Imagine a smoky club in Mexico where the neon lights flicker, the DJ keeps the corridos tumbados rolling, and everyone has a drink (or something stronger) in hand. Our narrator is riding that late-night high: little bags for a “boost,” chilled shots that burn going down, and a circle of glamorous “Barbies” ready to dance. Suddenly he spots her — the girl who makes his heart pound harder than any stimulant. Butterflies flutter, courage kicks in, and with one light tap on her shoulder he’s pulled onto the dance floor, their bodies moving in perfect sync.
A few songs, a few more drinks, and the chemistry turns electric. By sunrise they are tangled in his sheets, a whirlwind romance compressed into a single night. When she slips away, the party vibe crashes into longing. Days later he is back in the same club, joint in hand, scanning every face, praying and even asking the moon to guide her back. “Ella” captures that intoxicating mix of nightlife euphoria, instant attraction, and the bittersweet ache that follows a fleeting yet unforgettable connection.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.