senti al mio passo solo perché ti doppio" [You only feel like you're at my pace because I'm lapping you]. It's a confident, no-nonsense track that tells everyone to mind their own business!

Tony Boy's "Vienitela A Prendere" is a defiant and confrontational track, full of swagger and a no-nonsense attitude. He's not here for drama, telling someone, "Uoh-oh-oh, dai, non te la prendere" [Uoh-oh-oh, come on, don't take it to heart]. He's quick to dismiss others, even telling someone to "La tua bitch è tutta vuota, vienitela a prendere" [Your bitch is all empty, come and get her]. It's clear he's focused on his own success and doesn't care for fake friends or distractions.

The song also touches on the harsh realities of his world, where "Se finisco i blister, finiscono le amicizie" [If the blisters run out, friendships end]. He's aware of people who might pretend to be on his side, saying, "Dicono di esser miei slime, ma gli taglierei la lingua" [They say they're my slime, but I'd cut out their tongue]. Despite the challenges, he finds solace in his music and experiences, stating, "Droghe per davvero, melodie davvero Nascono da zero e mi fanno sentire meglio" [Real drugs, real melodies They are born from scratch and make me feel better]. It's a raw look into his life, where honesty, even if it's blunt, is key to his well-being.