“Tirando Balas” paints a cinematic picture of a love-turned-battlefield. Samuraï sings from the perspective of someone tired of mixed signals: they write melodies at night, chain-smoke by the ashtray, and ultimately realize their affection is being met with emotional blanks. The repeated command “Apunta y dispara” (Aim and shoot) turns the other person’s indifference into bullets, showing how every unanswered message or hesitant gesture wounds more than they admit.
Beneath the catchy hook lies a clash of opposites. The singer lives on buzzing stages while the partner hides like a lone ranger. One claims not to believe in love, the other believes but stays silent. This mismatch breeds mistrust until the narrator decides to walk through the ex’s neighborhood without saying a word – proof they have finally stopped caring. The song becomes an anthem for anyone who has poured their heart into someone who keeps “shooting” emotional bullets, and who now chooses self-preservation over one-sided devotion.