
Gaëtan Roussel’s “Marjolaine” feels like a handwritten letter that has burst into song. Addressing Marjolaine as both queen and travel companion, the singer pours out pages of poems he will never read aloud, reminding her to stay true to herself through every joy and hidden sorrow. His heartbeat becomes a drum of devotion while he paints life as a wild adventure: a night sky flashing with lightning, flames, and dilemmas, where love can drift away yet still remain close.
At its heart, the track is an invitation to escape the ordinary and dream big together. Roussel imagines secret ships ready to whisk them toward new horizons, a bohemian island to build from scratch, and a kingdom made of laughter rather than gold. Even as time keeps ticking and the universe offers no guarantees, the song urges Marjolaine — and us — to seize the moment, breathe deeply, and trust that someone is always thinking of us when oxygen feels scarce.
Gaëtan Roussel weaves a dazzling word-play tapestry in Inoubliable (which means Unforgettable). From the opening barrage of adjectives—innée (innate), inévitable (inevitable), inouï (extraordinary)—he paints love and friendship as forces that are both natural and unstoppable. Every “inouï, inoubliable” feels like a firework burst, celebrating the jaw-dropping moments we share with someone who lights up our world.
When the chorus repeats “des âmes inoubliables,” the song shifts from sweet romance to a bigger, life-affirming message: even when flowers wilt and days rush past, our shared memories endure. Roussel reminds us that smiles, adventures, and “unbeatable hearts” become treasures we can hold on to “encore et encore.” The track is a feel-good anthem that invites you to cherish every extraordinary, unforgettable soul that crosses your path—starting with your own.
“Crois-moi” is a joyful manifesto of carpe diem energy. Gaëtan Roussel and Adeline Lovo invite us on an imaginary road trip that bounces from the moon to tropical islands, from restless city streets to the edge of a volcano. Along the way, the singers admit their contradictions—they dance and protest, laugh and lie, get bored and get bold—yet they always choose motion over stagnation. Their repeated plea, “Crois-moi” (Believe me), reminds us that time slips through our fingers, so the usual borders of night and day, land and sea, right and wrong, should never cage our curiosity.
The song’s refrain urges the listener to trust the swirl of change. By celebrating mistakes, surprises, and even the chaos that “deranges” others, the track paints freedom as a playful blend of courage and vulnerability. In short, “Crois-moi” tells learners (and dreamers) to keep moving, keep mixing experiences, and above all believe that life’s beauty lies in its constant, unpredictable flow.
“Ma Totalité” is a vibrant duet where Gaëtan Roussel and Soprano celebrate love that refuses half-measures. Over an energetic blend of pop, rock, and rap, the singers promise to hand over everything they are: their comings and goings, smooth curves and rough edges, joys and pains. Instead of hiding imperfections, they lay them out like colorful puzzle pieces, inviting the listener to see how contradictions can form a complete picture.
The chorus repeats like a heartbeat—“Moi je te donne ma totalité”—hammering home the idea that genuine affection means showing up with your whole self, not just the polished highlights. By asking for only “ma moitié” in return while offering “ma totalité,” the song flips the usual give-and-take of romance on its head, turning it into a joyful declaration of unconditional commitment. Listening to it feels like being handed a key to someone’s entire world, flaws and all, with an irresistible rhythm urging you to dance along.
Je Me Jette À Ton Cou is Gaëtan Roussel’s heartfelt reminder that, no matter how wildly life’s tides rise and fall, there is one safe harbor we can always swim toward: the arms of someone we love. The lyrics speed through a carousel of everyday highs and lows — tears climbing, morale dropping, bills piling up, the sea of worries swelling, even the whole Earth seeming to break apart. Each quand paints a different snapshot of vulnerability, chaos, or quiet wonder. Yet after every swirl of uncertainty comes the same simple answer: Je me jette à ton cou (“I throw myself around your neck”). That hug is an island of togetherness, a place where two people can breathe, reset, and remember what truly counts.
With its rhythmic repetition and vivid imagery, the song captures the roller coaster of modern life while celebrating human connection as the ultimate life-raft. Whether the world is turning ordinary or apocalyptic, Roussel tells us that a sincere embrace can stitch the pieces back together, offering both comfort and courage to face the next wave.
Gaëtan Roussel invites us on a poetic time-travel where one second can hold an entire lifetime. Throughout the song, waves, boomerangs, and even whispering conifers remind us that nothing truly disappears; everything circles back when it is ready. Relationships spin in this same cosmic carousel: yesterday we swore we were meant to live together, yet today everything is shrouded in mystère. The French singer paints life as a dance of comings and goings, suggesting that beauty blooms only when we give feelings and events all the time they need.
By repeating questions of the past and future, the lyrics nudge us to pause, look back, or gaze ahead, but never rush. Roussel’s message is both comforting and playful: whether you have a fleeting spark or a lifelong love, savor it at the pace of nature itself. Let the song be your gentle reminder to breathe, observe, and allow time to weave its quiet magic.
Les Matins Difficiles feels like waking up on a grey Monday, placing one foot in front of the other and asking yourself, “Why am I even doing this?” Gaëtan Roussel lists everyday hurdles—late-night worries, detours we never planned, empty promises that scatter like sparks in the wind—and then stops to wonder what mysterious force keeps us all moving. Is it desire, that indispensable rush of wanting more, or is it time, the relentless clock that pushes us whether we like it or not? The lyrics swing between hiding and showing up, attaching and lying to ourselves, painting a relatable picture of human hesitation and hope.
In the end, the song is a gentle rallying cry: even on the toughest mornings, something inside us still points forward. Roussel does not serve a neat answer; instead, he invites listeners to recognize their own unseen engine—the blend of curiosity, stubbornness, and fleeting optimism that keeps life inching ahead. Listening to this track is like sipping coffee after a sleepless night: you feel both the exhaustion and the quiet thrill of another chance to figure things out.
Je Te Promets is a romantic firework of promises, each line sprinkling the listener with vivid sensations: salt on your lips, honey on your skin, the sky above your bed, blue-veined days and red-hot dreams. Gaëtan Roussel piles image upon image to say, “I am ready to give you everything,” from his laughter to his tears, from comforting arms to secrets of the soul. Rather than weapons, he offers pure flame; rather than farewells, only “see you later.” The song feels like wandering through a candy-store of emotions where every shelf is labeled trust, tenderness, and desire.
Yet the chorus lifts the curtain on a more vulnerable truth. The singer admits that words can wear thin, chalk can smudge, and love stories do not always last past sunrise. Even so, he chooses to believe—the way a child believes in the sky—that these promises can spark something real if they both keep the faith. In other words, Roussel is not guaranteeing a fairy-tale ending; he is inviting his partner to share a fearless leap into hope, even if it lasts only “a moment of fever and sweetness.” The song’s charm lies in that mix of poetic grandeur and honest doubt, reminding us that sometimes the boldest promise is simply to try, together.
Dis-moi Encore Que Tu M'aimes feels like a midnight road trip inside a relationship. Gaëtan Roussel paints quick flashes – running breathlessly under the stars, raindrops about to pour, morning light slipping through blinds – to show two lovers suspended between past memories and future possibilities. The constant plea "Dis-moi encore que tu m'aimes" ("Tell me again that you love me") is a heartbeat, a reminder that words of affection can chase away uncertainty when life moves too fast.
The singer wonders if they could replay every scene or even change the script of their story, hinting at regret, hope, and the fragile nature of love. Yet beneath the questions there is optimism: as long as they keep voicing their love, they can face diluvian rains, mechanical endings, and the frantic traffic of everyday life. The song is both a romantic whisper and a cinematic montage, inviting us to celebrate the power of saying "I love you" one more time.
On Dit Qu’on Ne Pleure Pas Dans L’eau is a dreamy, sea-sprayed conversation about belonging. Gaëtan Roussel and guest vocalist Matthieu Chedid ping-pong questions that we have all asked ourselves: Where is my real home? What truly calms me down? From shooting stars and makeshift tents to cliff-top villas and the Greek island of Milos, every image suggests that “home” is less a place than a feeling we carry while drifting through life.
The hypnotic refrain “on dit qu’on ne pleure pas dans l’eau” (people say you cannot cry in water) hints at a clever escape: if your tears dissolve into the sea, no one can see your sadness. Yet the song stays hopeful. The desert keeps us company, the sky reminds us nightly that we are in this together, and the waves both separate and unite us. It is an invitation to let your worries float, trust the next unknown journey, and remember that even in chaos we remain connected by the same water, the same sky, and the same whispered promise of tomorrow.