Crecidos literally means "grown up" or "grown big." However, in this song, it's used to describe people who are acting arrogant or superior, as if they're better than others.
Natanael Cano sings, "La juegan a los crecidos," which translates to "They play at being grown up" or "They act like they're big shots." This word is interesting because it captures a common social dynamic with a subtle, yet impactful, meaning beyond its literal translation.
Y Que is Natanael Cano’s unapologetic shout of self-confidence. Across the verses he brushes off critics, flaunts his independence, and declares that no one will dictate who he should be. From admitting he enjoys weed to reminding haters that he earns his own money, Natanael repeats a defiant question: “¿y qué?” – so what? It is a proud anthem for anyone who has been judged yet keeps walking with head held high.
Beneath the swagger lies a relatable message. The song reminds us that every person faces battles, and nobody’s life is flawless. Instead of throwing stones, celebrate your own path and toast with the friends who truly know you. With its raw lyrics and fearless attitude, Y Que invites learners to embrace authenticity, ignore the noise, and keep striving for their goals – all while vibing to the distinctive Mexican corrido-trap sound that Natanael Cano pioneers.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.