Profana means "profanes" or "desecrates." It's a strong and somewhat archaic verb that isn't commonly found in everyday conversation or many pop songs.
In "A Maçã," Raul Seixas uses it to express a provocative idea: "Um amor a dois profana o amor de todos os mortais" (A love for two profanes the love of all mortals). He suggests that an exclusive, possessive love diminishes the universal nature of love itself, making it a truly unique and thought-provoking word choice in the context of the song's philosophy on freedom in relationships.
Raul Seixas invites us to take a bite out of freedom in “A Maçã.” Using the humble apple as his central image, the Brazilian rock icon questions the idea that love should be locked away between two people. If every apple tastes the same, he suggests, why cling possessively to just one? Behind the playful metaphor lies a daring message: jealousy is nothing more than vanity, and real affection only flourishes when each person can roam, explore, and still choose to return.
The lyrics reveal a tender yet rebellious heart. At first, the singer longs to fuse body and soul with his partner, but he soon realizes that trying to “own” someone betrays the very beauty he treasures. Rather than condemn or cage the one he loves, he decides to set her free, even if it hurts. In doing so, “A Maçã” celebrates an open-minded, almost utopian vision of love where sincerity matters more than exclusivity and where the sweetness of the apple belongs to everyone who dares to taste it.